If you want to master rhythm guitar, study Malcolm Young
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- Опубліковано 20 тра 2024
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Another Angus Young paraphrased quote was when an interviewer asked him what it was like being known as one of the best guitarists in the world, his response was along the lines of “I’m not even the best guitarist in the band”
Malcolm was supposed to be the lead but Angus didn't have a great sense of timing so they switched.
Wow! What an incredibly humble response.
@@canopener505ifyhalf right, Malcolm didn't like been in the spotlight. But yes he could actually play better lead then Angus.
Malcolm Young was definitely the backbone of the band. Took me many years to appreciate this as well
Don't forget about Cliff Williams, where would AC/DC be without those basslines? Malcolm and Cliff complemented each other.
@@michaelstanley5215 I was at his first public gig in ' 77 , he didn't have a permit to play in Australia ( the musicians unions was actually strong way back then ) but they were recording at Alberts with Harry Vanda and big brother George ... They had just sacked Mark Evans ... Mark still gigs with a great little blues band around Balmain Sydney ... He said when he first joined the head roadie told him ' It's Malcolm's band , don't EVER piss him off ... ' apparently he did
@@weehudyy And?
Hill I'm willing to die on: AC/DC's sound was in Malcolm Young's right hand.
Pretty sure the left hand is just as important.
He's really underrated!
@@Vykk_Draygo arguably more important w his left-hand touch
@@Vykk_DraygoMalcolm was known for shredding plectrums, though…
Yeah. Malcom definitely had that sloppy but tight sound that all the other greats had, like Hendrix and S.R.V.
malcolm taught me one important trick & it lies in jailbreak's riff.
the muted chords in between the regular chords, it adds so much flair & style to it. I've never once played without it in 17 years.
Also the most fun to play riff of them all for me personally. It's just the pinnacle of groove.
Scott Ian showed in an artist spotlight just how insane this "dad rock" was.
Influenced the next generation to play tight, beautiful, rhythm guitar. The rhythm section is a call to everyone! Keep it simple.
There's a similar point to be made about Phil Rudd's drumming. It is so simple but the groove is hitting so hard.
Their groove had a very different feel with Chris Slade, especially. I actually quit listening to them during this period and never understood why until I got serious about becoming a better rhythm player.
After seeing them in '77 , I retired all my excess drums ... the octobans , the rototom , all the superfluous cymbals ... It is hard to play simply , the temptation to show off yer chops is overwhelming ... The whole band create a huge space for the magic to happen by being disciplined .Those monster riffs don't work if everybody is faffing about ... It must also be said that Malcy had faultless timing
A big thing with his style is hitting the snare behind the beat
Phil Rudd....the human metronome.
Glad someone said it.
Bless you for this video. The rhythm section of AC/DC is the greatest in rock n roll history.
better than Rush or Yes or VH? doubtful
@@chrischoir3594 no, definetly better
Rush doesnt come close to Angus and Mal`s ankles, even if theyre midgets
And for Van Halen, Alex is a great drummer and all but the combo of Phil, Malcolm and Cliff blow them away. Hell, Eddies favorite album was Powerage
@@comraderomania7988 lol Peart and Geddy were the best rhythm section EVER. John Paul Jones and Bonzo were 2nd. AC/DC were good but way too simpleton
@@comraderomania7988 what an insane opinion, let's be honest the music created by ACDC pales in comparison
I think they're equal to Black Sabbath's Geezer Butler and Bill Ward!
Nice to see someone giving Mal some love. Everytime I see videos or comments singing the praises of Angus, I'm the guy that chimes in about how great Malcolm is. And I generally get ignored.
Angus himself will tell you the best guitar player in the band was Malcolm. I think they are both great at what they do, but only one gets the widespread praise and recognition.
I think people often forget that having a good rhythm guitarist is equally important.
@@MetalMouse67 That, and Angus is the performer. He's the one people notice.
Rest in peace Malcolm. Should be 71 but died too young & suffered too much with that horrendous disease
The musical endgame is not what you play but HOW you play it. Malcolm totally understood that and he delivered ❤ What a BOSS!
No one who loves hard rock would underestimate Malcolm. AC/DC's rhythm section is untouchable in their genre
Rhythm is king. If you ain't got it, you got nothing.
