Large Format Backpacking Landscape Photography in Utah, Spring 2022: Episode 3
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- Опубліковано 4 лис 2024
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Really amazing to see how the light changes as the clouds move. Gave me a new understanding of the magic of these canyons.
Thanks Robert! It really is magical the way the light bounces through the canyons. There are times when I've been in far narrower and taller canyons and something as small as the con trail from an airplane high overhead will shot off the glow for a moment. It's quite ominous to experiences, especially when you don't have a clear view of the blue sky overhead.
The fact that you don't have at least a million subscribers feels almost criminal. Your videos are always enjoyable to watch and tell a great story. Thanks for letting us follow along with you.
Thanks Steven! Although it's often the loudest people that rise to the top, those who are quiet, calm and who stay true to themself often have the best audience. Thanks for watching!
Robert is right, it was great to see that changing light at 3:30. Thanks, Ben.
Thanks Jack! It sure is fascinating how fast the light can change like that!
It's all about the adventure of exploring new locations and renewing acquaintance with familiar ones - a lesson driven home to me this week when work took me past familiar but neglected (for some years) sites. Lesson learned, thanks!
That's very true indeed! Hopefully you will be able to return to those areas again soon!
Productive location! What. Beautiful canyon!
Thank you! It sure was a wonderful canyon I’m really looking forward to going back there next spring. There’s another canyon nearby that’s really beautiful as well, so look forward to exploring that one as well.
Fantastic content and as always very inspiring. I really enjoy your video Ben.
Thanks Marcelo!
WOW a great trip Ben - plus the hope that you will return to it. So " till next time " many thanks.
Thanks Mark! It definitely is a location I look forward to revisiting. There's lot of potential in that canyon, and there are quite a few subjects I never showed in the video, but they're subjects I left on the table to (hopefully) photograph on a return visit.
Love seeing your trip. A week backpacking slot canyons sounds magical. As always thanks for sharing!
Thanks Caleb! It sure was a wonderful experience, though very physically draining. On average, I hiked about 15 miles each day, and after nearly a week of that (without being able to fully replenish the calories burnt), I depleted the reserves in my muscles and I became quite sluggish. I look forward to returning next year and seeing what else I can find.
Always fascinating to watch you work Ben! What a beautiful canyon. You always give me a new appreciation of watching for the perfect light!
Thank you Juanita! It sure was a wonderful place to visit, and I look forward to returning next year. Thanks for watching and commenting!
really enjoyed, finishing my weekend! thanks again Ben!
Thanks Ryan! It sure was nice getting to know that canyon. And although I know for sure I'll return next spring, I'm also thinking about maybe a trip out there this fall. We'll see!
I enjoyed most the excitement in your voice and on your face after returning from the new canyon. Looking forward to next year's trip
It sure was a wonderful experience, and especially having the canyon to myself for as long as I did. It's always quite nice seeing my vehicle waiting for me when I return too. A comfy seat and a good snack go a long way after spending so much time in the field. Thanks as always for watching and commenting Mitch!
Excellent (as always)! I think the colors, patterns & textures of the walls would make some great images IMHO. Thanks for sharing!
Thanks Darren! Those walls are indeed gorgeous. It becomes an experience of sensory overload when visiting some of these beautiful canyons.
Stunning cinematography on this video, Ben. Thanks for this.
So glad you enjoyed it! It sure was a wonderful place to visit!
I don't shoot large format but I love watching you videos and the amazing images you produce, thank you.
Thanks John! When it all comes down to it, it's all the same really. Subject, light, composition. That's the most important part of it all. Thanks for watching and commenting!
Thoroughly enjoyed this video Ben and love the various compositions. Capital Reef is wonderful so looking forward to your videos from there. Thanks for sharing.
Thanks Ash! Capitol Reef is indeed a beautiful place. I've been there only a few times, and each time I push just a little bit further to explore a little bit more. I love how it's so undeveloped, and how there is so much to explore away from the crowds.
Fantastic work as always Ben! Thanks for making such great videos!
Thanks as always for watching Brad!
You are comfortable leaving your truck... I guess there are very few people who pass by in that remote location. :) fun times Ben, beautiful location, thanks for sharing.
Thanks Robert! Yup, these trailheads are quite remote and it takes quite a bit of effort to reach them, so those with nefarious intentions tend not to frequent them. It would be different if this trailhead was located in a popular area near a busy road.
