Sony FX3 PowerZoom Lens! Sony FE PZ 28-135mm f4 G OSS
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- Опубліковано 11 сер 2021
- In this video, we are going to be breaking down all of the features and testing out everything in the Sony PZ 28-135mm f4 G OSS lens on the Full-Frame Sony FX3. The Sony FX3 has some amazing features like blazing fast auto-focus, eye-auto focus, incredible low light performance, and a ZOOM rocker built right into the body, making this lens much better in 2021 than it was when it was first released 5-6 years ago with the Sony FS7.
There is a lot to go over so here are the Time Stamps:
00:27 Super 35mm Vs Full Frame
01:34 Optical Zoom, Clear Image, Digital Zoom
02:55 Lens Features
03:32 Auto-Focus/Manual Focus
04:16 Optical SteadyShot
05:33 PowerZoom
06:19 Zoom Speed Menu Settings
08:18 Aperture, Lens Collar, Filters
09:59 Review
SONY FE PZ 28-135mm G OSS f4 Lens: geni.us/Sony28135mm
CAMERAS:
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Sony a7RIII: geni.us/j6Ph
Sony a7SII: amzn.to/3e9iTh9
Cages and Accessories:
Tilta Cage: geni.us/TiltaFX3
Atomos Ninja V 5 inch Monitor: geni.us/AtomosNinjaVmonitor
SmallRig a7RIII Cage: geni.us/SmallRiga7R3Cage
SMALLRIG NINJA V CAGE: geni.us/NinjaVcage
SmallRig 2071 NATO Ballhead: geni.us/SmallRigNatoMagicArm
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Rosewood Trigger Handle: geni.us/SonyWoodHandleTrigger
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Andy Cine Vlogger Tool geni.us/AndyCineVloggerTool
LENSES:
Sigma 24-70mm F2.8 ART: geni.us/Sigma2470ART
Sigma 14-24mm f2.8 ART: geni.us/Sigma1424ART
Sony 90mm f2.8 G: geni.us/Sony90mmG
Sigma 35mm f1.4 ART: amzn.to/30mofxm
Rokinon 85mm t1.5 Cine: amzn.to/2RcuFe6
Canon 100mm f2.8 Macro: amzn.to/2ZgjUMH
SONY FE PZ 28-135mm G OSS f4 Lens: geni.us/Sony28135mm
Filters:
Haida Rear ND Filters: geni.us/HaidaRearND
Tiffen Black Pro Mist: geni.us/TiffenBlackProMist
SandMarc VND: geni.us/SandMarcVND
Gimbal, Audio, Wireless Video:
DJI Ronin-S: geni.us/roninSgimbal
Manfrotto Tripod: geni.us/Manfrotto502tripod
PeakDesign Travel Tripod: geni.us/PeakDesignAlumTripod
Rode VMP+: geni.us/RodeVMProPlus
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#FX3 #sonyfx3 #28135mm
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Ray Valencia
STARSTRUNG PRODUCTIONS, 2021
Exactly the explanation I was looking for - thank you for taking the time to do this video :)
The way you matched the two images from the comparison was sick. You just won my sub
Looks like a great lens. Awesome vid Ray.
Thank you for helpful demo.
Great video, solved a lot of questions I had
I think this lens is so brutally awesome for its price, that buying into Sony just for this lens is enough reason. Great content, joy to watch.
THANKS!! Agreed, Miklos! I was never a fan of this lens on the FS7 over the years, but the FX3/FX6 breathed new life into this Lens! It's like 5 years old, but it STILL holds up in present day.
thank you for great video, amazing job, your channel will grow! keep it up, good voice, good story, and I am ordering this lens for my 2 fx3s we got.
Hi Kasper! Thank you. Did you end up getting this lens? It's fun to use on the FX3. What do you think of it?
@@RayValencia yes we got it. We use it all the time. Best investment so far we made. They need to push it more. Once I get some footage I'll share a link. We also got the 16 to 35 power zoom version. Sony needs to make more version.
@@kasperwabinski That's awesome! I've been wanting to try out the PZ 16-35!! Yes, please share when you get your video up.
Awesome… keep up the good work!
Thanks, Dan
Good job on the video, I hit subscribe!
Awesome. Thank you! If you like this one, I have a handful of videos on the FX3.
Thanks, was waiting on this after you said something about you coming out with this vid. I've always had this on my list for documentaries, but never pull the trigger because the thing with me is the love of f/2.8, and I shoot so much at 24mm (which is about 26mm with active stab on). It is nice to have the added built in controls.