RIP Malcom, without you, AC/DC would not be AC/DC
Malcolm is not the reason I began playing guitar, he is the reason I continue to play the guitar.
I started guitar, in the early 1980s. When everything was about the shred.
It seemed that the general opinion was, if you couldn’t shred, then you couldn’t play guitar. Malcolm taught me everything important about playing the electric guitar, and about playing rock and roll music in general.
He had everything. He had tone, timing, and dynamics. Rest in peace!
Same here..I can play lead but it gets boring to me..gotta have the rhythm and groove..a friend of mine can play some awesome lead guitar but he has zero rhythm timing..he just wails all the time and it's like huh no bottom end or groove..he used to freak out on me when I just played some simple rhythm..he would say to me "how did you play that" it sounds killer..
I told him to slow down man !
Malcolm was the balls of the band
He was a true rock and roller
I've always said that if Angus is the soul of the band, then Mal was the beating heart of it. The first band I was ever in was an AC/DC cover band me and my buddies formed. I wanted to be like Angus so damn bad my second electric was an Epiphone SG. As we played together and explored our strengths and weaknesses, I came to realize how much I enjoyed playing rhythm guitar and I embraced it going forward for like the next 15 years. Hell I only really started learning how to really play a decent solo a couple years ago because I needed lead guitar on a few of my songs and I lived in a town with very few people and couldn't find a decent lead. Malcolm was probably the biggest reason I actually have the rhythm I have, studying him and his technique, he's amazing to anyone who watches him and a damn legend to all of us who have played rhythm in a band. 😊
Cliff was the heartbeat. Without Cliff it all falls apart. Malcolm was mediocre at best. How hard is it to stay in time with the most basic chord progressions ever created? There's a reason a lot of brand new guitar players learn AC/DC first.
@@groovelife415 Fair take. Cliff is vastly underrated I would say for sure, but it seems most bassist usually are. Always liked his Stingray tbh, if I ever find the time to get back to playing a Bass again I would want something similar.
This needed saying, Malcolm was truly remarkable and pretty much irreplaceable.
He managed to sound deceptively loose and relaxed and yet absolutely bang on as well, it's probably true to say you really can't teach it.
And you definitely can't improve on it, that would be unthinkable.
I got to see him way back in Powerage times, I'm grateful for that.
I never really paid attention to effects, guitars, or amplifiers back when I first started. I just knew what music sounded like. AC/DC was one of my biggest inspirations, and the way Malcolm Young played, the way he was able to make a rhythm track that was super catchy, reel you in, and kept you there… it was probably the biggest influence in how I learned how to play. I never had a teacher and I’m completely self taught, but I always considered Malcolm to be my unofficial guitar teacher because of that.
I'm always riveted watching Malcolm play. Total concentration. He's the metronome that drives the beast. Yeah, Angus is the show, but Malcolm is the heart of the machine.
*metrognome
@@Novotny72we do love lead poisoning, don’t we?
Can’t believe you didn’t mention the Rhythm part of Thunderstruck! It’s one of those that everyone THINKS they can play until they actually take a hard listen to what Malcolm is doing, as far as I have heard Stevie Young (Malcolm’s replacement) can’t even play it like Malcolm. Another mind blowing track to listen to is the Live Album version of Hells Bells, the isolated rhythm guitar track is incredible! I have been listening to and playing AC/DC for 20 years and never noticed that Malcolm plays all the bass notes and the main melody at the same time! Truly master level technique 👍
Malcolm's right hand was an absolute machine and I'd argue that there has never been a tighter rhythm section in rock history than Malc, Cliff Williams and Phil Rudd. I've seen countless cover bands over the years play countless AC/DC songs and not one of them ever got it sounding half as good as the real deal
Angus was once asked in an interview what it was like being regarded as one of the best guitar players in the world, he said that he wasn't even the best player in the band.
Thank you for showing these to us ❤️
Yes!!! A thousand times over yes! Malcolm the Master was my way into a rhythm focused mindset for playing.
Malcolm's riffs are awesome to play, and he anchored the AC/DC sound.
