Відео

Tone amazing

Great lesson thank you.

I know a few people who were close friends with pat. I talk to them all the time

Obrigado 🔥🔥🔥🔥👌

True ...Theory is like a blueprint but is not the house

Great! Could someone explain to me why Ab dorian works over Gmaj7 and Bb7 (giant steps example) and why Cmin and not Abmin over Bmaj7 (RC example)? Thanks

Can we use the formations in jazz rock,Rock and blues

Great Post My friend

Hey guy, brush up on your basic music theory skills. The relative minor of B major is g# minor, not Ab minor. Enharmonic spellings do count.

I started with the Linear impressions book. Learned those formations or activities. I just repeated them over & over. And started seeing patterns and hearing phrases inside those formations. And almost magically the lines came up in my playing because they were absorbed naturally. That's when I realized I would be able to learn, play and understand Jazz vocabulary & Language. This really works! I'll try to get on the presale before it ends to complement my own studies.

You are getting Better with your presentations. Cleaner videos, corrected subtitles. Clear communication.. i wish you lots of success.

Where I've always struggled with Pat's method is running these lines over alt V chords. It just never sounds right to me using them a half step up. A video on that in the future would be helpful.

At 4:20 you talk about a minor 251 in f relating to Bb Dorian. Is that because you consider the 1 chord (Fm) as the Vi chord from Ab major, hence Bb Dorian?

Thanks

The biggest thing about his line patterns is all the chromatic forms that are in the lines. It helps pull your lines into melodic/ harmonic minor runs, and also bebop Scales in relative minor forms

Hey man, I bought Linear Expressions after I saw your first video on it months ago, so thanks for putting me on! I was wondering if you recommend learning each line in multiple positions? Each line is in a specific position in the book but I notice you sometimes play the lines or fragments of them in different places/strings. Any recommendations around this?

Hi Armin. Nice one! When will the Private Discord Community be available?

I found out that this old players condense everything to it's barest minimum. If you follow Barry Harris style, you'll start playing Jazz almost immediately, George Benson thinks of only 2 chords and don't think too much scales, wes Montgomery don't know much theory and now pat martino thinking of just one scale, but all this guys are great players. But all this modern guitar teachers will bore you out with millions of scales and modes and thousands of chords.

I once met Joe Pass. Got his autograph on a piece of paper. On the flip side I got Oscar Peterson's autograph. Love jazz.

Your Left hand is doing Great, you have a nice amplified sound & Tone. But it is really distracting when you are explaining a concept or Line and all we hear is your pick banging on the pick-up cover. No disrespect but, are you doing it on purpose? Please delete this comment after reading it.

You fixed the subtitles! Nice Playing & Tone!!!

Excellent video brother 👍🎸 I'm working on the Linear Expressions book right now and love it! Keep up the great work

Do you think this will be useful for other instruments also?

I love your channel, it just needs a good organization in the lists, for example the other day I wanted to listen to you play but it takes away from the experience to have to go through all the videos,The same thing happens with the rest of things, a short video is not the same as a masterclass.

Armin, I desire to purchase your method however, You neglect to describe the format or media. What gives? Do you offer CD’s ? That is what I would purchase . Can you just post the the format this is available in? You sound great

Can you list what type of chords make you start from what interval? For example a 7altered chord - you would play minor where? On the minor second IE a half step up? ?

I genuinely love how most of your videos are on the same topic (minor conversion, Dorian over everything, pat martino etc). For me when I find something that works I need to really lean into it and this seems like a very powerful tool and framework that has worked for you. I’m excited to dive into this and keep these videos coming!

Yes pat Martino is a genius and once you memorize what interval to start on, depending on the chord, you’re set I would warn your views that the book is transcribed in standard notation, not tab, so you need to know how tonight read to read the book.

When you use this approach not all the minor lines will fit over that chord diatonically. Some outside notes will be present . FYI folks , so be aware of that

Do the mickgoodrick ear training exercise

He has said nothing here that we don't already know. "And when you get more comfortable you just like add your own stuff" and then just sort of like listen to me talking shit give me some money because I'm trying to pretend I've got some you know mixolydian scale with all chords except like it doesn't really I'm just talking absolutely out of my ass.

This is just total bollocks

Dude, your explanations suck, you confound and omit and jump and switch breeding confusion. Slow it, explain it, show it.

Amazing stuff as usual Guitarmin. I am already working on Module 1! How can I access the private Discord Community?

I have a problem. I love this system, but I’ve always thought about harmony and notes from the major scale. Do you think I should change it, or would it work the same way?

So what's your real name?

I really like how you're simplifying this. I'm so glad to have found these videos. I took one jazz improv class in college and it was awful. But that was mostly because it was part of the "music program," and so they couldn't tell you to "just convert to minor" or they wouldn't have any more paying customers after that one lesson! I stumbled upon what I think is the same concept you're talking about a few years ago, but I think of it like this: you can simply play the major scale of the key you're currently in and *as the chords change underneath the major scale, the tonalities of the modes emerge from the major scale* because ultimately all the modes of any given key are just rearrangements of the notes of the parent major scale. Of course, it then behooves you to learn the major scale backwards and forwards in all keys all over the neck and to develop your ear to be able to emphasize the chord tones as the chords pass by underneath. And of course add passing tones for flavor. Still working on all that!

What about when it comes to targeting chord tones? Doesn’t thinking about every chord in terms of it’s minor form hinder your ability to spot the chord tones for the chord your playing over?? Also do you ONLY use the Pat Martino lines when improvising? Do you never make your own lines? Im curious.

Cool video! However, the generated subtitles don't always match what you are saying ("lies" instead of "lines", "Donnelly" instead of "Donna Lee", etc). You might want to check them for future videos. Still, really good...keep going!

Awesome vid, I’m learning piano improvisation but really get a lot from your videos. Would love to see even more on this topic 🎉

I'm with you man! I love autumn leaves it's beautiful but I feel embarrassed calling it. DOESNT STOP ME THOUGH HEHE

Fool..

I've been practing the same method up, down, chromatic, enclousure and again.

This channel is fkn' gold!

Great just bought Pat’s book, arrived yesterday. Can’t wait to dig in.

Thank You So Much and can you please show some more Jazz Lines and slow down a Little bit Please, Thank You

Nice

Can I ask how you managed to get your strings so close to the fretboard without there being too much buzz?