The oboist perfectly plays the wonderful, introspective, sensible, elegant and a bit sad Introduzione written by Cimarosa and all the concert. Absolutely beautiful
i know every musician thinks that her/his instrument is the best singer but omg is the oboe not the instrument to emote human emotions and feelings in the most explicably perfect way?... ^_^
As An Oboe Player That Played That in a Concert... He Is So Good... I play on my oboe almost 2 and a half years and I'm 11 and half... I played cimarosa In a concert twice... And 300 People Were in the Concert... I love the oboe so much! It is the BEST instrument ever! From: Jonathan .z. (Israeli Oboe Player)🎶🎶🎶
sublime playing... gorgeous tone.. fabulous dynamic range... as ever it is such a treat to hear your musically imaginative and sensitive and fun interpretations M Leleux. Judy
Se despidió, como todos los días con un suspiro largo, sostenido y lento. Se marchó sin prisa alegando adioses; recogió a la brisa, arrulló a la tarde y continuó su marcha por entre los sauces del sendero solo. Suspiró profundo reteniendo el aire, y en el infinito, en un único punto soleado, se abrazó a un destello… vislumbró la calma, penetró su cielo. Una obra absolutamente hermosa, gracias ccohk por la belleza de la música. El compositor italiano Domenico Cimarosa (1749-1801) es uno de los grandes maestros de la ópera bufa italiana. Además de por sus partituras escénicas, es recordado por un concierto para oboe que nunca escribió pero que se le atribuye a él: el Concierto para oboe y cuerdas en do menor. En realidad, se trata de un arreglo para oboe que realizó el músico australiano Arthur Benjamin a partir de diversas sonatas para clave de Cimarosa: la nº 29, 31, 23 y 27. La primera de ellas corresponde al movimiento más popular de este concierto. El concierto que Cimarosa nunca escribió. Fuente: Cuaderno de notas - El concierto para oboe que Cimarosa nunca escribió - 11/04/15 11 abr 2015 Rtve.es A la carta:
This most beautiful for oboe and orchestra has been attributed to so many composers ... let's appreciate it, value it and enjoy it and never mind about its paternity.
Liz OGrady I think it was meant that it has a very free flowing sound. This is how I prefer to play this piece. IMHO, It's so much more beautiful with a more legato approach. It's often approached with a heavier baroque interpretation.
@@owlgoescocoo I agree that the first sonata is easy, but the rest are harder, and it's not just playing it correctly, but playing it with passion and expressions. With that being said most beginners can't put emotions in their instruments. I played cimarosa at the end of my music high school and I can assure I had some problems with certain parts even tho i was playing the oboe for 5-6 years.
Este concierto lo he escuchado muchas veces y siempre ha sido atribuido a este celebre autor que al igual que otros ha trascendido por una. sola obra importante es el caso de Cimarosa que le basto esta hermosa composicion para traspasar el umbral de la capacidad creativa y de la. belleza musical
Te felicito François, es muy emocionante ver cuánto has avanzado desde aquella tarde de invierno, hace muchos años, cuando viniste a tomar tus primeras clases conmigo. Sigue así!
Tal vez resulte decepcionante para todos saber que Domenico Cimarosa NO COMPUSO este concierto sino el célebre compositor australiano Arthur Benjamin (1893-1960) que usó temas de sus sonatas para teclado. Sería como decir que el ballet Pulcinella de Stravinsky fue compuesto por Gianbattista Pergolesi (o el Adagio para Cuerdas y Organo de Remo Giazotto fue escrito por Albinoni !!!.) It may be disappointing for all to know that Domenico Cimarosa DID NOT compose this concerto but the famous Australian composer Arthur Benjamin (1893-1960) who used themes of his keyboard sonatas. It would be like saying that Stravinsky Pulcinella ballet was composed by Giambattista Pergolesi (or that Remo Giazzoto´s Adagio for Strings and Organ was written by Albinoni !!!.)