Mal is the best rhythm player ever, and no band could lock it down like Mal, Cliff and Phil. Most don't realize it but there was swing in that rhythm that made their sound stick out. I saw them in the late 70's - early 80's several times up close and those three guys were like a full throttle freight train.
Thank you for making this. Mal is my music hero and I was so devastated when he died. It always makes me happy to hear people continue to recognize his musicianship.
Thanks for that, much appreciated!!
I appreciate the effort you always seem to put into thinking outside convention, Sami!
For a long time I was embarrassed to say I was "just" a rhythm player. As I developed into more of a lead player, I came to realize that rhythm is everything. No matter how much I could jam on blues licks or fly across the fretboard, it just didn't have any impact without a solid rhythm track thumping under it. That said, a solid rhythm can stand strong on its own. Great vid! 🤘
The First Thing I Learned on Guitar was a Solo
I Nailed It.
Played Lead Guitar for YEARS.
Then I joined a band to only play Rhythm Guitar
I never want to play a Solo ever again.
Bands have to talk me into it.
Mal. Keef. Izzy. & SO Many Other Guitarist.
Great Vid. Loved it.
I am not fond of playing leads but will play rhythm til I drop over. It is not at all easy to do well. And I've not my fair share of not doing well to know.
AC/DC guitar tone is flawless and epic. So much space and power…
One thing I learned about rhythm guitar is confidence.. When you play it with a little less confident, people can hear it right away
The secret to Malcolm's legendary playing and why it's so great is his use of space and manipulation of time. Listen to the riff to Highway to Hell. It's the rests that make it so good. He leaves these strategic gaps that make the rest of it bigger. He was also a master of dynamics. Listen to For Those About to Rock. The chords under what Angus is playing start quiet and restrained, but they're menacing as hell. You know it's about the bust wide open but the anticipation from the restraint he shows is awesome.
And as our boy shows in the video, his groove swung HARD with the rhythm section.
I think the reason Malcolm was such a good Rhythm player because he was such a perfect player. You can tell that by the movements he makes with the strumming. He doesn't hide the non-played upstrokes/downstrokes and his muting was perfect.
That loud, clear, slightly overdriven and air pushing Marshall super bass sound blows my mind everytime 🤯, you can't hide behind that but you can lean against it!
I never wanted to be Angus Young duck-walking across the stage. I wanted to be Chuck Berry, umm, duck-walking across the stage.
I thinks it's a misconception that Malcom is underrated. I think it's been well established how important he is/was to AC/DCs sound/success for ages now, often to the point where he's given almost all the credit. There are countless youtube videos/articles/reviews heaping well-deserved praise on him.
That said, Malcom is an absolute monster on guitar and should be praised at every opportunity.
Hail Malcom
I love the "thick simple" and "thick confidence"-part (I certainly just lack one of those ... )
2 thumbs up
Hey man, great video about my hero. I just want to add one thing to Malcolms playing, which is forgotten very often. He seldomly plays the rhythm alternating. He most often plays it hard from the top, and that does a lot of the magic. Not only to the tone, but also to timing and groove! Try it out, and you'll be surprised how close you'll come :-)
I figured this out years ago and not only did it change my playing for the better, but it made listening to AC/DC (and all other rock n roll) more fun. Malcolm is in my top five…
I had the gift of starting out as a rhythm guitarist. At 16 in 1981 I played only rhythm guitar. I was able to hone my playing, but stayed on the pocket. I owned the pocket before I ever branched out. By the late 80's I was shredding and whammying and all that. But what I NEVER forgot was the Pocket. Where it existed and where it was currently within a song.
Made me strong it did.
I can't be bothered to pay huge $ to see them again without Malcolm and Phil, Thanks for the memories.
I've been mounting this argument since I was 13 years old. It's nice to finally hear someone else under 40(?) saying the same. I knew we weren't alone.
Great video. Great channel. Subscribed and belled.
Thank you Sammy G for putting the spotlight on Malcolm!
He's the machine that made those songs work.
What always struck me the most ever since I discovered AC/DC for me (long before starting to learn how to play guitar) was how the brothers work together outside of the solos (you mentioned that too) and of course the AC/DC-pan (tm) ;-)
Still, if you ask guitarists for their influences and idols you'll hear the usual suspects: "Satriani, Vai, SRV, etc..." (Yes Hendrix, but his embelished accompainments are quite something - not exactly rhythm, but not solos either).
