The Art of Soloing Ep. 1 Peter Frampton
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- Опубліковано 20 лют 2018
- In this first episode of "The Art of Soloing" we explore the modal playing of Peter Frampton.
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"Do You Feel Like We Do" is, to me, the greatest live recorded song I've ever heard. What people don't talk about is that the audience is one of the instruments being played on the live recording. What I mean is that the audience and the band are so incredibly in sync, they rise and fall at Frampton's commands, they are being led as a unit through the rises and falls throughout the song and then the incredible roar at the end that they left in for 45 seconds after the music stops. My hair still stands on end when I listen to it. When I have an ear worm stuck in my head (because I always have music playing in my head) I play this song because it usually erases the ear worm. And I think why Peter Frampton is so loved is he seems like just a normal guy (not a rock star), self effacing, friendly, kind...i'm sure he's treated warmly by anyone whether they know him or not.
Usually audiences go with the song so being in sync isn’t anything crazy
Listen to the album.... yes Frampton was killing it but the entire band was just ass-kicking tight. The bass and drums are freaking unreal and the keyboard player is in the same groove with Peter. There isn’t a dull moment on the entire double album. Its an epic masterpiece.
It's awefull that when the subject of great guitarists are brought up, that Peter Frampton is rarely mentioned, he was right up their with the top dogs of all time ! Man, I remember buying his live album and just playing it over and over for days ! What great times and memories,,, :) TY Rick -:--
Andrew Breckill You do realize he’s English, right? He was in Humble Pie with Steve Marriott in late 60’s, early 70’s.
Andrew Breckill I’ve known his name since I was a child but I only just discovered how great of a guitarist he is. It happens I guess.
Peter Frampton is one of the best melodic guitar player.
Nicky Scarola I agree with the melodic ability of Frampton. So many of the English guitarists nail that. Peter Frampton, Davis Gilmore and maybe the best melodic-lead player of all, Dave Mason. You could put lyrics to their solos. Amazing musicianship.
Want melodic? Listen to Andrew Latimer of Camel
It took me a while to appreciate shredders because I loved Peter's melodic solos and thought all lead guitarists should play solos melodically. I was young. Now, I love all styles.
Mick Taylor was my first introduction to more melodic solo playing absolutely enthralling me with their use of slower playing that just "flowed" together and sounded amazing and felt like the guitar singing more so then just kicking the pants off everyone haha
He reminds me a lot of Larry Carlton, but for classic rock and not blues.
My favorite guitarist and album of all time, and the reason i too became a guitarist. Ive learned most of the solos on this album, and the only artist i ever cared to really learn every solo from. His improv and his sound,.. are still mind blowing and of corse his songwriting is pure genius. I especially love the first 4 studio albums, so many hidden gems on these records. In my opinion, he is the greatest Rock Star/Musician of all time! Long Live Frampton!🎸
Beato Comes Alive!
nice!
effortlessly
One of the best music forensic guys. He dissects like CSI.
I do not play ANY instruments.
I have no idea what you are talking about,
but I always watch in amazement how you break things down.
I find your videos very interesting.
You do play damn good though.
You’re right. I think Rick could make the phone book sound interesting.
@@TwinMillMC find a music class at the nearest community college. Start with appreciation. If you want to learn an instrument, get one, take lessons. You'll learn to read quickly. It'll get deeper into your soul.
When he says like C sharp (C#) that means it's a note that's between C and D. It's a little higher than C, but lower than D. At the same time, he could call it a D flat. D flat is a little lower than D, but higher than C.
First lesson.
@@roxannemoser Moser... I heard about you.
Do the greats think the way you explain it or do they play the sounds they like to hear?
@@thhall459 lol
What I absolutely LOVE about Framptons solos is that they are wonderfully put together and constructed. It is all about the phrasing. His leads are like little sentences joined together
Thanks for covering Frampton's work ... being a kid in the 70's I also remember the popularity of this album. He deserves more exposure.
