New Jersy (USA) >Brahma Sri Muthu Swami Dheekshidhar Samaadhi is in Ettayapuram on the banks of Attai kulam ( அட்டை குளம் ) / HE lived his Last years in Ettaiyapuram with his nephew (???? ) Sri.Balu Swami Dheekshidar of Ettayapuaram Samasthaanam //Around 1967-1970 my father-in-law > Headmaster of Raja High Scholl ,Ettayapuram ,( Music Lover) usd to visit the Samadhi on Dheekshidhar Araadhana day and put a few flowers /later > I was told around 1995 -1997 that Sri >Shanmuga Sikaamani ,I.A.S. Thirulnelveli District Collector arranged to Construct a Mandapam there /Why not Dheekshidhar's Admirerers SING Navavaranam there in his Samaadhi every year
Nice to hear the Mahan SreeVidya Upasakar's Navaavarns krithi - Avarana krithi 5 in ragaa Bhairavi - so divine in the blessed surroundings of Devi Kamalaamba Kovil in Tiruvarur.
Simply Divine with the group rendition in the Grand Temple premises. DKJ has done a yeoman service in standardising the kamalamba navavarana krithis rendition
It will be excellent if an an effort is made to collect information about the lives and times of these musical triumverate shri tyagaraja, shri deeksthitar and shyama shastri with their pictures and details of their samaadhis in print form!
Shree Kamalaambikaayaah Param Nahire (Avarana 5 of Navavarna Krithis) Ragam: Bhairavi (20th mela janyam) ARO: S R2 G2 M1 P D2 N2 S || AVA: S N2 D1 P M1 G2 R2 S || Talam: Misra Jhampa (2 kalai) Composer: Muthuswami Dikshitar *Pallavi* Shree Kamalaambaayaah Param Nahire Re Chitta Kshityaadi Shivaanta Tatva Svaroopinyaah *Anupallavi* Shreekantha Vishnu Virinchaadi Janayitrayaah Shivaatmaka Vishvakartryaah Kaarayitryaah Shreekara Bahirdashaara Chakra Sthityaah Sevita Bhairavi Bhaargavee Bhaaratyaah *Charanam:* Naadamaya Sukshmarupa Sarva Siddhipradaadi Dasha Shaktyaaraadhita Moorthe Shrotraadi Dasha Karana-aatmaka Kula Kauli Kaadi Bahuvidhopaasita Keertthe Abheda Nitya Shuddha Buddha Mukta Saccida Anandamaya Paramaadvaita Sphurtthe Aadi Madhyaanta Rahitaaprameya Guruguha Modita Sarva Arttha Saadhaka Sphurtte Mulaadi Navaadhaara Vyaavrtta Dashadhvani Bhedajhna Yogibrunda Samraksanyaa Anaadi Maayaa Avidyaakaarya Kaarana Vinoda Karana Patutarakataaksa Viksanyaah Meaning (From Todd Mc Comb's web page: www.medieval.org/music/world/carnatic/lyrics/srao/kamala.html): *Pallavi* Oh ("re") mind ("chitta"), there is nothing ("nahire") other than the glorious ("param") Kamalamba, the one who is the essence ("svaropinyaah") of all categories from ("aadi") the earth ("kshiti") up to ("anta") Shiva. *Anupallavi* She who is creator("janayitrayaah") of Shrikanta, Brahma ("virinchi") and others ("aadi"). She who created ("kartryaah") the universe ("visva"), which is in essence ("aatmaka") nothing but Shiva, She is the agent ("itryaah") of all actions ("karya"). She resides in the sacred outer Chakra possessing ten ("dashaara") triangles, and is served ("sevitha") by Bhairavi-Kali, Bhargavi-Lakshmi and Bharati-Sarasvati. *Charanam:* She who is of the subtle ("sukshma") form ("roopa") full of ("maya") of Nada. She ("moorthe") is propitiated ("aaraadhita") by the ten ("dasha") Shaktis, Sarvasiddhiprada, etc ("aadi"). She who is famous ("keerthe") for being worshiped ("upaasita") in various ("bahu") religious modes ("stotra" or "vidho"), such as Kula and Kaula, as the power identical ("atmaka") with the ten ("dasha") sense and motor organs ("karana"). She who is the manifestation ("spurthe") of the supreme non-dual ("a-dvaita") non-differentiated ("a-bheda") ever ("nitya") pure ("shuddha") enlightened ("buddha") and free self ("muktha"), the reality of which is consciousness ("satchid") and bliss ("ananda-maya"). She who is an integral whole ("a-prameya") without ("rahita") any parts such as the first ("aadi"), middle ("madhya") and the last ("anta"). She who is knowledgeable and is entertained ("moditha") by Guruguha, She manifests ("spurthe") as Sarvartthasadhaka Chakra, achieving ("saadhaka") all ("sarva") purposes ("artha"). She who is inherent in the nine ("nava") centers ("aadhaara") such as Muladhara, etc ("aadi"). and who, surpassing these ("vyavrutta"), knows how to pierce through the sounds ("dashadhwani"). She who protects ("sam-rakshanyaa") the Yogis ("yogi-brunda"). Her mere glance ("aksha") is capable ("patutara") of dispelling ("vikaasinyaah") beginningless ("an-aadi") delusion ("maaya") and ignorance ("avidya") and the laws of cause ("kaarana") and effect ("kaarya").