E. Diaz del Campo BENJAMIN, (1893-1960), el compositor australiano, utilizó las sonatas de CIMAROSA (1749-1801), Nº 29, 31, 23 Y 27, según la fuente consultada. para componer este hermoso concierto. Muchos compositores toman melodías u obras completas de sus colegas y las reescriben: Bach a Vivaldi, como ejemplo.Gracias por su aclaración.
Son obras de Cimarosa para clavicordio, adaptadas para orquestra y oboe para Benjamin. Es una transcription, ne es una obra original de Benjamin que utilizo "temas de Cimarosa", son obras integrales de Cimarosa transcpritas para oboe y orquestra, es un trabajo tecnico de orquestration y de ninguna manera es comparable a Pulcinella de Stravinsky que es una obra de Stravinsky simplemente inspirada de temas de Pergolesi.
Es una transcripción para oboe solista y orquesta de obras para teclado de Domenico Cimarosa, en ningún caso una "recomposición" o una obra inspirada en música de Cimarosa. Las obras para teclado de Cimarosa son muy buenas.
They are both instruments with stunning sound, and I could listen to both of them all the time. That being said I studied Oboe so ofc I'm leaning more towards it :)
@@apvst1320 Je ne pense pas que ce commentaire soit pertinent, à moins que vous ne m'indiquiez les passages dans lesquels vous pensez que ce mauvais goût hypothétique se produit
Honestly? Another typically modern approach - in a a bad style. Of course, technically flawless, great show on stage, but music is totally overinterpretted and misunderstood. Phrasing is pretty much upside down and ridiculous. It lacks straightforward simplicity and sincerity...
@@calciumchannel Great technique but there is too much ego and it's mannerisms galore! Dynamics up and down non stop, exaggerated accents! No wonder a few years ago he got slated by a top oboe player in France. Leleux is no Holliger, Bourgue, Koch or Schilli!
Si la obra es de un autor o de otro carece de importancia, lo realmente trascendente es el pésimo sonido, técnica y musicalidad con la que este incapaz individuo pretende tocar este concierto. Muchas felicidades para las personas que vierten tan vasto conocimiento mecanográfico.
preciado quiroz ese individuo al que le dices que no toca bien el oboe y que su técnica es mala y que no tiene musicalidad , en mi opinión no es así , ese hombre toca increíble Leleux toca muy bien si tu no lo quieres reconocer esta es mi opinión . saludos
Great technique but there is too much ego and it's mannerisms galore! Dynamics up and down non stop, exaggerated accents! No wonder a few years ago he got slated by a top oboe player in France. Leleux is no Holliger, Bourgue, Koch or Schilli!
Oh honey, he plays all over the world and you sit in your mother's basement being contrary on You Tube I'm sure your opinion will crush him deeply. BTW, Holliger sounds like an anemic mosquito.
@@dudeforcaster8630 Do you go round calling people 'honey'? It's basic musicianship we're looking at and I've explained it. It seems like you've never listened to Holliger live.
@@ALBIBISBISYes, I do, especially when I encounter tiresome you tube commentators who fancy themselves experts. As a matter of fact not only have I heard Herr Holliger live, I happened to be sitting in the cello section at the time. And I found him to have a singularly strident and unpleasant sound not to mention being rather inert musically. Got it, dear?
The oboist perfectly plays the wonderful, introspective, sensible, elegant and a bit sad Introduzione written by Cimarosa and all the concert. Absolutely beautiful
But this chinese orchester to heavy and late...!
0:06 I. Introduzione
3:03 II. Allegro
5:41 III. Siciliana
8:53 IV. Allegro giusto
Thank you
Thankssss😂
Thank you
i know every musician thinks that her/his instrument is the best singer but omg is the oboe not the instrument to emote human emotions and feelings in the most explicably perfect way?... ^_^
Yes, I agree! It's almost as good as the cello... 😂
I totally think so too💞
How cute of you ♡
omg tbh the cello is it's own beast of an instrument!! give me anything by jacqueline dupre!!!@@peter.forster
You make your oboe cry sing and laugh. Stunning!
oh what a joy this is to watch, he plays like he's an actor in a play speaking dialogue.
gosh, i love this.