Cool. Only I needed this about 40 years ago Lol.
We must have played this album about 5000 times, at every party going in 1976 when I was in my first year at university.
This one and Born to Run. My college soundtrack. (I went to school in NJ. Your results may vary.) Frampton performed "Comes Alive" at our school, I was in the front row, the sound check. He looked high as a kite, probably just joy. Just an incredible performance. He had just broken out, and would never play state college gyms again. Great memory.
@@bobnolin9155 What college did you see him? I saw him after Wind of Change came out and before he was big... at Glassboro State College sitting on floor about 8 feet in front of him on small stage. almost crushed getting in the glass doors think it was 1973? Now just saw him 45+ yrs later in Tampa 8th row, he's aging but still got it!
I hear you Murray Rowley, I'm 65 and can finger pick and strum ok, but damn, I love watching Ricks Videos.
Finally someone who understands the brilliance of Peter Frampton.
The two main riffs in 'I Wanna Go To the Sun' are right up there with my absolute favourites. 'I'll Give You Money' and 'Somethin's Happening' aren't too shabby either.
krisholio Dude...right on. There really isn’t any moment on that album that’s isn’t incredibly good. Its just a fantastic energetic album from start to finish.
Such great music. Lead guitar you actually want to listen to. It's not how fast you play, it's how it sounds.
This album was also a major influence on me back then as a 15 year-old. There was always something different about Frampton's playing. So melodic and appropriate. I think it subconsciously led me into jazz.
Dude, finally someone else who sees the magic of Frampton's solos off Comes Alive. This is my favorite episode by you for so many reasons, but mostly because that boyish glee comes out of you while you're breaking down the solos. Like, you're totally geeking out on Frampton's solos and I DO THAT TOO! And I KNEW you were gonna go for Lines On My Face after you said, "And another song off Comes Alive..."
Craig Wall I couldn’t agree more! Thanks, Rick for giving the well-deserved respect to PF! I think Rick and I are about the same age and picked up the guitar around the same time, so it’s understandable we are blown away by Frampton Comes Alive!
My 1st Concert was Peter at MSG 10/8/76. Blew my 16 year old mind. So underrated it's ridiculous. I always thought that if he and Marriott could have worked it out Humble Pie would have been as big as Zep, Stones you name it!
I will not disagree.
Craig Wall Comes Alive was a great great album. Nonstop every moment of every song was great. The only problem was that it came out just as disco was taking off. Had it come out a year or two earlier it would have been even more epic than it was. I love fusion and Peter uses it so subtly and powerfully in his solos.
Had to be Craig. The song I must learn to play before I die. One of the biggest selling live albums of all time (though there are other reasons why that is) Millions were blown away with his phrasing without knowing anything about music theory. For a (with help I know) solo performer it's outstanding. It's great music and always will be.
His solos on Lines on my face and do you feel are AMAZING. The phrasing is wonderful. That is what sets Peter apart. It is the phrasing and voice leading.
FRAMPTON: Smooth, unique, and very, VERY underrated.
He was killing it back with Humble Pie Live At The Filmore. I saw him with Journey, (and all I remember about the was the singer did summersaults... WT?).
Love that guy.
Thanks Rick for another awesome video. Frampton doesn’t get the credit he deserves as being a great guitarist. It’s unfortunate that he was labeled as being a shallow teen idol when he was an incredible songwriter and musician. He was exploited by his management and the media and experienced the fickleness of pop music promotion and tastes... but his great music has stood the test of time.
ipsurvivor That’s definitely true, but I’m happy to say that ALL the guitar players I grew up with, and some of them were damn good players, always had immense respect for Frampton. They knew what they were hearing wasn’t in any way run of the mill.
I was 23 and awestruck when I saw him performing in a university gym, supporting the Comes Alive album. I had to beg my buddies to go to the show; best 3 or 4 bucks we ever spent.
Peter Frampton is probably one of the most underrated guitarist ever.