Yes it is a very specialized lens. Definitely not for everyone or an everyday walk around Lens. Very good for those that need to zoom in and zoom in-and-out While recording, and it would be awesome for documentaries because of how smooth the zoom works, as long as you're able to get past that f4.
@@RayValencia Yeah, and the other thing to get past is also the price tag. haha!
Great, thanks.
I wonder if you can pull zoom/ via wireless from say for example a gimbal .
Great vid
Thanks!
I'd like to know how this applies to sports. Good you used a moving plane but I'm thinking of using it track players, basketballs, etc. Great video!
That lens is awesome,still as of today.Ideal for the FX3 and FX6/FX9 Having worked in Television for decades,I’m glad that we have this lens available.Would be great if they would come out with an updated version with some minor improvements.If you can afford it buy it,you will not regret it.Not for stills!!!!Video only!!!
Totally agree. I had 2 of these lenses at one point. I sold one and kept one, which I use all the time still! Just used it on a shoot earlier this week. I wish there was an f2.8 version. That would be insanely expensive though, because this f4 lens costs as much as an a7IV in 2023, and this lens is like 5 years old!
Hi Ray, great video! I was wondering if you you would suggest using this lens for live-cut sports coverage? or if other, cheaper Sony power zoom lenses might suffice? (i.e. Sony 18-105 power zoom lens). I am looking for lens solution where focus does not shift while I zoom in/out with the servo. What would be your advice for achieving this on an Fs5? Would you recommend using manual focus or autofocus? Any other considerations? Thank you!!
Hi TreeTop Media!! This lens would be amazing for sports coverage because of the smooth zooming. On the FX3 you can use the Servo zoom on the camera body with 1 finger, or you can use the Servo Zoom Dial on the lens, or the actual zoom ring. Lots of options. It is very close to being perfect ParFocal as you zoom in on a subject too. The FX3 auto focus is amazing, but I usually use this on the a7R3 for a 2nd angle. The manual focus on this lens is RARE for a Sony lens and absolutely a pleasure to use. This is completely linear manual focus and feels like a mechanical focus. The 18-105mm doesn't compare. I wish someone else would chime in here and back this up because it's great!
I think this is the perfect wedding/event lens. I usually shoot at second base ISO of 2,000 (HLG3) on my A7SIII and use a CPL to cut some highlights and tends to render the image better or even with the VND at 2 stops while my Sigma 24-70mm set to f4-5.6 instead of 2.8. When it's too dark then I go for 2.8 but keep the CPL inside my PolarPro basecamp matte box despite the 1 stop loss while manually changing WB (full manual exposure). Being internal zoom, optically stabilized, and having an insane range of 28 to 135mm is amazing. But that manual focusing system would mean I wouldn't use follow focus but use my hand which can be a bit less practical. It's still a bit too expensive despite all these years though. A new version would really enjoy some improvements though but overall I think it's perfect for 1-man camera operator. The lens itself looks pretty professional as well.
Thank you for your amazing review!
Hey Bo! Thanks, gosh I forget about some of these older videos. This one was fun to make. I still love this lens and I just used it a live event on the FX3 just 2 nights ago. For something like that, with stage lighting and everything the F4 doesn't matter one bit, but the zoom rocker on the camera just works out great. Plus, like you said, our ability to use higher ISOs than ever before makes this lens even better than when it was released, back with the Sony FS7, long time ago! lol. Would like to see f2.8 version of it, but it would be super expensive!
Does autofocus work with the Zeiss Cp3 lens On Sony Fx3 ?
I've considered picking up another similar lens for my FX30, the sony E PZ 18-110mm. Do you know that lens?
amazing video! looks absolutely insane! u are very talented, thanks a lot, i think ill buy this lens for my fx3, love from russia 🤍💙❤
Thank you so much! Great lens, I have 2 of them NOW!!!! haha. Russia! Awesome, I dated a girl from St Petersburg for years. I still remember a handful of words! Much love from Florida.
Are there any Emount zoom lenses with mechanical focus that doesn't have the latency when zooming? I'm trying to find one for virtual production where I've got a rig setup for syncing realtime zoom and focus data to the game engine. My current lens has mechanical zoom but focus is by wire, so I'm looking for something that has both mechanical zoom and focus. So far I haven't seen any Emounts other than this one. Thanks!
The only Sony branded lenses with mechanical focus are the 3 PowerZoom Cine lenses PZ 28-135, PZ 16-35, and PZ 18-110. And I have the Sony 90mm Macro, which I believe is the only Sony lens that has mechanical focus clutch (just like the PZ lenses have)... but none of these options will be what you need. I'd look into Cine Zooms. The Angineux EZ Mount Cine Zooms. Sigma Cine Zoom 18-35mm, 50mm-100mm. Or if you shoot in apsc mode, the Fujinon MK e-mount Cine zooms.
