Soloing Over One Chord - Creating Harmonic Movement
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- Опубліковано 6 чер 2024
- In this episode we explore how to solo over one chord. I take a simple E5 chord (the notes E and B only) and create progressions using major add9 (1-2-3-5), min add9 (1-2-b3-5), sus4/3 (1-3-4-5) lydian major (1-3-#4-5) and dominant 7th (1-3-5-b7) arpeggios. This is great for both Rock and Jazz players.
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These videos are so useful, insightful, down to earth, and straight to the point. So many other established UA-cam channels are more concerned about the fluff and their number of subscribers, but this channel feels like you are just hanging out with somebody who is extremely talented and kind enough to want to selflessly share things with people who appreciate it. Thank you, Rick.
When you play it on guitar, it sounds so much like Final Fantasy VII Prelude. Awesome.
I WAS THINKING THE SAME GODDAMN THING
Emin9 arpeggio. nailed it.
This is one of the finest music lesson YT Channels out there. Bravo and thanks, Rick! 👏🏻👏🏻👏🏻
Thank you for putting that description. It really helps!
Great stuff again, Rick! Got some great ideas on expanding my vocabulary and facility, for sure. Really impressive the gift you have for not only internalizing all of this material, but also communicating and teaching.
This video is GOLD!!! Thank you for sharing your knowledge Rick
your lessons are re-teaching me how to play guitar. it's really amazing what you do!
Hey Rick! Thank you so much for your videos. You have a fine ear and you're an admirable pedagogue. Your uploads are helping me refocus on my aspirations in film and video game scores. This is such a valuable resource. Thank you :D
Just what i needed, thank you Rick
You are very welcome my bass friend!
Wow... always great ideas! and wow, made me smile with "meet George Jetson." Always high five from Dallas.
never ceases to amaze. Thanks Rick!
This channel is pure gold! So much things to learn!
As a bluegrass mandolin player, who dabbles in jazz and also plays guitar, these videos are really useful. Especially this one, this idea can really turn up the heat on a contemporary bluegrass solo just by using one of these ideas even. Awesome videos!
Awesome Rick... just what I was looking for at the moment! Thanks so much.
Great stuff, Rick! 👍🙏
Your videos are super informative, Rick! I will have to watch way more of them. Thanks for making and uploading!
Love this .......It was very helpful for newbe when you called out the scale while you are playing. Thank you for all you do.
Another very useful video ... As always, my eternal gratitude to you, dear Sir !
Breathtaking virtuosity! 🙏🎸
best instructional account on youtube. period!
simply beautiful.
What a find, you bugger, looks like you're assisting me to the next level, jazz waffle to jazz coma, Rock On Bro X
Some more awesome. This is good tips. Thanks !
I can´t thank you enough for sharing your knowledge.....cheers from Portugal!!
Rick, again you are my motivational hero. Thank you!
I learn so much every time I watch. You rock, professor. Also, the C Lydian is way cooler than the C Maj. Thanks.
Fantastic tutorial. Given me lots of ideas. Great playing too!
Beautiful Rick! Nice job!
stumbled upon your chris cornell seasons tutorial last Thursday , RIP CC. thanks for that. been playing it on my guild acoustic for days now. had learned a different tuning years back but forgotten it since then, your tutorial was spot on for me and easy to get thru.
I accompany yoga classes using guitar, synth drones and a looping pedal. This video has really opened up some FUN improv ideas for me. Thank you for parting the complacency fog a little.
Wow...this sounds *_beautiful..._* Also, this is an excellent explanation of a really cool concept I hadn't given much thought.
Will definitely be incorporating this method in my own songwriting from now on.
Thanks for the great channel!
Your pattern playing is so on point.. i'll have to look into to get mine sounding smooth like that!
Wow, that C-Lydian maj. over E sounds so good !
BleakAutumnMist Sounds like the beginning of Who wants to live forever from Queen.
Very nice!
My friends and I jam in my basement, and have 1 song that's only 2 root notes ( for the most part), and I've been struggling to compliment the song w/ my bass. You read my mind, thanks Rick B.
This is the way I want to able to play. Love your channel thank you so much!
amazing lesson - very convincing!
great lesson. you're the best!
That Lydian Major arpeggio is something I have heard in a number of Mastodon songs. Great sound.
Great Lesson, thanks
Great lesson! Thx
Don't worry about finding home, you never leave. Beautiful stuff man 👍🏾
Nicely done , saving for future reference 👍
this is amazing!!!!! thanks a lot for sharing this lesson!!! \m/
Wow. That is awesome (to a slacker like myself who only occasionally ventures outside of a I IV V world). I could spend 6 months digesting this one. Thanks.
Amazing.
Thank god we have you on this planet man
Wonderful video. And lovely to see that Danelectro getting some love too.
this is aaaaawwwwwweeesome love it
Thanks so much for the vid! Really helped me solo over C7 #9 on Brasiliance!
Thanks Rick
This is SO helpful. I think this is what Nile Rodgers does on 'Savoir Fair', and for the life of me, I couldn't figure out exactly what was going on.
amazing knowledge very cooool
excellent!
This is my favorite video of all time
The first Guitar jam reminded me of Led Zeppelin's In the evening intro buildup.. Awesome video👍👍
The sus4/3 arpeggio immediately made me think of the intro to Michael Jackson's song 'I Just Can't Stop Loving You'. I haven't thought of that song in decades.