Peter Frampton underrated??
@@manuelpedrosd He may be popular but he isn't often mentioned when people bring up the greats.
@@michaelgraham9774 People not familiar with his history with Humble Pie seemed to think he was just some pretty boy that played with his shirt hanging off and never gave him credit for being a tremendous musician.
Listen to Rockin the Fillmore. You can hear his channel vs Marriott. Like Gilmour, no weight lifting. Style undeniable.
Frampton was just 21 or 22 when he composed this. Musical genius.
Dude you are doing the best content right now. Constantly surprising us and educating as well as exciting us.
Absolutely! .. Agreed!
Totally agree.
Knocking it out of the park!
If you like this should check out Jens Larsen and his free channel on YT for more indepth jazz guitar lessons.
Completely agree. I'm like a kid in a candy store.
Bought that album in ‘76 when I was 6 years old. The record store owners jaw dropped when I walked in and asked for the album. I would jump around the room with a tennis racquet and pretend I was Frampton. That whole album has a special place in my heart.
Upside down tennis racket , i did the same in front of a mirror before i changed to the guitar !☆☆☆
You just got yourself a new subscriber Rick ! FINALLY Someone with the ability and the PASSION to dissect an absolutely unbelievable guitarist/songwriter like Frampton. Watching this was not only an eye opener but an EXTREME pleasure. Please do as much Frampton as you and your subscribers will tolerate. I for one NEVER tire of listening to and learning his stuff.
Frampton is such an under rated guitarist. Seen him live many times, he even sang me happy birthday on the talk box. Great guy. Thanks Rick, looking forward to more Frampton stuff.
Top quality teaching and demonstration as always!!! 👏👏👏
Thanks Nahre!
Rick Beato great quick run through on everything,not boring what so ever,awesome job.
fucking epic solos on DYFLWD nothing wasted. and it all builds to the best finale in rock history . The word epic is not big enough for this song. I play along to this so much I've worn out CDs. burned holes in the tracks. turned them into coffee coasters.
yeah. second to none. I considered making music tuition videos as I'm hot on my theory then I found this channel. My videos would have been an embarrassment.
@@RickBeato are you doing any more of these soloing episodes. It's very interesting to learn the tricks and nuances that make these guitarists unique
Same age...jr high school and picking players at PE for basketball, one guy singing Frampton's Do You Feel...etched in my memory bank. Great track and LP...the days when you hung out in your buddies bedroom reading the entire LP covers...powerful experiences...albums, rock music, time stamp
Great video! Thank you. Taking my son to see Peter Frampton on Sunday. Jason Bonham to open the show. Time with my son ... priceless!
Best channel ever
Anyone who can play note for note with the right tone and tell you exactly what hes doing is a musician's musician .Amazing. What a teacher !
I was fortunate enough to meet Mr. Frampton in a Perth, Australia, music store many years ago. I gave him a copy of my demonstration compact disc recording and he gave me his autograph.
That final solo after the voice box is epic. One of my go to songs for great guitar playing. This summer I saw Neil Young, Foo Fighters, John 5 with Rob Zombie, ZZ Top and Nancy Wilson. A summer of great guitar. Neil Young played his heart out and left us dazed. So good. John 5 was a virtuoso and Nancy Wilson’s intro to Crazy on You was pure badass. Billy Gibbons did not miss a note. The real deal. ZZ Top’s sound system was a beast. Be prepared if you see them live.
The solos in lines on my face are some of the sweetest and tastiest licks ever recorded! Absolutely love that song and I have since 1976 when it came out
Thanks Rick for the breakdown and analysis. Would be great to hear the stories on how the album was put together and the recording techniques used. Love the isolated track because you hear Frampton thinking and searching for the next phrase. And lets not forget he is also singing and performing in front of a huge crowd. Nothing short of amazing.
Love Frampton Comes Alive. Thanks!
