Allan Holdwosth is an alien, he improvised on Lingus in the nineties when Snarky Puppy didn't exist. He knew that Lingus would be composed in the future. Allan Holdworth is a star child. He is almighty.
He’s been reincarnated... there’s a kid in his 20s who plays Abassi guitars ... plays holdsworth tunes with fluidity ... never thought I’d see it happen
The people saying that this "doesn't fit", have NO EAR AT ALL and definitely are not familiar with Allan's playing. Holy shit, it's absolutely perfect. It's almost as if Allan was hearing this exact chord progression in his head. This video came on autoplay while I had another tab open, and when I clicked over and realized what I was hearing, I just started laughing at how perfectly his phrasing modulates as the chords change. Insane!
@ttb I've listened to Corey Henry's solo on lingus at least 100 times...and he is much more musical in his approach than Holdsworth. I understand AH was just riffing and not playing some finished product, but I enjoyed Henry's phrasing and more conservative use of modes and chromatic runs much more.
Allan never ceases to amaze me. He recorded that little solo jam decades ago knowing full well that one day in the future, someone, somewhere would write/play a tune where it would fit perfectly... GENIUS....!!!
A lot of people here criticizing Allan’s playing don’t realize that this video is an edit where the backing of snarky puppy’s song lingus was put behind a clip of Allan simply playing by himself so of course this isn’t going to be a fantastic example of Allan’s playing. You want to hear Allan at his best listen to the album “sixteen men of tain” it’s got great compositions that showcase Allan’s improvisational talent.
If you listen closely, Allan is playing mostly in phrases that be parameterized as relating to various harmonies in E. You can clearly hear E minor and E major notes and especially the phrasing along B minor at the end of the video. Obviously, things like E minor and B minor in a Holdsworthian context have extended meanings, but the point stands. His playing is definitely not ‘random,’ but rather, geometric.
Cute, but he always knew what key he was in. If you think he was in all keys at once, then you're mistaking lots of quick modulations for polyphony. Also, learn to spell his name.
@@Gregorypeckory sorry, my mistake, by the way I'm blown away by his ability, needless to say it was a poor shot for a joke, I know too little about music to understand the complexity of Allan's modulations (thanks for driving my attention "ll") but as a "guy who plays the guitar for fun" wannabe I cannot but think as this as some kind of witchcraft 🤣
@@inakiaraluze4528 Fair enough; I feel the same; what he did was ridiculously dazzling; so great I sometimes have to laugh at the absurd reality of a human who can do what he did; it would be easy to mistake it for some kind of sorcery!
@@Gregorypeckory Polyphony is when you have 2 or more independent melody lines which intertwine to create harmony and has nothing to do with what key you're in or how often modulations happen. Did you maybe mean cacaphony?
Absolutely brilliant. I imagine it would've been a very similar solo if Holdsworth was alive and invited to play. His dexterity was just another level.
@@88anarahammertime Well, HIS was. I tried one of the shop-models back in the day and it was absloute crap. Strings 2 feet off the fret-board, like trying to shred on a dobro.
@@theodoresmith4371 have you listened to his solo on hazard profile? by soft machine. earlier in his career so it's got much more rock in it, and it's fantastic
Mostly it's people who just don't understand his unique playing or don't like him because he never wrote a 'hit' song. I don't understand his playing either but for some strange reason it just sounds incredibly appealing to my ears.
Wow Alan's precision is perfectly on display here. He had the pinpoint dexterity of a world class surgeon. Having said that he could also play with unmatched passion and fire. Listen to him with Tony Williams to have your mind fried.
There are the greatest guitarists of all time. Joe Pass, Jimi Hendrix, Wes Montgomery, Eddie Van Halen, Pat Metheny, Matteo Mancuso, John Scofield, Yngwie,... And then, in outer space, there's Allan Holdsworth. Unique, singular, uncomparable.
Very nice find! Just shows that you can play complex lines over a simple backing. Still a little mind blown how well it works after listening to this particular solo for years
one time i was listening to lifetime, by tony williams, ya know and about 2 songs in i looked at my friend and i said, "i think allan holdsworth is the greatest guitar player of all time..." i was kind of in shock. is there a greatest guitar play of all time? simply, no. but that is how mesmerizing allan is.
