I sold all my analog gear to fund my conversion to Atmos. As soon as I went full digital my mixes instantly sounded better than they ever have. Good analog gear is needed for tracking but not for mixing. An expensive lesson to learn, the grass is not always greener.
Interesting. Yeh, I think I need to try an all digital mix to compare. However, now I’ve learned all of Jaycen’s tricks, this next mix will be at a huge advantage 🤣
@@EdThornenestly, there's something 3 dimensional about running through quality analog gear even if you're not really manipulating any audio. It's subtle but feels really different, especially if you avoided letting lots of little "barely audible" aliasing build up in the mix. Try mixes with God particle.... With and without a little sweetening analogue sends (and definitely don't leave the god particle limiter on for this! Crispy aliasing) And then tell me you don't feel the difference? Do you need it in there. Definitely not. Does it have an extra openness? Does the sheen feel like in the box? Is there an extra slight 3d quality? It's the a little more natural sounding separation? A little analog here in the mix bus is awesome! It's not going to be quite as good totally in the box, IMO. I can see why someone working at the level, wouldn't bother. Especially if he's mixing up to five tracks a day! Besides his style has more of a modern digital feel. It's great. But I don't think it cares about that last bit of openness and analog sound... I don't think he cares about a little bit of aliasing.
Congratulations! I'm sure that seminar must have been a great experience. When I saw your photo with Paul about the seminar I knew it would be tremendous. Greetings!
Cool video! I was there too. You don't need to sell your analogue equipment because ultimately mixing is personal. Jaycen has a particular approach that works but other ways work too. I think the main focus was on the artform, so adopt what works and modify to suit your perspective
Thank you for this sum up, I attended and it’s great that I can watch this to remind myself of that beautiful day (aside from all the photos, vids and notes i took) You mentioned the most important takeaways too
Thanks, I’m glad it was enjoyable. I wanted to leave some details out (PT template, MWTM discount, a few details discussed) so the people who attended still felt exclusive but incorporate enough to show just how good it was!
Best 160 I spent in years! I’m ripping my hybrid setup apart to follow more of his workflow. Plan to have a 100% mirror of his template ITB and OTB. And if they let me on it deffo plan to attend a MWTM bootcamp in France next year. Yes there was a bit too much of an infomercial on TGP, but as he created it to meet his mix needs and features heavily in his template then it made sense in a way. It gave a few other plugs a lot of live too. The SHMC being one. What a cool looking box! Gonna get one just for the look! Amazing. His tips on gain staging the drums and bass were priceless. I think the idea of hiring assistants to do the shit work like editing adding automation and slapping some random vox and drop candy on vix chops will save a lot of time too. But that’s venturing into realms of production imho a bit beyond the basics of a mix engineer. But then again the lines are continually blurring between a producer/mixer/me and whatever other label applies. 5 a day would be a piece of piss with that template and a team given his inout material and experience. A lot of it is cookie cutter rinse and repeat. Not dissing it. He’s spent years perfecting his trade. I do the same in my business. That’s what they call working smart.
It was great, wasn’t it? I’m still buzzing and excited to implement everything I’ve learned. Yeh, the compounding economics of having assistants to speed up your workflow must be a wonderful scenario. One day…
Interested to hear your thoughts on God Partical working on mic'd up electric guitar cabs. Absolutely love the God Partical - used it on a short film, acoustic folk track and drums and sounds amazing. However, electric guitars sounds whack...
It is intended to be a mix bus processor because it works in parallel to your main signal. So it would be on guitars by default. I need to spend more time with it for sure.
awesome video!!! Dave and Jaycen have so much knowledge they are amazing, especially if you get to talk with them in person. So you mentioned at the end if it was bad for you to have all that gear. I will say this. When your recording live drummers and mellotrons and other instruments they run through hardware, and then lets say Jaycen gets it, and works all in the box, you get an amazing track. (but we don't know what the Producer or Recording Engineer Ran It Through, you know what I mean) It's ok to run sampled drums (kicks, snare,etc...) and software into hardware. It does change the sonics. I actually run my Native Instruments and other synths on my laptop at low latency out of the apollo and into my Mac Studio through analogue. I believe these parts are the how you get the Recording aspect better, because like you said, before it gets to Jaycen they made sure they get it to it's best, but what if you're the person doing it all? yeah, crazy lol Thank you for the content 🙌🏾
Yeh, I agree. Analog processing on the way in for sure is the best way to get polished results. I don’t think my analog gear is completely wasted but I’ll go into it in more depth in the video next week. 🔥🙏
So Jaycen is completely in the box with just The God Particle on the mixbus, Orion on the drum bus and he goes from there.. doesn't he really touch anymore those nice analog outboards he has? No summing no anything?
Nice video and yea Jaycen career path was definitely different from the usual he was a record executive who became a mixing engineer and Record producer was the producer that gave him a shot at mixing big records which Tricky was initially one of Dave’s clients since Dave is originally from Atl and Jaycen definitely has a wealth of knowledge and I’ve been in the box for years I have 3 analog pieces of gear which I don’t even use I have the God particle it’s dope but I definitely use other tools more so than it but like anything it’s definitely preference based but I’m glad you and Paul enjoyed yourself I wish I could have attended but I should be in London at Abbey Road doing a session there hopefully this September
He didn’t mention this but it wouldn’t surprise me. However, the use of the Waves NLS plugins may negate his need for this (he stacks these on the busses).
