New Gamboge + Quinacridone Red + French Ultramarine (Limited Palette)
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- Опубліковано 31 сер 2017
- Find out the colours that these 3 can mix in this video. These are 3 colours from my current palette. I'm using mostly Daniel Smith watercolour.
The three colours:
New Gamboge (PY153)
French Ultramarine (PB29)
Quinacridone Red (PV19)
Scans:
www.parkablogs.com/content/ne...
My current palette:
• My Current Colour Pale...
Indanthrone Blue + Organic Vermilion + Monte Amiata Natural Sienna (Limited Palette)
• Indanthrone Blue + Org...
My Excess Watercolour Paint Sale
www.parkablogs.com/content/wa...
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I seriously laughed out loud when I saw the uni-brow he gave the guy in the center of the drawing. Too funny. I love these limited palette videos, I learn so much every time I watch them.
That sounds like a lovely palette
Good demonstration of mixing 3 primary colours. Thank you.
Love that you're demonstrating more permanent colours for a triad... if I'm going to spend so much time researching (including your terrific channel), earning money for expensive artist pigments and then dedicating myself to practising- then I want the resultant art to last for a few decades at least! Cheers from Melbourne Australia.
Thanks :-)
Absolutely wonderful video!!! Thanks for the upload. Can't wait for more!!! :)
Quinacridone Red is good for a cherry , cause it is cooler than primary, perfect with Phthalo blue and Hansa Yellow medium
Wonderful watercolors! The colours are very pigmented. Thanks for the video.
Another terrific video. Really nice purples and blacks. Skin tones are such a challenge!
I love lemon yellow, prussian blue and quinacridone red combo. I just love cool yellows and prussian blue is my favourite colour.
A series would be good, it's a great way to illustrate just how little in the way of colour people actually need on their palette to get a good mix. It's not something a lot of beginners believe, myself included when first buying, but the more it gets shown, the better.
+John Cavan I think I'll create more real life sketches as examples first for the series that I can refer to.
Very nice lesson. I learn so much from you. I think I will purchase daneil smith starter water color kit with 6 colors. Thank for your help!
Cool. Have fun. :-)
Amazing what can be achieved w/ such an extremely limited palette! I need to experiment in that way. Always feel as though I need a stack of colors to do anything. Just ordered some from ArtisticKatt on etsy. Should have watched this first! 😄
The more you play with your colours, the more you'll understand their mixing possibilities :-)
Thanks, very helpful ... as others say it would be nice to see a video with lots of different skin tones, as well as greens in nature.
Great video, thank you!
Great tutorial. Limited palette helps you create better.tfs
*_Thanks_* *_Teoh_* 👹💦😻 _Watercolors!!_
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Oh so useful! I loved your sketch!! I think you did such a great job with those skin tones. I would miss a more bright green though, so I'd probably need another yellow for mixing. Lemon, perhaps?
+Milena Brandão Lemon Yellow with French Ultramarine will produce a more vibrant green (with granulation).
Nice video
Very nice, thank you! I'm trying to figure out the best colors to put in my travel palette and am a little overwhelmed, I seem to have too many colors. I like the purples and oranges from these. The greens I could use but I think I'll figure out another green to add to get a better variety. Any suggestions for a good green to add with these particular colors? I also use daniel smith.
I suggest choosing a green that you can mix with an existing colour that you already have. E.g. If you have Lemon Yellow or Phthalo Blue, a green you can add would be Phthalo Green. Or if you have French Ultramarine, you can add Sap Green. When I use Sap Green, I can add Ultramarine to it to make it darker, and it will mix well and look natural, as oppose to mixing Ultramarine with Phthalo Green.
OR if you have Lemon Yellow and Phthalo Blue, you can add a Sap Green just because it's a colour you can't mix with either. There are really many ways to think about this.
I would love to see a video where you paint a diverse crowd of people of all different ethnic backgrounds in one place. I have several friends that are African-American and in person I notice blue undertones In their skin but when I tried to paint them that way, they end up coming out looking like they are not healthy. Skin tones are so hard!
He does have vids with that, you just have to skim through them. Maybe try the ones from manchester england? Not sure. But i have seen him paint a variety. :)
Ok, I will check through them again. I am wondering if its just the fashion industry that insists skin can have different undertones, or if its more just on a continuum of light to dark. Of course it would depend on the light too.
Different skin colors do have different undertones, but skin generally stays in the warm side of the spectrum no matter the color. There's no easy formula for mixing realistic skin, because you're hardly ever going to see the local color of the skin on its own. An object's color exists in relation to the light that affects it, as well as everything else that reflects onto it and the shadows it casts. The same person can have vastly different colors on their skin depending on the lighting and location they're in, and you might not even notice it because in the context of the whole picture it'll look right. The best thing to do is not have any preconceptions of how the skin should look, but analyze what you're seeing and try to mix it accordingly.
