This SIMPLE TRICK fixes boring solos..
Вставка
- Опубліковано 16 тра 2022
- TRANSFORM your guitar playing! Join the Guitar Playback Academy for STRUCTURED LESSONS and REAL TEACHER FEEDBACK!
📌 Free 14-Day Access ➜ guitarplayback.com/freetrial?...
Most guitar improvs are boring.. The good news is that all it takes is a shift of perspective. This video will teach you how to play better solos!
►►Get the free backing tracks: bit.ly/3PpcsYc
David, that was a seriously practical, nuts and bolts approach to teaching people how to solo. It gave me a lot to think about. Really good stuff. Thanks!
Agreed. Thanks for sharing 🎸
Thanks again. Such a journey studying the guitar. I feel so fortunate for having people like yourself to share their knowledge. I don't know what I'd have done without you all! 😇
Makes me smile David. It reminded me of the first time I saw one of your lessons and didn't understand or have a clue what you were doing, but I stuck with your lessons and approach. Today I understood absolutely all of it first time you explained. You are the best teacher out there and a huge influence. Thanks man.
Ok. Just when I thought I had watched your best episode you drop this episode Dave. Fantastic. The way you explain and show in detail opens up so many influential ideas in my mind. Thank you so much for All your hard work maestro.
Yes absolutely, keeping it real. Teaching the text and support of more sounds within the structured chords and keeping the solos in the cords. Love it 🙆♂️👨💻☯️🌬
Good lesson with very good illustration for not letting the fingers lead the way all the time. Thanks Chief!
ive been working on this concept for a while now. nice to see a master put it to work. thanks David.
You are the best instructor outhere! Zero beating about the bush. Top notch stuff, David! Cheers from Poland
Agreed
My goodness, your method is so unique and never seen or heard of !! I have my meals listening to your lessons...Thankyou for such knowledge. I wonder how the greats knew all of this naturally..
Nailing chord tones is what makes solos music. Hendrix mentioned this as did Joe Pass. I’m nearly 60 and although it was great to grow up in the 70s some of the guitar solos were mechanical show off spots. I had unlearn that. This guy is giving gems of information that was unobtainable until recently. Unless you went to school again.
Great stuff David. Thanks so much.
Très bon tutoriel David!. Comme d'habitude!
Brilliant ideas... Thank you so much David!
Green cup & Blue cup. Wow you're the best teacher!
Outstanding tutorial! Thank you!
Great lesson! Thank you David!
Really helpful, many thanks!
This approach answered so many questions for me. Thank you.
Great lesson !
Great lesson, sir.
Great explanation and lesson man ! Very useful bro 😎
Wow what an eye opener!!!!!! Thanks
This a great approach imo. I started doing this when I started soloing over progressions that had one or two chords out of key and I couldn't use the same scale when the changes came. Even so, I still got a lot out of this lesson.
I ended up buying David's backing track package yesterday to help support the channel and if anyone is thinking of it: go for it. All very professionally done and well worth the dough imo. Thx David.
I stumbled upon your site two days ago and am so happy I did.
Your style and subject matter is exactly what I need at this point in my musical development!
Until now I had been mostly just learning how to play songs. But I could feel I was too rote and needed to improve my musicality.
I'm looking forward to learning a lot from you David.
Thank you so much Michael!!
You, mate, are a great teacher. Fantastic stuff.
Wow! That really makes sense! I just bought the Backing Track MegaPack and the Improvisation Mindset course. Really affordable offer that I just couldn't refuse =)
Sensational buddy…great free advice to open up the mind and fret board…👍👍👍👍👍
Yup 🙏
Great lesson and challenge accepted.
This is some essential guitar solo playing.
David , this was so good !
Love it ! Almost as much as Vodka.... ;)
🥤🧃 cheers David
Is there a specific amp, or pedal progression you use, you have good tone?
How can I download the background music on this video, really nice. What about blues background music. I really enjoy your style of teaching. Thank you
Thanks!!
There is a link in the description for the tracks. It will take you to a free signup page to get access to the tracks and also all the tracks of all my videos. :)
fucken GREAT!!