In Emily's own words: "oh, it;s so gret. so good i can't even spell"
@@glowingembers8707 my goodness joe, you scoundrel!
Grande capolavoro frutto d'una mente geniale!
As An Oboe Player That Played That in a Concert... He Is So Good... I play on my oboe almost 2 and a half years and I'm 11 and half... I played cimarosa In a concert twice... And 300 People Were in the Concert... I love the oboe so much! It is the BEST instrument ever!
From: Jonathan .z. (Israeli Oboe Player)🎶🎶🎶
Une pure merveille ! Il joue divinement bien ! Incroyable ce phrasé et les nuances...
Magnifique ! Je fais du hautbois et j'ai joué ce concerto . Il est vraiment splendide ! C'est un des plus beaux morceauxde hautbois !
et ben on est d'accord… (moi aussi)
Un tube du hautbois. Et pas si facile à jouer ce détaché. Le son de M Leleux est un délice
sublime playing... gorgeous tone.. fabulous dynamic range... as ever it is such a treat to hear your musically imaginative and sensitive and fun interpretations M Leleux. Judy
Excellent gespielt. Gratuliere
Phat. I imagine every piece of wood in the hall vibrating.
Amazing... each and every time I listen since 1992
Uno de los conciertos para oboe más bellos que existen
Se despidió, como todos los días con un suspiro largo, sostenido y
lento.
Se marchó sin prisa alegando adioses; recogió a la brisa, arrulló
a la tarde y continuó su marcha por entre los sauces del sendero solo.
Suspiró profundo reteniendo el aire, y en el infinito, en un único
punto soleado, se abrazó a un destello… vislumbró la calma, penetró su cielo.
Una obra absolutamente hermosa, gracias ccohk por la belleza de la música.
El compositor italiano Domenico Cimarosa (1749-1801) es uno de los grandes maestros de la ópera bufa italiana. Además de por sus partituras escénicas, es recordado por un concierto para oboe que nunca escribió pero que se le atribuye a él: el Concierto para oboe y cuerdas en do menor. En realidad, se trata de un arreglo para oboe que realizó el músico australiano Arthur Benjamin a partir de diversas sonatas para clave de Cimarosa: la nº 29, 31, 23 y 27. La primera de ellas corresponde al movimiento más popular de este concierto. El concierto que Cimarosa nunca escribió.
Fuente: Cuaderno de notas - El concierto para oboe que Cimarosa nunca escribió - 11/04/15
11 abr 2015 Rtve.es A la carta:
Das ist ein erstklassiger Sound mit Gänsehautfeeling.
Bravo, the ornamentations are just beautiful.
Brano memorabile di Cimarosa.Una pietra miliare.
This most beautiful for oboe and orchestra has been attributed to so many composers ... let's appreciate it, value it and enjoy it and never mind about its paternity.
I attended this concert - it was great!
Изумительная музыка Чимарозы в великолепном исполнении гобоя доставляет радость! БРАВО!
Magnifique !
composed by Arthur Benjamin (1942) using various arrangements from Cimarosa's sonatas
Excelente interpretación. Gracias.
Beautiful interpretation, thank you 🙏
the opening motif by oboe soloist made me think of the abschied theme in das lied von der erde!!!
Recuerdo hace unos años cuando tocaba esto y lo mucho que me sigue gustando :D
My heart Ìs resting and peace and soothedand comforted
And
My soul heals and Ìs purified
Best of the best :)
La musique est compliqué car elle contient toute les émotions du monde, mais c’est aussi très simple.
( pas a jouer) :D
His inspirational performance is a wonderful gift to oboe lovers
My impression is immeasurable depths
FromTokyo
Performance extraordinair! Superb
WOW!..so natural and sounding easy
Trust me, it's not. I just started playing it and the fingerlings are CRAZY😅
Liz OGrady I think it was meant that it has a very free flowing sound. This is how I prefer to play this piece. IMHO, It's so much more beautiful with a more legato approach. It's often approached with a heavier baroque interpretation.
