Dear Florent, you are a wonderful teacher, a Master. I just got close to oil painting technique and you made me fall in love with this medium. Thanks from Italy
Wonderful video! I am primarily a landscape painter and I'd love to get better at portraits but the precision needed is daunting. After all, if I get a branch out of place, the tree still looks like a tree. If I get an eye out of place, the model looks like a science fiction villain...
merci pour toutes tes vidéos. Je viens de passer deux mois à dessiner chaque jour des portraits au fusain en suivant tes conseils et j avoue que grâce à tout ces exercices faits, j ai vraiment plus confiance dans mes capacités à dessiner et je n ai plus peur de me lancer dans des portraits à l huile (j ai completement lâché mes pinceaux tout l été.) Je vais donc passer à la suite de mon 'programme d entraînement' avec des portraits en grisaille. Merci pour toutes tes vidéos, vraiment ça aide beaucoup quand on est autodidacte (message d un Français habitant en Chine)
Moses from kenya you have really helped my development in oil painting...but I use cars paint to do my paintings because my geographical location is hard access to real oil paint
i think the main point is to paint in grisaillle to learn how to use brush and move paint, perfect exercice as a transition between charcoal and oil painting in colors (and.of course, value study)
In this case the exercise stops there but if you wished to continue then, yes, glazing and scumbling would be the best way to add color after letting it dry.
Dear Florent, you are a wonderful teacher, a Master. I just got close to oil painting technique and you made me fall in love with this medium. Thanks from Italy
Fantastic. Thank you from montreal
Wonderful video! I am primarily a landscape painter and I'd love to get better at portraits but the precision needed is daunting. After all, if I get a branch out of place, the tree still looks like a tree. If I get an eye out of place, the model looks like a science fiction villain...
merci pour toutes tes vidéos. Je viens de passer deux mois à dessiner chaque jour des portraits au fusain en suivant tes conseils et j avoue que grâce à tout ces exercices faits, j ai vraiment plus confiance dans mes capacités à dessiner et je n ai plus peur de me lancer dans des portraits à l huile (j ai completement lâché mes pinceaux tout l été.) Je vais donc passer à la suite de mon 'programme d entraînement' avec des portraits en grisaille. Merci pour toutes tes vidéos, vraiment ça aide beaucoup quand on est autodidacte (message d un Français habitant en Chine)
Very informative. Thank you for sharing🌷
thank you for this awesome video. Really needed this...
Excellent. Helpful clear instruction.
Thanks so much - you are a thorough but gentle teacher.
fantastic tutorial Florent one of the best I have seen .
Moses from kenya you have really helped my development in oil painting...but I use cars paint to do my paintings because my geographical location is hard access to real oil paint
your painting is so beautiful, a geat tutorial, thank you
very useful thank you for sharing your wisdom
I will try to learn from you.
learned a lot really a great video
tanks
. sr. for share your talent
salutes from México
You're welcome, salutes from France
Amazing drawing, very important and brilliant drawing,,,,,,,,,,, Greetings from a friend! Have many peaceful times!!
Thank you so much, glad you like my work 😊
What tip is this? Painting in black and white to study values? I did that for so long my black & whites are so much better than the ones in color.
i think the main point is to paint in grisaillle to learn how to use brush and move paint, perfect exercice as a transition between charcoal and oil painting in colors (and.of course, value study)
Maybe try to learn how to match values in color? Or just glaze over the black and whites. Just a thought. I feel the same way with my stuff lol
What would you do next? Glaze?
In this case the exercise stops there but if you wished to continue then, yes, glazing and scumbling would be the best way to add color after letting it dry.