Playing those arpegios across all 6 strings is not an easy task... Well done!
beautiful
"Meet George Jetson." Ha! Good one!
It's really helpful to watch you actually improvise solos in real time with explanation. I would love to see some videos like this over a jazz backing track. I'm kind struggling to play hip stuff over changes (as opposed to just "groping!")
Still today, thank you for your work
You're a wizard Rick.
nice! - good examples to get one out of the rut of doing their same old riffs
Great!
One of the best videos so far... Liking this format... Feel like we're downloading your brain... Maybe you'd play some of these structures.against a drum track sometime so we can hear your rhythmic concepts real clearly, too. Amazing channel!
The number of subscribers seems to be growing by 1000 every day or two now. Word is spreading! At the current rate we might come close to 250,000 by Christmas!
very cool!
I get it. I don''t know why this is the first time Ive learned arpeggios this way its gonna take practice but thank you Rick your original.
Neat concept.
great!!
Always wondered about how to get past "just hitting notes that are in the scale for that chord" (average shredder) to "creating emotive content or telling a story with contrasts, tensions, resolutions" over one chord -- Steve Howe is one of the kings of that. This is how to start. Thanks! (Also hooks right into your other videos on why Claus Ogerman was such a giant!)
The story about becoming very drowsy from expired NyQuil in a stuck elevator
Fantastic content Rick. I regularly share your work with my music students. d-_-b
At the rate I'm going, ill be able to play that for my own funeral music.
Love soloing over ANY one chord....
The arpeggios are very like Final Fantasy Prelude. Nice.
i love your content
Hey Rick, I play your videos for source of new ideas for improv and composition. So I wrote a song a few years ago. The line leaped in octaves. I worked it off and on finally finished it. 'Octave Dance" Now I see thanks to you., I see that this technique has a name. "octave displacement". I will look for the video you promised on more on Octave Displacement .. Thanks
Rick how are you coming up with these progressions.. over E 5 .. what is thinking behind your choices? Thank you as always for your time and effort on your channel
Well...you just gave me an endless amount of homework to do. : ) But man, that stuff sounded great!
Very impressive, as usual. I do have a slight doubt about the title. I think this would have been better called 'playing over a drone', since an open perfect fifth isn't really a chord, although it does restrict the improvisor a little more than a pure root drone.
Perhaps you could give an example of soloing over a tune with very few changes - a modal tune like 'Little Sunflower', for example - where the improvisor has to play over a more complex chord for extended periods?
great
Beautiful. Still don't get how people could dislike these vids XD
thank you for doing it on guitar
Thank you for this great inspiration.
Please excuse my lack of understanding. There is a E-B sustained sound as a background. But why these apreggios? It’s sounds amazing and i like to apply this concept to different sounds. If anyone can give some information it would be very delighted.
All the best for you all
You pick a chord progression you want to play over that sound and then play arpeggios that fit that chord progression.
It really does not matter what chord progression you pick as long as you like how it sounds, like Rick played one that was just every chord in E major in alphabetical order.
Wow!
That G Lydian sound was great
Reminds me of some Marty Friedman's phrases, thanks a lot!
What guitar and amp are you using for this? Sounds amazing!
you make it seem so easy :) but good video man
beutifull playing
can you do an episode on improving rhythm, time etc
Very interesting! Is this somewhat similar to Satriani's Axis Theory?
I just discovered your channel and it's quite informative and up-to-date!
Rick - very nice lesson. Question: When you are playing through the C Major Lydian scale over the E5, are you only playing the notes C, E, F# and G? It sounds beautiful, but I can’t seem to get that sound. Are you mixing the order of the notes randomly or just playing the notes ascending and descending. It’s a little too fast for me to figure out exactly what’s going on.
I enjoy Ricks videos. Don't understand most of what he says in them but I watch anyway. This theory stuff is so far over my head.
This jam reminds me of one of my favorite songs evar - opener from Phantasy Star 2 for Genesis!
Clear, creative and so generous to share your wealth of knowledge like this... Consider me a disciple :-)
+Joseph Danza excellent!
Wow, how very cool... Not something one thinks of every day, and the first thought from someone might be "?? thats gonna be boring..". But how very NOT boring!
Wow man, Rick...your fretboard visualization is off the charts. How do you manage to instantly play an arpeggio of the top of your head like that? Do you use some sort of CAGED, interval, or just plain scalar/arpeggio shapes? It would be nice to know how your brain works in applying all this stuff. Great job!
+Joseph Lara thanks Joseph but i'm not sure what you're asking me? I don't know what caged interval means?
"The CAGED system derives its name from five basic open chord shapes: C, A, G, E, and D."
So, I think the question is are you visualizing chord shapes, or visualizing intervals, or using scales/modes to quickly know where find the notes you want to play?
Picksalot exactly, that's what I meant. Thanks for clarifying.
Joseph Lara he spent hundreds of hours memorizing them.
bass player. 🙂
Is it possible to analize this way pedal point part of Allan Holdsworth's solo in Devil take the hindmost? It seems to me that he superimposes his own chord progression during the pedal point part.
Hi Rick. I enjoyed the video, but am not entirely sure what it is that you're doing. I have some basic understanding of chords and it sounds like you're playing a sustained chord in the background, but then how do you know what to play on top? Are you just taking the notes of the chord and playing them in some pattern on top, like going up on every other note of the chord?