Easiest way make any 8-bit footage look like film (FilmForever)
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- Опубліковано 28 кві 2022
- Here's a quick way to make your 8-bit footage look like Film. This one is simple to use, quick and produces good results with widespread jobs. And yes, it works with non-studio resolve versions as well.
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Thanks for the shout-out, the results look great! ☺️ Keep it up.
Wow great tutorial! I wish I had the studio version to add halation because I feel that adds so much to the film look!
thank you for this tutorial
Love the content
That's it, I can't take it anymore! Here, take my subscription!
This is amazing! You guys never ceases to amaze me. Quick question, could you guys do this example on different skin tones too (like African American)?
or mexican brownish/tanned please! thanks!
What about using these grades for night shots? Do you have a video on that?
In the CST on one of the first nodes where you convert to Log C I see you leave tone mapping on. This seems a bit odd to me as this for mapping tones/bringing them in range to the gamma of your deliverable. I would leave tone mapping off when converting to a log gamma, because then you get an accurate conversion.
Saludos desde la republica dominicana, siempre veo tus video, me gustaria que lo hagas para dobe premier ya que tiene mucho sin hacer en adobe premier.
I got Sony zv1 , which pp would be best to practice color grading ? And eventually move up to hard to grade stuff
Is it possible to combine LUTs from Colorist Toolkit with Powergrades? Should the LUT be placed after white balance node?
Can you do a tutorial on using these with RAW image from a dslr in Photoshop? (For the most accurate colours) Personally I use Fujifilm RAF raw files. And I'm unsure if i'm getting the correct colours, Yes they look great! but I'd like to know if they are accurate.
can you make a video about basics?
wow as always with impressive results! I would be very grateful if you could teach me how to do the process of creating each node step by step, since when I colorize an 8-bit/slog2/sgamut shot in davinci, certain parts of the image become grainy and that spoils everything that has been achieved, beforehand thank you, greetings from Peru!
From my tests, as seen in the video. SLOG2 works best with ITU709MATRIX instead of S-GAMUT. Switching to Davinci already helped a ton since it seems to handle 8bit much better than any other software. And using the right color space conversion inside of Davinci helps a ton as well. You also need perfect exposure to not get grain, that's why I switch between HLG and SLOG2 for certain lighting conditions.
@@edouhoekie ITU709MATRIX defeats the purpose of using slog in the first place. You are then forcing a large color space bucket into a small bucket, in camera without any tone mapping. May as well shoot in natural - rec709. People do it because they don't know how to deal with it in POST. The idea is that if it is a large gamut that you can then pull in the data you require in the grade and set up the tone mapping and saturation compression to suit the shot.
@@edouhoekie thanks for the recommendation, I'm going to try with that color space, I hope and solve that annoying grain in the colors, thank you very much!
@@edouhoekie I shoot with a sony 6500 + sigma 30 mm 1.4, but it still has the same bitrate so I don't think there's a difference, is there? I have also noticed that this problem of the grain is arising since I switched to Davinci Resolve, because in Adobe premiere it did not happen to me I think, despite these small details I am very happy with the result in Davinci Resolve there is no point of comparison with regarding color grading. anyway thanks for the info I will continue experimenting with image profiles and color spaces, the next goal is the sony 7s3! Right after slog 2, what do you think is the best profile to colorize between cine 2 and cine 4? taking into account that I do not have the HLG profile
@@manuellinarezarcos3193 Cine 4 is a very nice profile as well. Yeah those cameras also fake the S-gamut color space so it might be the same.
Excuse me have a question , when import film forever power grade in davinchi resolve 18 nothing currently working ! Because your logo nothing delet in node … help me
Just purchased the combo .. but I have a doubt when we begin to colour grade For a Nikon z6 8 bit footage shoot in flat picture profile in davinci resolve ,which profiles to choose as input colour space and input gamma on Color space transform node ?
What profile are you shooting in? Is it possible to fire us a DM on Instagram? @colorist.factory. We are able to track queries better there at the moment because of chat interface. Thanks!
does these power grades work with BMPCC 6K footage ? I recent just purchased
they work for all cameras, assuming you're using Davinci Resolve
and you set up your CST properly.
final cut pro ?
°my film school°
We are honoured ❤️
You sound like Orange83 guy
I wanna see ya do this without ya power grade. Why? 2 reasons, 1 I'm broke 😂 and 2 I really want to learn how to do it without the powergrade. Also can you show a tutorial on how to make a powergrade
Make sense. Send us an email support@coloristfactory.com and we’ll share a free Power Grade copy with you.
Excellent information, very well explained. But the mediocre-mindless-strumming music shoved into the foreground damages what would otherwise be perfect. Drop it.
Just as a footnote - slog-2 in camera shouldn't be using a rec709 color space. It is possible I guess, but completely defeats the capabilities of capture being so limited to that gamut. In hundreds of footage given to me from Sony cameras - the input colorspace for slog-2 is always one of the S-gamut color space input. If you look at a CIE Chromaticity scope you will see that filming ot that will sometimes clip the gamut in R.G. or B. channels. I do see in the comments that the photographer chose that setting, just should be mentioned that that is not the norm and apparently was done by him, by choice.
Yes done by choice, S-gamut does the exact opposite it is supposed to do for me. It results in lots of artifacting shooting in 8bit no matter how you expose or grade it. Yet again this is my choice. It also does not defeat any of the capabilities you'd use SLOG2 for.
It also has nothing to do with not being able to deal with it in post. Even with proper color space management it creates artifacts in 8bit from my camera. S-gamut works nicely to change colors but in the very limited 8bit it doesn't behave as it is intended to, especially in slightly darker situations. In bright-bright daylight I do sometimes use S-gamut however, there it has no issues with retaining the data in 8bit (usually).
@@edouhoekie You're forcing a huge color space into a tiny colorspace with no regard to hard clipping. You are essentially sacrificing dynamic range and color clipping, because you don't know how to process slog properly.
I think that is your choice, but when it gets put into a tutorial it's a different thing. Telling people to make mistakes, because it works for you, is what's wrong with a lot of youTube tutorials.
But I do realize that this is not your tutorial, so you do what you do, but mentioning that doing that is not recommended by Sony or most colorists, is worth mentioning to people reading or watching these tutorials.
@@JimRobinson-colors Sony A7iii full user manual also states: "S-Gamut setting does not support the whole S-Gamut color space; it is a setting to achieve a color reproduction equivalent to S-Gamut." It's not real S-gamut, it just mimics the color reproduction.
@@JimRobinson-colors If it wasn't an A7iii I'd say you're 100% right.
Your music volume is a bit high, I can't keep up with your voice
wdym 8bit??? and why does this video have no quality options....curious.
8bit refers to the amount of color data the file can store. And the video does have quality options for me🤔
Felicidades, es un buen ejemplo. 188 sentadillas son unos Kimmy-jka.Monster muchas y un buen ejercicio. Se deja ver que hay muy buenos resultados 😍👍 Saludos desde la Cd.. de world 🌹😉💖 los mortalesk abian apreciado tan hermosa mujer.k
What a click bait... Of course if the source is log you can make it look filmic with a few color grading in DaVinci... 🤦🏻♂️
You can achieve the same look with any profile if you expose it correctly.
@@edouhoekie not exactly, but I understand your point. However, I was talking about log footage because is the footage he is talking about in the video...
It is still 8bit
Clickbait. It's just an ad for a paid product, and no knowledge to learn here.
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