I’ve only just recently been turned onto Peter Frampton, even though I’ve known his name all my life. Thank you for this, Rick. 🤙🏼
Testament to you Rick - I am a drummer and have no clue about guitar chords and terminology - but I love your channel, and can’t get enough of this stuff. You highlight so many amazing musicians (Peter Frampton being an excellent example) and break down songs so beautifully.
This series is awesome! I need more of this as soon as possible!
That was Fantastic! Frampton Live was one of my favorites of all time. THX!!!
That first solo from "Do You Feel" climaxes so brilliantly with one small riff repeated and repeated but getting louder, using dynamics instead of speed. "Do You Feel" has been in every playlist on every device I ever walked around with for 30 years.
OK 6 years on, but there is no time on UA-cam: Great video Rick. You are one of the only instructors out there who explains modes and modal playing coherently. Ya, it's great to know about the modes etc, but if you don't know how to apply them when improvising over something you haven't played ever before- you're limited. Peter's ability to play through changes so beautifully is a big reason why he deserves all the praise he gets. None of his contemporaries sound like him- but I bet a lot of people do now. That's all you need to say.
Outstanding! PF has always been a tricky one to nail down. He was doing the jazz-rock thing when his contemporaries were just playing in the box. He's a fantastic musician.
Great to see these Frampton solos discussed. His playing on "Comes Alive" is just terrific, especially his solos on "Do You Feel." The first solo you review here has always been one of my favorites. Very jazzy. Not just the modal vocabulary, but the arpeggios, and his phrasing, which is outstanding--kind of be bop-ish, and really swinging. (Plus great support from a cookin' rhythm section.) Nice to know, after all these years, that someone else out there appreciates this playing as much as I do.
Love Frampton’s playing!
I guess you feel like we do...
I’m so happy that you interviewed Peter Frampton. My favorite of all time. Thanks
Thank you for recognizing Peter Frampton. In the the late 60's, early 70's the Rolling Stones were called the "greatest rock and roll band in the world". The title really belongs to Humble Pie. Performance:Rocking the Fillmore proves it.
PS. I love Mick Taylor too.
Love the white on Black........Page 181 in your book is mind expanding....Thank You
Great video! You absolutely nailed the Framptone!
Frampton's soloing style always reminds me of Billy from The Family Circus comics. When Billy's mother yells at him to come home, instead of coming straight home, he goes through the entire neighborhood, visiting everything and stopping everywhere, before finally making it home. Where most guitarists would use 3 or 4 notes to get from A to B in their solo, Frampton uses a dozen or more, traveling up and down the entire fretboard. He's an incredible musician.
Best new series ever made in history of series.
I saw Frampton on the tour to support the Frampton Comes Alive album. He's such a great guitarist. Thanks for the lesson!!
wow you must be like really old.
yep. Like, the same age as Rick!
I miss songs that would have 5 or 6 solos within them.
Jeff Hight - I love Yes’s Version of “America” originally from Bookends by Simon & Garfunkel... Steve Howe played out of his mind on that record. I don’t remember exactly how many solos are on that track but each one is so compelling and distinctive...
I just pulled up Yes' version of "America" on UA-cam. You're right. Steve Howe is definitely going for it. Thanks for sharing that. I'm pretty sure I've never heard this tune before.
Check out the Alchemy tour live version of Sultans of Swing by Dire Straits; heck: check out the entire Alchemy recording. Legendary solos all around. :)
Me too, there are very few bands playing today that are interested in jamming. I like a band called Law Of Nature, check out their song “Free” if you like multiple solos
I miss songs with guitar...just having guitar riffs in songs again would be huge welcome.
Lines on My Face is my all-time favorite Frampton tune. It's his, too!
That record did it for me. The crescendo for me was finding a first year production, very low serial number Peter Frampton Les Paul. Then I met him in 2018 and he signed it. What a guy!