Yes, it’s Allan it’s ok, your instincts were correct haha. I played guitar since I was 7 and I heard Allan fornthe first time when I was 20 and I thought I had heard it all, from Shawn Lane to Fredrik Thordendal and Frank Gambale, John McLaughlin, Joe Satriani and Steve Vai…. They all look up to this mysterious Humble Master, no one knows how or why he does what he did, but it’s etched in history, straight LEGEND, never be another just like DimeBag and JIMI, RIP them all
People criticize holdsworth for playing too many notes but then go praise john coltrane for doing the exact same thing
3 роки тому+9
Guitarists get that a lot. Guitar shredder going at fast tempo using pentatonics over a modal vamp = show-off, no taste, basic understanding of harmony. Michael Brecker doing the same = OMG, he's a genius!
@@Bloodonthepick ‚the sixteen man of tain‘ consits of the most mindblowing playing in a ‚standard‘ setting. But I also adore ‚wardenclyffe tower‘ or ‚hard hat area‘. Allan was a genius of the highest order. it‘s like da vinci or einstein man…🤩🥳🥰
the only guitar player in the world, that could compete with the harmonies of Cory´s solo in its own style, very impressive, thank you for cutting this together. best mash-up of the year !!
I hope that through this clip people get exposed to the creative genius of Mr Holdsworth. Because he was sonething else. he was more like stravinsky and ravel and messiaen. he was a genius. he really was.
No idea what this backing is but Allan is one of the greatest guitarists and musicians of all time. His improvisation can work over pretty much anything.
Very dynamic Legato* technic indeed, the glissandos he applies shift* the form with index finger then he applies the pinky hammer to the previous form position before the shift* then the decending chromatic pull-of'f's.....
@@jamesvalls8530 I’ve forgotten a lot of my music lessons but after you’re comment came up and listening to it once again it could be worked out from what’s implied by the bass. I guess what’s more impressive is that the person who made this video thought of these two together and said to themselves “you know what, they’ll fit” lol
I went to a Holdsworth clinic back in like ‘03 or ‘04. Someone in the audience asked him if he could read music. Without missing a beat, Holdsworth said “Reading? I just look at the pictures.” Someone else said they’d analyzed a bunch of his solos and couldn’t find a theoretical explanation for his improvisation method and asked what he was doing. He said he played how the chords made him feel and talked a bit about how can’t listen to Clair de Lune without crying because the harmonies and the melody is so evocative for him. Those response always stuck with me and made me change my approach to interpreting Holdsworth. Holdsworth had a rare ability to play guitar without obvious “guitarisms” and to play jazz without “jazzisms”. He was working from a whole different set of musical fundamentals that made conceptually advanced music accessible and intuitive to him. I don’t know how to get into that headspace but it seems like an awesome place to be.
@@GDIEternal great story. Holdsworth teaching video.. have you ever seen it where to talks about his approach to chords and scales? He couldn’t read but obviously had a pretty good understanding of music theory even if it was come by all by himself.
that‘s what he learned at Berklee where he made his masters and phd. he ows everything to this institution. there‘s no chance one can learn that as an autoditact.
Why does this even sounds like it works? Holdsworth had a similar chord progression or at least the same key in his mind while improvising like Lingus?
his harmony is so out that its basically atonal anyway, and the progression itself kinda goes everywhere. he plays with such confidence and great technique/tone that it just works anywhere
The "outside" playing attributed to Allan is what's classically described as _polytonality,_ meaning that more than one key is being voiced at the same time. It's what you get when you play two songs simultaneously, that are not in the same key. Allan takes it one step further, changes his key centre regularly, and plays tonally obscured arpeggios (see Slonimsky) to boot. I think the latter is just a natural consequence of growth as a musician alongside inevitable "errors" in improvisation (quirks that eventually turn into his musical signature and identity). He finds a way to make it musical by controlling his dynamics and flow. In his compositional works he attempts to merge the stable harmony and rhythm comping with the exploratory improvisation in his leads. Since his lead work takes on the chaotic nature it does, polytonality is practically inevitable at some point. But it's not very pronounced, unlike some"outside" playerswho completely obliterate the comp with multidissonance.
@@Andreorsel Actually, the more proficient the listener, the more musicality to are able to extract from the seemingly unmusical. Arguably, it should be more likely to "work" if you listen better.