Not anymore. He's 100% in the box. But uses UAD plugins which use separate DSP like UAD Satellite which he had. His studio uses the Avid converters clocked with Antelope 10M though
@@barneyrubble8255 He didn't say, but you might find that answer in one of his IG posts or UA-cam interviews. However, I would guess if he's able to get the same (or better) results ITB, he can demonstrate to the rest of us that it's not necessary to mix with analog equipment. A few other major mixing engineers do the same. That might encourage future mixing engineers and ultimately raise the standard for the craft of mixing. Recording however, is totally different
Lessons to learn.... yes good audio is great. However, I have watched some great producers/mix engineers. Heres what I learnt! 1. Don't need lots of outboard, a bit is nice but not necessary. 2. Don't fear big moves and ignore those who scoff at many plugins being used - use whatever it takes. 3. Ozone is actually really good. Get the song out there, make good songs nobody gives a shit about the rest of it really.
None of what we do is relevant if the song doesn’t mean something to the listener. We’re merely packaging the art (which, yes, is a beautiful art in itself).
Have you attended a Mix With The Masters event?
🎧 WORKING AUDIO TOOLS PODCAST 🎧
linktr.ee/producelikeapropodcast
I sold all my analog gear to fund my conversion to Atmos. As soon as I went full digital my mixes instantly sounded better than they ever have. Good analog gear is needed for tracking but not for mixing. An expensive lesson to learn, the grass is not always greener.
Interesting. Yeh, I think I need to try an all digital mix to compare. However, now I’ve learned all of Jaycen’s tricks, this next mix will be at a huge advantage 🤣
@@EdThornenestly, there's something 3 dimensional about running through quality analog gear even if you're not really manipulating any audio. It's subtle but feels really different, especially if you avoided letting lots of little "barely audible" aliasing build up in the mix. Try mixes with God particle.... With and without a little sweetening analogue sends (and definitely don't leave the god particle limiter on for this! Crispy aliasing) And then tell me you don't feel the difference? Do you need it in there. Definitely not. Does it have an extra openness? Does the sheen feel like in the box? Is there an extra slight 3d quality? It's the a little more natural sounding separation? A little analog here in the mix bus is awesome! It's not going to be quite as good totally in the box, IMO. I can see why someone working at the level, wouldn't bother. Especially if he's mixing up to five tracks a day! Besides his style has more of a modern digital feel. It's great. But I don't think it cares about that last bit of openness and analog sound... I don't think he cares about a little bit of aliasing.
2 great points, assistants prepping your work, and, the QUALITY of the product, makes all the difference.
Congratulations! I'm sure that seminar must have been a great experience. When I saw your photo with Paul about the seminar I knew it would be tremendous. Greetings!
It was! Thank you.
You should do a more in depth dive on Jaycens techniques and what he taught on the seminar as it would bring you a lot of interested viewers
Cool video! I was there too. You don't need to sell your analogue equipment because ultimately mixing is personal. Jaycen has a particular approach that works but other ways work too. I think the main focus was on the artform, so adopt what works and modify to suit your perspective
Yeh, this is what I decided. Modify my hybrid process.
Really hope the seminar will be available for rewatch on mix with the masters
I hope so too. There’s bits I need to recap 🤣
Thank you for this sum up, I attended and it’s great that I can watch this to remind myself of that beautiful day (aside from all the photos, vids and notes i took)
You mentioned the most important takeaways too
Thanks, I’m glad it was enjoyable. I wanted to leave some details out (PT template, MWTM discount, a few details discussed) so the people who attended still felt exclusive but incorporate enough to show just how good it was!
Best 160 I spent in years! I’m ripping my hybrid setup apart to follow more of his workflow. Plan to have a 100% mirror of his template ITB and OTB. And if they let me on it deffo plan to attend a MWTM bootcamp in France next year.
Yes there was a bit too much of an infomercial on TGP, but as he created it to meet his mix needs and features heavily in his template then it made sense in a way. It gave a few other plugs a lot of live too. The SHMC being one. What a cool looking box! Gonna get one just for the look! Amazing.
His tips on gain staging the drums and bass were priceless. I think the idea of hiring assistants to do the shit work like editing adding automation and slapping some random vox and drop candy on vix chops will save a lot of time too. But that’s venturing into realms of production imho a bit beyond the basics of a mix engineer.
But then again the lines are continually blurring between a producer/mixer/me and whatever other label applies.
5 a day would be a piece of piss with that template and a team given his inout material and experience. A lot of it is cookie cutter rinse and repeat. Not dissing it. He’s spent years perfecting his trade. I do the same in my business. That’s what they call working smart.
It was great, wasn’t it? I’m still buzzing and excited to implement everything I’ve learned. Yeh, the compounding economics of having assistants to speed up your workflow must be a wonderful scenario. One day…
@@EdThorne i’ve sent you comms IRL via your website.