I was born in the early 80s, every family member seemed to have FCA in their collection, but by the mid 90s he seemed well past his expiration date in my young ears/eyes. About 10 years ago I came across Lines On My Face from a live Detroit show and was blown away by his playing.
Oddly enough i remember thinking that many of his lead lines reminded me of Tony Iommi’s lighter stuff, they both tend to favor Dorian lines now and again.
Great video on a great player.
Hello Rick.
I started playing the guitar at the same year as you did. I was amazed by Frampton's soloing art in this 'Tour de Force" live record.
Compared to other major guitar players of that time like Blackmore or Page, I was often disappointed by their live solos cause they "crapped" them out (too long pentatonic scale improvisations which made their soloing repetitive and quite boring).
Then, came Peter Frampton whose live guitar playing was better than the studio versions of the songs. It was quite new.
He was a kind of a "trail-blazer" to new virtuoso guitarists of the 80/90's like Satriani or Vaï who are capable to play solos live as accurate (and even enriched) as their studio versions.
Your analysis of Frampton solos are impressive but I wonder if Peter Frampton when he created his solos was as theoritical as you do. I think he knew a lot about modes and scales cause it's very useful to understand what you're dealing with but not enough to create a solo. The creative process remains something mysterious and even magical. Eddy Van Halen is a tremendous guitar technician and he always said that he can't read music.
For example, you can master the structure of a language (grammar, vocabulary, syntax, etc) but that doesn't make you a good writer for sure.
Otherwise, thank you for the fantastic musical "popularization " job you're doing . Keep on going.
Ziane
@Zianeb Z Rick did an interview with Peter Frampton (Sorry no link, but easy enough to find) where he pretty much confirms some of your remarks and addresses similar issues as well.
Thank you so much! Frampton is so underrated. He was a child prodigy that influenced me greatly.
DThanks for doing the videos on Framptons. He is such an under appreciated guitarist, musician and gentleman
My compliments on the quality of this lesson. I am about the same age as you, I would have loved to have had this as a beginner. Really good!
Peter Frampton is my hero
Thank you Rick for being “ on point” for discussion of another important element. You get right down to the “nuts and bolts” of the matter.
Most of the best music lessons come from this channel and you make all of it look effortless
Loving this! Saw Frampton a few years ago. As good if not better than ever!
He played a balloon festival near me. I was walking around and I get near the stage, and it's Peter Frampton and he was killing it. I lucked out to see him there putting on a great performance in really the middle of nowhere.
Yep. I recorded something on AXS a few years ago and didn't watch it for the longest. Then I finally did and was just blown away at how plays better than ever and also how he relates to the audience.
I saw him at Soldier Field in Chicago in 1977 when he was on top of the word.
After Frampton comes alive he sold his soul.
After Framptom Comes alive he sold his sole. Now he’s back doing what he loves. Have seen him Jeff Beck and Clapton recently all great in their own way
I think I stumbled across you about 6 months ago now ... while I may not understand 90% of what you are saying ... I certainly understand the love of what you are doing ... at 67 you have rekindled my interest in music ... I have the Beato Book ... and I am taking piano lessons and playing guitar about 2-3 hours a day ... gradually you are becoming more intelligible ... 😆 .... I love the song series and I am looking forward to the solo series ... read Streampunks by Robert Kyncl ... you are probably on the verge of going from 200k subscribers to well over a 1000k ... more power to you ... you are one of the best things about UA-cam .... btw ... I live in Peterborough ... birthplace of Greg Wells ... and the home of a great, great music scene ... keep it coming ....
The amount of hours it takes to decipher and then replicate such complex lead compositions,,,,, kids today have no idea. Well done Rick.
Lines on my face... such a beautiful song. Thanks for the great video Rick. Peter Frampton's music was very formative to my young ears as well. Timeless music.
The tone. The phrasing. The analysis. Damn Rick, beautiful stuff! Awesome video, as always :D
I also developed an ear for jazz by listening to Frampton. Wonder how many are out there. Anyway, excellent work!
