Larry Goldings - Ballad Comping on the Hammond Organ
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- Опубліковано 17 лип 2018
- Acclaimed keyboardist and composer Larry Goldings (John Mayer, James Taylor, Madeleine Peyroux, Maceo Parker) demonstrates ballad comping tips and tricks for the Hammond organ.
Larry, such cool offering, so glad for your gifts and spirit...no wonder James and you found each other... music is the connection to everything that matters.
SUPER CRUNCHY LESSON!!!!!!!!!! Thank you 🙏🏾
Great breakdown. Thanks. 👍🏻
heard you the first time when you played with scary goldings. great tunes.
love your sound, what kind of racoons do you use.
nice an crunchy and scientific!
Scary goldings revived my fanhood of Larry and hammond B3 PLAYERS ala jimmy smith larry young al kooper..etc. larry is a modern giant.....
Smashing that like button
It's just science, Man! What profundity! #makemesmile
very usefull lesson. tnx larry!
Thanks Larry. Some bracing note juxtapositions there!
"Nice and crunchy" ... is that a Monk term? It's wicked that he's doing this on the Hammond Organ, where these sustained dissonances are even more "crunchy" than on Monk's piano. Delightful guy!
Man those seconds are so juicy but so hard to grab on a guitar
I like science; but I likes maths even morez.
nice explanations and examples.
Larry,
'twould be helpful if - at or near the beginning of your videos - you would share with us the registrations that you are using..... 🎶
Thanks
Racoons and science. Love it!
I agree: No IIdom7 chords on Tuesdays!
tasty science
Does Hans Groiner approve of this approach?
Was just about to write that 😆
I had a dead baby squirrel in there that the cats dragged in! But it didn't make my chords any juicier, at least in that way.
It’s science man. 🍔🍔🍔. Raccoons dig small invervals. Great lesson!
0:58 looking up at the camera, a bit like Hans, upset with Monk's harmonies. I hope to not study in Braunau with Hans someday. The obvious (duh?) wisdom of the inversion creating a fourth's sound. How did i not notice this? Maybe hit it by accident, but never used it intentionally . DANKE KUMPEL,,,,er ,,,,,thanks, dude.
Why he has tape on 16' & 8' drawbars?
yes, right, as he mostly use always the same registration on lower keyboard, it won't move that way! ;-)
More curiously, why does he select the A# preset for bass? Me... I'd be whacking the B present accidentally and losing all bass. Although, when I saw him play in Trashville about 2005, he had bass on the B preset, and no tape, but rubber bands. It's scienterifical.
Probably doesn't want percussion on his bass I guess?
I guess it's there to keep the family of racoons from moving the drawbars.
Bad db contacts or broken nichrome wire. Taping the end of the db out keeps the contacts touching the db bus, even in the face of such a fiercely animated playing style....Larry wins technician of the year award for this sly move. Or else he just keeps knocking them in 'cause he's such a clumsy f*ck
find the transcription here!
weseemusique.blogspot.com/2018/07/larry-goldings-jazz-tutorials.html
Tape, not rubber bands on the Drawbars? 😉
HI, the Raccoon family here. Could you keep the noise down a little ..??
horisontal video, finally
You look a lot like Paul Simon for some reason… or maybe I need to take an eye exam.
I agree! On the first part, not the second. :)
He blinded you with science!
BORING
Don’t be so hard on yourself
@@paulrhodesquinn nice one. Dude is either so far into squirelly sounding 12 tone shit his ears can't handle the beautiful "simplicity" here, or he's so into boring 2 cho9rd post post grunge pop crap that he can't handle the beautiful complexity here. Either way paint a big L on his forehead.