This is a real RBW stan channel, I respect you very much. Honestly, I really hate RBW, but I also hope it gets better and richer so it can push talented groups to become famous. I like all artists in this company from MAMAMOO, ONEUS, ONEWE to PURPLE KISS.
And they never failed to disappoint us when deciding to promote 7Heaven in September which is extremely late. Their timing is bad. 7Heaven is a really good summer song, with good lyrics, but was released in mid-autumn 😢
I would love to see an update of this video as a Plory, especially with the Festa comeback, by that time everyone was pretty much over fun summer songs, and I feel it gained a lot of negativity because it felt so jarring compared to sweet juice 😞😞😞
Thank you so much! I will try my best to do an interesting video about that topic, but 1st I will need to get informed better on Mamamoo's promotions before 2019!
I think the RBW company as a human life, there are ups and downs that have nothing to be afraid of. I feel like it's almost like enjoying and relaxing with the defeat 🤣🤣🤣
i feel like since no diggity, every comeback has been really popular, then not that much like it really perfectly alternates between the two. bring it on was not a good idea imo, because oneus recently started revisiting their older concepts with a more mature and poetic approach but to me bring it on was a bit like they tried to redo no diggity in an even more noisy way, and they wanted to make the choreography go viral but that didn’t happen. i also think the other problem with it was that the best parts of the song aren’t even in the chorus and it’s hard to make a song go viral because of another part. skydivin’ promotions were a good move though, except they were still really bad because like for example me, who is a tomoon who mainly listens to their music (back then i wasn’t really updated about them), i knew about these promotions more than a week later. they should’ve done like a small performance video at least or something. and i hate how they stopped promoting their intros with performance videos because i’m sure who got the joker could’ve gone viral. i’m tired of them putting out the best b-sides ever and then not doing anything with them, so much that i get tired of hearing their title tracks. then for onewe, 2022 was a really bad year in my opinion. even 2021, where they had one comeback. like they should’ve at least released aurora as a single later or something. in 2022, i feel like the beginning was a peaceful comeback with universe, it’s not a song that would get you directly interested in onewe but in korea it did gain a bit of popularity. and then there was timeless, that was quite enjoyable for the fans but i think they should’ve promoted it at least a bit but i understand because they were already so busy at that time. then out of nowhere there was the great seoul invasion which was completely useless if you ask me. kanghyun and yonghoon were literally about to go for their military service and they had to prepare a full english album, still here and shoot both mvs in such a short amount of time. i don’t follow onewe that closely though, but i’m sure that that time was really exhausting. they probably have even more content filmed at that time that we didn’t see yet and it kills me that they could’ve released planet nine: voyager like at the end of 2021 and then use the first half of 2022 to make content for their time in the military. 3we barely gets anything to do and i feel like the members are always working so hard but rbw does nothing. like they should maybe give dongmyeong an ost, or anything to promote onewe, especially at the end of leader line’s service so the public gets hyped for their return. now for purple kiss, i feel like memem wasn’t at the great time. i know people say that the song choice wasn’t great and i have nothing to say about that because memem made me stan purple kiss. i think they should’ve came back a bit earlier. and to me my my was a bit of a waste because even though it’s a good song, it got barely promoted and came out too late for people to have time to enjoy it before christmas is over. pretty psycho was a good move though and maybe it should’ve been the title track like so many people suggest but honestly, memem could not be a b-side at all and it gave a taste of purple kiss’ talents to another audience. i think that if hide and seek came out in the summer instead, and memem at end of 2021 or beginning of 2022 (when this song style was a bit more trendy), they could’ve made a comeback in late spring with a summer song because during the nerdy promotions the girls said they wanted to have a summer song. it could’ve been like a promoted single and then a b-side in geekyland. even fireflower could have been that song. then i understand the departure of jieun postponed their comeback but for some reason it felt like they knew it quite a while before it happened. the end of 2022 was quite boring, and during the whole month before christmas they had like no schedules at all, even before, in october/november all they had was the showcase in japan. they should’ve made a japanese version for any song at that time too, because these take almost no effort to make and they promote the group so well. now after more than six months of waiting, they’re literally releasing six more songs. that’s not a lot, and i feel like chaein is losing her part of the creative process because she has a whole lot of demos and not a lot get released. i’m still happy they got to write lyrics for this album and i can’t wait. the better would be if rbw promotes autopilot too because it seems like a really good song that could have a choreography but i highly doubt it will happen.
