Always Chung's rendition is passionate and earnest. It gives me the energy and enjoyment. also stradivarius provides mellow and speculation. It is staggering performance.
This is the best musical homage a young son can make to his beloved deceased mother. What a profound sorrow, almost unbearable yet full of resignation. The final notes are literally tears rolling down Mozart's face. Sublime.
Mozart was certainly feeling bad and he was alone basically in Paris but don't confuse a little bioknowledge with real life. It IS his only violin sonata in a minor key . The environment his unwelcome reception in a city thst formerly loved him also troubled him amongst other tribulations.
Violin Sonata No. 21 in E minor, K. 304 is a work by Wolfgang Amadeus Mozart. It was composed in 1778 while Mozart was in Paris. The piece was composed during the same period that Mozart's mother, Anna Maria Mozart, died, and the sonata's mood reflects this. It is the only instrumental work by Mozart whose home key is E minor.[1] Allegro (in E minor) Tempo di Menuetto (in E minor)
Please stop referring to these compositions as violin sonatas. They most certainly are not. You know the violin parts in these sonatas is actually the accompaniment and the Piano/Harpsichord parts are the principal. 18th century keyboard sonatas often times also incorporated obbligato parts for violin and cello or a transverse flute in place of the violin accompaniment if a violinist was not available. It is quite incorrect even in our modern times to call these pieces violin sonatas. It was never Mozart’s intention to switch the parts around. At best these are full fledged Duos for both Piano and violin with an emphasis on the piano. Have a look at the original title pages as written by Mozart himself in french.sonatas for Pianoforte with the accompaniment of a violin or Obbligato violin. Further evidence is heard in the writing for both instruments where the piano obviously dominates in the passage work and has the cadential trills. Modern violinist have hijacked these pieces but they more properly belong in the chamber music repertoire or even in a piano recital. The vast majority of these compositions where intended for Mozarts most advanced piano pupils. The violin parts often times played by a servant or Mozart himself. Strange as it may seem to modern musicians and audiences alike these compositions were intended as display pieces for the Piano and not the other way round.
@@coralreef909 anyway thanks for your knowledge. But if violin leads in any sonatas or partitas the music reach to another level 🥰.. Thats y violin is called king and queen of string instruments 😍
Interprétation très pure et sensible. Un des plus belles sonates de Mozart , la douleur y est présente mais elle est transfigurée par la beauté de la mélodie. et quel dialogue entre le piano et l e violon!
Years ago I saw and heard Chung in the Bartok concerto in the Concertgebouw Amsterdam...perfect! More here music that repertoire than chamber music by Mozart...
Please stop referring to these compositions as violin sonatas. They most certainly are not. You know the violin parts in these sonatas is actually the accompaniment and the Piano/Harpsichord parts are the principal. 18th century keyboard sonatas often times also incorporated obbligato parts for violin and cello or a transverse flute in place of the violin accompaniment if a violinist was not available. It is quite incorrect even in our modern times to call these pieces violin sonatas. It was never Mozart’s intention to switch the parts around. At best these are full fledged Duos for both Piano and violin with an emphasis on the piano. Have a look at the original title pages as written by Mozart himself in french.sonatas for Pianoforte with the accompaniment of a violin or Obbligato violin. Further evidence is heard in the writing for both instruments where the piano obviously dominates in the passage work and has the cadential trills. Modern violinist have hijacked these pieces but they more properly belong in the chamber music repertoire or even in a piano recital. The vast majority of these compositions where intended for Mozarts most advanced piano pupils. The violin parts often times played by a servant or Mozart himself. Strange as it may seem to modern musicians and audiences alike these compositions were intended as display pieces for the Piano and not the other way round.
Please stop compositions violin sonatas. They most certainly are not. You know the violin parts in these sonatas is actually the accompaniment and the Piano/Harpsichord parts are the principal. 18th century keyboard sonatas often times also incorporated obbligato parts for violin and cello or a transverse flute in place of the violin accompaniment. It is quite incorrect even in our time to call these pieces violin sonatas. It was never Mozart’s intention to switch the parts around. At best these are full fledged Duos for both Piano and violin. Have a look at the original title pages as written by Mozart himself in french.sonatas for pianoforte with the accompaniment of a violin or Obbligato violin. Further evidence is heard in the writing for both instruments where the piano obviously dominates in the passage work and has the cadential trills. Modern violinist have hijacked these pieces but they more properly belong in the chamber music repertoire or even in a piano recital. The vast majority of these compositions where intended for Mozarts most advanced piano pupils. The violin parts often times played by a servant or Mozart himself. Strange as it may seem to modern musicians and audiences alike these compositions were intended as display pieces for the Piano and not the other way round.
This is a brand new idea for me! and it seems perfectly true ! As I am going to accompany this piece , I change my idea and I will play together with violin like main part . Not accompany!