Liz OGrady
Liz OGrady But with only a little practice you can play it easily. It's technically quite easy. Especially the first sonata.
@@owlgoescocoo I agree that the first sonata is easy, but the rest are harder, and it's not just playing it correctly, but playing it with passion and expressions. With that being said most beginners can't put emotions in their instruments. I played cimarosa at the end of my music high school and I can assure I had some problems with certain parts even tho i was playing the oboe for 5-6 years.
Increíble, brillantísimo Leleux!
Este concierto lo he escuchado muchas veces y siempre ha sido atribuido a este celebre autor que al igual que otros ha trascendido por una. sola obra importante es el caso de Cimarosa que le basto esta hermosa composicion
para traspasar el umbral de la capacidad creativa y de la. belleza musical
Playing this for my youth orchestra audition 🗣️🗣️
Oboe ist der beste und die schönste Instrument überhaupt
Te felicito François, es muy emocionante ver cuánto has avanzado desde aquella tarde de invierno, hace muchos años, cuando viniste a tomar tus primeras clases conmigo. Sigue así!
Con todo respeto, cuál es su nombre, le dio algún taller o clase magistrar al Sr. Francois?
I would like to have classes with you... I am oboe player.
this is what singing aubergines sound like...
sumptuous and angelic
yum
OMG, that's so funny, first time I didn't understood, second time i translated, third time I have laught!! :D :D lmao
Two thumbs up. Amazing plays
Bravo 👏👏!! Beau son🙂
OMG, I have a double! That conductor!!
Wonderful performance :)
OMG SOO amazing!!!!
amazing
Gorgeous
I am playing the siciliana tomorrow in a concert
Back again about to play it tomorrow again!
suono dell'oboe bellissimo!
비발디,알비노니,마르첼로,치마로사의 오보에협주곡이
아름다운 곡으로 알려져 있습니다. 이곡외 다른 곡들도 비교해 감상하면 좋습니다.부산클래식조아
Incantevole*****
Wow!
Du hast ja Ahnung, gratuliere! 🎶
👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻Bravo!!
1:12 is beatiful :)
Tal vez resulte decepcionante para todos saber que Domenico Cimarosa NO COMPUSO este concierto sino el célebre compositor australiano Arthur Benjamin (1893-1960) que usó temas de sus sonatas para teclado. Sería como decir que el ballet Pulcinella de Stravinsky fue compuesto por Gianbattista Pergolesi (o el Adagio para Cuerdas y Organo de Remo Giazotto fue escrito por Albinoni !!!.)
It may be disappointing for all to know that Domenico Cimarosa DID NOT compose this concerto but the famous Australian composer Arthur Benjamin (1893-1960) who used themes of his keyboard sonatas. It would be like saying that Stravinsky Pulcinella ballet was composed by Giambattista Pergolesi (or that Remo Giazzoto´s Adagio for Strings and Organ was written by Albinoni !!!.)
E. Diaz del Campo BENJAMIN, (1893-1960), el compositor australiano, utilizó las sonatas de CIMAROSA (1749-1801), Nº 29, 31, 23 Y 27, según la fuente consultada. para componer este hermoso concierto. Muchos compositores toman melodías u obras completas de sus colegas y las reescriben: Bach a Vivaldi, como ejemplo.Gracias por su aclaración.
Y mil gracias por especificar los números de las sonatas.
Son obras de Cimarosa para clavicordio, adaptadas para orquestra y oboe para Benjamin.
Es una transcription, ne es una obra original de Benjamin que utilizo "temas de Cimarosa", son obras integrales de Cimarosa transcpritas para oboe y orquestra, es un trabajo tecnico de orquestration y de ninguna manera es comparable a Pulcinella de Stravinsky que es una obra de Stravinsky simplemente inspirada de temas de Pergolesi.
