Comparing My Micro Four Thirds TELEPHOTO Lenses
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- Опубліковано 11 лип 2024
- Today I am comparing my Micro Four Thirds telephoto lenses. Hopefully, by watching this video you can learn more about each lenses, how they perform, the strengths and weaknesses of each telephoto lens, so that you can choose the right Micro 4/3 telephoto lens for your camera.
The lenses featured in this video are from both Panasonic Lumix and Olympus / OM System, and they can work with most if not all Micro Four Thirds camera with Micro Four Thirds mount. As with all telephoto lenses, they can be used for portrait, distant landscape photography, and other photography genres.
00:00 Introduction
01:09 Panasonic Lumix 35-100mm f2.8
03:52 Olympus 75mm f1.8
05:12 Olympus 45mm f1.8
08:00 Panasonic Lumix 35-100mm f4-5.6
10:03 Panasonic Lumix 14-140mm f3.5-5.6
11:34 Panasonic Lumix 100-300mm f4-5.6
13:13 Conclusion
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Gary Wiryawan
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my tele foto lens is the olympus 40-150 2.8.
Thank you for sharing, all the best!
When I use M43. I use the Olympus 40-150/2.8 pro with 1.4 tx....Olympus 60/2.8 Macro...Pan/Leica 15/1.7...Pan/Leica 9/1.7...Cheers
Thank you for sharing, all the best!
If you have the Lumix 35-100/2.8 you do not want the slower version. It is a "world class lens". Panasonic made the X lenses to out-do Leica, to show off. It is centre sharp wide open but will bring the corners sharp with less than one stop, like f/4 (as you said, but bokeh is not its strong point). All lenses do this but that the G X 35-100/2.8 is better than most all lenses. It is doubtful whether you can get sharper without a prime. The "HD" on the v1 bodies indicates it is for video with silent motors. Its mate is the G X 12-35/2.8
The Ollie 45/1.8 is a must-have nifty-fifty, but the Ollie 75/1.8 is nearly as sharp as the Leica 25/1.4 which really likes being stopped down the f/2, the 75 likes to be stopped down too. Lenses are never fully sharp wide open. If you like that look, you want one of the cheaper, softer lenses.
The 14-140 is THE travel lens and it punches well above its weight. It can be the only lens you need. It is practically glued to my wife's GX7.
The 100-300 is the follow-on from the 35-100. It is a lot lighter than the PL100-400. Yes that is an issue.
You have selected a good range of lenses. Other than the 35-100/4.5-5.6, I have had all of them for some years now.
Thanks for sharing! Yes, those lenses are really great for what they do, and I am always impressed by the results taken using those lenses.
For circular bokeh, I think you mean "vignetting": love your videos, really appreciated.
I think he meant swirly bokeh
Thank you for the kind words!
Hello from New York City! How are Olympus brand lens on your Lumix bodies? For example: focus speed, focus accuracy, focus resolving power and optical distortions. And vice-versa: Lumix lens on Olympus bodies. Thank you for your informative videos.
Lumix lens for a Lumix body because we get the extra stabilisation of Dual and the fast DFD AF. An Olympus lens does not do that. Having said that the Ollie 45 works just fine on a Lumix, it is the size of an eggcup and barely needs stabilisation. The Ollie 75 is hewn out of a solid lump of unobtanium, it is much heavier and may appreciate Body-IS. It focuses fast enough on a Lumix to do post-focus (focus stacking). Put a Lumix lens onto an Olympus back and they are no worse than an Olympus lens. IBIS is good for up to about 200mm (above which they want Lens-OIS), and the AF speed is fast, the difference is only a matter of microseconds anyway. But, big but, the Dual stabilization on a Lumix is other-wordly and Olympus cannot do that; big lens, Dual2. If you have Lumix and Olympus backs (I do) imo you want Lumix lenses, except when you don't. There are no poor native MFT lenses.
Olympus lens worked well on Lumix bodies, but many Olympus lenses don't have stabilizer. If you have a Lumix camera with in body stabilizer, then that won't be a problem. Lumix lenses on Olympus bodies will work just fine, but there are some corrections that won't be applied, for example vignette correction, chromatic aberration correction, and distortion correction. However, AF speed and overall sharpness are not an issue at all for both scenarios. Hope this helps!
@@Gary_W Lumix lenses do get corrections on an Olympus back. Native MFT lenses have very little chroma and distortion to correct. It is there, the cameras do read the lens data but then handle it slightly differently, TurePic vs Venus.. I always turn the vignette correction off anyway; I may use it with an adapted lens, it is not a lens-specific correction. DFD is about twice as fast as Olympus can manage, you may not notice because Olympus AF is so fast. Even with PDAF, Panasonic and Leica use DFD. Sony do claim faster AF but then they get more unfocused images, less keepers.
Play some guitar for us Gary 😀
Will do!