I think Onewe's case in 2022 is quite different, cause their releases and activities must be adjusted to YH, KH's enlisting plans. But yeah, RBW can do much better when they met with such good songs like Parting, Star or Trauma...). 2021 is a sad year with pandemic and all, but "Planet Nine: Alter Ego" may be the most promoted album of Onewe, with regular appearance on radio shows, all songs promoted there, but if only they let Veronica performed once or twice on music shows too, really good song for summer. Am I too gready~ 😅 But I feel that album is too good to be wasted.
true. as first I saw zombie it was october I think, so for me I didn't looked at the release date so I thought it was an halloween song, and onewe. onewe is something they actually sometimes pretend doesn't exist wich is very sad, and I think the weus comebacks should be something, if onewe was promoted together with oneus more people would get to know them, last song is so good as a pre debut song with both and stay their first release together after 3 years, they could use the fact that they can be one to promote both and make more popularity, is not always that you see something like them, stay was released at a very good time, on winter but it wasn't promoted or like something a bit bigger for them, they could do more releases like this two and actually promote them properly
I wish moomoos to get up being lazy and push more of acknowledging the world that Mamamoo is not disband and they're still active so we should all be waiting for rbw to surprise us with a Mamamoo early comeback.❤❤❤❤
RBW didn't use Mamamoo's major image "Women empowerment", Yes I'am(first win) and Hip(biggest hit)are the songs that are very strong to represent their image as a group(strong women)!!! But RBW didn't push on this feminist narrative(they went for mumumuch!), Which did not solidified Mamamoo's market in the industry, if only they did solar's spit it out as a group comeback which when they did it at their concert they were on fire!
i don't think solar has the least amount of solo stans. her albums still manage to sell pretty well. hwasa is popular among the general public but her albums tend to sell less copies than the other members. she has the most casual fans but less dedicated fans
I'm not sure why this video just got recommended to me, but for someone who was on stan twitter during onewe debut, I feel the biggest lost opportunity was MMM fans fighting with everyone. Onewe and Oneus fans. Like, yes RBW should had managed better but it was so unfair to hate on the new debut groups for that reason .
2:08 By "after Mamamoo got popular", do you mean the releases after 'Hip' or the releases after 'Um Oh Ah Yeah', when they first started to gain traction? Because if you mean the former, I'd have to disagree. After 'WAW', the production quality of Mamamoo songs have lowered(imo). Compared to their earlier releases, some of the recent ones just...lack that flair, that feeling that someone put a lot of thought and care in this song. Compare 'Mr Ambiguous' and 'Illella', heck, even go with 'Hip', and you'll notice a distinct lack of intricate, little details that make a track richer. I do agree that L.I.E.C would have been a better choice, given it shows MAMAMOO's charms in a more familiar way 3:08 THIS. Dreamcatcher is one of the other groups I am a fan of, and they usually release a performance video/special mv for at least one b-side per cb. During two cbs, they even separately promoted one b-side after the title track promotion ended, and performed yet another b-side for one of these cbs(which was their first full album release). My favourite MMM songs are mostly from their b-sides, so it feels bad that those don't get as much recognition as they deserve 15:24 I don't really know a lot about Oneus's songs, so I don't think everything I'm saying is right, but isn't 'To be or not to be' related to 'Come Back Home', story wise? From what I know, it's a supernatural themed story, so maybe, instead of looking at the business side of things, the company looked at the artistic side, aka, what sound would suit the concept the most. Not saying noisy songs can't suit a mysterious, supernatural theme, but these are my 2 cents on this particular instance
then what are you thinking about sweet juice or cabin fever releases as a whole? this comeback not so good in terms of numbers and charts specifically korean charts but they get other peak number like itunes and spotify
![[Bad] - YouTube ВСЁ? (победа VK и прощание с подписчиками)](/img/n.gif)
This is a real RBW stan channel, I respect you very much.
Honestly, I really hate RBW, but I also hope it gets better and richer so it can push talented groups to become famous.
I like all artists in this company from MAMAMOO, ONEUS, ONEWE to PURPLE KISS.
purple kiss and oneus and onewe and also mamamoo they all deserve the best
And they never failed to disappoint us when deciding to promote 7Heaven in September which is extremely late. Their timing is bad. 7Heaven is a really good summer song, with good lyrics, but was released in mid-autumn 😢
Onewe really deserve a better treatment, they're talented musicians and i'm so sad that people aren't aware that much about onewe😞😞😞
They really recruted Onewe to the agency, just to make 0 investment on them
@@0nelink FR!!! 😭😭😭😭💔💔
Purple Kiss is also having a usa tour thru leo
so bring your family, your friends, etc!