Tempest was a group put together by Jon Hiseman after his groundbreaking prog rock group Colosseum. Allan appeared on the first Tempest album and was succeeded on the second by another British maverick guitar genius, Ollie Halsall. But for the treat of a lifetime check out the Tempest BBC In Concert gig from 1973 where Allan and Ollie shared the same stage and duelled like demons!
It's like an optical illusion, but for harmony.
Genius perception thank you.
Wow that's fun to think about
The guy created his own method of harmony. He liked to be original.
That's insanely based
and also for timing
Allan Holdwosth is an alien, he improvised on Lingus in the nineties when Snarky Puppy didn't exist. He knew that Lingus would be composed in the future. Allan Holdworth is a star child. He is almighty.
Yeah the recording looks like it’s recorded in the 90s by a camcorder hahaha
Who knows maybe it could be...All night long I'm going "What on Earth is he doing? ? ? "
He’s been reincarnated... there’s a kid in his 20s who plays Abassi guitars ... plays holdsworth tunes with fluidity ... never thought I’d see it happen
@@pjuliano9000 Josh Meader ?
@@pjuliano9000 Holdsworth died in 2017, if you do the maths then he'd be a child if he supposedly reincarnated.
The people saying that this "doesn't fit", have NO EAR AT ALL and definitely are not familiar with Allan's playing. Holy shit, it's absolutely perfect. It's almost as if Allan was hearing this exact chord progression in his head. This video came on autoplay while I had another tab open, and when I clicked over and realized what I was hearing, I just started laughing at how perfectly his phrasing modulates as the chords change. Insane!
@ttb
I've listened to Corey Henry's solo on lingus at least 100 times...and he is much more musical in his approach than Holdsworth. I understand AH was just riffing and not playing some finished product, but I enjoyed Henry's phrasing and more conservative use of modes and chromatic runs much more.
@@charliemcfarling4219 Just imagine if Holdsworth was _intentionally_ soloing over these changes. It would be truly out of this world!
Allan’s technique was the epitome of economy-in-motion. It looks so deceptively simple yet is so elusively difficult. Fantastic.
Allan never ceases to amaze me. He recorded that little solo jam decades ago knowing full well that one day in the future, someone, somewhere would write/play a tune where it would fit perfectly... GENIUS....!!!
Lol! This is brilliant! He's so good he traveled in time from Carvin's headquarters in 1998 to Snarky Puppy's studio in 2016!!
And this shows you can actually play whatever the hell you want over that snarky puppy ostinato
Yeah, that's true if you're Cory Henry or Holdsworth
One rhythmic pulse, plus a six note progression? Yep, you play whatever you like over that.
Or maybe you can actually play anything behind Allan
Absolutely not.
@@pockettunes7777 Ummmm no.
A lot of people here criticizing Allan’s playing don’t realize that this video is an edit where the backing of snarky puppy’s song lingus was put behind a clip of Allan simply playing by himself so of course this isn’t going to be a fantastic example of Allan’s playing. You want to hear Allan at his best listen to the album “sixteen men of tain” it’s got great compositions that showcase Allan’s improvisational talent.
For contrast, also the live album "All night wrong" with Chad Wackerman and Jimmy Johnson. He was a unique talent.
Yes absolutely.
It's a pity you had to explain to the ignorant who were quick to judge what they were hearing.
People that criticize Allan Holdsworth doesn't even deserve explanations
Or blues for Tony.
If you listen closely, Allan is playing mostly in phrases that be parameterized as relating to various harmonies in E. You can clearly hear E minor and E major notes and especially the phrasing along B minor at the end of the video.
Obviously, things like E minor and B minor in a Holdsworthian context have extended meanings, but the point stands. His playing is definitely not ‘random,’ but rather, geometric.
This really demonstrates the concept that "all notes work over all chords"
Being able to interpret the musicality is really up to the listener
Not at all, this is just a massive coincidence. Take any other excerpt of Allan noodling like this and it won’t sound good at all over lingus.
It’s all about harmony
- Alan... which is the key?
- Yes.
Cute, but he always knew what key he was in. If you think he was in all keys at once, then you're mistaking lots of quick modulations for polyphony. Also, learn to spell his name.
