00:00:00 Anonymous: early 16th century - Fanfare 00:01:15 Anonymous: Pavane: Le forze d’Hercole 00:04:45 Heinrich Isaac: Introitus: Loquebat de testimonis 00:09:10 Ludwig Senfl: Missa Nisi dominus aedificaverit domum Kyrie Gloria 00:19:20 Anonymous / Gregorian: Martine par apostolis 00:22:38 Josquin Desprez: In te domine speravi 00:26:08 Anonymous: Canto 00:28:30 Heinrich Isaac: Süsser Vater Herre Gott 00:31:46 Josquin Desprez: Haec dicit Dominus
Thank you AVROTROS, because I could not be anywhere at the same time duringtheFestival of Early Music it is nice to catch up this concert afterwards! Splendid camera technique and cuttings! The same three singers I saw during the concert in the Hertz location of Vredenburg. Nice!
Oh dear! The Early Music Police is investigating! A musical performance has to be correct - no room for emotion and amusement... I like this wonderful ensemble and their deliberate programs. And I totally agree with Richard Morrison/The Times who wrote: This is the most spirited Renaissance consort playing I've heard since David Munrow's heyday - and that was 45 years ago.
I can't believe it's as long ago as 45 years! David Munrow was such an inspirational man. My love of early music has not waned and I have been actively participating in it for 60 years now. There is piles of fun and emotion in it too
Oh please! As if you can't be both accurate and musically exciting. In my experience, the musicians that use your argument are the ones who can't be bothered to do research and be accurate. Yes, this performance may be musically exciting, but that doesn't mean they're immune from any criticism or suggestions. And if you want spirited Renaissance consort playing, check out Piffaro, the group from Philadelphia: ua-cam.com/users/OfficialPiffaro
The average audience member couldn't care less about historical accuracy. If it excites and connects with them that's all that matters. I think this band is fab. I wish they would tour the UK.
Except she's playing it like a baroque oboe. And the alto shawm player likewise. Neither of them are using a pirouette. She slurs all her "divisions" and the choice of instrumentation is very odd. Shawms together with lute? Really?
Sorry to re-hash this old comment, I've also been wondering about this. Everything I've read suggests that Shawm technique was not independent of the pirouette until the mid 17th century, and yet nearly every renaissance group that I hear using them today insists upon playing without. Am I missing something or is this another attempt to try and make Renaissance music fit our preconceptions of what it should be?
@@charlesbarkema8021 the pirouette is a lip-crutch or lip-rest (I am German and try to translate "Lippenstütze"). Here you can see a drawn pirouette under the picture of the girl on the right side www.essentialvermeer.com/folk_music/shawm_a.html#.W_ganzFReUk
Hallo Victor, you are not ignorant, you are learning❤ it's good to see you are liking Renaissance and Baroque music, my great love for this music is the period between late Renaissance and early baroque, enjoy your journey
Lutes are indeed quiet instruments. I'm actually surprised at how easy it is to pick the lute out of the ensemble sound and hear it as an individual instrument in this recording. But then, I'm a lute player. I suspect the lute is just close to a microphone.
00:00:00 Anonymous: early 16th century - Fanfare
00:01:15 Anonymous: Pavane: Le forze d’Hercole
00:04:45 Heinrich Isaac: Introitus: Loquebat de testimonis
00:09:10 Ludwig Senfl: Missa Nisi dominus aedificaverit domum
Kyrie
Gloria
00:19:20 Anonymous / Gregorian: Martine par apostolis
00:22:38 Josquin Desprez: In te domine speravi
00:26:08 Anonymous: Canto
00:28:30 Heinrich Isaac: Süsser Vater Herre Gott
00:31:46 Josquin Desprez: Haec dicit Dominus
The soprano is wonderful.
Gracious, passionate and talented musicians.
Extraordinaire, merci ! Pure félicité !
How wonderful when you cans see and hear how much the performers are enjoying themselves!
Very nice music with some kind of natural beauty.
Sublime musique et très bien jouée!
Bravo. 100/100 performance.
The opening number here is titled "Anonymous Early 16th century Fanfare " is actually "La Morisque" by Tylman Susato, from a Danseyre collection.
I love it that one of the shawm players really, really wants to sing along...
Ah. She's the conductor. She looks like she's having a marvelous time.
A perfect musical performance. And they play nicely and correctly, I like that.
Absolutely stunning performance
🙏❤️🙏
Wonderful gifts from God Almighty
superbe ! merci !!! un énorme plaisir toujours d'écouter ces oeuvres exceptionnelles !
J;ADORE c,est sublime , la musique est grandiose merci pour cette vidéo
Wundervoll!
Everyone looks so happy.
The piece at 50:04 is titled Ostinato vo' seguire by Bartolomeo Tromboncino.
Very enjoyable concert. I wish someone could provide a more accurate and complete program description with timings.
Awesome expressed with heart and soul I could listen to this all the way up
bravissimi un piacere ascoltarvi grazie
Meravigliosa esecuzione!!!
