Thats cool. I like music that comes across as an emergent phenomenon. Like bird calls, and wind blowing in reed grass. So this makes sense. Growing up I thought that Orpheus's lyre was much cooler than Thors Hammer. I recall lisening to the 'diddley bow' as a kid (some documantary) and thinking it was much cooler than a guitar. I grew listening to lots of blues. Hendrix, Jordan, prof. Longhair. But never learned the style. The aristocracy of some music is unattractive. Blues is for all human beings. I heavily copied (attempted) the style of Hindustani Sarangi players to play this way. Watching Illka Heinonen play is also very inspiring for me.
There are some great melodies here, and have serious undertones of what would later be a major contribution to the Blues. The idea of the 'blue note' may have come from something like this. ua-cam.com/video/dmSVLziYVxI/v-deo.html
@@barefootarts737 I like that, too. I also love to sit in the woods and listen to the music the birds make together with the wind. And try to take my part there with the Jouhikko. I think the birds like the sound. Heinonen is great! So talented. Do you know Lassi Logren? He inspire me a lot. I like to play old tunes from Finland. They are touching my heart in some way.
Hazrat Inayat Khan presents a beautiful idea in his book 'The Mysticism of Sound and Music' that the pentatonic scale emerged from how the fingers fall upon a hollow reed (referring to a flute). The truth of this is less important than the implication of music being embedded into physical objects like reedgrass, combined with the proportions of the hand. I think all forms in creation have a musical element, everything makes a sound.
Someone who tells me I’m playing a raag wrong without offering any helpful input. I’m a little green to the youtube environment and it made me reluctant to use raag in my descriptions even if it’s how I have learned certain technique, melody or riff. I am learning new things and I welcome input based on learning or teaching. Some feedback doesn’t apply to either.
Thanks! I know it's pretty rough. I've come a long way with this tune, as far as pitch accuracy. I get really excited when I find something! then I put it up on YT pretty unrefined. I guess these are meant as concepts. To be perfected with practice.
Interesting playing. It reminds me a bit of bottleneck blues guitarists in a positive way. Thank you!
Thats cool. I like music that comes across as an emergent phenomenon. Like bird calls, and wind blowing in reed grass. So this makes sense. Growing up I thought that Orpheus's lyre was much cooler than Thors Hammer. I recall lisening to the 'diddley bow' as a kid (some documantary) and thinking it was much cooler than a guitar. I grew listening to lots of blues.
Hendrix, Jordan, prof. Longhair. But never learned the style.
The aristocracy of some music is unattractive. Blues is for all human beings.
I heavily copied (attempted) the style of Hindustani Sarangi players to play this way. Watching Illka Heinonen play is also very inspiring for me.
There are some great melodies here, and have serious undertones of what would later be a major contribution to the Blues. The idea of the 'blue note' may have come from something like this.
ua-cam.com/video/dmSVLziYVxI/v-deo.html
@@barefootarts737 I like that, too. I also love to sit in the woods and listen to the music the birds make together with the wind. And try to take my part there with the Jouhikko. I think the birds like the sound. Heinonen is great! So talented. Do you know Lassi Logren? He inspire me a lot. I like to play old tunes from Finland. They are touching my heart in some way.
@@barefootarts737 wow I didn’t know that Indian instrument. Very interesting. I will listen to that. Sounds very nice.
Hazrat Inayat Khan presents a beautiful idea in his book 'The Mysticism of Sound and Music' that the pentatonic scale emerged from how the fingers fall upon a hollow reed (referring to a flute). The truth of this is less important than the implication of music being embedded into physical objects like reedgrass, combined with the proportions of the hand.
I think all forms in creation have a musical element, everything makes a sound.
What the hell is the "Raag police"?
Someone who tells me I’m playing a raag wrong without offering any helpful input.
I’m a little green to the youtube environment and it made me reluctant to use raag in my descriptions even if it’s how I have learned certain technique, melody or riff. I am learning new things and I welcome input based on learning or teaching. Some feedback doesn’t apply to either.
@@barefootarts737 that's very silly, one should keep away from such guys.
Jesus what the hell!?!?!?
Amazing.
Thanks! I know it's pretty rough. I've come a long way with this tune, as far as pitch accuracy.
I get really excited when I find something! then I put it up on YT pretty unrefined.
I guess these are meant as concepts. To be perfected with practice.