@@Gregorypeckory sorry, my mistake, by the way I'm blown away by his ability, needless to say it was a poor shot for a joke, I know too little about music to understand the complexity of Allan's modulations (thanks for driving my attention "ll") but as a "guy who plays the guitar for fun" wannabe I cannot but think as this as some kind of witchcraft 🤣
@@inakiaraluze4528 Fair enough; I feel the same; what he did was ridiculously dazzling; so great I sometimes have to laugh at the absurd reality of a human who can do what he did; it would be easy to mistake it for some kind of sorcery!
@@Gregorypeckoryget his meat out your mouth holy
@@Gregorypeckory Polyphony is when you have 2 or more independent melody lines which intertwine to create harmony and has nothing to do with what key you're in or how often modulations happen. Did you maybe mean cacaphony?
Brecker, Coltrane, Corea < Allan
And I love and listened to all of them deeply.
Agreed. He is on a whole other level.
Key sigs and intervals were just playthings for Allan. He was so outside, he came back in, then went outside again. Totes legend, RIP master.
Absolutely brilliant. I imagine it would've been a very similar solo if Holdsworth was alive and invited to play.
His dexterity was just another level.
you sir have a great ear and a great taste in music. i love this so much. congratulations on being you. must be nice
Man, that comment pumped my heart.. bless you my friend🖤
That fretboard looks so comfortable to play
it definitely is
@@88anarahammertime Well, HIS was. I tried one of the shop-models back in the day and it was absloute crap. Strings 2 feet off the fret-board, like trying to shred on a dobro.
@@Pladderkasse It needs a setup. Maybe for a novice it was not a bad pity , but to play fast and good it needs a setup
Allan Holdsworth was an incredible guitarist, no one like him , can’t understand anyone critiquing his unique playing ?
@@theodoresmith4371 Have you heard the song Metal Fatigue? Nothing boring there
@@theodoresmith4371 have you listened to his solo on hazard profile? by soft machine. earlier in his career so it's got much more rock in it, and it's fantastic
Mostly it's people who just don't understand his unique playing or don't like him because he never wrote a 'hit' song. I don't understand his playing either but for some strange reason it just sounds incredibly appealing to my ears.
Wow Alan's precision is perfectly on display here. He had the pinpoint dexterity of a world class surgeon. Having said that he could also play with unmatched passion and fire. Listen to him with Tony Williams to have your mind fried.
There isn’t a surgeon on earth with that dexterity
He stumbled several times. He would agree. But it is pure improv!!
Can i give you a hug bro? 😊
I'm literally crying
Come here man
There are the greatest guitarists of all time. Joe Pass, Jimi Hendrix, Wes Montgomery, Eddie Van Halen, Pat Metheny, Matteo Mancuso, John Scofield, Yngwie,...
And then, in outer space, there's Allan Holdsworth. Unique, singular, uncomparable.
allan was in his own league. one of the most important artist of all time.
You are a person of culture, no doubt about it. Have you heard Danny Gatton?
@@jorgesegniniaguirre gatton was total original. superb musician. may he rip!
Allan sits atop Mount Olympus with Shawn Lane and Jimi.
@@GreenDistantStar Brad paisley can out play Allan
You are insane for doing this. Congratulations. I think it sounds phenomenal
It really does. I've been looping it, and every time I hear something new. It's a real shame that so many are not able to hear it.
what an incredible musical mind Allan had
Damn took me a while to realise this is an edit
I was sincerely like damn alan just likes old cameras
Very nice find! Just shows that you can play complex lines over a simple backing.
Still a little mind blown how well it works after listening to this particular solo for years
Whenever I come back to this video I'm amazed every time, you have such an amazing ear to think of putting these together! Thanks for sharing
can't tell you enough how I appreciate it, thanks for listening and commenting🙏🏻
one time i was listening to lifetime, by tony williams, ya know and about 2 songs in i looked at my friend and i said, "i think allan holdsworth is the greatest guitar player of all time..." i was kind of in shock. is there a greatest guitar play of all time? simply, no. but that is how mesmerizing allan is.
Yes, it’s Allan it’s ok, your instincts were correct haha. I played guitar since I was 7 and I heard Allan fornthe first time when I was 20 and I thought I had heard it all, from Shawn Lane to Fredrik Thordendal and Frank Gambale, John McLaughlin, Joe Satriani and Steve Vai…. They all look up to this mysterious Humble Master, no one knows how or why he does what he did, but it’s etched in history, straight LEGEND, never be another just like DimeBag and JIMI, RIP them all
I just want to say... thank you.