This! If you can watch their concert, please do so, you won't regret it!
Ah there's a mistake in the narration, Wheein didn't leave the group. She has chosen a different Company for her solo work, after the contract ended.
I would love to see an update of this video as a Plory, especially with the Festa comeback, by that time everyone was pretty much over fun summer songs, and I feel it gained a lot of negativity because it felt so jarring compared to sweet juice 😞😞😞
I want a video talking more about mamamoo's promotions! I actually agree with most of your opinions
Thank you so much! I will try my best to do an interesting video about that topic, but 1st I will need to get informed better on Mamamoo's promotions before 2019!
I think the RBW company as a human life, there are ups and downs that have nothing to be afraid of.
I feel like it's almost like enjoying and relaxing with the defeat 🤣🤣🤣
It's so stressful to watch them doing bad promotional decisions though ;-;
i feel like since no diggity, every comeback has been really popular, then not that much like it really perfectly alternates between the two. bring it on was not a good idea imo, because oneus recently started revisiting their older concepts with a more mature and poetic approach but to me bring it on was a bit like they tried to redo no diggity in an even more noisy way, and they wanted to make the choreography go viral but that didn’t happen. i also think the other problem with it was that the best parts of the song aren’t even in the chorus and it’s hard to make a song go viral because of another part. skydivin’ promotions were a good move though, except they were still really bad because like for example me, who is a tomoon who mainly listens to their music (back then i wasn’t really updated about them), i knew about these promotions more than a week later. they should’ve done like a small performance video at least or something. and i hate how they stopped promoting their intros with performance videos because i’m sure who got the joker could’ve gone viral. i’m tired of them putting out the best b-sides ever and then not doing anything with them, so much that i get tired of hearing their title tracks.
then for onewe, 2022 was a really bad year in my opinion. even 2021, where they had one comeback. like they should’ve at least released aurora as a single later or something. in 2022, i feel like the beginning was a peaceful comeback with universe, it’s not a song that would get you directly interested in onewe but in korea it did gain a bit of popularity. and then there was timeless, that was quite enjoyable for the fans but i think they should’ve promoted it at least a bit but i understand because they were already so busy at that time. then out of nowhere there was the great seoul invasion which was completely useless if you ask me. kanghyun and yonghoon were literally about to go for their military service and they had to prepare a full english album, still here and shoot both mvs in such a short amount of time. i don’t follow onewe that closely though, but i’m sure that that time was really exhausting. they probably have even more content filmed at that time that we didn’t see yet and it kills me that they could’ve released planet nine: voyager like at the end of 2021 and then use the first half of 2022 to make content for their time in the military. 3we barely gets anything to do and i feel like the members are always working so hard but rbw does nothing. like they should maybe give dongmyeong an ost, or anything to promote onewe, especially at the end of leader line’s service so the public gets hyped for their return.
now for purple kiss, i feel like memem wasn’t at the great time. i know people say that the song choice wasn’t great and i have nothing to say about that because memem made me stan purple kiss. i think they should’ve came back a bit earlier. and to me my my was a bit of a waste because even though it’s a good song, it got barely promoted and came out too late for people to have time to enjoy it before christmas is over. pretty psycho was a good move though and maybe it should’ve been the title track like so many people suggest but honestly, memem could not be a b-side at all and it gave a taste of purple kiss’ talents to another audience. i think that if hide and seek came out in the summer instead, and memem at end of 2021 or beginning of 2022 (when this song style was a bit more trendy), they could’ve made a comeback in late spring with a summer song because during the nerdy promotions the girls said they wanted to have a summer song. it could’ve been like a promoted single and then a b-side in geekyland. even fireflower could have been that song. then i understand the departure of jieun postponed their comeback but for some reason it felt like they knew it quite a while before it happened. the end of 2022 was quite boring, and during the whole month before christmas they had like no schedules at all, even before, in october/november all they had was the showcase in japan. they should’ve made a japanese version for any song at that time too, because these take almost no effort to make and they promote the group so well. now after more than six months of waiting, they’re literally releasing six more songs. that’s not a lot, and i feel like chaein is losing her part of the creative process because she has a whole lot of demos and not a lot get released. i’m still happy they got to write lyrics for this album and i can’t wait. the better would be if rbw promotes autopilot too because it seems like a really good song that could have a choreography but i highly doubt it will happen.
