My friend Hannah and I are lucky enough to be playing the piccolo solo but we can't stop laughing! The conductor says that we will practice it until it isn't funny and then we will know it is ready but we have played it for a year and it is still funny....
Peter Schickele is brilliant. These kids were lucky their band leader had the guts to program one of his comic works (which are NOT easy to play, no matter how silly they might sound to someone who doesn't have to play all those 'wrong' notes at the right time). 'Professor' Schickele is best known as the comic genius behind 'PDQ Bach' ('the twenty-first of Bach's 20 children'), whom he 'discovered' while doing 'music-illogical' research work at the University of Southern North Dakota at Hoople. But for those who don't know, he is also the composer of numerous serious Hollywood film scores. Keep up the good work, Peter!
I got to play this under Schickele’s baton once. He took the final movement about twice as fast as this. And then for an encore he had us play the whole movement again, in double time.
Had a blast playing this in college - tuba section loved it! We were playing for an open house at the beginning of the semester and being ignored by the people milling around so the conductor had us play the Simply Grand Minuet. Loved the looks from the people!
I suggest using the old reed that is chipped, split , reed clipper clipped, and half broken , down in the bottom of your instrument case. Simply open the ligature and place it on your instrument, (dry) and I promise you will hit notes you never thought were even there! (Good luck!!) ;-)
I saw it performed by Furman Orchestra in '78. We went on a "tour" of towns and cities in South Carolina; I was along as a pianist with the Jazz Ensemble. I also played Vibraphone(badly) on a piece by Alan Hovhaness.
Dr Beckford(?) conducted part of the performance.In addition to playing in Furman Jazz Ensemble, I also played an occasional pick-up job with his Sons. Dan Ellis was a great guy; he helped me with some problems financing my last year at Furman. I also played the summer '78 Miss South Carolina pageant, thanks to him. I really enjoyed my music experiences at FU
Bravo! Brava! Huzzah! Truly a performance that brings tears to the eyes (and plugs to the ears!) - What can one say musicologicalologically speaking of course.... No one had the complete mastery of the triple forte like herr PDQ...... It should be noted of course that herr PDQ had complete mastery of of "recycling through time" Drawing upon musical references from the 1700's to the 20th century! Who but but PDQ? I ask you! And to expand furtyher, who but PDQ wrote for single reeds, double reeds and brass sans "the rest of the instrument". Who needs the entire horn or clarinet, oboe, bassoon or trumpet, when just the mouthpiece works so well!! Moving on to his use of percussion, PDQ who knew the resiliency of the tympani strike! How it knows not of PPP, PP, or even P - when Triple or quadruple forte works SO WELL! In conclusion many think it was the twentieth century quadtet that called themselves "Spinal Tap" that first went to 11 - O they were late comers, the mastery of FFF or FFFF came from the pen and somewhat wine soaked page of -- PDQ Bach.... where it had the notation (translated from the German) " Play this REALLY REALLY REALLY REALLY (FFFF) LOUD so it covers up the yodeling of Franz who is drunk down in the beer garden!!! Thank you PDQ, my heart soars and my ears ache....
I played oboe for this many years ago with the Boulder Concert Band (Colorado). Of course it was fun to play *only* Double Reeds in the Simply Grand Minuet. This is truly for an AWFUL lot of winds and percussion! 😅
Percussionist here. I've spent a lot of time with a baton directing the band every once in a while when the director is away. I'm a freshman though so the directors don't fully know about me and my skill level. Today we had a senior flutist direct while the director was out, very inexperienced (keep in mind they are not in the freshman concert band so don't know about this piece). God bless his soul, I was in the back losing it on the floor laughing while this kid tried to fix the clarinet solos at the beginning. Trumpets almost rioted.
Good embouchure helps a lot. Also, focus on putting a lot of pressure air into the clarinet. I think having a high toughness reed helps too. I use 4 1/2 so the note is pretty easy for me to hit.
@@LouisE-mp8lx I'm a vocalist and Schickele definitely writes out of the ranges of singers. An example from the Seasonings. The link starts on a run by the bass soloist. No bass could sing those notes. XD ua-cam.com/video/1H4L1eTfM3w/v-deo.html
Low-key salty AF that flutes don't get a funny part in all of this (My band is playing this and I actually hate how the flutes don't have anything) Good piece nonetheless
my band is doing this to and we have 4 different parts not 3. if you are wondering which one they do not have its romance in the grand manner which is right before rondo mucho grando which i guess is fine sense this whole peace is happy and funny and romance in the grand manner is more slow and i guess sophisticated.
@@InceyWincey The percussionist at the end definitely seems to be getting into the humor, trying to hide his grin at times. "This is why we can't have nice things"!
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My friend Hannah and I are lucky enough to be playing the piccolo solo but we can't stop laughing! The conductor says that we will practice it until it isn't funny and then we will know it is ready but we have played it for a year and it is still funny....
I love how this is literally a song dedicated to making fun of the clarinets.
Peter Schickele is brilliant. These kids were lucky their band leader had the guts to program one of his comic works (which are NOT easy to play, no matter how silly they might sound to someone who doesn't have to play all those 'wrong' notes at the right time).
'Professor' Schickele is best known as the comic genius behind 'PDQ Bach' ('the twenty-first of Bach's 20 children'), whom he 'discovered' while doing 'music-illogical' research work at the University of Southern North Dakota at Hoople. But for those who don't know, he is also the composer of numerous serious Hollywood film scores. Keep up the good work, Peter!
If you ever tried to get through playing this, our devious director made us sight-read it! Enjoy flipping the page and seeing "remove mouthpiece"!
