Two of my favorite musicians in jugalbandi. I'm in heaven! With my feet planted firmly on the earth 🌎! with tabla. All love and gratitude 🙏 beloved ones 🕉
My heart is just filled with so much joy bordering on ecstasy mingled with some palpable pain . I can’t describe the rapture this divine music puts me into. Tears of joy roll down .
Rag Bageshri wonderfully renedered by flute & sitar along with Farukabad style by our Pt.Anindyo Chatterjee, whose name shines brilliantly in Tabla. Gat in Madhya Loi & in Jhala exceedingly par excellent.
Hello gentlemen, my ear is not tuned enough to understand what you are saying. What should be the ideal mood of Bageshree? Can you suggest some recordings with which I can compare? Thanks.
@@nik5129 mine is experience n study based view... Not imagination neither obsession... Just to talk about ease level n not to demean the instrument,... Easy instruments can be seen played on streets as well as in local trains...
@@nik5129 by that logic, all the cheaper and lighter instruments can be played in locals...??🤔 Like mouth organs...shehnai etc...? How lightweight and cheap an harmonium is?? Do I can understand what kind of sitar you play 😉
Amazing performance. However why not offer the whole performance. Breaking it up at key moments I find disturbing and really is jarring, if you are listening seriously. Like just pulling some colors and shapes out of a masterpiece painting because you dont have time to look at the whole picture. Thats whats beautiful about a Raga is the way it flows and developes slowly.
Looks like you are one who believes Old is Gold. Nothing wrong that, but then the even older generation before Ravishankar should be considered the best?!
I mean, I do agree that Ravishankar, Vilayat khan were amongst the greatest sitar players, but that doesn't mean contemporary players are s@#t. Especially Niladri is a torch bearer who is right up there when it comes to classicism, at the same time is so highly inventive. But probably you haven't heard of these words, so peace.
Rakesh Chaurasia ji is playing wonderfully, but it seems the sitar player can’t stand he is playing much better than him and interrupts him every time, and tries to destroys his tanas in the middle.. what a jerk! While Rajesh ji is busy connecting with the mood of the Raag, closing his eyes, the sitar player is just doing whatever to show off. Very annoying
Bageshri ka chalan nisagamadhanisa aur sanidhamapadha magaresa is tarah se hai. Niladri dhanirega kyu baja raha hai. In donoko Rag malum nahi. Ye Jo baja RAHE hai use BHELPURI kahna padega.
Rakesh chourasia ana Pt Anindo chatterjee are the best performers here. Niladri is a confused sitarist. He has to first decide whether to perform in Imdadkhani Baaz or his father's. Till then he will at best be a film music background performer. He lacks serious approach to raaga and taala.
Two of my favorite musicians in jugalbandi.
I'm in heaven!
With my feet planted firmly on the earth 🌎!
with tabla.
All love and gratitude 🙏 beloved ones 🕉
Pt.Anindo Chatterjee is world renowned tabla player. In this recital he played splendid tabla.
No one here....wrote anything about Pt. Anindo Chatterjee...the tabla maestro....I am shocked and surprised...!!!
I'm also agree with you.
My heart is just filled with so much joy bordering on ecstasy mingled with some palpable pain . I can’t describe the rapture this divine music puts me into. Tears of joy roll down .
Excellent performance by the three artists, exclusively Pt Anindya Chatterjee's tabla playing is mind blowing.
No where in the world do we find such sublime music that moves your heart so much.
Rag Bageshri wonderfully renedered by flute & sitar along with Farukabad style by our Pt.Anindyo Chatterjee, whose name shines brilliantly in Tabla. Gat in Madhya Loi & in Jhala exceedingly par excellent.
My goodness! All those maestros together!! Pt. Aninda ji, Niladri ji, Rakesh ji!! Hats off to the organisers.....
In this clip there is only one maestro and two amateurs
The duet recital just touched my heart with a painful joy---ecstasy may I say.. Salute to Anindya for his wonderful participation with the rendition.
