It bares repeating, I love the way you teach. Consistently clear, never pedantic and always pushing my music knowledge to new fluid heights. Many thanks.
Aren't we very fortunate to have these well presented lessons! Hope everyone sees the value of supporting Adrian with some amount of money monthly/annually. Such good value and free. When you think about what he's sharing and what we're learning, there's just no excuse to not pay for great guitar lessons!
I just discovered your channel and your tutorials and I must say, you're my savior, I just recently got back into playing/practising the guitar and thank you for your explanations!!
Thanks for the simple explanation and demonstration of dim7 substituting for dom7, Adrian. Never really got this properly before despite putting myself into the presence of lots of jazz theory. I love the spice of dim7.
I’ve been enjoying your content for a few months now and I must say…. Your subtle sense of humor is so very entertaining! The lessons are exactly the focus I’ve been looking for. Thank you Adrian! 😎
Awesome video. Whenever I’m going through jazz tunes and I see a dominantb9, I just play a rootless chord by moving the root up a half step and it makes life a lot easier haha
Song request: XTC Are You Receiving Me Andy explains in some youtube video(not necessarily in my requested song) that he plays an upside-down E chord i.e. G# on 6th string but doesn't know why. He just learned it that way by himself but credits it for resulting in them sounding unique.
Could you make tutorials on Well I Wonder and Suffer Little Children, both being by The Smiths? Those are two of my favorite songs by The Smiths and I can't find any good tutorials of them on UA-cam.
A bit much for my knowledge level, maybe one day I'll understand the arpeggios relating to chord transitions. How does a flat 9 relate to diminished 7 chords? Maybe rewatch several more times to catch his explanation.
Another way to look at a diminished 7th chord is as a dominant 7 b9 chord without a root. Let’s look at C7b9: its notes are C, E, G, Bb, and C#. The notes of E dim 7 are E, G, Bb, and C#. 4 out of 5 notes of C7b9. The C# in the 7 chord is a really strong tension that reinforces the whole point of a functioning dominant chord. Hope this helps a little bit.
It bares repeating, I love the way you teach. Consistently clear, never pedantic and always pushing my music knowledge to new fluid heights. Many thanks.
I couldn't have said it better.
I remember you from "Voyagers". Jon-Erik died too young.
Love your lessons and playing. That yngwie-esque lick at the end was awesome! Love your album as well! Keep up the good work!
4:03 EXACTLY!!
Aren't we very fortunate to have these well presented lessons! Hope everyone sees the value of supporting Adrian with some amount of money monthly/annually. Such good value and free. When you think about what he's sharing and what we're learning, there's just no excuse to not pay for great guitar lessons!
I just discovered your channel and your tutorials and I must say, you're my savior, I just recently got back into playing/practising the guitar and thank you for your explanations!!
Thanks for the simple explanation and demonstration of dim7 substituting for dom7, Adrian. Never really got this properly before despite putting myself into the presence of lots of jazz theory. I love the spice of dim7.
I’ve been enjoying your content for a few months now and I must say…. Your subtle sense of humor is so very entertaining! The lessons are exactly the focus I’ve been looking for. Thank you Adrian! 😎
Excellent Theory Lesson. This works well in conjunction with Minor Pentatonic Scale and Blues Scale for TWILIGHT ZONE Blues.😎😎😎
something clicked in my brain. thank you again!
I really enjoy and benefit from the way you explain and demonstrate concepts. God bless Rock on 🙏🎶🎵❗👀
Brilliant, dear chap. Thanks!
Great lesson. Very well explained 👍
I would love if you could mention how to interpret strumming patterns in songs in one of your future song breakdowns. Wonderful stuff as always.
Great lesson Adrian, as ever.
Awesome video. Whenever I’m going through jazz tunes and I see a dominantb9, I just play a rootless chord by moving the root up a half step and it makes life a lot easier haha
10:35 Thank You Boys!
Song request: XTC Are You Receiving Me Andy explains in some youtube video(not necessarily in my requested song) that he plays an upside-down E chord i.e. G# on 6th string but doesn't know why. He just learned it that way by himself but credits it for resulting in them sounding unique.
I always think of a Dim7 as minor thirds stacked one upon another.
Could you make tutorials on Well I Wonder and Suffer Little Children, both being by The Smiths? Those are two of my favorite songs by The Smiths and I can't find any good tutorials of them on UA-cam.
A bit much for my knowledge level, maybe one day I'll understand the arpeggios relating to chord transitions. How does a flat 9 relate to diminished 7 chords? Maybe rewatch several more times to catch his explanation.
Another way to look at a diminished 7th chord is as a dominant 7 b9 chord without a root. Let’s look at C7b9: its notes are C, E, G, Bb, and C#. The notes of E dim 7 are E, G, Bb, and C#. 4 out of 5 notes of C7b9. The C# in the 7 chord is a really strong tension that reinforces the whole point of a functioning dominant chord. Hope this helps a little bit.
A what we always called the Scooby doo spooky 7th.
I did grade 5 theory and grade 8 piano and even now I still don't get the point of calling them diminished sevenths.
I like your accent. Where are you from?
Wondered when you would get around to mentioning that Fucking thing.😂🤣😂
Dont many talking ..