The New Mix S/T (1968) [FULL ALBUM]

THE NEW MIX (1968)
While We Waited 00:00
Ursla 03:45
The Man 06:33
Nothing Matters More 09:27
The New Harpoon Song 11:35
Ever Brighter 13:55
Get Me Out 16:31
Sun Down 19:15
Doorway To An Open Light 22:05
Follow Me 25:10
“From the opening organ stab to the closing ..., here's an LP I absolutely love. Unfortunately, in terms of bibliographical information there's little we can tell you about the band. The back cover shows them to have been a quartet, but there's little in the way of liner notes. Presumably D. Brown and H. Steele were two of the members since they're credited with writing the eleven tracks. We can also tell you that 1968's "The New Mix" was produced by Tommy Kaye. So what's this thing sound like? If you have to categorize it, the overarching feel is that of "sunshine pop" and lite psyche. Imagine a trippy version of The Association and you'll get a pretty good feel for moody tracks such as "Ursla", "Man" and the nifty "Ever Brighter". Admittedly, The Association comparison isn't 100% accurate in that, unlike the former, these guys weren't scared of a nice guitar solo ("The New Harpoon Song") and occasionally turned in a true rocker (check out the opener "While We Waited" and side two's "Get Me Out"). “
“A fresh-sounding psychedelic rock/pop album. The opening cut, While We Waited, has a melodramatic intro and wailing guitar, but for the most part the album consists of pleasing vocal harmonies and nicely blended keyboards. The music is quite Beatle-ish at times, particularly on Side Two. Recommended.
All the material on this album was written by D. Brown and H. Steele but the group still remain enigmatic. No 45s can be found by this band on United Artists or elsewhere. It may explain why their album seems to have made little impact and remains obscure and unappreciated.”
Copyright Disclaimer Under Section 107 of the Copyright Act 1976
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."

[@soulsin97]

My father bought this album for me. It was a brand-new sealed copy and I received it from my dad in 1973+ a group called wild butter. I didn’t know what to expect from these two albums that my father bought for me, but it turned out to be so incredibly awesome and I still have those two albums to this day and they are so incredible!!

[@stuartrobertson3658]

what a cracking album this is Derek!!A real fab mix of 60s sounds,from psych,sunshine pop and just good old pop!!It's criminal albums like this are basically unknown,on a major label too.Quite an arty album sleeve too!!

[@cosmicmynds2187]

One of my top favorites!

[@mashmakhanzpua]

Beautiful

[@richardpandolfo4204]

This is one of the very best 60s albums I've ever heard. Every track is memorable and there is not one clunker in the set.

[@deweygill1973]

May have been from the Charlotte area.
Like many groups signed to UA in the period, the band got no help or promotion from their record company.
A little Beatle-esqe, a bit of Left Banke in there too.

[@l.salisbury1253]

That opening track sounds like a (much) faster version of Barret-era Floyd!

[@brownjmj3]

I have it on good authority that the drummer was Rob Thorne, who later became the drummer of The Spongetones.