Can you recommend a camera that can do zoom with a buttom (toggle, no idea what those are called on camcorders), but that can also do good depth of field? We are trying to find something that can do cinematic looking interviews with out of focus backgrounds but we also need to be able to zoom in and out during a shot... What cameras or lenses have this power zoom feature that can do a smooth zoom but also maybe a 2.8 apeture or wider?
b4 broadcast lens?
Nice video. Would this lens be a good one to pair with the Sony A7s3? I wish the other option (18-110) was a full frame lense. But ohh well. Also do you know when sony is going to come out with a new updated version of this?
Yes, to be honest, I use this lens on my a7R3 more than my FX3 because my FX3 is usually on the gimbal and this lens is better for the tripod, it's beefy and heavy. Bu the a7S3 is wayy better at Auto Focus and Low-Light than my R3, so you will be in great shape with this lens! Not sure if they will update this exact lens because Sony just made a TINY little Power Zoom lens that is the PZ 16-35mm f4 (and prior to that, released a 16-35mm t3.1 PZ Cinelens). So they may go either of those routes on the updated version!
Very nice video! I recently got an FX3 and was looking for a PZ lens to go with my FX3. I was just wondering if you've ever noticed any noise when using the rocker zoom? I saw some people say that the power zoom on the lens itself is very quiet but when using the rocker zoom on FX3/FX6 at the max speed the noise is somewhat audible. Did you have such experience with this lens? Thank you a lot in advance!
No, very minimal noise when zooming! I used this lens all day today on a shoot for Amazon. I wouldn't recommend it, or use it for paid jobs if it didn't believe in it.
@@RayValencia Wow, thanks a lot for your reply!
Slightly confused about the zoom. If you turn off servo is there a mechanical linkage? Or is it always zoom by wire, even in manual mode? The reason I ask is I want to have full mechanical control for crash zooms. Thanks.
Hey Steve. The focus has a mechanical Manual focus mode, but the zoom does not. Whether in manual or Servo zoom. In Manual is has a slight delay if you Snap Zoom. (Which I think is what I think you meant tp type by "Crash" Zoom? )
I've been trying to have mine set up with a shoulder rig and relocating zoom control via some kind of remote but the only compatible option I found is the cheap "Sony RM-VPR1 Remote Commander with Multi-Terminal Cable" which doesn't give me variable zoom and is not super ergonomically adapted to be retrofitted on a handle. I've tried a friend's FX9 handle, which also has the Multi-Terminal connection but it does not seem to work. Do you happen to know of any other variable zoom option that works with the FX3 / 28-135 combo? Thanks.
Hey did you find any solution for this?
@jjsereday not yet! maybe one day we'll have a solution!
Can I use focus puller on this lens ??
How much does it weigh compared to a normal non-PowerZoom lens? More? Significantly more?
It's a pretty heft lens. It's big and feels like it weighs double what my other zoom lenses weigh.
How’s the fan noise coming from the ninja monitor when shooting video? Does the mic pic up sound from it? Great video bud 💯💯💯💯
I never notice the fan picking up noise in my videos, but you can definitely hear it with your Ears, as soon as you turn on the Ninja.
@@RayValencia i don’t hear them either, some people have been complaining about the fan noise coming from the ninja. Thanks for replying chief
Thx so much Ray, I just got it together with the fx3. I consider mounting it on a rig, what's your opinion on that? Greetings from Germany
Hey Ronny. Good choice. What kind of rig are you looking to build? Handheld or Gimbal? You'd need a beefy gimbal with a lot of clearance due to the lens length, although it is not as heavy as it looks so weight shouldn't be a problem if you have a bigger, Crane 3 or RS2.
@@RayValencia I mostly wanna use it for filming people. I thought a shoulder rig with a remote grip would help my workflow. Any rig you can recommend for that job? Greetings.
I find this lens focus to be soft at full zoom.
I love the ability to zoom as i use it primarily to shoot weddings where capturing the moment is very important.
Agreed about being slightly softer at 135mm. Especially if you go in a bit farther with clear image zoom. You can see it in the example footage. I use this at every single wedding too, by the altar on bride or groom, and my isolated shots during speeches!
On the fx3 Can you control the zoom with a remote controler on a tripod like the fs7 of fx6??
Not sure! I don't have the remote, but the app works.
