@@OnlineSaxAcademy Yeah, I do a major 9th arpeggio exercise through the basic cycle of keys on each scale degree daily. It never occurred to me that it can be done inside the key, which adds another level of key mastery to the mix.
Bonjour, merci pour cette synthèse qui résume plusieurs année de jazz. Bien sûr le cycle des 5th est la base et j'aurais aimé être averti plus tôt. Continuez !
Why does the Cmaj7 moves up a octave but the other cords stat where they are? this is shown @2:14 where it says play this it's an octave higher than in the bottom of the screen. And @5:19 it seems like you play the low C again? This confuses me. Could you please explain this? Anyway great video as always!
Paul - quick question - is there a reason why you annotate Fmaj7 but G7? would that not be the same it you annotated as F7/Gmaj7. is this just annotation - or anything behind it?
Hi Mark, the reason is because G7 is known as a dominant 7th chord where as the F maj7 is known as a Major 7 chord, the interval between the root and the 7th is different with these. I go into more detail in the Practical Music Theory Course on my site which should help.
Hi Lauren, there are lots of styles of jazz that do not use swing 8th notes - ballads, bossa nova, Latin, funk ect. However, I didn’t swing the 8th notes in these as I find it can add an extra layer of complication that can distract from the main focus of the lesson. But playing these exercises with swing 8th notes is great to do too. I hope that helps.
Thanks a lot this is very helpful for me! I link to onlinesaxacademy and there's a course "LEARN TO IMPROVISE", trying to find out the fee per course but seems it's available for premium members only? not charge by per course?
To get your free PDF and transposed backing track please visit www.newonlinesaxacademy.com/blog/98-the-diatonic-circle-of-5ths-2-amazing-exercises
Amazing start to the New Year Paul
Thanks Michael!
Great exercises. Thanks, Paul
Thanks Jan!
Another excellent video, really well done and very valuable to study and learn.
Thanks so much Joe!
Great video! Always appreciate your clear explanations.
Thanks Andrew!
Very useful... Thanks.
I will practice two scales per each day, so that in one week all the scales will be done...
Thanks Daniele!
Extraordinario el material suministrado. Gracias
Exelente dicas boa .
Thanks!
受益良多，學到很多音符的技巧！謝謝分享！
Thanks!
This was very helpful as far as learning to improvise. I play cycle exercises daily. I will incorporate the diatonic cycle as well now.
Sounds great!
@@OnlineSaxAcademy Yeah, I do a major 9th arpeggio exercise through the basic cycle of keys on each scale degree daily. It never occurred to me that it can be done inside the key, which adds another level of key mastery to the mix.
Your knowledge is very useful
Thanks!
Bonjour, merci pour cette synthèse qui résume plusieurs année de jazz. Bien sûr le cycle des 5th est la base et j'aurais aimé être averti plus tôt. Continuez !
You’re welcome Adrien!
Why does the Cmaj7 moves up a octave but the other cords stat where they are?
this is shown @2:14 where it says play this it's an octave higher than in the bottom of the screen. And @5:19 it seems like you play the low C again? This confuses me. Could you please explain this?
Anyway great video as always!
Hi! In reality it doesn’t really matter which octave you play these in, in fact is good to play these in different octaves.
Paul, great content as usual but the link to the PDFs is not working.
I will check that out now
Hi Tony, I have tested the links and they seem to be working this end, what’s happening at your end?
@@OnlineSaxAcademy When I click on the link which should take me to the PDF content, I end up with a blank screen.
Try this link: www.onlinesaxacademy.com/youtubelibrary
@@OnlineSaxAcademy Same problem Paul - blank (white) screen.
Bravo!
Paul - quick question - is there a reason why you annotate Fmaj7 but G7? would that not be the same it you annotated as F7/Gmaj7. is this just annotation - or anything behind it?
Hi Mark, the reason is because G7 is known as a dominant 7th chord where as the F maj7 is known as a Major 7 chord, the interval between the root and the 7th is different with these. I go into more detail in the Practical Music Theory Course on my site which should help.
I can’t find the PDF 😢
Here’s the direct link: www.onlinesaxacademy.com/post/98-the-diatonic-circle-of-5ths-2-amazing-exercises
❤🎷🇦🇺🦘💫 grand ciao
Thanks Domenico!
👍
👏🏼🔝
Thanks!
What I don't understand is why so many "jazz" tutorials do not get played with swing eighth notes, but straight 8's instead.
Hi Lauren, there are lots of styles of jazz that do not use swing 8th notes - ballads, bossa nova, Latin, funk ect. However, I didn’t swing the 8th notes in these as I find it can add an extra layer of complication that can distract from the main focus of the lesson. But playing these exercises with swing 8th notes is great to do too. I hope that helps.
Thanks a lot this is very helpful for me! I link to onlinesaxacademy and there's a course "LEARN TO IMPROVISE", trying to find out the fee per course but seems it's available for premium members only? not charge by per course?
That’s right, once you become a premium member you have access to all the courses.
Like #70🎷
Thanks!