This is the 5-th aavaraNa, in Bhairavi. ध्यान कृति : The starting point. Find links to all the songs in the scheme from this point. ua-cam.com/video/GePGado6KzU/v-deo.html
The divinity in this was such that even Bhagavan Hayagreeva himself came to listen the neverending glories of Devi Kamalamba❤️
This is just bliss...........SHE is there
New Jersy (USA) >Brahma Sri Muthu Swami Dheekshidhar Samaadhi is in Ettayapuram on the banks of Attai kulam ( அட்டை குளம் ) / HE lived his Last years in Ettaiyapuram with his nephew (???? ) Sri.Balu Swami Dheekshidar of Ettayapuaram Samasthaanam //Around 1967-1970 my father-in-law > Headmaster of Raja High Scholl ,Ettayapuram ,( Music Lover) usd to visit the Samadhi on Dheekshidhar Araadhana day and put a few flowers /later > I was told around 1995 -1997 that Sri >Shanmuga Sikaamani ,I.A.S. Thirulnelveli District Collector arranged to Construct a Mandapam there /Why not Dheekshidhar's Admirerers SING Navavaranam there in his Samaadhi every year
Yes you are correct
Very good suggestion sir. It would be an apt tribute to his musical genius.
Very apt. Surprised that it did not Occur to our musicians.
Yes.... Personally I have that great desire 🙏 in future deekshitar must do that blessing for me and my sakas to arrange 🙏 on panguni kruthigai 🙏🙇
Yes! You are correct Sir!
Nice to hear the Mahan SreeVidya Upasakar's Navaavarns krithi - Avarana krithi 5 in ragaa Bhairavi - so divine in the blessed surroundings of Devi Kamalaamba Kovil in Tiruvarur.
Superb bhairavi. Thks for the upload
கோனவாசலில் குருநாதரின் பாடல்கள். வல்லபை கணபதி சன்னதியில். அருமை. தியாகேசா.
Simply Divine with the group rendition in the Grand Temple premises. DKJ has done a yeoman service in standardising the kamalamba navavarana krithis rendition
Get goosebumps listening. The musicians must have had a wonderful experience singing in the Temple premises.
Beautiful rendition. Learnt a lot!!, My sasthanga pranams to DKJ Sir for having produced such wonderful students and Music vidwans.
Highly1 divine, so soulful to hear, that too in our traditional madisar attire. Love it. ♥
Sir, please give more information about Shri MKJ Sir inthe description for the benifit of the viewers!
Excellent performance. We could feel the invisible presence of Sri. DKJ sir in your singing. Thanks a lot!
Guru upasadana aavarna kruthi in front of gurumandala swarupini 🙏
Thank you for sharing this! Beautifully rendered.. The acoustics in a temple is beautiful...
Simply divine
Ambal as Aswarooda in the background!!!
👌😊💐
Guru upasadana aavaranam ... Hence hayamukhan as ashwam behind ... Supporting 💕🪷
😭😭😭 she stopped listening to the krithi being sung by her upasakas, so appropriate 🙌
👏.. super group rendition.🔥✌️Radhe Krishna 💐🌹
Such a soulful synchronised singing🙏🏼
It will be excellent if an an effort is made to collect information about the lives and times of these musical triumverate shri tyagaraja, shri deeksthitar and shyama shastri with their pictures and details of their samaadhis in print form!
Pleasant.
Shree Kamalaambikaayaah Param Nahire (Avarana 5 of Navavarna Krithis)
Ragam: Bhairavi (20th mela janyam)
ARO: S R2 G2 M1 P D2 N2 S ||
AVA: S N2 D1 P M1 G2 R2 S ||
Talam: Misra Jhampa (2 kalai)
Composer: Muthuswami Dikshitar
*Pallavi*
Shree Kamalaambaayaah Param Nahire Re Chitta
Kshityaadi Shivaanta Tatva Svaroopinyaah
*Anupallavi*
Shreekantha Vishnu Virinchaadi Janayitrayaah
Shivaatmaka Vishvakartryaah Kaarayitryaah
Shreekara Bahirdashaara Chakra Sthityaah
Sevita Bhairavi Bhaargavee Bhaaratyaah
*Charanam:*
Naadamaya Sukshmarupa Sarva Siddhipradaadi Dasha Shaktyaaraadhita Moorthe
Shrotraadi Dasha Karana-aatmaka Kula Kauli Kaadi Bahuvidhopaasita Keertthe
Abheda Nitya Shuddha Buddha Mukta Saccida Anandamaya Paramaadvaita Sphurtthe
Aadi Madhyaanta Rahitaaprameya Guruguha Modita Sarva Arttha Saadhaka Sphurtte
Mulaadi Navaadhaara Vyaavrtta Dashadhvani Bhedajhna Yogibrunda Samraksanyaa
Anaadi Maayaa Avidyaakaarya Kaarana Vinoda Karana Patutarakataaksa Viksanyaah
Meaning (From Todd Mc Comb's web page: www.medieval.org/music/world/carnatic/lyrics/srao/kamala.html):
*Pallavi*
Oh ("re") mind ("chitta"), there is nothing ("nahire") other than the glorious ("param") Kamalamba, the one who is the essence ("svaropinyaah") of all categories from ("aadi") the earth ("kshiti") up to ("anta") Shiva.
