Producer-engineer Warren Huart related a story of a mix engineer who listened with that type of positioning for years and it negatively affected the balance of his hearing. Regarding mastering for vinyl, I may have missed it, but I didn't notice any limiting going on in that video, nor any mention of high pass filtering when mastering for vinyl. Such issues make me wonder how the loudness the vinyl record of "Hold Your Hand To The Fire" would compare if it was played in rotation with classic rock records from the past.
A great 3 pt series, hope to see & enjoy more series like this in the near future.
Keep finding these gems by you Mr. Nelson. Superb series! Thanks. :)
Finish???more, more, more videos like this!!
What an AWESOME video series! Thanks to all involved 👏🏾👏🏾👏🏾
Another series please thanks!
Loved watching this short series!! Amazing stuff and very helpful to see the whole process in such a creative way.
Really great series this has been - think we need more..
AMAZING series guys! Great videos!
Excellent. Thanks for doing this!
I'm an absolute amateur and I know very little about mastering, so this last part was hard to follow, but thank you very much for making this series!
Nice!!! Thanks!!!
Nice. Watched all 3 videos!!!
Killer series!
Awesome!
Sounds great :D
exelentee !!!!
Nice
Great series, I just have one question, does it really make sense to print a single which was all made with a digital interface in vinyl?
Hi Eric! Doesn't your left ear get tired when you listen like that?
Producer-engineer Warren Huart related a story of a mix engineer who listened with that type of positioning for years and it negatively affected the balance of his hearing. Regarding mastering for vinyl, I may have missed it, but I didn't notice any limiting going on in that video, nor any mention of high pass filtering when mastering for vinyl. Such issues make me wonder how the loudness the vinyl record of "Hold Your Hand To The Fire" would compare if it was played in rotation with classic rock records from the past.
What’s that controller he is using is it working on the plugins?
Shadow Hills Monitors Control, he is sending the flat mix and the process mix as different sources