Es una transcripción para oboe solista y orquesta de obras para teclado de Domenico Cimarosa, en ningún caso una "recomposición" o una obra inspirada en música de Cimarosa. Las obras para teclado de Cimarosa son muy buenas.
E. Diaz del Campo R
❤️
🐢👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼
Tre bien monsieur
❤️❤️
Magnifica "Siciliana "
If you like this, try Stamitz. There's loads more to classical music than the obvious composers!
Bellisimo!
늦은시간까지 한국방송공사텔레비전을 시청해주신 여러분께 감사드립니다.
늦은 시간까지 한국방송공사 KBS 텔레비전을 시청해주신 여러분께 감사드립니다.
Oboe is better than flute? I think it sound Georgeus
They are both instruments with stunning sound, and I could listen to both of them all the time. That being said I studied Oboe so ofc I'm leaning more towards it :)
Kiarostami❤❤
escribí correctamente mecanográfico.
en ningún momento, MUSICOGRAFICO.
Molto bene signore
OMG, it's C MINOR
OMG, it's A BORING.
😂😂
@@rogerpropes7129No sweetie, it's not boring you are a boor.
5:53
no está mal, pero quien realmente borda esta obra es para mí el gran maestro Holliger. No hay comparación posible, lo siento.
Jose Manuel Macias Romero que no está mal ? Aunq el otro lo haga mejor lo ha lecho genial
brb crying
Why?
Allegro 3:03
Stand still on the stage.. this is to much for me
Allegro giusto 8:54
com'on 1st violins get it intune! lol
Je prefere au Mayer
Certainement pas, trop de mauvais goût ici
@@apvst1320 Je ne pense pas que ce commentaire soit pertinent, à moins que vous ne m'indiquiez les passages dans lesquels vous pensez que ce mauvais goût hypothétique se produit
Honestly? Another typically modern approach - in a a bad style. Of course, technically flawless, great show on stage, but music is totally overinterpretted and misunderstood. Phrasing is pretty much upside down and ridiculous. It lacks straightforward simplicity and sincerity...
Completely agree, somehow it annoys me that in many moments he wants to show off rather than get out the most of this marvelous piece
@@calciumchannel Great technique but there is too much ego and it's mannerisms galore! Dynamics up and down non stop, exaggerated accents! No wonder a few years ago he got slated by a top oboe player in France. Leleux is no Holliger, Bourgue, Koch or Schilli!
Si la obra es de un autor o de otro carece de importancia, lo realmente trascendente es el pésimo sonido, técnica y musicalidad con la que este incapaz individuo pretende tocar este concierto.
Muchas felicidades para las personas que vierten tan vasto conocimiento mecanográfico.
preciado quiroz no estoy de cuerdo
preciado quiroz ese individuo al que le dices que no toca bien el oboe y que su técnica es mala y que no tiene musicalidad , en mi opinión no es así , ese hombre toca increíble Leleux toca muy bien si tu no lo quieres reconocer esta es mi opinión . saludos
He's amazing but I really don't approve of how much he's moving. Kinda took away from the experience. Other than that, amazing!
Great technique but there is too much ego and it's mannerisms galore! Dynamics up and down non stop, exaggerated accents! No wonder a few years ago he got slated by a top oboe player in France. Leleux is no Holliger, Bourgue, Koch or Schilli!
Oh honey, he plays all over the world and you sit in your mother's basement being contrary on You Tube I'm sure your opinion will crush him deeply. BTW, Holliger sounds like an anemic mosquito.
@@dudeforcaster8630 Do you go round calling people 'honey'?
It's basic musicianship we're looking at and I've explained it.
It seems like you've never listened to Holliger live.
@@ALBIBISBISYes, I do, especially when I encounter tiresome you tube commentators who fancy themselves experts. As a matter of fact not only have I heard Herr Holliger live, I happened to be sitting in the cello section at the time. And I found him to have a singularly strident and unpleasant sound not to mention being rather inert musically. Got it, dear?
@@dudeforcaster8630 Go and argue with someone else.
@@ALBIBISBIS Ok Booboo, big kiss.