Please make a series about great non-soloing guitar players! (Cropper, Diddley, Schenker, Summers, etc...)
Thank you again for spreading the love of music!
I saw them at the Uptowne Theartre in KC, 1976 with Bon Scott. I wish you'd played Long Way to the Top! They Ended with TnT! Best Encore I've ever seen. When Bon died I thought that was the End for them. Took me 10 yrs to Warm up to Brian. Malcolm We Miss you!!!
You explained exactly what I wanted to convey to my son. 💯% Cheers
Malcolm famously said that Rock & Roll has to swing, and that's what makes the difference.
Couldn't have nailed it better!!!! Malcom was was one of the best artists rock and roll ever had!!! As for Sammy G, Dude you the best, keep up the good work.
So excited for this!! I have learned so much from the current theory course! This will be amazing!! Just signed up!🎸🎸🎸
The song Let There Be Rock is a class in the power of rhythm guitar.
Malcolm the underrated badass \m/
I'm going to make this the title of the video. Perfectly put
@@samuraiguitarist right on!
Thanks for this video
Even the great Bon Scott said he didn’t pay much attention to Angus’s guitar playing onstage. He stayed focused on what the rhythm section was doing (Bon himself was a drummer).
I still to this day play here at home and AC/DC is one of my favorites for guitar playing..especially the rhythm guitar parts..I can name so many here but Shoot To Thrill..Riff Raff and so many more are great examples of Malcolms and even Angus's playing.. excellent video here and subscribed..I had just uncovered my amp rig when I saw this video. For those About To Rock !!
I love that you went to Gone Shootin, it's one of those gems of a moment that makes Powerage so special. Another great example of interweaving rhtythm parts would be Shot of Love.
AC/DC might be simple, but nobody does simple Rock&Roll as AC/DC
Fun simple is hard to pull off.
@@mikebauer6917Similar to how good complexity is hard to pull off.
Well said!
Malcom was the engine of the band. It is amazing how very few bands can cover AC/DC and sound right doing their songs.
I always have a problem with it..I always use too much modern high gain when I am playing AC / DC..gotta tone it down some to get it right.
"The Groove" to me is what happens when live musicians interact with each other, and the crowd real time over the course of the song. Timing and subtle bpm changes between chorus 1 and chorus 2... It's what almost all music had before computers and "Pro Tools/Ableton/etc..." came along and clipped everything to a grid. Basically... what today's music is missing...lol
If there was ever a person befitting the title "The Riffmaster" it would be Malcolm. No question in my mind, nobody else is even close.
Love this!!
The secret to really getting AC/DC sound is to really dive into Boogie (the music, not the amp brand) style Blues. Before you had Metal and Hard Rock, these guys just played in the pocket and got their groove by basically pushing Boogie.
So jump back to where the Blues and R&B become "Jump Blues" right before Rock and Roll came out. This will give you a better understanding about where AC/DC was coming from.
The secret to that AC/DC tone is a real Filtertron in the bridge position to get that sizzle. 😉👍✨
A lot of the pub bands here in Australia used to boogie, an obvious example being Chain.
I’ve always thought AC/DC were influenced by that.
(Chain are still playing also, though to much smaller audiences).
@@Justin-hb6cg
You are correct. 😉👍✨
The US did not really have a Pub Rock version of bands, that said we had the bands that influenced Pub Rock.
Thanks for this.
Malcom was such a great guitarist, and possibly an underrated one at that, as you said, many wanted to be like Angus, if they weren't singers going on about Bon Scott or Brian Johnson.
R.I.P. to Malcom, I'm still bummed out that he died on my actual birthday in 2017.
Rhythm guitar is the sonic glue between and linking the drums and bass to everything else.
Great analysis …..thanks
I'm not even a big AC/DC fan, but I have mad respect for the Young Brothers! Rock on! And Rock on, Sammy G.!
Thanks for doing this. Malcolm, like many rhythm players, is the unsung hero of the band. Same for Izzy Stradlin (please highlight his playing), Brad Whitford and the many other great rock rhythm guitarists.