There's a video called "How to Mix Great Flesh Tones" in Mark Carder's drawmixpaint channel that might be helpful to you. There's a bit that applies mostly to opaque paint, but definitely some good information as well.
ihy Thanks for that thoughtful reply. I have been working on a mural lately and it has kids hands in it and the kids hands are intended to represent all of the different ethnicities in the school where I teach, so that was why I asked the question- because when you are working without the context of light, and you are just trying to create a unified picture, You know, the photo references you are using all have different light so it can be harder to get something cohesive that works. I think the idea of utilizing the warm tones is good and that's what I'm going to try. I think the picture that my friend sent me to use of his palm and his wrist was taken in fluorescent light so that would explain the blue tones I saw as well. Thanks for making me think about that. That was really insightful. I'm going to look at the video you suggested.
One way to get skin tones to look vibrant to not mix the colours completely. When you can see the individual colours used to mix that skin tone, it's more interesting and alive. You can take a look at Charles Reid's portraits to see what I'm talking about. My style is quite flat and stylized while his style is very splashy, splotchy and loose. And you have to look at the whole portrait as a while since colours don't work individually and work as a whole. E.g. Charles Reid can use blue on the skin tone and it can still look believable. Check out these links to some of Charles Reid's examples www.pinterest.com/artymaryd/art-of-charles-reid/
Thanks so much for this video. Everyday I learn something from your videos! I have a questions:
What 3 colors would be best to mix burnt sienna? Would vermillion red be better instead of this red to create burnt sienna?
Not sure about Burnt Sienna. But Burnt Sienna is very useful and should be in all palettes 😂
Teoh Yi Chie thanks so much for your reply! Didn’t expect such prompt reply from you! I follow you in all social media platforms and treat your videos like bible! 😊😊 i want to limit my palette within 3 to 4 colors and was wondering if burnt sienna can be created mixing them. One more question i have a big tube of Sennelier burnt sienna, is it okay to mix with Daniel Smith paints? 🙏
Aren't these 3 like your favourite colors? I always associate you with these shades for some reason
+Francesca Galanti Yes, I use them often 😁
What is your take on using basic ultra-limited mixing primaries for watercolor such as cad lemon, quinacridone magenta and French Ultramarine (haven't found a cyan color in watercolor though); with an additional helping hands such as burnt sienna to make good blacks quickly. I know you use split primary colors+other ones.
I have been using this three color palette for two years in oils; since I mix only natural colors, I don't find much chance to use colors such as cad red, cad yellow deep, pthalos, even earth colors. I create all my mixes on my palette and get mostly grey shades of everything and very rarely those extreme bright colors are used. Does this approach work for watercolors or it always needs at least a split primary palette?
(BTW I do carry cad red, cad orange, pthalo blue and green oil paint in a small bag but didn't get a chance to use them outdoors).
+Kaustav Mukherjee Colour choice depends a lot on personal preference. There are artists who prefer palettes with bright vibrant colours, some artists like secondary colours, some always use warm colours. If you look at contemporary art pieces vs those paintings from the past, you can see a wide variety of styles. Modern artists aren't afraid to use bright colours or unusual colour palettes, more so because some of these colours are only developed recently.
I used to have my so called favourite colours, but there was once I ran out of paint during an overseas trip and had to force myself to use other colours, I found out that I no longer have the concept of favourite colours. Nowadays, I just use whatever there is in the box, or I would just use colours that I do not like just to see what they are capable of. Sometimes I'm surprised.
Yeah! Thanks for your reply I see what you mean. I once used only pthalo blue, cad red light and white to create a whole painting.
I use the above mentioned mixing primaries only and that too for oil painting. So I was thinking if they would work in the same manner in watercolor painting, in which the properties of pigment matter a lot. Can you suggest any regularly available cool transparent yellow? Cad lemon/light are opaque.
Very..DUck colours
I have a tube of DS New Gamboge, but I bought it right before they discontinued the PY153. Now it keeps Opera and Quinacridone Gold company on my island of curious colors, and I use PY110 instead. Whomp whomp.
+SoulKeever I'm still using the old New Gamboge formula as well
Do you take requests, Teoh? How about ... yellow ochre, Prussian blue and some sort of red oxide like W&N Venetian red? Something a bit different. :-)
+GenWivern2 Thanks. I'll try that in the future. The mixtures are going to be more opaque because of the ochre and venetian red. I believe that artists from the past use these colours often.
That's very sporting of you. It's more of a wet November in Huddersfield palette than you tend to go for. :-) There are transparent yellow ochres and red oxides (Daler and Maimeri respectively for instance), but it's a matter of what you have to hand and I figured that the W&N was more likely.
Do you like Daniel Smith's yellow ochre? Is it fairly transparent?
I've not used Daniel Smith's Yellow Ochre before. Maybe I'll try that in the future.
There is a good yellow ochre video by Denise Soden here (it's a collaboration, so ignore the first part and wait for Denise's great info on different yellow ochres): ua-cam.com/video/7ZcSl2sWaPU/v-deo.html
I hate to admit it but u are a very gut artist. Acht da lieber!!!!!!!!!!
+rich grisham Thanks 😂
Hey! Loving the limited color pallet I videos! Would you consider keeping the pallet in shot as you mix? If feel like it helps! Thank you so much for these!
Notification aquad where you at??!!?
Min Draws stuff Here
Genuine Quinacridone Red is PR209
Bad pictures sorry(but cool watercolor, not for you(