holy cow that comment is so long sorry 😅
I think Onewe's case in 2022 is quite different, cause their releases and activities must be adjusted to YH, KH's enlisting plans. But yeah, RBW can do much better when they met with such good songs like Parting, Star or Trauma...). 2021 is a sad year with pandemic and all, but "Planet Nine: Alter Ego" may be the most promoted album of Onewe, with regular appearance on radio shows, all songs promoted there, but if only they let Veronica performed once or twice on music shows too, really good song for summer. Am I too gready~ 😅 But I feel that album is too good to be wasted.
Mamamoo Queens 👑👑👑👑 I will always support this 4 girls 😍
Me too!
@@0nelink Amazing 💪🙌🙏
i think the problem with Purki is the wrong choice of title tracks, lack of promotion for Mamamoo and Oneus cause them already have fans.
true. as first I saw zombie it was october I think, so for me I didn't looked at the release date so I thought it was an halloween song, and onewe. onewe is something they actually sometimes pretend doesn't exist wich is very sad, and I think the weus comebacks should be something, if onewe was promoted together with oneus more people would get to know them, last song is so good as a pre debut song with both and stay their first release together after 3 years, they could use the fact that they can be one to promote both and make more popularity, is not always that you see something like them, stay was released at a very good time, on winter but it wasn't promoted or like something a bit bigger for them, they could do more releases like this two and actually promote them properly
I wish moomoos to get up being lazy and push more of acknowledging the world that Mamamoo is not disband and they're still active so we should all be waiting for rbw to surprise us with a Mamamoo early comeback.❤❤❤❤
RBW didn't use Mamamoo's major image "Women empowerment", Yes I'am(first win) and Hip(biggest hit)are the songs that are very strong to represent their image as a group(strong women)!!! But RBW didn't push on this feminist narrative(they went for mumumuch!), Which did not solidified Mamamoo's market in the industry, if only they did solar's spit it out as a group comeback which when they did it at their concert they were on fire!
i don't think solar has the least amount of solo stans. her albums still manage to sell pretty well. hwasa is popular among the general public but her albums tend to sell less copies than the other members. she has the most casual fans but less dedicated fans
I'm not sure why this video just got recommended to me, but for someone who was on stan twitter during onewe debut, I feel the biggest lost opportunity was MMM fans fighting with everyone.
Onewe and Oneus fans.
Like, yes RBW should had managed better but it was so unfair to hate on the new debut groups for that reason .
As a Moomoo and To Moon/Weve, it saddens me to see how Moomoos boycotted these 2 groups so unfairly =(
2:08 By "after Mamamoo got popular", do you mean the releases after 'Hip' or the releases after 'Um Oh Ah Yeah', when they first started to gain traction? Because if you mean the former, I'd have to disagree. After 'WAW', the production quality of Mamamoo songs have lowered(imo). Compared to their earlier releases, some of the recent ones just...lack that flair, that feeling that someone put a lot of thought and care in this song. Compare 'Mr Ambiguous' and 'Illella', heck, even go with 'Hip', and you'll notice a distinct lack of intricate, little details that make a track richer. I do agree that L.I.E.C would have been a better choice, given it shows MAMAMOO's charms in a more familiar way
3:08 THIS. Dreamcatcher is one of the other groups I am a fan of, and they usually release a performance video/special mv for at least one b-side per cb. During two cbs, they even separately promoted one b-side after the title track promotion ended, and performed yet another b-side for one of these cbs(which was their first full album release). My favourite MMM songs are mostly from their b-sides, so it feels bad that those don't get as much recognition as they deserve
15:24 I don't really know a lot about Oneus's songs, so I don't think everything I'm saying is right, but isn't 'To be or not to be' related to 'Come Back Home', story wise? From what I know, it's a supernatural themed story, so maybe, instead of looking at the business side of things, the company looked at the artistic side, aka, what sound would suit the concept the most. Not saying noisy songs can't suit a mysterious, supernatural theme, but these are my 2 cents on this particular instance
then what are you thinking about sweet juice or cabin fever releases as a whole? this comeback not so good in terms of numbers and charts specifically korean charts but they get other peak number like itunes and spotify
16:04 i’m sorry but the voice is so funny 😂😂😂😂😂