ALL MODES with ONE Arpeggio? - Half Diminished Power!

Поділитися
Вставка
  • Опубліковано 30 жов 2024

КОМЕНТАРІ • 50

  • @MrSupercracker1
    @MrSupercracker1 10 місяців тому

    FINALLY somebody that explains modes correctly.. NOBODY on UA-cam does.

  • @michaelseidl1562
    @michaelseidl1562 11 місяців тому +7

    since i watched your modes lessons im in love with music theory

  • @jm100573
    @jm100573 11 місяців тому +3

    Thanks for opening this Secrets Box, explain as no one else can do. Some are saying that Nobody is Pefekt but you and your way to explain Music ... you are !!! Thank you so much !

    • @QJamTracks
      @QJamTracks  11 місяців тому

      Thank you! But also a secret... I'm far from perfect :)

    • @tsukayna7101
      @tsukayna7101 11 місяців тому

      I second this

  • @davidtremmel895
    @davidtremmel895 11 місяців тому +8

    Really great video. I have been watching music theory videos on UA-cam for years and nobody has even come close to providing the true versatility of the m7b5 chord as you have. Great job and thank you !!

  • @danielleary7876
    @danielleary7876 11 місяців тому +1

    I just want to say thank you very much for this video. I have been practicing min7b5 scales for a while but I've been struggling to find a way to apply them during improv. Your video really gave me a great understanding for the harmonic/modal context to apply this dissonant sounding scale in a way that really works and harmonizes well within a piece. Now I'm throwing min7b5 to my improvs in a thoughtful way and it's really adding some nice spice and flavor. I've been using your E minor gypsy jazz backing track and when play an F#minb7 in there I'm sounding like a poor mans Django. Thx again !

  • @Minnesconi
    @Minnesconi 11 місяців тому +6

    Best channel on youtube. So much here and so well done. Thanks!

  • @asarcadyn2414
    @asarcadyn2414 11 місяців тому +1

    "And here is a simple musical example..." Love it 🙂

  • @tnvalleyyoga7122
    @tnvalleyyoga7122 11 місяців тому +1

    This is a good explanation. Modes can be confusing, but this cleared up a lot of the confusion. Thank you.

  • @TomCTHC
    @TomCTHC 11 місяців тому +4

    Cool video. Its worth noting thay the tritone is what creates the gravity in major and ultimately defines th4 parent scale and thats why it works.
    This is ultimately the tension of a superinposed V>I, just off the 3 of V

  • @doglegsteve8363
    @doglegsteve8363 6 місяців тому +1

    brilliant info - many thanks

  • @cbadham
    @cbadham 11 місяців тому

    YES!!!! I've been doing this for years but didn't know why it worked so well. Now it makes sense. Also, once you realize that the pentatonic minor scale is a min7 arpeggio, then it's easy to adjust and find the m7b5 arpeggio all over the neck.

  • @scottfriery9091
    @scottfriery9091 5 місяців тому

    Your explanation made things easy! Thank you!! Great playing, by the way!

  • @alexandercarranza1369
    @alexandercarranza1369 11 місяців тому +1

    I agree with all the comments.. what a great way of explaining music theory..!

  • @jimmyc5498
    @jimmyc5498 11 місяців тому +1

    Great clip. I’ve been using F Lydian to E7 instead of Bm7b5 into Am but I didn’t know about the characteristic note pattern. Thks

  • @psilocybe_reptiliensis
    @psilocybe_reptiliensis 11 місяців тому +1

    your tutorials are really high quality level... cheers!

  • @67er_matze97
    @67er_matze97 3 місяці тому

    awesome lesson !!

  • @hdrflow
    @hdrflow 11 місяців тому +3

    Fantastic channel!

  • @GeorgeMilkasIgore
    @GeorgeMilkasIgore 11 місяців тому +1

    Thank you.
    Really helpful theory video !!

  • @TheBaconWizard
    @TheBaconWizard 11 місяців тому +1

    Thanks. Very useful! A nice way to get out of the pentatonic.

  • @1bryser
    @1bryser Місяць тому

    Thanks, great music theory videos!

  • @herveorus7432
    @herveorus7432 11 місяців тому +1

    really big video !!!! Thanks a lot!