Since I bought the album in 76 [I was 16]I've been enchanted by it. I knew intuitively that frampton's solos sounded radically different from many other rock lead guitar players of his era . Now I know why. He's playing Modes instead of Pentatonics!!!
Your the best man!!!! I stopped playing electric for like 15 yrs. Just started again 2 yrs ago. You are such a great teacher and an awesome musician.thanks!
Great idea for a series, Rick. I would love to see you look at a Big Al Anderson solo or even tackle a Zappa solo!
Yes! Love NRBQ. They deserve more respect, for sure. I'm not a huge country fan, so don't know a lot of Anderson's playing post-NRBQ, but he's a superb musician. And Zappa? Well, it goes without saying.
Not so sure about that, Rick is pretty damn capable. He could walk us through one of Vai's transcriptions, and even of he couldn't play certain bits up to speed accurately, he could still slow them down and discuss how to approach playing it. I bet he could handle the Inca Roads solo.
+jaybone23 so glad to see another NRBQ fan on here, they don't get the level of attention and respect that they deserve. Nice Lenny avatar too, by the way.
I rather doubt it. Challenging maybe, but Rick's ear is very developed. The hardest thing about Zappa solos is copping the unique technique that it takes to pull some of them off.
I agree. Zappa's difficult because his style was very idiosyncratic or "Eccentric".
That first solo kinda reminds me of Jimmy Page in the live version of No Quarter. And of course Santana. He’s the King of Dorian
Nice to see someone finally giving some love to Peter Frampton. I stated playing the same time as you, and it always struck me over the years how mesmerizing his solo phrasing was on that Comes Alive live album. The lines on my face solos are my absolute favorites by him. Gives me the chills every time I hear it.
Frampton for his melodic phrasing and Beck for his vicious attack get my vote as preeminent guitarists.
Man at last! A teaching guide for those of us who can play, but need to improve with great solos! No spoon feeding, just great clarity! 😎
and the "Lines on my face" solo gives me a Pink Floyd Dark side of the moon, vibe. Specifically where it moves into Fmaj7.
makes me remember that too
I see everyone suggesting material they would like to see covered, so...my food for thought would be... Sultans of Swing, Another Brick in the Wall Pt 2, or Comfortably Numb. Thanks again for your insight Rick!
Such great soulful soloing Frampton has. Not moving speed but moving emotional playing
Rick, your intellect and musical prowess are blinding. You are fantastic!
Masterful analysis of a truly underrated guitarist. I forgot how good this album was when I was growing up.
Funny, you say under-rated. Just a few years after Frampton Live came out, I bought his playbook. The author wrote THEN that Frampton was "one of the world's great contemporary guitar players"...I never forgot those words.
I say just keep doing Frampton. Episode 2, 3, etc.
Greg Shane It really should be its own series. There were so many epic solos and great moments in Comes Alive.
This is such a great lesson - thank you! Like you, Peter and the live album were so influential in my playing (I began in 1976 when I was 13) - the record did not leave my turntable for two years straight as I figured out all of the solos by ear! You are spot on - he so very effectively navigates between different modes which creates such a jazz feel. He is one of the greatest and most underrated guitarists from our generation. Your playing is superb and your teaching equally so!
Your Public Service is
So needed these days.
Thank You.
You should do a Paco De Lucía solo that would be really interesting. Flamenco is very interesting. : )
Yes for sure. Ottmar Liebert and Rodrigo y Gabriella too.
Excited about this series yo. Will you please do some analysis of some of Alex Lifeson's solos? I do believe in rock he has some of the finest most original guitar solos. Criminally underrated in Rush. He give goosebumps man.
Even if you don't like Geddy's voice, even if you don't like the lyrics he sings, please isolate Lifeson's solos and tell me they aren't some of the best in classic rock. Pffff..
his chordal work is what I dig more
Thank you for this lesson. It really helps show Frampton's musicianship.
