Color Grade D-LOG M in DaVinci Resolve with NO LUT NEEDED
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- Опубліковано 25 сер 2024
- Grading D-Log M in DaVinci Resolve without a LUT. How to color grade DLOG-M footage in Resolve.
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#davinciresolve #colorgrading
Yep Dlog-M is a REC 709 colour profile. And what's worse, its awful to colour match Dlog-M with any footage filmed in another camera's colour profile either a REC 709 or LOG colour profile.
May I suggest that you consider using Gamma 2.2 rather than Gamma 2.4?
Gamma 2.4 is designed for people grading on very expensive Reference Monitors, and if you have an expensive Reference Monitor around £30k then Gamma 2.4 is the way to go.
This is probably why people keep talking about Gamma 2.4, because they keep hearing about this Gamma Curve from professional colourists.
However Gamma 2.2 is for domestic computer monitors, Tablets, phones and TV's because people view them in brighter locations that Colourists who grade in dark environments.
What's more when publishing content to places like UA-cam then UA-cam requires Gamma 2.2. So if you are working on a desktop monitor and publishing to Social Media like UA-cam then Gamma 2.2 is the way to go.
You can test this theory out by viewing the waveform of a clip in gamma 2.2 and 2.4 and see the difference in the waveforms.
Thank you sooooo much !!!! Had realy terrible colors with the DJI LUT on my Pocket 3. I''m soooo happy with your tutorial. Big bow !!!
Wow thanks so much - glad to help and big bow back haha :) :)
Hey, i really would like to thank you. I was looking for this exact settings.
Glad I could help Daniel :) :)
Jason your narration style is amazing along with all the details you provide. Thank you truly. Please keep it up. Cheers from Russia.
I'm actually now more facing HLG space, I dunno for me it gives better results even when you finally convert it to rec709, BUT it looks absolutely amazing on HDR monitor, like these vibrant bright live colors, not so much when you convert it to SDR youtube content :) I'm on Pocket 3 btw, but also I have Air3 drone as well, where the same is true
Thanks so much for your kind words, I'm just working on an HLG to HDR color grading video so stay tuned! :) :)
@@JasonRobertsVideo Super will wait for the bell to ring :) actually for HLG I'm now using primary wheels as a basic exposure correction, then LOG wheels and finally HDR wheels as well for fine tuning. that provides more flexibility for me personally. From what I know it has different math behind it and it gives slightly different results for each of them which gives you that flexibility.
Cool - yes there's usually a million different ways to do things in Resolve haha :) :) That's what makes it so powerful I guess! :)
Thanks!
No problem! :) :)
Thank you so much ! I would like to ask you what kind of setting's do you recommend when working with mini 4 pro's hlg 10 bit footage ?
You're welcome - these 2 vids are what you want: ua-cam.com/video/0KgFKD_GzAw/v-deo.html ua-cam.com/video/DPYopzaAn4k/v-deo.html
@@JasonRobertsVideoThank you so much ! 👍🏽
No worries :) :)
Im so confused about DJIs D-Log M. In case for the Osmo Action 4, it says it records in 10 bits, but afaik Rec.709 is only 8 bits, right? Shouldn't it be recording Rec.2020 then?
Thanks for this video. If I wanted to add the DJI D-LOG M conversion LUT, can I add it after the 'to Rec 709' CST?
No. You would use it in a different node tree pipeline instead of the process I am showing in this video.
Would changing the CST from the node (Rec709) to Rec709-A instead of Gamma 2.4 would help for Mac users to remove the washed out images after exporting?
Would that do the trick? Or are there any other settings so I can keep the Gamma 2.4 in the CST output gamma?
Hi as a PC user of Resolve I can't comment but I believe that the -A approach is the correct way to make sure 709 is tagged properly for mac.
Is this in the free version or studio?
Color grading is in free version with a few limitations like no 10-bit and some effects not available
INPUT color DJI D GAMUT INPUT GAMMA d log M , sei confuso amico