We've just starting playing gigs and it dawned on me that when playing live it is the bass/rhythm section that gets people moving, but when I'm listening to music at home I'll be listening to the guitar solos more and not so concerned about the bass line etc. Each has it's place but I found it interesting to realise this difference.
I liked that you played gone shootin’, you don’t see or hear that too often. That’s a real AC/DC fan
Mal was the driving force behind AC/DC. When you add Phil Rudd on the drums their rhythm section they were awesome.
I saw Akka/Dakka at the legendary Bondi Lifesaver shortly after I arrived in Australia , they were the first ' hard rock ' band I had ever seen that got incredible clarity with immense volume and power . They had their new pommy bass player and technically weren't supposed to be gigging so they were advertised as a ' Mystery Hi Voltage Act ' ... They started with Let There Be Rock .. just bass and drums , then Malcy ... then Angus ... it just built and built , they are just pummelling it , and I realise ' I can still hear the High Hats ...' They left so much space in their playing , and it all revolved around Malcolm . The rhythm parts were epic ... and everything moulds around it . He had the duo jet one pickup , one knob , and a Marshall stack each side of the stage . I couldn't take my eyes off his wrist . I am a drummer and he was just rhythmically faultless . Phil Rudd was a revelation too . 4 piece kit , ride , two crashes ... hardly any fills . It took a while to sink in how hard it is to play that way . Later in my career I would play with Stevie Wright from the Easybeats , the band George Young came from and he told me about Harry Vanda and George Young getting a very young Malcolm to play on Stevie's ' Black Eyed Bruiser ', almost a template for the AC/DC ouvre . I know after the 'Swap gig I went home and put away the octobans, the rototoms and the windchimes and started to simplify my playing . Put simply Malcolm Young WAS AC/DC
Malcolm's right hand is the engine that keeps Thunderstruck moving throughout the whole song. He's primarily just playing on a B5 chord but he hits it with such a fantastic groove and jangly quality that makes it incredibly hard to accurately replicate.
Great video man !
I love your videos, the soulful connection you have to music is so inspiring. I'm beginning my own guitar journey and I stand firmly in my opinion that, at least for the foreseeable future, I'm meant to be a rhythm guitarist who serves the song and provides a backbone groove. I don't aspire to be amazing, or the best, I just wanna project a feeling. There's nothing wrong with striving to be an amazing lead guitarist with epic solos and someone who makes the guitar talk and sing, it takes all types. And my part currently is a steady rhythm gal. ❤
I still remember the moment it struck me that Malcolm Young was a proper genius.
I love the guitar. I will never be a rock star or a singer songwriter of any fame but I have played since I was 16. I didn't touch my guitar after I lost someone I cared about and I became a drug addict. I have since swapped drugs for my guitar again and it's just as addictive. The girl I'm talking about, the last thing I did with her was give her a guitar lesson so that's kind of why It gathered 8 years of dust. I didn't feel like I deserved to play it.
I'm 52, and have been chasing that AC/DC sound for years. Obviously the play, but having that semi-hollow Gretsch piped through a Marshall... that's where you get that growl. I bought a white penguin, and even playing acoustically I hear that growl. I have Gibsons (solid and semi-hollow) and Fenders and could never replicate it. Mixing Malcolm's Gretsch and Angus' SG, both piped through Marshalls? That combo is just magic.
Been waiting for this one. Angus + Malcolm Young bouncing back and forth with solos and rythems in Soul Stripper... listen to Malcolms palm work too.. it's insane
G'day Samurai Guitarist,
Thanks for a great video. I just wanted to leave you an off-topic note, and recommend that you listen to Stevie Wright's 1974 album called Hard Road. I know that Malcolm Young played lead guitar on the track Evie - Parts I, II & III. It's been a very long time since I've listened to the album, so I can't tell you what else Malcolm played on, but he co-wrote almost half of the album. His older brother, George, is also featured on the album, as well as Harry Vander - the original owner of Malcolm's Gretsch. Stevie, George & Harry were previously members of the group known as The Easybeats. Most of their albums can be found on YT too.
Thanks once again for a great video.
