Chaminade - Thème varié, Op. 89
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- Опубліковано 24 вер 2020
- A little evening serenade for you
Cécile Chaminade (1857-1944)
Thème varié, Op. 89 (1898)
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Thumbs up for the angle
You‘re playing it so calmly! I love it
Exquisite music and playing! Thank you.
So so beautiful, very calming and joyous at the same time.
Anyone came from anne with an e? #renewseasonfour!
I just started learning this piece, and I hope to one day be able to play it like you! This is beautiful!
Brilliant!!
I don’t know anything about classical music... but I know I love this piece, absolutely beautiful. (I pretend I’m a ballerina tip toeing to it😄) Is this the actual proper title. I have looked for it before on utube and couldn’t find it. So the author of the music is called Chaminade, and this piece is called Theme Veri Op. 89 as the title above suggests... yeah👍🏽😬 (sorry, nt trying to be a pleb... but it’s like another language to me🙈)☺️
Hi - yes the title is in French - Thème varié - which means 'varied theme', itself a variation on the more common 'theme and variations'. It's a description of the form/structure of the piece, rather than a description of any meaning/mood or what the piece is 'about'.
A lot of classical music pieces (non-vocal especially) are given very bland titles like this because the piece is not necessarily 'about' anything. Any interpretation is left up to the listener. It's purely abstract. Like 'Sonata' which means to sound, or 'Toccata' - to touch, 'Symphony' - harmonious, 'Trio'/'Quartet' - a piece for three/four players, etc. This way the composer doesn't have to describe anything in words, and the music can speak for itself.
The composer (author) is Cécile Chaminade. Op. 89 is short for Opus 89. Opus numbers are a way of cataloguing the works of a composer in order of publication. So this was the 89th work published by Chaminade. Often times there are other works left unpublished during the composer's lifetime, and pieces are not always published in the order they were written. Sometimes these anomalies are so great that alternative numbering/cataloguing systems are devised for specific composers. They can be chronological, or thematical (by type of work). For instance Bach has BWV numbers, Haydn has Hob. (Hoboken), Mozart K (Köchel) numbers, etc.
@@jaysongillham wow... thank you for the lesson and a half!!! Maybe i don’t understand it as I should but I think I understand a little better now😉 appreciate it!! All the best👍🏽👏🏼😊
Absolutely delightful piece of music, which you play incredibly well. ❤️💙
Wow! Well done. Love your interpretation. I've been obsessed with Chaminade recently. So hard to find her pieces in print. Thanks for sharing.
IMSLP
International music score library project 🦋🌖💛🧡♾️🎹🎹🎹🎹✨🎶☀️🙏🏼
Woah! What an performance :) Your playing is outstanding!
Very, very nice indeed. I just love her piano compositions, so very French! I love your piano as well.
Thank you for the beautiful interpretation, the camera angle and the fingering. This has helped me a lot !
Really wonderful quality of sound!!! Congratulations!
beautiful. Am learning this..
Sameeee 😂
Спасибо большое за игру! Смотрела на вашу игру и поняла технику, а я пыталась совсем не так играть!)
✨✨✨🎹🎹🎹🎹🎹♾️🫧🍃🙏🏼 Eternally grateful for your beauty and magnificence 🫶🏼☀️Jayson Gillham☀️♥️
好聽
Anyone else here from Anne with an E?
Yes lolll
Yesss 😂 but i also play it on piano
I prefer this pianist to Hamlin's interpretation. Its more sincere, im going to learn it asap. Thank you.
I also prefer Jayson's performance. Very fluid and so neatly played. I've been trying to play this piece for ages and have found this performance so helpful, especially looking at the fingering. And, of course it's such a delight!
Follow this link to record another performance of the same Variations by Marc André Hamen with notes: https: //www.youtube.com/watch? V = J12Tt9mJkMg
Amlen performs this piece in a slightly different way. I hope you will not be offended by me, for the fact that I brought this link, you are playing great and giving a link to the performance of Amlen, I do not want to somehow hurt you.