Another awesome video Ben
Thanks Andrew! I sure was wiped out after this trip. It took me a few days to recover, but now I'm really looking forward to heading back again.
@@BenHorne I'm not surprised , either by you being wiped out or wanting to go back asap , what an amazing place , thanks for showing to us
The slow, deliberate nature of your photography is always beautiful to watch. Curious - do you ever worry about leaving your truck out there for a few days? Ever had any issues? Take care, mate.
Hi Peter! Thankfully I've never had any issues leaving my vehicle at the trailheads, and it has never been a concern of mine. I can see how it might be the case if this was a popular area with easy access, but it takes some time and effort to reach these trailheads, so those with nefarious intentions tend to stay far away.
@@BenHorne Makes sense. Those who make it that far out into the wilderness are typically like-minded, and wouldn’t dare mess with someone else’s possessions. I admire (and envy) your dedication to this craft.
Good morning Ben. Honestly didn't expect some of these compositions from what I saw of the canyon in the first episode. I'm looking forward to the Capitol Reef trip.
Thank you as always Paul! It sure was a wonderful canyon, and I look forward to revisiting it next year to see what else I can find. It's a very harsh area when above the canyons, but once you drop down into them, it's a little slice of paradise.
You already trying to replace your pooch 🐶 with a wolf 🐺. I thing the canyon sun is hitting you too long on your head! 🤣
Hahah! I'll definitely stick with the little one! :-)
wow! inspiring!
Thanks! Glad you enjoyed it!
Forging a connection with the location! Yes, I agree completely, and the results are clear, even in my own photography. Also, you're going to share photos of the wolf rescue, right????
Haha! Man, if I did have a massive black rescue wolf, I can only imagine how difficult it would be to photograph it. I have very few photos of my black cat, let alone a big bitey wolf. :-)
Another nice video, Ben. I really like your favorite photo. I also had forgotten how tiny 240mm Fujinon is. Not t forget how good it is. Is Provia now your go to film? Do you prefer it with or without warming filter?
Thanks Prashant! The 240 sure is a wonderfully tiny lens, and that's one of the many reasons why I love it. Provia is indeed my go-to film. I had 3 boxes of Velvia 50 left, but traded them for 3 boxes of Provia since I didn't see myself using Velvia anymore anyway. I've steadily transitioned away from it over the past several years anyway. Provia is a much more versatile film, and does a better job capturing both shadow and highlight detail. I am still trying to figure out the best situations to use the warming filter, but it does indeed benefit from the warming filter at times. Velvia 50 had a slight magenta cast, and Provia has a slight cyan cast. If the subject is already in rather cool light, the cyan cast can be a bit too much, and the warming filter helps to separate the colors and avoid blue mush. I find it's best for scenes in deep shade without the benefit of warm reflected light.
Hi Ben, happy Father’s Day! I was wondering if you could tell me about your tent. I believe it is a one person tent. Wouldn’t you better off with a two person tent to have more room? And how’s your doggie doing… and getting along with the rescue wolf?
Hi Frederic! Although on paper it would seem a two person tent would be better, I very much prefer one person tents. They're lighter, smaller, and most importantly, they have a smaller footprint which makes them easier to setup in places that might be a challenge for a two person tent. The vestibule is big enough to cover my bag, and if it was REALLY storming outside, I could move the most important stuff inside and hang the backpack from the trekking pole that holds up the tent. Also, this might seem counter intuitive, but I find one person tents to be much more comfortable to sleep in. The larger the tent, the less comfortable they are to me. I love having fresh air, feeling the breeze, and that goes hand in hand with a smaller tent. They're also faster and easier to setup. The tent I used on this trip was a Z-Packs Plexamid. It's a rather expensive tent, but it was a real joy to work with.
Oliver the dog is doing fantastic. We've had him for just over a year now, and he's getting along very well with the cats and is very well behaved. I can leave him at home when running errands and allow him access to the entire house and he doesn't get into any trouble. Such a good boy!
@@BenHorne thank you so much for the details on the tent and it makes lots of sense about the foot print. Was also wondering since it isn’t a freestanding tent if you had any trouble sticking the pegs down on the hard surface of those canyons? Glad to hear about Oliver. Guess he hasn’t yet graduated to hiking companion but would love to see him again in one of your future videos. Keep up the good hike and your beautiful photography.
What do you think of the Chamonix Alpinist? I have one of their 4x5s (F2) and love it, but 8x10 may need a bit more heft?