Amazingly informative and clear video. Fantastic job in such a short time Ed👌
Thanks, Andris. Hopefully it inspires people to go to the next one. I’m still buzzing!
Interested to hear your thoughts on God Partical working on mic'd up electric guitar cabs. Absolutely love the God Partical - used it on a short film, acoustic folk track and drums and sounds amazing. However, electric guitars sounds whack...
It is intended to be a mix bus processor because it works in parallel to your main signal. So it would be on guitars by default. I need to spend more time with it for sure.
WE NEED MOREE
awesome video!!! Dave and Jaycen have so much knowledge they are amazing, especially if you get to talk with them in person.
So you mentioned at the end if it was bad for you to have all that gear. I will say this.
When your recording live drummers and mellotrons and other instruments they run through hardware, and then lets say Jaycen gets it, and works all in the box, you get an amazing track. (but we don't know what the Producer or Recording Engineer Ran It Through, you know what I mean)
It's ok to run sampled drums (kicks, snare,etc...) and software into hardware. It does change the sonics.
I actually run my Native Instruments and other synths on my laptop at low latency out of the apollo and into my Mac Studio through analogue. I believe these parts are the how you get the Recording aspect better, because like you said, before it gets to Jaycen they made sure they get it to it's best, but what if you're the person doing it all? yeah, crazy lol
Thank you for the content 🙌🏾
Yeh, I agree. Analog processing on the way in for sure is the best way to get polished results. I don’t think my analog gear is completely wasted but I’ll go into it in more depth in the video next week. 🔥🙏
@@EdThorne Awesome look forward to it! 🙏🏾
I would’ve loved to attend that seminar. He’s the one who turned me into the “Vintage Verb into Vintage Verb” trick I told you last year! Dope 🔥
Hey Federico! Shame you couldn’t make, it was something else! A bunch more pieces of the puzzle are slotting into place! I’m still buzzing.
So Jaycen is completely in the box with just The God Particle on the mixbus, Orion on the drum bus and he goes from there.. doesn't he really touch anymore those nice analog outboards he has? No summing no anything?
Nice video and yea Jaycen career path was definitely different from the usual he was a record executive who became a mixing engineer and Record producer was the producer that gave him a shot at mixing big records which Tricky was initially one of Dave’s clients since Dave is originally from Atl and Jaycen definitely has a wealth of knowledge and I’ve been in the box for years I have 3 analog pieces of gear which I don’t even use I have the God particle it’s dope but I definitely use other tools more so than it but like anything it’s definitely preference based but I’m glad you and Paul enjoyed yourself I wish I could have attended but I should be in London at Abbey Road doing a session there hopefully this September
Great info. Thanks for filling in some details! What’s the session for in Sept? Sounds fun!
I DO have the God Particle it stays on my mixbus!! J,JOSHUA is THE REAL DEAL!!!
100%!
great video damn, thank you 🙏
I'm still buzzing, it was awesome!
Does Jaycen use an analog summer or console at all?
He didn’t mention this but it wouldn’t surprise me. However, the use of the Waves NLS plugins may negate his need for this (he stacks these on the busses).
Not anymore. He's 100% in the box. But uses UAD plugins which use separate DSP like UAD Satellite which he had. His studio uses the Avid converters clocked with Antelope 10M though
@@zabspencer48 What is his reasoning for going 100 percent in the box? The guy could afford things we all dream off and doesnt want any of them..
@barneyrubble8255 Mixing on the move anywhere in the world.
@@barneyrubble8255 He didn't say, but you might find that answer in one of his IG posts or UA-cam interviews. However, I would guess if he's able to get the same (or better) results ITB, he can demonstrate to the rest of us that it's not necessary to mix with analog equipment. A few other major mixing engineers do the same. That might encourage future mixing engineers and ultimately raise the standard for the craft of mixing. Recording however, is totally different
thanks for sharing
My pleasure.
You're saying 100% is 50%?
Yes. 100% on the plugin is the parallel processing dialled in at 50%. 200% is full effect.
@@EdThorne so you're saying it's a mix knob...?
The blend knob in the middle is. But there’s loads happening under the hood, besides limiting and harmonics.
He uses a analog pultec then prints to protools, Thats a fact! he's online using multiple outboard gear.
His studio is tons of pultecs!
I suspect his assistants may be pre-mixing with analog but he claims whatever he does is 100% in the box.
@@EdThorne np! I understand!
Not anymore
@@AH20XX PROVE IT! I CAN!
Lessons to learn.... yes good audio is great. However, I have watched some great producers/mix engineers. Heres what I learnt! 1. Don't need lots of outboard, a bit is nice but not necessary. 2. Don't fear big moves and ignore those who scoff at many plugins being used - use whatever it takes. 3. Ozone is actually really good. Get the song out there, make good songs nobody gives a shit about the rest of it really.
None of what we do is relevant if the song doesn’t mean something to the listener. We’re merely packaging the art (which, yes, is a beautiful art in itself).
hazle un queque