That is funny - don't we all do that from time to time? My last brain fart like that was the mute button. :)
wE NEED A RED CUP WHICH IS A BLEND OF THE GREEN AND BLUE. 😎 pLEASE MAKE A RED CUP😬 VIDEO
No audio
The more you blue cup too the more you can integrate it into your mindless green cup playing. Just take note of the frets you use.
David I think if you don't want to lose viewers you might need to take out the/put some audio on the start of this video :)
Fixed!
can't hear you
The stream is over. Go to 5 minutes and 25 seconds
The edit is now up!
No sound
I noticed that at 18.30 that was F "sharp" minor 7 with the G. In case anyone else was wondering.
He either forgot to mention the sharp or thought he was playing a guitar tuned down a half step.
4:03 im going back to 505
So, instead of 1 cup 2 girls, you have 2 cups, but where is the girl?
ok great 🤣🤣
Beginner: legato wanking single notes runs
Pro: chord motives combined with tasty runs
Master: just rhythm guitar altered dominant/diminished Barry Harris shapeshifting to push the melody along while holding down groove.
Wizard: posting annoying "expert" youtube comments on other people's excellent lessons while drunk on the couch.
Great lesson, but don't try to download the "free backing tracks." Scammy maze of taking your info and upselling you lessons. No backing tracks.
Send me an email at support@guitarpkayback.com
You do have access to all the backing tracks of this video and all the other videos on the channel. You may have not gotten the email login details and I can send it back to you right away.
I get what you're trying to put across, but I don't see "thinking as a positive way to play when improvising" as a good thing.Of course one must use one's brain, but this should be done in planning before you start playing.If you try to "think while you play", you end up invariably sounding emotionless and pedantic.Personally, I can't play fast alternate scalar passages anyway, so I'm restricted to playing with my brain switched off, but the most evocative, emotional , and dramatic improvisation happens ONLY when the brain is off.My ear is faster and more intuitive than my brain, and when I've tried to plan melodic lines they ALWAYS sound dull and really unnatural. Most emotion is expressed by the physical side of your playing anyway, and the attempt to. be clever results in the most distasteful cerebral "jazzish" intellectualisms which are more dishonest and prevent the listener from accessing what you are expressing. You dismiss "physical playing" as unimaginitive, but just the opposite is true.I can't think as quickly as my fingers can feel their way to express something, and it may seem quite ordinary to rip some fast burst of "muscle memory" type licks, which you dismiss easily, but I couldn't even play one of those riffs you casually threw out, despite more than 25 years of painfull rote practise, so either something is wrong with my nervous system or muscular/skeletal systems must have been absent the day I was in line for skill handouts.If I could play those smooth rapis licks, my emotions and musical ponderings would be expressed automatically without having to seat the cerebral stuff.Ive tried to pock apart sections of dolos of players I enjoy, even with tablature to no avail.Even bits of momentary musicality I've heard in recordings of my own playing remain impossible for me to learn or reproduce at a later date.I have no shortage of musical intuition, and everything I play is TOTALLY improvised and emerges mysteriously.No amount of knowledge of picking or lefthand fongering engineering has ever enabled me to play even stuff I've actually already played on jam recordings on a good day, so if I could play half of what you dismiss as brainless finger- memory, I would be so overjoyed I wouldn't need to think about anything either before or during my improvisations. It's a cliche, but we always value and desire what we don't have, so because fast riffing seems to be easy and out if the no-brain cup for you you don't seem to value it at all- I would be more appreciative of those skills if I had them( and believe me I've spent years working to aquire them, as I said to no avail) and all I've heard as an explanation of my failures is "you must be practicing the wrong way" or "you have self-limiting beliefs". I have spent the last thirty years trying to learn these skills- I've tried every approach I've heard of, and after the aforesaid 30years of working towards these, I can't even play the exercise a thoughtfull teacher gave me(after he had been playing -at all- for only five years. Learn to celebrate what you already have, because some of us would give our eoght arm to be that ambidextrous( OK ,I nicked that joke from Rodger Millar, but hopefully you get my drift) thanks for your styempys to share these ideas though, I know you are well intentioned.
Sorry, I didn’t meant that you should do it this way all the time. It goes back to the 2 cups analogy I talk about in the workshop. ;)
I feel the same way. Playing by feeling, with very few licks being able to be replayed after having a great improv jam. I've been searching for the key or as the Moody Blues put it "searching for the lost chord" for 50 years.