Thanks Terry! I absolutely love the Alpinist X. It's an incredibly well thought-out camera, and the craftsmanship is top notch. I'll do a video review of it in the coming weeks/months. The design and clever use of materials make for a very strong and lightweight camera.
@@BenHorne Awesome! Thanks Ben! Look forward to the review, but I have enough info now to put it on "the list..." :)
I suspect you've answered this previously but how do you mark and catalogue future compositions? Do you take a digital shot to remember the composition and mark with a GPS or some other method?
Hi Simon! When working in these canyons, I very seldom use GPS to mark any subjects since the canyons themselves are quite easy to navigate based on visual landmarks. It's a bit different for places like Death Valley where I want to return to a specific part of the sand dunes or somewhere on the salt flats where it's difficult to revisit a specific area using only visual navigation. When it comes to remembering subjects, I have my iPhone with me and use that to take scouting photos. And although I'll remember many of the subjects just fine when revisiting this canyon next year, quickly flipping through the photos on my phone will help remind me of the specifics and allow me to make decisions on what to shoot. I also like to take notes after returning from a trip so I can refer to those when I return. Simple stuff like when the light is best, etc. Thanks for watching and commenting Simon!
@@BenHorne Thanks Ben. Not sure why the canyon aspect didn't occur to me. Sounds like you have a better memory then I do also!
Do you ever make direct prints from your negatives with an 8'10" enlarger, or send them out to be printed? Or do you have them scanned and make digital prints, or both?
Hi Romie! Unfortunately the days of producing color prints in the darkroom from color transparencies are long gone. They stopped making the supplies for that a very long time ago. But even if that process was still feasible, I simply don't have the space for such a monster sized enlarger in my small house. Instead, I use a hybrid workflow that gives the best of both worlds: The sheer resolution and process-oriented approach of working with film in the field, and the fine-tuned ability to produce pigment prints on my wide format Epson printer with precise control. I produce all of my own prints in house with my Epson P7000. IMO, shooting film and scanning gives the best of both worlds for color.
@@BenHorne Thanks for the reply. Before digital, I shot 35mm, med. foarmat, and 4-5 transparency film and had 4x5" internegatives made for making C prints. The habit of getting everything right in camera-necessary with transparencies-persists today.
I noticed that you were using the p0 instead of the cube, is that the p0 hybrid?
Yup. It was a way to knock a bit of weight off my overall load. I also removed the center column from my 1 series Gitzo, and went without the Quick-Link quick release system between the tripod and the tripod head. I absolutely love the cube, but in the interest of keeping things lightweight, the p0 worked well. There was a bit of a learning curve using the 8x10 on a ballhead though. It's tough not to have the super precise control of the cube. The p0 I used was the standard one without the hybrid design. Another decision based on weight. What I eventually learned was that I could find just the perfect in-between amount of tension for the p0 where I could manipulate the composition and it would stay where I left it without having to fully lock down the tripod head. This gave me the ability to have some decent fine control. After being fully satisfied with the composition, I would then lock the head down the rest of the way.
@@BenHorne Interesting. Yeah, I just purchased the p0 hybrid for architecture and landscape thinking that it would be the perfect hybrid of geared movements + ball head but there are two things holding it back from being perfect...First, it doesn't have dual panning, it's only on top. Not being on the bottom is a huge deal-breaker since your geared knob orientation will be town off. The other minor issue is not having a visible bubble level on top which can be fixed by replacing the clamp but it's quite annoying how these manufacturers continue to miss on such an easy feature.
What about the animals in that canon?
Lots of birds, and lizards mostly. Also some small rodents and small predatory mammals like foxes. There will also be snakes in brushy areas, though I didn't see any on this visit. For that reason, it's important to have a clear view of where you're walking. I'm not afraid of snakes, but I'm also very important to be aware of your surroundings and to respect their habitat. They're not a threat so long as you don't do something dumb like step on one. :-) In terms of large animals, there are some herds of cattle within the canyon, more so by the river than in the dry side canyons where I spend my time. The top predator in the area are mountain lions, but they are very elusive, and I've never seen their tracks in all my visits to this area. I do see their tracks in Zion though. Again, it's a matter of respecting them and realizing that this is their home and that I'm only visiting. Nothing to be afraid of just so long as you use a bit of common sense.
@@BenHorne so Awesome!!!
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