How do you feel it works physically with the FX3 long term? I noticed some people had issues with the weight and size putting a lot of strain on the E mount
Usually, I mount this lens directly on the tripod. Also, later on, I ended up getting a Lens Support for the worry about the stress. Now, I use heavier lenses than this on my FX3, like the DZO Film cinema lenses and 70-200mm GMii. ua-cam.com/video/4RoEg8QHhM8/v-deo.html
Can you make a tutorial video on how you setup the ninja v monitor with the fx3 please.. settings, both camera and on your ninja v setting, mic settings with your rig.. thank you sir
I shot a video about that a few months ago but I never released it, because I didn't think anybody cared about that. Maybe I should update and reshoot it.
@@RayValencia that would be awesome ray, there aren’t many videos on setups and configurations even the sound inputs with the ninja. Yeah one can figure it out but listening and watching from another persons angle and work experience and what to and what not to do depending on the surrounding conditions is something priceless, knowledge, is priceless. Techniques and how to approach different types of work, wether it be film, music videos
Good 👍
Thanks
Good afternoon. Tell me how much it loses in sharpness and autofocus speed to other lenses, for example 24-105/f4. I have sony m3 and sony s3. Does it make sense to buy 28-135?
This lens is fast on auto focus tracking, even when fully zoomed in. This lens has the AF and Manual Focus clutch system, which is VERY rare in today's world of Focus by wire lenses. It seems to lose a little Sharpness when fully zoomed in, although I haven't done rigorous lens tests on it with charts and everything, so I'm only judging by using it on a regular basis. I still use it weekly! But I have the FX3, which has the Zoom rocker on the body, and I've just put in an order for the FX6 so I this lens is great for my camera systems! It makes sense on any Sony camera, but people are overcharging for these online currently. But it all really depends on what kind of material you shoot if it's right for you.
@@RayValencia спасибо
Another very educational video, Ray! Thank you!! I finally received my Rode VideoMic NTG, and the adapter to use on my Sony FX3 like your other video. But, I noticed right away it’s different than the Video Mic Pro+ that I’ve been using without the Sony XLR handle. So, I have a question please. Should I turn the audio gain volume all the way down on the Sony FX3 and then set the gain volume knob on the Video Mic NTG to 10 and trying to adjust from there? I’m mainly only using it for vlogging and occasional interviews. Thank you for any help.
Hey Jesse. Thanks. Much appreciated brother. Unfortunately, haven't used the NTG, but I don't think you'd want to max out the Gain on it. Start with Halfway on both. Maxing anything out will most likely cause Noise. They usually work best on their mid settings.
@@RayValencia Thank you, Ray! It works well on 10 for the mic with the high frequency boost turned on, since I’m using a windshield, and 1 on the FX3. Been learning so much about my camera and handle thanks to you. I appreciate you and your channel 😊🙌 Please keep the videos coming and the vlogs you mentioned!!
I have the FX3 and interested in purchasing this lens, for the PZ, however I'd like more optical reach. Would a tele converter or fx30 be a better option? EDIT: nevermind ive just seen it doesnt support teleconverters, so will probably pick up an FX30 for the reach.
Hey! Awesome. The FX30 would make it more like a 40-200mm. Plus you can get a little extra 'digital reach' on the zoom rocker if you've enabled clear image zoom.
Hey bro, thanks for the video, could you please tell us what is the best zoom lens for fx3 - for filmmaking? in the economic price?
Hi, H E! Very good question. This lens costs as much as an a7IV, so it really depends on what price range you're looking at, and focal range? I have super wides, like Sigma 14-24mm and Medium, like 24-70mm. If I only had thr budget for 1 lens, and didn't want to break the bank, and needed the most Zoom range with the Fastest Aperture I'd go for the Tamron 35-150mm f2-2.8. The extra light you get from the f2 would be awesome, but if you need the most affordable PowerZoom (like this lens), probably the Sony 24-105 f4.
@@RayValencia Awesome, I didn't expect you'll reply, thanks for your valuable time bro, Btw, won't Tamron 35 - 150 mm f2 - 2.8 reduce the detailing/quality of the video due to its cheap optics? And since my purpose is filmmaking which is better Sony 24- 105 F4 or Sony PZ 28 - 135mm? Thanks in advance
@@he3446 Ah, ok. You mentioned economic, so I thought best bang for your buck. I personally do not own any Tamron lenses, but I've played around with that one at a wedding. So this option isn't cheap, but personally I'd go with the 28-135mm because it has the clutch system for manual focusing with the focus marks on the lens, and the zoom ring is awesome to use, manually or in Servo mode. It came out on the Sony FS7 cinema cameras, if that lends any assurance on where it falls in the Sony lens line-up. The 24-105 is all focus by wire.
@@RayValencia Thanks for clarification bro🤟💌
FX3 and 28-135 do you also use it on gimbal?