You're welcome 🙏🏻🖤
@@lickmypick725 ua-cam.com/video/SfraPOpy-0k/v-deo.html
People criticize holdsworth for playing too many notes but then go praise john coltrane for doing the exact same thing
Guitarists get that a lot. Guitar shredder going at fast tempo using pentatonics over a modal vamp = show-off, no taste, basic understanding of harmony. Michael Brecker doing the same = OMG, he's a genius!
allan is of coltrane‘s calliber
@@NeilRaoufgot any holdsworth albums you could recommend me?
@@Bloodonthepick ‚the sixteen man of tain‘ consits of the most mindblowing playing in a ‚standard‘ setting. But I also adore ‚wardenclyffe tower‘ or ‚hard hat area‘.
Allan was a genius of the highest order. it‘s like da vinci or einstein man…🤩🥳🥰
this is absolutely fantastic
Appreciate it man🙏🏻🖤
WTF how is this possible, he is playing over the changes in time...mind blown
He was so far ahead of his time he was writing parts for songs that didn’t exist yet.
Allan Holdsworth will always blow my mind !
thank you for that you made my day , brilliant idea
the only guitar player in the world, that could compete with the harmonies of Cory´s solo in its own style, very impressive, thank you for cutting this together. best mash-up of the year !!
Check out josh meader
"that could compete with the harmonies of Cory´s solo in its own style,"
And do it accidentally, ha!
Brilliant edit!! Just brilliant, he will always be one of the kings of guitar!
king of art and creativity suits better
This is the most incredible thing I 've ever heard..... Thank you man... Thank you you're a genius ❤️
Ur too kind man, thanks 🙏🏻🖤
I hope that through this clip people get exposed to the creative genius of Mr Holdsworth. Because he was sonething else. he was more like stravinsky and ravel and messiaen. he was a genius. he really was.
the greatest video on youtube right now! THANK YOU! ALLAN LIVES!!!!!!
Brilliant mashup! Amazing that it just works out of the box with no edits (or were there?)!
it doesnt actually work work though
Love how out it sounds haha perfection
This sounds like such an amazing mash up
Ha, joke's on you, I'm listening to this from my phone's speakers and at very low volume, so I just hear Allan and a little bit of percussion.
Percussion wins
Rythmicallity 🥁
Wow it fits so well
As always..... AMAZING! Allan juat can't go wrong!
Great job! Very creative of you.
really good 👌👍
Why does this work so well
Man do I miss Allan. ❤️❤️❤️
Great work. May peace be upon you, my brother.
this is so good
I love it when mashups net emotional and powerful music in its own right that's greater than the sum of its parts.
wow that was great
Thanks ✨
Unreal phrasing and lines
I can play the tambourine part perfectly. lol.
Alan Holdsworth: the man who makes rock’s elite level players look like choir boys
I remember in high school my band instructor talking about commanding your instrument. That's what's happening here.
Boss of the boss of the bosses.
simply awesome...
This idea is transcendental
Badda Bing, Badda Bang(Big Bang)
Badda.. Allan Holdsworth
Man, I love it!
every time I watch this it's just more fucking insane
😂 oh my God..you are very creative👍🏻👍🏻👍🏻
No idea what this backing is but Allan is one of the greatest guitarists and musicians of all time. His improvisation can work over pretty much anything.
You really don’t know snarky puppy? Come on, check them out.
Genius mix 😀
Very dynamic Legato* technic indeed, the glissandos he applies shift* the form with index finger then he applies the pinky hammer to the previous form position before the shift* then the decending chromatic pull-of'f's.....
Sensational💫
Great job👍🏾. Very cool edit.
Bruh look how hes picking 😶 so chill
this is amazing
Playing aside, I want that guitar.
Epic Improv but why does the video look like it was recorded in the 80's?
Uhh
lol shame!
Haha
It was :-)
Because.... Oh nevermind.
I can't get my eyes off his right hand - such precision, but also like it is doing nothing at all (and at the end, it is doing... nothing at all!)
Stupid sexy Holdsworth!
transcribing in 3, 2, 1 hahaaah. Man.....what a great idea!
Thanks dude🙏🏻
This actually got me so good
I love it!!! Well done!
the first 10 secs are like Cory is playing the guitar
Absolutely amazing 😂
Monster you make it seems so simple.... But it doesnt.... Master
Best best best!
