The Secret To Jazz Blues (Pat Martino Approach)

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[@JohnHorneGuitar]

35 years ago my teacher had me dig into Pat’s book Linear Expressions. This has impacted almost everything I play ever since.

[@Guitarmin98]

A good teacher! Same here.

[@lucastytla]

Man you're killing it with this videos

[@Guitarmin98]

Thanks bro!!

[@georgeshepherd3381]

Pat martino rocks! Recovering from stroke... Finding inspiation in his stoty.

[@gxruiz1]

Dude! Thanks for pointing me to that book! That shit is GOLD! I obsessed on it yesterday, and today I’m transposing those five runs everywhere on the neck, and I can feel that bebop spirit going directly into my veins, and it’s all right under the fingers, unlike Charlie Parker transcriptions. Thank you, and Pat, may his memory always be honored!

[@Guitarmin98]

There we goooo!!!

[@alexmax1300]

Hi there. Could you please give me the exact name of that book or where to find it....i checked Pat's books, there's a lot...which one to pick up for those five forms ? Thnks

[@guitarmusic524]

This is old David Baker (1931-2016 ) stuff... before it was Martino's. David transcribed a ton of Bird, Miles, 'Trane, etc, and this became the basis of his "generic patterns".

[@Guitarmin98]

Thats cool! Gonna look into that:)

[@m.vonhollen6673]

Martino used the augmented triad and the diminished 7th chord as “symmetrical parental forms”. I’m going to look into what you’re teaching here; it seems to be a great lesson!

[@97Nickw]

This is great man thanks! Have been working on arpeggios a lot but this offers a fresh way to see things.

[@Guitarmin98]

Nice Nick!!

[@ramirointrocaso3578]

Hello Armin, your enthusiasm conveys the desire to study and get out of stagnation with the guitar and the concepts that are often mythologized in jazz due to the excess of information. Personally I think you say everything that most teachers don't say.
I would like to hear your approaches to the guitar in a trio.

[@Guitarmin98]

Thanks for the kind words man!! I'm literally planning on doing lessons with a trio!!!

[@shawndavis5725]

I've used this modal idea over the dominant before. My problem is always landing on the root, this is a bad habit for me. I think that would be a great video idea to talk about how to break that habit, or something about how to target 3rd and 7th better.

[@Guitarmin98]

I see! Landing on the root in F is landing on the 5th of Bb which can be cool to think about. I'll look into that.

[@OrganicFaithFactory]

Thanks!

[@willeviman9799]

Great tips man, been struggling with jazz blues for a while! Always good to get ideas!
Could you do a similar video with minor blues, would be great to hear you’re approach to that!

[@Guitarmin98]

Good idea thanks!

[@aa.mirezZ]

So let me see if I understand lol. Basically 1-4-5 blues we can flip it/reverse it to a 2-5-1 going into what would of been the 4 of F. Which is Bb. We can go up to the 5th of Bb and play F dorian. The part I am a little bit lost at is the D7. Where is the D7 coming from lol is it the 6 in the Key of F which we r then using it to take us back to the 2 of F which then goes to C back to F- is that the correct way to think of it? Lol

[@Guitarmin98]

Exactly man!!! The D7 acts as the V of II !

[@aa.mirezZ]

@@Guitarmin98 thank you 🙏 I appreciate you clearing that up for me haha 😂

[@OM10PYE]

Who's your favourite guitarist?

[@Guitarmin98]

Peter Bernstein man!

[@msilvatone]

Truly awful