Not regularly bc I have plenty of smaller lenses, but you can balance it on the RS2. The 28-135 has a tripod lens collar on it and you can balance from that point.
I think Sony confused a lot of people by releasing a full frame zoom kit lens with the FS7. Astute FS7 owners have changed up to the 18-110mm as it is a proper S35 servo zoom. I have the 18-110 on my FS5 where the combination is a match made in heaven, especially when rigged for ENG.
hey! I have to ask this.. does this lens reset the zoom when you turn off the camera or the camera sleeps?
Hey Winter Kat! No, this lens does not reset the zoom or F-stop when camera is powered down. It keeps everything locked in.
@@RayValencia let me get this clear. So, if I were to leave the lens at 50mm length and the camera goes to sleep, will it turn on at 50? unlike the sony 18-105 f4 lens. if this is true then this is awesome... also thank you for replying. was searching for the answers alot.
@@winterkat8693 Yes. I have it right here in my hands on the Sony FX3 while I'm writing you, and I can zoom in to 50mm, power off, power back on, and it will still be at the last focal length I was at, in this case, 50mm. This lens is older than the 18-105mm. It has a Mechanical Focus, or Focus by wire. It has a Manual zoom or Servo zoom. Either way you prefer to use it, Manual or Servo Zoom, it will save your last focal length for you.
@@RayValencia thankyou. im getting an FX3 as well. but my place doesnt have it so I have asked friends to help me get it from abroad. hopefully it will be in my hands by the end of june so I was thinking what lens I should get. it was either the 24-70 or this. and it looks like I have a winner.. lol. and thankyou again. this is a great help.
Hi, thank you for this video ..
Q: lens 28-135 working with Teleconverter 1.4 ??
Great question, although I do not have a teleconverter to test this for you. Hopefully someone else can speak from experience on this! Guys, a little help??
@@RayValencia I recently tried it...unfortunately it doesn't work. There are different mount ..the base of the lens is square and the base of the adapter is round.. thank you :)
Can you control it by a remote
And what about ND Filter how you can add on this lens ?
Hi Kunwar. It has a 95mm front filter thread on the lens.
@@RayValencia thanks ray 👍
I want this or 50 1.2 or maybe more lights I can’t pick 😭😭😭
The 50mm 1.2 looks incredible. This lens has a lot of great uses though. f4 vs f1.2 is a big difference, so it depends on what you need. I just bought the Aputure 60X. Very cool and affordable smaller light.
What part of Florida you from
Tampa and Orlando.
@@RayValencia I was looking at properties in St.Pete a few months ago. Love that area.
@@betteratcoding I was just having this conversation last weekend... how I would LOVE to live in St Pete. It's so artsy and downtown area is awesome. Did you recognize the Dali Museum? This whole video was shot in St Petersburg (besides the indoor shots).
Video quality is only 360p?
It's 4K. It still says Processing HD version. I have no idea why UA-cam is taking so long.
@@RayValencia Ohhhh. Got it. It is a great video. And thought you made an error uploading. haha.
Thank you. It sucks right now, but it's working on Mobile. It says Quality Unavailable even for me...
Alright 4K is working now, sorry about the delay.
@@RayValencia Awesome. I'll watch it again in 4k.
I can't decide between this or the Tamron 35-150 f2-2.8 ): I do stills and video
Hi Rafael. Wow, that's tough. If I was Hybrid Video/Stills I would go with the Tamron, to be honest. The 28-135mm is hard to find for one reason. It's a constant f4 which is great, the focusing is great. Aperture on the lens. Servo Zoom on the lens. It's a dream lens for zooming and Video Production. Although, my friend and fellow youtuber, Dan Watson showed me that Tamron lens and for me personally, the 2.8 at 150mm and having f2 at 35mm is insanely useful for low light (and blurring background). And it's way smaller and lighter. I carry the Sony in a Pelican case with a Manfrotto plate attached to it. Not a backpack friendly lens!!!
@@RayValencia wow you replied, thanks so much! Yeah this is not a lens I've seen often. Someone is selling one local to me for 2K which is a fair price. The Tamron is being scalped a lot and is going for 2.2k for me.
The constant F4 seems like a hindrance for stills, a DP recommended me to get a prime, either a 35/1.8 or a 50/1.8 for candid blurry background shots if I intend to get the Sony.
Also, you use gimbals? The Tamron focuses externally and that's a huge no on a gimbal. The Sony doesn't, seems like the perfect lens for that ...
This is interesting to see but I cannot afford this, I have an 18-105 pz and 18-200 pz and those work for what I do.