Doppio ringraziamento:per la musica a me sconosciuta ,ma eccezionale e per l'esecuzione magistrale,Grazie!!!
Thank you AVROTROS, because I could not be anywhere at the same time duringtheFestival of Early Music it is nice to catch up this concert afterwards! Splendid camera technique and cuttings!
The same three singers I saw during the concert in the Hertz location of Vredenburg. Nice!
You're welcome! We will upload another Early Music Festival within the hour! Hope you will enjoy that one too!
Lovely
👏👏👏👏👏👏
Rock on!
Bravi! This is fantastic.
+Caleb Young Thank you! Tomorrow morning we'll have another early music concert!
With natural beauty.
Oh dear! The Early Music Police is investigating! A musical performance has to be correct - no room for emotion and amusement... I like this wonderful ensemble and their deliberate programs. And I totally agree with Richard Morrison/The Times who wrote: This is the most spirited Renaissance consort playing I've heard since David Munrow's heyday - and that was 45 years ago.
I'm with you on this one! I don't care if the instrumentation is "incorrect" or what not. If it sounds good, I'm ok.
I can't believe it's as long ago as 45 years! David Munrow was such an inspirational man. My love of early music has not waned and I have been actively participating in it for 60 years now. There is piles of fun and emotion in it too
Oh please! As if you can't be both accurate and musically exciting.
In my experience, the musicians that use your argument are the ones who can't be bothered to do research and be accurate.
Yes, this performance may be musically exciting, but that doesn't mean they're immune from any criticism or suggestions.
And if you want spirited Renaissance consort playing, check out Piffaro, the group from Philadelphia:
ua-cam.com/users/OfficialPiffaro
Rubbish!
The average audience member couldn't care less about historical accuracy. If it excites and connects with them that's all that matters. I think this band is fab. I wish they would tour the UK.
Prachtig gewoon, dus dit jaar ook weer aanwezig
A+
Just a correction for the video description. Katharina is not playing a baroque oboe, but a renaissance shawm.
Except she's playing it like a baroque oboe. And the alto shawm player likewise. Neither of them are using a pirouette. She slurs all her "divisions" and the choice of instrumentation is very odd. Shawms together with lute? Really?
Sorry to re-hash this old comment, I've also been wondering about this. Everything I've read suggests that Shawm technique was not independent of the pirouette until the mid 17th century, and yet nearly every renaissance group that I hear using them today insists upon playing without. Am I missing something or is this another attempt to try and make Renaissance music fit our preconceptions of what it should be?
I am not understanding the use of the word, Pirouette, What does it mean in this context.?
@@charlesbarkema8021 the pirouette is a lip-crutch or lip-rest (I am German and try to translate "Lippenstütze"). Here you can see a drawn pirouette under the picture of the girl on the right side www.essentialvermeer.com/folk_music/shawm_a.html#.W_ganzFReUk
@@tbraithwaite92 I think that Piffaro, the group in Philadelphia, uses pirouettes.
Capella de la torre war auf unserer Schule wir sind nähmlich die bläserklasse😃
4:45 ;; 35:15 Eine feste Burg ist unser Gott ;; 39:38 ;; 45:48
1 000 000 000 000 000 LIKES
Reinhören, und gutfinden ,ist Musik, in bio premiumqualität ,!!orientalische arabesken finden sich in den stücken!ist was schönes !
Great show, I lov it! Question: would this piece fall under the medieval or renaissance or baroque??. Sorry about my ignorance, but I want to learn…
Renaissance.
Hallo Victor, you are not ignorant, you are learning❤ it's good to see you are liking Renaissance and Baroque music, my great love for this music is the period between late Renaissance and early baroque, enjoy your journey
All is good, but where are the boy singers?
Complete musical program, please, 😭?!
What's the title of piece at 50:02 ? really charming!!!
It's a wonderful little Italian frottola, "Ostinato vo' seguire," by Bartolomeo Tromboncino.
Schoen! Bravo.
HINT: Not all renaissance music requires drums.
Early music hipsters.
Please, let me know the title of the piece at 1:16:40. Thank you!
,Tante volte si, si, si' from Marchetto Cara
I have heard the opening number in another video, with a different name, but can't recall exactly where.
The melody, presumably a folk tune, was used by Praetorius in Terpsichore.
Warum ist die Laute so leise, dass man sie nicht hört? Könnte man sie daher nicht Leise nennen? Habe 2 Freunde, die sie auch spielen.
Lutes are indeed quiet instruments. I'm actually surprised at how easy it is to pick the lute out of the ensemble sound and hear it as an individual instrument in this recording. But then, I'm a lute player.
I suspect the lute is just close to a microphone.
@ 43:00 Great Fun!
Please the title of 22:40 - 26:40. Thank you!
In te dominie speravi, by des prez
@@thomasward9969 Danke schön!
Martin should feel flattered.
Historically interesting, but artistically not very charming.
I'd have to disagree.
I would rather say, historically charming, but artistically not very interesting.
@@notaire2 Or maybe the other way down? Worthwhile enjoying, though.
👏👏👏👏👏👏