정경화님은 우리시대의 젊은 여성들에겐 우상이었었지요. 젊은 시절의 모습과 연주 장면은 지금도 기억에 남아 있는데... 세월따라 넉넉한 모습과 같이 더욱 깊어지고 풍성한 내면이 울리는군요~*
가을에 잘 어울리는 듯해서 요즘 즐겨듣고 있습니다^^ 특히 2악장이 너무 좋아요
비오는 오늘, 이 곡을 정경화선생님의 연주로 들을 수 있음이 감사합니다...
정말 마음에 위로와 사랑이 일어나는 느낌이에요^^
봄바람 불고 있네
가신 어머님 무덤가에 진달래꽃 피어 그래 그래 손짓합니다
이 연주들으니 나도 몰래
하염없이 눈물 납니다
ㅠㅠ
3년 전 하늘나라가신 어머니 생각이 나면서 조용히 눈물이 흐릅니다.
@@OS_doc
눈물에 엄마 그래 그래 합니다
꽃도 다 지고 녹음 무성합니다
이제 새소리로 찾아와 웁니다
항상 우리곁에 찾아오셔
우리 수호자로 함께 하십니다
정경화씨의 연주는 언제 들어도 휼륭합니다. 이곡 특유의 애수에 찬 아름다움을 느끼게 해 주네요.
연륜을 무시 못하겠네요. 모차르트의 이런 무게감을 실을 수 있는 연주자가 있다니..
언제 들어도 언제나 가슴을 울리는 음률, 천재 귀재의 모차르트 님과 천재 귀재이신 정경화님의 연주가 함께 어울어져 들을때 마다 숙연하고 행복 하고 감사합니다! ❤사랑하고 존경 합니다!🎉❤😊 최경숙🙏
Always Chung's rendition is
passionate and earnest.
It gives me the energy and
enjoyment.
also stradivarius provides
mellow and speculation.
It is staggering performance.
The man is crying. And he has the right to do so.
Music is there to help. In solitude. Alone.
You can hear Mozart can't help but express his sorrow over his mothers death throughout the sonata...The best.
This is the best musical homage a young son can make to his beloved deceased mother. What a profound sorrow, almost unbearable yet full of resignation. The final notes are literally tears rolling down Mozart's face. Sublime.
Mozart was certainly feeling bad and he was alone basically in Paris but don't confuse a little bioknowledge with real life. It IS his only violin sonata in a minor key . The environment his unwelcome reception in a city thst formerly loved him also troubled him amongst other tribulations.
2악장은 정말 슬플 때 들으면 음률이 극도로 와 닿는 것 같아요. 여름밤에 혼자 산책하면서 들으면 괜히 서정적이게 되는....
Violin Sonata No. 21 in E minor, K. 304 is a work by Wolfgang Amadeus Mozart. It was composed in 1778 while Mozart was in Paris. The piece was composed during the same period that Mozart's mother, Anna Maria Mozart, died, and the sonata's mood reflects this. It is the only instrumental work by Mozart whose home key is E minor.[1]
Allegro (in E minor)
Tempo di Menuetto (in E minor)
Thanks. What a wonderful performance. Ms Chung . all ways proud of you. ..
Please stop referring to these compositions as violin sonatas. They most certainly are not. You know the violin parts in these sonatas is actually the accompaniment and the Piano/Harpsichord parts are the principal. 18th century keyboard sonatas often times also incorporated obbligato parts for violin and cello or a transverse flute in place of the violin accompaniment if a violinist was not available. It is quite incorrect even in our modern times to call these pieces violin sonatas. It was never Mozart’s intention to switch the parts around. At best these are full fledged Duos for both Piano and violin with an emphasis on the piano. Have a look at the original title pages as written by Mozart himself in french.sonatas for Pianoforte with the accompaniment of a violin or Obbligato violin. Further evidence is heard in the writing for both instruments where the piano obviously dominates in the passage work and has the cadential trills. Modern violinist have hijacked these pieces but they more properly belong in the chamber music repertoire or even in a piano recital. The vast majority of these compositions where intended for Mozarts most advanced piano pupils. The violin parts often times played by a servant or Mozart himself. Strange as it may seem to modern musicians and audiences alike these compositions were intended as display pieces for the Piano and not the other way round.
@@coralreef909 anyway thanks for your knowledge. But if violin leads in any sonatas or partitas the music reach to another level 🥰.. Thats y violin is called king and queen of string instruments 😍
연륜과 깊이가 느껴지는 거장의 연주는 역시 다르군요.
Always plays with musicianship and authority. A solid partnership between the players. Not only to be enjoyed but treasured. Bravo!
Purely the great performance. This piece is a minor tone masterpiece like K.311 with the combination of melancholic beauty and passion.