Niladri is superfast...Rakesh is magnificent ...Anindodada is wonderful ...
It is very Peaceful...
Just amazing...
Please upload the complete version of this video!!!
Regards.
অনবদ্য এক কথায়। শিল্পীদের জানাই নমস্কার।
क्या तबला बजाया है, वाह
amazing 👏🏻😍❤️
Thanks gad❤
Good feeling Rakesh chaurasiya
Fantastic presentation
Beautiful
Thanks
The point is to elicit Bageshree and did we ?
Balu Nadig I’m so glad somebody asked the question! Most people are too busy giving “wah wah!” to Niladri’s musical acrobatics.
The answer is NO! The rag is no where to be heard
Ustad Shahid parvez pointed out in one concert or interview that once the player starts showing his "kalaakari" the raga sits in the corner.
Bageshri is destroyed everytime Niladri touches the strings. It's quite disappointing.
Hello gentlemen, my ear is not tuned enough to understand what you are saying. What should be the ideal mood of Bageshree? Can you suggest some recordings with which I can compare? Thanks.
Namaskaram Guruji.
Arup Acharya qfb. ACx v
Very very super!
melodious !!!!!!!!
Pl mention the name the raga
La jabab .Maifil. very nice.
masha allah
Beautiful
🙏🙏🙏
GharAaya Mera pardesi
kamal
wow!!
🙏🙏😇♥️
Sitar ... Most difficult instrument in the world....🙏🙏
i will say flute :)
@@nik5129 mine is experience n study based view... Not imagination neither obsession...
Just to talk about ease level n not to demean the instrument,... Easy instruments can be seen played on streets as well as in local trains...
@@bhushangogad O have played both and then Im saying. And I cannot imagine someone carrying a heavy, costly Sitar to play in locals ;)
@@nik5129 by that logic, all the cheaper and lighter instruments can be played in locals...??🤔
Like mouth organs...shehnai etc...?
How lightweight and cheap an harmonium is??
Do I can understand what kind of sitar you play 😉
Geo g bismillah pt aindo j aur dono
Amazing performance. However why not offer the whole performance. Breaking it up at key moments I find disturbing and really is jarring, if you are listening seriously. Like just pulling some colors and shapes out of a masterpiece painting because you dont have time to look at the whole picture. Thats whats beautiful about a Raga is the way it flows and developes slowly.
It's when you hear sitar players like this you realise how great Ravi Shankar, Nikhil Banerjee, Vilayat Khan and Balram Pathak were
What's wrong with niladri?
Looks like you are one who believes Old is Gold. Nothing wrong that, but then the even older generation before Ravishankar should be considered the best?!
I mean, I do agree that Ravishankar, Vilayat khan were amongst the greatest sitar players, but that doesn't mean contemporary players are s@#t. Especially Niladri is a torch bearer who is right up there when it comes to classicism, at the same time is so highly inventive.
But probably you haven't heard of these words, so peace.
@@kishoreharkhu4612 Niladri kills the mood of the raga by engaging in pyrotechnics and fast playing
@@shivabreathes it's a different era with higher gratification demand. You have to play to your audience or you risk becoming irrelevant
Rakesh Chaurasia ji is playing wonderfully, but it seems the sitar player can’t stand he is playing much better than him and interrupts him every time, and tries to destroys his tanas in the middle.. what a jerk!
While Rajesh ji is busy connecting with the mood of the Raag, closing his eyes, the sitar player is just doing whatever to show off. Very annoying
Bageshri ka chalan nisagamadhanisa aur sanidhamapadha magaresa is tarah se hai. Niladri dhanirega kyu baja raha hai. In donoko Rag malum nahi. Ye Jo baja RAHE hai use BHELPURI kahna padega.
Garage
Rakesh chourasia ana Pt Anindo chatterjee are the best performers here. Niladri is a confused sitarist. He has to first decide whether to perform in Imdadkhani Baaz or his father's. Till then he will at best be a film music background performer. He lacks serious approach to raaga and taala.