Thanks man🙏🏻🤍
right on- great stuff!
0:58 AHH Åh he loves playing that 😂🎉 ❕
My god. Just how? 😂 I’m laughing nervously trying to understand
Great cut.. suprisingly in key most of the time. Be interested to know what Allan is thinking chord wise while he’s playing.
Wouldn’t we all. Someone has commented about there being no obvious tonal centre. He is so good that it’s difficult for the common man to realise.
@@jamesvalls8530 I’ve forgotten a lot of my music lessons but after you’re comment came up and listening to it once again it could be worked out from what’s implied by the bass.
I guess what’s more impressive is that the person who made this video thought of these two together and said to themselves “you know what, they’ll fit” lol
I went to a Holdsworth clinic back in like ‘03 or ‘04. Someone in the audience asked him if he could read music. Without missing a beat, Holdsworth said “Reading? I just look at the pictures.” Someone else said they’d analyzed a bunch of his solos and couldn’t find a theoretical explanation for his improvisation method and asked what he was doing. He said he played how the chords made him feel and talked a bit about how can’t listen to Clair de Lune without crying because the harmonies and the melody is so evocative for him. Those response always stuck with me and made me change my approach to interpreting Holdsworth. Holdsworth had a rare ability to play guitar without obvious “guitarisms” and to play jazz without “jazzisms”. He was working from a whole different set of musical fundamentals that made conceptually advanced music accessible and intuitive to him. I don’t know how to get into that headspace but it seems like an awesome place to be.
@@GDIEternal great story. Holdsworth teaching video.. have you ever seen it where to talks about his approach to chords and scales? He couldn’t read but obviously had a pretty good understanding of music theory even if it was come by all by himself.
that‘s what he learned at Berklee where he made his masters and phd. he ows everything to this institution. there‘s no chance one can learn that as an autoditact.
That legato tho.
This is what guitar physics looks and sounds like!!
I’m just surprised that it lined up with the same tempos!
Genius !
Really beautiful melodies... or just running scales
You did not find this video… it found you.
Genius
Brilliant
how does he go through all those scales so flawlessly without thinking about it?????
Alien talent is beyond our comprehension....
Allan didn't play music... He _was_ music.
Why does this even sounds like it works? Holdsworth had a similar chord progression or at least the same key in his mind while improvising like Lingus?
Allan is omni-harmonic. He is in all keys and all harmonies simultaneously
his harmony is so out that its basically atonal anyway, and the progression itself kinda goes everywhere. he plays with such confidence and great technique/tone that it just works anywhere
The "outside" playing attributed to Allan is what's classically described as _polytonality,_ meaning that more than one key is being voiced at the same time. It's what you get when you play two songs simultaneously, that are not in the same key. Allan takes it one step further, changes his key centre regularly, and plays tonally obscured arpeggios (see Slonimsky) to boot. I think the latter is just a natural consequence of growth as a musician alongside inevitable "errors" in improvisation (quirks that eventually turn into his musical signature and identity). He finds a way to make it musical by controlling his dynamics and flow. In his compositional works he attempts to merge the stable harmony and rhythm comping with the exploratory improvisation in his leads. Since his lead work takes on the chaotic nature it does, polytonality is practically inevitable at some point. But it's not very pronounced, unlike some"outside" playerswho completely obliterate the comp with multidissonance.
Listen better, it does not work at all most of the time.
@@Andreorsel Actually, the more proficient the listener, the more musicality to are able to extract from the seemingly unmusical. Arguably, it should be more likely to "work" if you listen better.
Is it possible that the snarky puppy guy might have written this progression around Allan’s improvisation???
Subconsciously.....
check out Alan in a '70s jazz rock group Tempest
Send link
@@lickmypick725 is it really that difficult to do a youtube search? here:
ua-cam.com/video/KcIFkx8vnUw/v-deo.html
Tempest was a group put together by Jon Hiseman after his groundbreaking prog rock group Colosseum. Allan appeared on the first Tempest album and was succeeded on the second by another British maverick guitar genius, Ollie Halsall. But for the treat of a lifetime check out the Tempest BBC In Concert gig from 1973 where Allan and Ollie shared the same stage and duelled like demons!
Well done.
LEGEND
Perfect ...
Legend
this guy got on cartis first mixtape which was released the day he died