Keep up the good work
Andrew
The Beast is an interesting guitar. When it was first given to Malcolm it had a red finish and was already modified with a Gibson humbucker installed between the stock Filtertrons. Sometime around I think 1977 he replaced the stock bridge with a Leo Quan Badass, removed the Burns tailpiece, stripped the paint and pared the electronics back to the bridge pickup and a single volume. After that it went through regular minor tweaks that were mostly aesthetic, but I do recall an interview with him where he mentioned covering or filling in the empty pickup routs for a while before deciding it sounded better with them open.
I'm glad you pointed this out, because rhythm playing really is (or should be) about 90% of the job of an electric guitarist in almost any band. any style - riffs count as rhythm too if they're repeated. I've even said this on stage when someone made a (nice) comment about my guitar soloing, that's how much I believe it. The rhythm in general is what makes people dance, the vocals make people sing along, so when you realise this, right away you might also realise that the vocalist, bassist and drummer are more important to the groove than you are, and can act accordingly.
I personally get more enjoyment out of a funky rhythm part, say taking a simple four chord progression like _Get Lucky_ and seeing what you can find in and around the regular Bm/D/F#m7/E progression in terms of keeping that rhythm guitar part interesting for 10 minutes. It's a lot better of an exercise for a guitarist than aimless meaningless noodling, and when you take it live a *LOT* more likely to make people dance.
Malcolm was the man! We like angus, but Malcolm contribution to the music of AC/DC was huge!
There's an old video of ACDC on Countdown doing a live version of Baby Please Don't Go with Bon Scott in drag. It's an excellent performance. Malcolm is on fire, check it out.
Steve Stevens! Love your work. This video is awesome!
Malcolm is an absolute monster. R.I.P.
Your "best attempt recreating a Malcolm part" sounded convincing to me.
how did you comment 1 day before the video's release??💀
"1 day ago"???
@@maxbananafun8193 -- My dad is John UA-cam, the inventor of UA-cam, so I get special privileges
Malcolm was the man. Day after day, song after song, gig after gig, decade after decade.
The greatest Rhythm Guitarist EVER.
Truly a Rhythm Genius.
The interplqy of the SG and gretsch jet sound is also sublime
The rock n roll Jesus. R.I.P. Mal.
The first few decades of guitar music in Australia are highlighted by pairings that are greater than the sum of the parts. Vander and Young, the Young brothers, and the Emmanuel brothers.
Highway to Hell was the first album I ever bought. Was hyped to hear you playing "Girl's got Rhythm" in the beginning
Mal was a beast! He could interchange cowboy chords and power chords almost effortlessly. These is a distinct difference between Mal and his brother. AC/DC is best known for the chord progressions and melodies coupled with a tight rhythm section and for me, Bon Scott. Nothing against Brian but AC/DC was Bon Scott. Mal's Gretsch is completely unique. Just like Chris Squire's yellow Rick bass which was sanded several times to remove stickers and it ended up being HIS sound. Mal made that guitar HIS sound. No other guitarist or Gretsch can sound like Mal. His attack. His fingering. Mal is probably responsible for several generations of guitar players who worked on rhythm chops just as much as lead chops. That is the most powerful statement I could come up with.
Really digging the presentation in this video mate, seems a bit different from what I've seen of you before, like a documentary or something. Anyway great video! Keep up the good work mate!
great informative youtube investigation. please continue on other evaluations.
Just as important as what you're playing is what you DON'T play. Malcolm Young played with a lot of air, giving the steady groove of the drums and bass the ability to send groove fans into a frenzy. His riffs sound very easy to play - and note by note they are - but his use of air (less distortion, short notes and syncopated rythms) make them hard to master, even for seasoned guitar players. Malcolm Young didn't mess around with ad hoc improvisations and unnecessary fills. He was the rhythm guitar player, and he nearly perfected that role.
Rudolf Schenker is another giant of rhythm guitar..
Malcom kills it in Shake A leg, simple but sublime.
There are many videos featuring Malcolm isolated. Worth a listen.
Thank you for playing some powerage because EVERYONE overlooks that album and I think it’s the tightest of the whole damn discography. I’ve always loved Gimme a Bullet.
they say nobody is perfect until Malcolm plays
Gone shootin is my all time favorite because it's smooth.
Great love letter too a genius and super talent ❤🥲
Malcolm loved boogie🎼🤘🏻