I got to play this under Schickele’s baton once. He took the final movement about twice as fast as this. And then for an encore he had us play the whole movement again, in double time.
Oh my god lol, i would love to see a recording of that
Sure reminds me of my first concert in 6th grade, lol.
Had a blast playing this in college - tuba section loved it! We were playing for an open house at the beginning of the semester and being ignored by the people milling around so the conductor had us play the Simply Grand Minuet. Loved the looks from the people!
I did it last night as a bass drum player, I was on the verge of breaking down in the back in pure laughter
my band class is doing this and no clarinet can play the super high g
Just squeak, that will make it better.
I suggest using the old reed that is chipped, split , reed clipper clipped, and half broken , down in the bottom of your instrument case. Simply open the ligature and place it on your instrument, (dry) and I promise you will hit notes you never thought were even there! (Good luck!!) ;-)
Great performance....i think(?!? ). No one knows for sure.... ;-)
I saw it performed by Furman Orchestra in '78. We went on a "tour" of towns and cities in South Carolina; I was along as a pianist with the Jazz Ensemble. I also played Vibraphone(badly) on a piece by Alan Hovhaness.
I played in that group. It was the Furman Band, conducted by Dan Ellis.
Dr Beckford(?) conducted part of the performance.In addition to playing in Furman Jazz Ensemble, I also played an occasional pick-up job with his Sons. Dan Ellis was a great guy; he helped me with some problems financing my last year at Furman. I also played the summer '78 Miss South Carolina pageant, thanks to him. I really enjoyed my music experiences at FU
Bravo! Brava! Huzzah! Truly a performance that brings tears to the eyes (and plugs to the ears!) - What can one say musicologicalologically speaking of course.... No one had the complete mastery of the triple forte like herr PDQ...... It should be noted of course that herr PDQ had complete mastery of of "recycling through time" Drawing upon musical references from the 1700's to the 20th century! Who but but PDQ? I ask you! And to expand furtyher, who but PDQ wrote for single reeds, double reeds and brass sans "the rest of the instrument". Who needs the entire horn or clarinet, oboe, bassoon or trumpet, when just the mouthpiece works so well!! Moving on to his use of percussion, PDQ who knew the resiliency of the tympani strike! How it knows not of PPP, PP, or even P - when Triple or quadruple forte works SO WELL! In conclusion many think it was the twentieth century quadtet that called themselves "Spinal Tap" that first went to 11 - O they were late comers, the mastery of FFF or FFFF came from the pen and somewhat wine soaked page of -- PDQ Bach.... where it had the notation (translated from the German) " Play this REALLY REALLY REALLY REALLY (FFFF) LOUD so it covers up the yodeling of Franz who is drunk down in the beer garden!!! Thank you PDQ, my heart soars and my ears ache....
This is why we don't have nice things
Would love to play this at work.
That Fermata at the end was supposed to be the clarinets gargling water 😂😂😂
I played oboe for this many years ago with the Boulder Concert Band (Colorado). Of course it was fun to play *only* Double Reeds in the Simply Grand Minuet.
This is truly for an AWFUL lot of winds and percussion! 😅
Percussionist here. I've spent a lot of time with a baton directing the band every once in a while when the director is away. I'm a freshman though so the directors don't fully know about me and my skill level. Today we had a senior flutist direct while the director was out, very inexperienced (keep in mind they are not in the freshman concert band so don't know about this piece). God bless his soul, I was in the back losing it on the floor laughing while this kid tried to fix the clarinet solos at the beginning. Trumpets almost rioted.
And also none of the clarinets or piccolos can reach the high notes. How do I get any higher than high a out nicely? On a piccolo?
Good embouchure helps a lot. Also, focus on putting a lot of pressure air into the clarinet. I think having a high toughness reed helps too. I use 4 1/2 so the note is pretty easy for me to hit.
It's supposed to sound bad
@@LouisE-mp8lx I'm a vocalist and Schickele definitely writes out of the ranges of singers. An example from the Seasonings. The link starts on a run by the bass soloist. No bass could sing those notes. XD ua-cam.com/video/1H4L1eTfM3w/v-deo.html
What is Italian for “play with mouthpiece removed”?
Maybe 'solo boccaglio'.
For sure the microphones struggle, so do my ears.
Low-key salty AF that flutes don't get a funny part in all of this (My band is playing this and I actually hate how the flutes don't have anything) Good piece nonetheless
Emilia Smith i feel it...
Fr tho
All we do is screech
well flutes sound too beautiful to change anything about them...
I hate when that happens...like the alto part in "Es War Ein Wunderlischer Krieg" by J.S. Bach. Check it out. Ugh.
what about movement three?
Perfect lesson plan for a no instrument day!
Ah, to be a kid again. Adults are rarely allowed to have so much fun playing (pun intended).
my band is doing this to and we have 4 different parts not 3. if you are wondering which one they do not have its romance in the grand manner which is right before rondo mucho grando which i guess is fine sense this whole peace is happy and funny and romance in the grand manner is more slow and i guess sophisticated.
Why aren't 't those teens more into this?
You have to be really really good to play this bad.
Martinez Cynthia Jackson Donald Moore Jason
I think our high school band could have played that out of tune without even trying.
I don't even think they knew what the hell they were doing, being funny
I may have misunderstood you but it seems to me this is sort of like wondering why the actors in a Comedy aren’t laughing at all the jokes.
@@InceyWincey The percussionist at the end definitely seems to be getting into the humor, trying to hide his grin at times. "This is why we can't have nice things"!