*Anupallavi*
She who is creator("janayitrayaah") of Shrikanta, Brahma ("virinchi") and others ("aadi").
She who created ("kartryaah") the universe ("visva"), which is in essence ("aatmaka") nothing but Shiva, She is the agent ("itryaah") of all actions ("karya").
She resides in the sacred outer Chakra possessing ten ("dashaara") triangles, and is served ("sevitha") by Bhairavi-Kali, Bhargavi-Lakshmi and Bharati-Sarasvati.
*Charanam:*
She who is of the subtle ("sukshma") form ("roopa") full of ("maya") of Nada.
She ("moorthe") is propitiated ("aaraadhita") by the ten ("dasha") Shaktis, Sarvasiddhiprada, etc ("aadi").
She who is famous ("keerthe") for being worshiped ("upaasita") in various ("bahu") religious modes ("stotra" or "vidho"), such as Kula and Kaula, as the power identical ("atmaka") with the ten ("dasha") sense and motor organs ("karana").
She who is the manifestation ("spurthe") of the supreme non-dual ("a-dvaita") non-differentiated ("a-bheda") ever ("nitya") pure ("shuddha") enlightened ("buddha") and free self ("muktha"), the reality of which is consciousness ("satchid") and bliss ("ananda-maya").
She who is an integral whole ("a-prameya") without ("rahita") any parts such as the first ("aadi"), middle ("madhya") and the last ("anta").
She who is knowledgeable and is entertained ("moditha") by Guruguha,
She manifests ("spurthe") as Sarvartthasadhaka Chakra, achieving ("saadhaka") all ("sarva") purposes ("artha").
She who is inherent in the nine ("nava") centers ("aadhaara") such as Muladhara, etc ("aadi"). and who, surpassing these ("vyavrutta"), knows how to pierce through the sounds ("dashadhwani").
She who protects ("sam-rakshanyaa") the Yogis ("yogi-brunda").
Her mere glance ("aksha") is capable ("patutara") of dispelling ("vikaasinyaah") beginningless ("an-aadi") delusion ("maaya") and ignorance ("avidya") and the laws of cause ("kaarana") and effect ("kaarya").
thank you, can you please share notation
This is the 5-th aavaraNa, in Bhairavi.
ध्यान कृति : The starting point. Find links to all the songs in the scheme from this point.
ua-cam.com/video/GePGado6KzU/v-deo.html
Soulful 🎶 🎵 music
beautifully sung
thank you for sharing
🌹🙏🙏🙏🌹 sri gurubyo namah 🌹🙏🙏🙏🌹
Sooo good 👍 👌
Happy to see this
pallavi
shrI kamalAmbAyAh param nahirE rE citta kSityAdi shivAnta tatva svarUpiNyAha
anupallavi
shrIkaNTha viSNu virincAdi janayitryAha shivAtmaka vishva kartryAha kArayitryAha shrIkara bahirdashAra cakra sthityAha sEvita bhairavI bhArgavI bhAratyAha
caraNam
nAdamaya sUkSma rUpa sarva siddhi pradAdi dasha shaktyArAdhita mUrtE
shrOtrAdi dasha karaNAtmaka kuLa kauLi kAdi bahu vidhOpAsita kIrtE
abhEda nitya shuddha buddha mukta saccida anandamaya paramAdvaita sphUrtE
Adi madhyAnta rahitApramEya guruguha mOdita sarvArttha sAdhaka sphUrtE
mUlAdi navAdhAra vyAvrtta dasha dhvani bhedajna yOgi brnda samrakSaNyA
anAdi mAyA vidyAkArya kAraNa vinOda karaNa paTutara kaTAkSa vIkSaNyAha
Excellent.
VERY DEVINE
Very good.
😊😊🙏🙏
Dhyaana Kriti (Please visit this starting point to find links to all the songs sung this day) :
ua-cam.com/video/GePGado6KzU/v-deo.html
Pp
hospital lotl