Thank you for this analysis and also for introducing us to a lesser-known composer. It was highly interesting to follow you along and I think your arguments for this being a Type 2 Sonata as well as applying sonata theory to more chromatic, 20th-century classical music are very sensible and convincing. I myself am frequently astonished how useful this theoretical framework, which was created to analyse music of the 18th and 19th centuries is for analysing e.g. the music of Dmitri Shostakovich, who wrote well-structured and compelling sonata-form movements up to the end of his life in the 1970s.
Thank you for this analysis and also for introducing us to a lesser-known composer. It was highly interesting to follow you along and I think your arguments for this being a Type 2 Sonata as well as applying sonata theory to more chromatic, 20th-century classical music are very sensible and convincing. I myself am frequently astonished how useful this theoretical framework, which was created to analyse music of the 18th and 19th centuries is for analysing e.g. the music of Dmitri Shostakovich, who wrote well-structured and compelling sonata-form movements up to the end of his life in the 1970s.
Thanks, im glad you enjoyed it! And yes I agree, especially about Shostakovich. The theory has a lot of uses passed the 18th and 19th centuries