Similarly to what another commenter has already stated, this piece is so very raw and brutally monstrous. Yet so refined! Perfect for this colossal instrument. Thank you once again for this wonderful performance, Ralph. I've been getting to know many pre-Bach composers better thanks to your work.
Als ik het goed hoor zitten er behoorlijke mixturen op of niet? Klinken heel briljant, is natuurlijk wel logisch bij deze stijl. Maar dan nog@@RalphLooij
I must admit bars 4 till 7 are the hardest part of this piece to play. I don't use heels (as is most authentic for playing baroque organ pieces). So it's a matter of using your left and right foot in a clever manner. Take the first row of 16th notes in bar 4 on the last count. I use: right, left, right, left, left, right, left, right, left. And so on with the other sequences. When playing left-left, i sort of slide my foot from one pedal note to the other to make it sound less staccato. It helped with this organ that the acoustics are quite big, so it covers up bigger gaps between notes. Playing this in dry acoustics, would probably sound less convincing.
Similarly to what another commenter has already stated, this piece is so very raw and brutally monstrous. Yet so refined! Perfect for this colossal instrument. Thank you once again for this wonderful performance, Ralph. I've been getting to know many pre-Bach composers better thanks to your work.
Thanks for your encouraging words!
It's raw yet unbelievably elegant... the song as well as it's interpretation ist lifting up my soul ❤
Thanks!
This prelude is outstanding, and the Stellwagen sample is perfect for it! Thanks for a special treat.
Thanks, Salem!
Ce prélude est extraordinaire . Merci et bravo. ❤ Olivier
Merci!
Beautiful prelude by Böhm, very well played on one of the most magnificent historic organs!
Thanks, it's a great organ, even in a Hauptwerk model!
wunderbar!
Danke!
Great performance. Powerful organ! A lot of gravitas!
Thanks, Rien!
Amazing! Thank you for your performance!!!❤
Thanks!
Kende dit stuk nog niet. Maar wat klinkt dat goed zeg op zn monumentaal orgel!! fantastisch!
Böhm klinkt erg goed op een orgel als dit, zelfs in virtuele vorm. Dank voor het luisteren!
Als ik het goed hoor zitten er behoorlijke mixturen op of niet? Klinken heel briljant, is natuurlijk wel logisch bij deze stijl. Maar dan nog@@RalphLooij
Bravo! 👏👏👏Ralph 😀💕😀
Thanks, Clara.
Excellent!
Thanks, Theo!
A fantastic organ sample for this equally fantastic music dear Ralph, wonderful!
Thanks!
Excellent performance!
Dank, André!
Beautiful Ralph 👍👏👏
Thanks, Peter!
@@RalphLooij You're welcome
Superb piece and remarkable interpretation. Bravo and have a good Sunday.
Thanks!
I have to ask how you're pedaling those groups of four in the initial pedal solo. They're wonderfully smooth and well-executed.
I must admit bars 4 till 7 are the hardest part of this piece to play. I don't use heels (as is most authentic for playing baroque organ pieces). So it's a matter of using your left and right foot in a clever manner. Take the first row of 16th notes in bar 4 on the last count. I use: right, left, right, left, left, right, left, right, left. And so on with the other sequences.
When playing left-left, i sort of slide my foot from one pedal note to the other to make it sound less staccato. It helped with this organ that the acoustics are quite big, so it covers up bigger gaps between notes. Playing this in dry acoustics, would probably sound less convincing.
Very well played ! the sample set doesn't quite sounds like the organ though.
Thanks!
Very dramatic performance with a temperament that makes the music come alive still more. What temperament is it?
Thanks, Barry! It's 1/4 Meantone, which is wonderful (for certain music)
Sprachlos: WOW, WOW, WOW. Aber auch ein grosses Kompliment an den
verstorbenen Komponisten.
Danke, Erich!