Interprétation très pure et sensible. Un des plus belles sonates de Mozart , la douleur y est présente mais elle est transfigurée par la beauté de la mélodie. et quel dialogue entre le piano et l e violon!
2악장 정말 좋아해요~ 7분 20초
선생님 항상 건강하세요 존경스럽습니다.
Years ago I saw and heard Chung in the Bartok concerto in the Concertgebouw Amsterdam...perfect! More here music that repertoire than chamber music by Mozart...
7:23
모짜르트가 작곡한 Violin Sonata들은 Sonata for Violin and Piano 가 아니라.. Sonata for Piano and Violin 이죠 ㅎ 정경화 선생님 건강하세요~
This performace by Ms. Chung became the reason why I wake up every morning.
The same concerto by anne sophie mutter
They are also God's gifts to human beings.
+Anouk Benbunan Recently I listened to Sinfonia concertante played by Mutter. It was the most beautiful on disc.
제일 좋아하는 곡..
Sublime
Òscar Batet yes!
yo a ella aunque llegue a tener 100 años. la amo, es seca.
素晴らしい♪美しい音色で憧れます！
진짜어려운 곡입니다. 이시대 최고의 비루투오조 정경화님도 음이탈이 가끔일어나는군요..
听着，感动落泪
Grande musicista !
행복합니다. 정경화님 오래오래. 건강하세요. 전울이. 온 몸으로. ......
10:20 맴찢모먼트에요 ㅠㅠ
Потрясающе!Просто чудесно!
행복합니다. 정경화님 건강을빌면서. 바이오린 듣고. 언제나. 행복느낌니다. 사랑합니다
Bravo
한국이낳은. 피아니스트. 자랑스립습니다
非常優美而感情特別豐富!!!!!!!
我認同。
Love ypu so much
븅신
우울한 모짤트 졸잼. 정경화는 진짜 짱! 피아노는 시망~
tiger Corea 저만 그 생각 한 게 아니었네요. 예전에 같이 연주하던 이타마르 골란이란 했으면 더 좋았을걸요
super :)
A Mon Violinist !
Rubato on inner voice of the Composer.
2:05
13:53
yee
Hello, how are you? could you tell me which edition you used in the score of the violin?
Please stop referring to these compositions as violin sonatas. They most certainly are not. You know the violin parts in these sonatas is actually the accompaniment and the Piano/Harpsichord parts are the principal. 18th century keyboard sonatas often times also incorporated obbligato parts for violin and cello or a transverse flute in place of the violin accompaniment if a violinist was not available. It is quite incorrect even in our modern times to call these pieces violin sonatas. It was never Mozart’s intention to switch the parts around. At best these are full fledged Duos for both Piano and violin with an emphasis on the piano. Have a look at the original title pages as written by Mozart himself in french.sonatas for Pianoforte with the accompaniment of a violin or Obbligato violin. Further evidence is heard in the writing for both instruments where the piano obviously dominates in the passage work and has the cadential trills. Modern violinist have hijacked these pieces but they more properly belong in the chamber music repertoire or even in a piano recital. The vast majority of these compositions where intended for Mozarts most advanced piano pupils. The violin parts often times played by a servant or Mozart himself. Strange as it may seem to modern musicians and audiences alike these compositions were intended as display pieces for the Piano and not the other way round.
펑펑콩당퐁
U
반주자랑 호흡을 오래 맞춘게 아닌 것 같은데
Please stop compositions violin sonatas. They most certainly are not. You know the violin parts in these sonatas is actually the accompaniment and the Piano/Harpsichord parts are the principal. 18th century keyboard sonatas often times also incorporated obbligato parts for violin and cello or a transverse flute in place of the violin accompaniment. It is quite incorrect even in our time to call these pieces violin sonatas. It was never Mozart’s intention to switch the parts around. At best these are full fledged Duos for both Piano and violin. Have a look at the original title pages as written by Mozart himself in french.sonatas for pianoforte with the accompaniment of a violin or Obbligato violin. Further evidence is heard in the writing for both instruments where the piano obviously dominates in the passage work and has the cadential trills. Modern violinist have hijacked these pieces but they more properly belong in the chamber music repertoire or even in a piano recital. The vast majority of these compositions where intended for Mozarts most advanced piano pupils. The violin parts often times played by a servant or Mozart himself. Strange as it may seem to modern musicians and audiences alike these compositions were intended as display pieces for the Piano and not the other way round.
This is a brand new idea for me! and it seems perfectly true ! As I am going to accompany this piece , I change my idea and I will play together with violin like main part . Not accompany!
피아노 왤케 크게 녹음됬음...
정경화님 소리가 안들리자냐..
Her last piano partner, Itmar Golan is much better. In this play, piano is dead...
7:22
7:24
7:21