The whites of the eye (sclera) are definitely not white. I like using the iris color and desaturate it towards gray. It creates a nice contrast and color-wise unifies the sclera and iris.
Thank you, that was very helpful: I have very rarely painted portraits, but have tried a few recently - all of the points you make resonate with me. My other problem is that I tend to paint the face's lines too sharp and dark, as if they've been inked in - not a good look, but I hope I'm learning slowly. Whether I should have started to paint portraits at the age of 72 is something else again, given I've always painted landscapes in the past: but it really is unfailingly interesting.
Hi Chelsea. As always, another helpful video. I have a question from a previous video with Devin Korwin. Do you have any suggestions on books to help us to learn to draw from imagination?
my painting tutor told me the thing about painting an eye first thing since so many of his students painted the sclera of an eye white all the time, i was only 11 tho so needed to be told that lol
Some great reminders here, especially drawing the contour line that indicates the face centre. Even masters like Daniel Gerhartz will do this to guide further spacial judgements. Also, occlusion shadows in the face are very warm darks, like the nostrils and corners of the eyes.
Painting eyes has always been a nightmare. If they're off in some way then rip. The viewer will be too distracted to take in the remainder of the image.
The whites of the eye (sclera) are definitely not white. I like using the iris color and desaturate it towards gray. It creates a nice contrast and color-wise unifies the sclera and iris.
This is THE best eye tutorial I’ve found. My eyes 👁 are instantly about 10x better from watching this!! Thank you 😊
Think of the “white of eye” as Cooler flesh tone…..brilliant. You are on fire!
I love the way you paint. I really enjoyed the way you created lightness in the eyes, illuminating them. Really lovely.
This is not another helpful video, this is a 15 minutes Master Class. Thank you. God bless you!
Thanks for the inspiring words. New at painting, and new at feeling, not so wanting to do much of anything.
Most grateful for your inspiring explanation
The long haired male portrait that you painted near the end of the video was beautifully painted. Excellent lively work.
Love your teaching style and such good advice!
wow! I honestly learned so much from you, you're instruction is so clear and easy to follow Chelsea !!! Great job
The depth of knowledge here is just perfect
This is incredible! Watching you paint and talk, it unfolds into something amazing! Thank you
Thank you, that was very helpful: I have very rarely painted portraits, but have tried a few recently - all of the points you make resonate with me. My other problem is that I tend to paint the face's lines too sharp and dark, as if they've been inked in - not a good look, but I hope I'm learning slowly. Whether I should have started to paint portraits at the age of 72 is something else again, given I've always painted landscapes in the past: but it really is unfailingly interesting.
I started painting late in life, I know I’m not a Rembrandt but I really don’t care: as long as I give it my best and enjoy painting I’m happy 😊
Thank you so much for the great way you are teaching 👍 👍 👍
Wonderful tutorial and advice!
This is really interesting, thanks for sharing 😊
Thanks: good and useful advice Chelsea
Thanks for the video!
Chelsea can you tell me what kind of panel you do your paintings on? Is it linen?
Beautiful video and advice, btw nice bo burnham
The way she built the dark side of Burnham's face was astonishing!
Hi Chelsea. As always, another helpful video. I have a question from a previous video with Devin Korwin. Do you have any suggestions on books to help us to learn to draw from imagination?
my painting tutor told me the thing about painting an eye first thing since so many of his students painted the sclera of an eye white all the time, i was only 11 tho so needed to be told that lol
Some great reminders here, especially drawing the contour line that indicates the face centre. Even masters like Daniel Gerhartz will do this to guide further spacial judgements. Also, occlusion shadows in the face are very warm darks, like the nostrils and corners of the eyes.
interesting ...thanks
Painting eyes has always been a nightmare.
If they're off in some way then rip. The viewer will be too distracted to take in the remainder of the image.
Informative Video ❤
ah yes a lemon ... *shows tennis ball.*
Praise God.