  • @ОлегМалков-в1е
    @ОлегМалков-в1е 10 місяців тому

    Спасибо!

  • @VirtualModular
    @VirtualModular 11 місяців тому +1

    Beautiful, thanks!

  • @slickwillie3376
    @slickwillie3376 11 місяців тому +1

    Awesome!

  • @McKefneul
    @McKefneul 11 місяців тому +1

    Cooool!!!! THX!!

  • @Pedro_MVS_Lima
    @Pedro_MVS_Lima 11 місяців тому +1

    Excellent stuff and, as usual, a remarkably lovely explanation.
    Just a small detail at 6:15, when a "double diminished 7th degree" is mentioned. It should actually be a "double flat seventh degree", which is a diminished 7th [interval from the tonic], because a "flat seventh degree" would be a minor 7th.

    • @QJamTracks
      @QJamTracks  11 місяців тому +1

      Indeed. I made a mistake there....

  • @rustammansurov8198
    @rustammansurov8198 11 місяців тому

    Top!

  • @Dcba964
    @Dcba964 11 місяців тому +1

    This works with each arp of each chord of the major scale.
    In C major you can play a Dminor7 arp, a E minor7 arp, a F major 7 arp, a G7 arp....etc

    • @QJamTracks
      @QJamTracks  11 місяців тому +4

      @vodoo57alessio18
      That is true. Although I would be careful with arpeggios that contain the avoid note F (4th degree in major). And the power of the m7b5 arpeggio is that it always contains the characteristic note of the mode and it has a lot of character from itself since it is a (half) diminished chord.

  • @st.fiacre6685
    @st.fiacre6685 10 місяців тому +1

    I know this lesson is for 'superimposing' but the Half Diminished is at home in the Locrian mode, which is a big deal. lol. Its useful for outside jazz playing, which most of the students here cant relate...😨

  • @Chris-w4j
    @Chris-w4j 9 місяців тому

    Its worth metioning the dominant 7th of every mode does the same thing with all the modal trigger notes.

  • @timshadgett
    @timshadgett 11 місяців тому

    Thanks

    • @QJamTracks
      @QJamTracks  11 місяців тому

      Thank you Tim!!. I appreciate this!

  • @PopovSB
    @PopovSB 11 місяців тому

    Beautifully done video, great explanation. Thank you!
    But in my opinion, it doesn't always sound good..... For example, Bø over Am (aeo) or over Em (phr).
    There is another great use of Bm7b5, and that is Db7alt.

    • @QJamTracks
      @QJamTracks  11 місяців тому

      Sure! The half diminished chord can be used in many great ways. Sometimes it's hard and it takes a while to get the sound right, like with the altered scale for instance. Some options will sound better than other with no doubt.

  • @ahmetayaz41
    @ahmetayaz41 11 місяців тому +1

    This video is f.. awesome. like "neo" in the matrix. i see all

    • @QJamTracks
      @QJamTracks  11 місяців тому +1

      Then you took the red pill.... :)

  • @jcaryali
    @jcaryali 11 місяців тому

    Hello from Spain. About play in live with fractal or other modeler, and frfr, in your case with laney 112. What is your opinion to get the best sound the presets with delays, reverbs, amp and can blocks, etc
    Or do you play live in mono??. Your advice please. I always play with amp and now i start to play digital. THANKS

  • @guenterjaklitsch6561
    @guenterjaklitsch6561 Місяць тому

    Is there an e-book on this topic ?

  • @fanzhang5305
    @fanzhang5305 11 місяців тому +2

    cool。。。

  • @janezimmerman7987
    @janezimmerman7987 10 місяців тому

    7:38 itty bitty mistake
    Orange square at the 4th instead of the minor 6th.

  • @MikeyBakerMusic
    @MikeyBakerMusic 11 місяців тому

    🤯

  • @ijulmahardika8923
    @ijulmahardika8923 11 місяців тому

    Did C min isn't C D D# F G A B C
    ??

    • @Chris-w4j
      @Chris-w4j 9 місяців тому

      That looks like C Melodic minor.
      D# should be Eb though.
      C Minor is C aeolian.
      12b345b6b7
      C D Eb F G Ab Bb C

  • @armandolopez8726
    @armandolopez8726 11 місяців тому +1

    Can you please make a video on chord synonyms and chord substitutions pleaseeeee