Tritone Substitutions Explained In LessThan 7 Minutes
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- Опубліковано 19 січ 2023
- www.scottpaddocksaxschool.com / Study sax with Scott Paddock.
In this tutorial, I'm going to show you two simple ways to add tritone substitutions into your solos. In less than 7 minutes, you will know what a tritone substitution is, how it works, why it works, and two different ways to add them into your improv solos. Enjoy!
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Scott Plays:
P. Mauriat 67RX Influence alto sax
Barkley Brazil Kustom Pop 7 Blue mouthpiece
Legere American Cut 2.25 reeds
BG Silver Duo ligature
The most practical explanation of tritone substitution I have ever come across. Thanks Scott!
Great work Scott thanks again so easily explained
Brilliant explanation thank you Scott
Very well explained and demonstrtated.
super clear explanation Scott .Hanks a lott .
Beautiful information
Man u explain so clearly ty.
I try! 😁 Thanks
Really a nice explanation. Thanks Scott.
Thanks Dale! This is something that you would definitely be able to add into your solos!
This is remarkably clear. Thanks a lot.
please kindly do a video on how , when and where you can apply licks and chords phrase on a song or melody. Or if you already have a link that can help me out kindly share it with me. Thank you
Very nice thank you. Seems the chords don't match the sound. Was following on my guitar and it seems to be Fm7 Bb7/E7 EbMaj7
Hello. Great work is your channel.
Your example is with arpèges. What about modes? Excepting the original first degree dominant 7 to avoid, are another tones forbidden? Is classical myxolidian good? With b9 to recall the previous II degree?
Thanks.
And sorry about my frenchglish.
Hey! For the tritone substitution scale, you would just swap out the G mixolydian scale and use the C# mixolydian scale instead. Same idea, but just using the scale instead of the chord
Great info! Usually on a 2-5-1 in major I will be playing 8 notes in each bar, so I was thinking that on the G7 bar I might play 4 8th notes on the G7 inside, then 4 8th notes in C#7 using a similar shape, then resolve to the C major 7 in the next bar. Any examples of this you would care to share?
I'd suggest skipping the G7 altogether and going right to the C#. When you play the "original" chord followed by the substitution it doesn't sound nearly as good.
@@ScottPaddock OK, thanks for the tip!
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💥🎷💥🎷💥 🐻👍 ... i m italian, i wonder in wich part of USA do you live? your english is really unique! i like it... uah! 😜😀🤪😄
I grew up in West Virginia but have lived in Baltimore for the last 20 years. I've also traveled all over the world, so I'm sure I've picked up accents from just about everywhere that I have visited.
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... so it is possible to play all the C#7 mixolydian scale on the G7 chord? uah! 💥🎷💥🚀💥🎷
YES! 🤟