God, I'd forgotten how beautiful his playing was. Thank you :)
You are getting a terrific Frampton sound there during this lead demo. What kind of effects/modelling settings are you using?
Jeez, what a great tribute to Peter Frampton. . I saw him at Winterland as a supporting act for bands like Montrose and The Doobs after being a fan after Rockin' The Fillmore then was lucky enough to be there later when he tracked Come's Alive (balcony seats behind the 'screen', talk box parts clearly remembered).
Thing is, i didn't try to cop his style until later. Was happy when the owner of a record store a visited years ago mentioned the 'jazziness' of PF's playing. To me, he wanted to avoid sounding like EC. It worked.
Truly fabulous job on this Rick..any young guitarist was chasing all these soloes in early 1976.. I'm really blown away by how thorough you are with these lessons..
Like you, Rick, I was also 13 in 1975 when FCA came out. As a drummer John Siomos’s playing on this record was a huge influence on me. I still use some of his tricks to this day, like the off beat hi hat he uses thru most of Lines On My Face. His parts were so well thought out and tasty. I saw Peter on his Farewell tour and he did a very nice tribute to John before he played Lines. Brought tears to this old guy’s eyes. Great episode. Thanks for making people realize what an amazing musician Peter has always been.
Rick - I just want to say that I appreciate all the work you put into publishing all of this top-quality content. Is there any way I can support you/your channel?
Yes, Rick always says the best way to support him is going to his website and buying something.
You can buy his record on his site and/or donate directly via his site.
Buy The Beato Book
Drew Mac He has merch available on his website. There most likely is a link to it under the vid.
you HAVE to do jimmy page soloing no quarter live @ TSRTS
Bs thnts That solo at the Madison, ( the Album version, not the movie short version) at the end of the solo Plant is phrasing very slowly, almost talking and Page at the same time is on fire!... I love the whole solo but that part is simple awesome.
Agree! Even more so, if you don't mind the cliche soundings of this but 'Since I've Been loving You' would be so instructive.
Frampton definitely heard that album a few times. He has the same "Go for it" attitude when soloing, also he plays with a unique groove just like Page does in No Quarter.
Aeolian and a Great Amp.
No Quarter was brilliantly demonic in its sound and arrangement. I heard it in junior high-school one year after release and realized there was a lot more to music.
That was a really great lesson Rick, especially Lines on My Face. The chorus chord progression and the solo are one of my all time favorites. You showed precisely why this is so emotionally powerful. Thanks a million.
Frampton is one of my all time favorite guitarists. Now I know why. Thank you Rick.
“ LOMF” is my favorite -
"Mi tu"
A couple of notes: When "Frampton Comes Alive" was released it was rumored to have been heavily "tweaked" in the studio. Having seen Frampton on two different occasions, once standing at stage front directly in front of Frampton, I can say without question Frampton can and did play these solos almost note for note. Not long after seeing him the second time his prized 1954 Gibson "Black Beauty" was lost to a plane crash. That was the guitar on the cover of the "Frampton" album. Thankfully he has had his guitar returned to him which is cool because he is/was a really nice guy.
G Scurf I think you are confusing Comes Alive with Boston which as we found out was nothing but tweaked in the studio. They both came out about the same time.
been playing since 1984,,but self taught ,,Love this guy but I scratch my head about the proper terms ... don't stop love it all !!!!!
Lines on My Face...always one of my favorite songs, always give me chills. Thanks for this!
Allman Bros live at the Fillmore East best Dorian jams ever except maybe Miles
This will be the best thing Rick does!
How about Anthony Braxton's solo from "Four Winds" on the "Conference of the Birds" album?
Love that solo!
Nice playing Rick, I love the little pause in the second phrase, he was a master of the modes for sure.
Dear dear Rick! If ever I enjoyed any of your videos it was this one. Peter is my all time favourite, and the album ranks among the very best in music history. Thanks for the appreciation class. I'm sure hundreds of new fans have been brought into the fold!