A great performance, an innovative idea to present in the Kamalambika sannidhi. The notion of many disciples of DKJ getting together, making the effort to go all the way to Tiruvarur & singing in wonderful harmony & unison is a delight to hear & watch. It speaks volumes for the teaching of DKJ that all of them not onky sing wonderfulky well but so smoothly & harmoniously together - never a note or voice out of place. And of course, most commendable on the part of the singers - who include aome of the leading lights - for rendering the Krithis to such a high standard And the obvious enjoyment & total involvement with which every1 sings, immersed in the music, is remarkable. And great percussion & string accompaniment to go with the si ging. A great experience for me - if the recording could be properly re-mastered, a CD could be published. I don't know if there was an audience before the singers - but there certainly was 1 behind them! The light chestnut roan pony @ right arrived halfway through Krithi No. 5 & the dark bay behind it joined by the beginning of this number. Even the musicians note their presence with approval (see the beginning of this video)! The ponies certainly seem very absorbed in the singing & enjoying it - surely a novel but lovely experience for them. On their behalf as well as on my own account, my grateful thanks to these musicians - it was great, an elevating experience. Hope this could be repeated.
Absolutely divine.Wud have listened to Shri DKJ hundred times.His students in the same way are taking us to a different heavenly zone.absolutely blissful.
Kamalaambikaayaastava Bhaktoham (Avarana 6 of Navavarna Krithis) Ragam: Punnaagavaraali (8th mela janyam) ARO: N2 S R1 G2 M1 P D1 N2 || AVA: N2 D1 P M1 G2 R1 S || Talam: Thrisra Eka Composer: Muthuswami Dikshitar *Pallavi* Kamalaambikaayaastava Bhaktoham Shree Shankaryaah Shrikaryaa Sangita rasikaayaah Shree *Anupallavi* Suma-shara-eksu Kodanda Paasha-ankusha Paanyaah Ati-madhuratara-vaanyaah Sharvaanyaah Kalyaanyah Ramaniya-punnaagavaraali Vijita Venyaah Shree *Charanam* Dasha-kala-atmaka Vahni Svaroopa Prakaasha-antar-dashaara Sarva Rakshaakara Chakreshvaryaah Tridasha-adi-nuta Kachavarga Dvaya Maya Sarvajhnaadi Dasha-shakti-sameta Malini Chakra-eshvaryaah Tri-dashavim-shad-varna Garbhini Kundalinyaah Dasha-mudraa Sama-araadhita Kaulinyaah Dasharathaadinuta Guruguha Janaka Shiva Bodhinyaah Dashakarana Vrutti Mareechi Nigarbha Yoginyaah Shree Meaning (From Todd Mc Comb's web page: www.medieval.org/music/world/carnatic/lyrics/srao/kamala.html): *Pallavi* I am ("aham") the devotee ("bhakta") of ("astava") Kamalambika. She is the spouse ("aryaah") of Shankara. She, the bestower ("kara") of prosperity ("shri"), is fond ("rasikaayaah") of music ("san-geeta"). *Anupallavi* She who sports in Her four hands ("paanyaah") the arrows ("shara") of flowers ("suma"), sugar cane ("ikshu") as bow ("kodanda"), the rope noose ("Pasha"), and the goad ("Ankusha"). Her speech ("vaanyaah") is mellifluous ("ati-madhuratara"). She is the spouse ("aanyaah") of Shiva ("sharva"). She is the personification of goodness ("kalyaanyaah"). Her braided hair ("veni") excels ("vijitha") the beauty of lovely black bees ("varaali") which swarm around the Punnaga tree. *Charanam* She is established ("aatmaka") in the ten ("dasha") Kalas. Her essential nature ("swaroopa") is the fire ("Vahni"). She manifests ("parakaasha") in the inner ("antar") circle having ten triangles ("dasha-aara"). She is the goddess ("eshvarya") of the Chakra Sarvarakshakara, protecting all. She is worshiped ("nuta") by gods ("tridasha") and others ("aadi"). She is of the form of the ten letters ("dvaya maya") of the Ka and Ca groups ("varga"). She is the goddess of the circle of Malini, which has ("sameta") ten ("dasha") Shaktis such as Sarvajna etc. She is ("garbhini") Kundalini, encompassing the fifty letters ("tri-dasha-shad-varna"). She is the goddess Kaulini, propitiated ("sama-aaraadhita") by ten ("dasha") Mudras. She is worshiped ("nuta") by Dasharatha and others ("aadi"). She bestows knowledge ("bodhinyaah") on Shiva, the father ("janaka") of Guruguha. The rays of Her inner ("nigarbha") radiance ("yoginyaah") constitute the functioning ("vrutti") of the ten ("dasha") Indriyas ("karana"), the ten sense and motor organs.
This is aavaraNam 6, in Punnagavarali ध्यान कृति : The starting point. Find links to all the songs in the scheme from this point. ua-cam.com/video/GePGado6KzU/v-deo.html
A great performance, an innovative idea to present in the Kamalambika sannidhi.
The notion of many disciples of DKJ getting together, making the effort to go all the way to Tiruvarur & singing in wonderful harmony & unison is a delight to hear & watch.
It speaks volumes for the teaching of DKJ that all of them not onky sing wonderfulky well but so smoothly & harmoniously together - never a note or voice out of place. And of course, most commendable on the part of the singers - who include aome of the leading lights - for rendering the Krithis to such a high standard
And the obvious enjoyment & total involvement with which every1 sings, immersed in the music, is remarkable.
And great percussion & string accompaniment to go with the si ging.
A great experience for me - if the recording could be properly re-mastered, a CD could be published.
I don't know if there was an audience before the singers - but there certainly was 1 behind them!
The light chestnut roan pony @ right arrived halfway through Krithi No. 5 & the dark bay behind it joined by the beginning of this number.
Even the musicians note their presence with approval (see the beginning of this video)!
The ponies certainly seem very absorbed in the singing & enjoying it - surely a novel but lovely experience for them.
On their behalf as well as on my own account, my grateful thanks to these musicians - it was great, an elevating experience.
Hope this could be repeated.
Absolutely divine.Wud have listened to Shri DKJ hundred times.His students in the same way are taking us to a different heavenly zone.absolutely blissful.
The MD Navavarnam sung by DKJ / Disciples is always evergreen. The ghanta / Ahiri and Punnagavarali kritis oozes in melody particularly.
Lovely👌👏👏💐💐
Kamalaambikaayaastava Bhaktoham (Avarana 6 of Navavarna Krithis)
Ragam: Punnaagavaraali (8th mela janyam)
ARO: N2 S R1 G2 M1 P D1 N2 ||
AVA: N2 D1 P M1 G2 R1 S ||
Talam: Thrisra Eka
Composer: Muthuswami Dikshitar
*Pallavi*
Kamalaambikaayaastava Bhaktoham
Shree Shankaryaah Shrikaryaa Sangita rasikaayaah Shree
*Anupallavi*
Suma-shara-eksu Kodanda Paasha-ankusha Paanyaah
Ati-madhuratara-vaanyaah Sharvaanyaah Kalyaanyah
Ramaniya-punnaagavaraali Vijita Venyaah Shree
*Charanam*
Dasha-kala-atmaka Vahni Svaroopa Prakaasha-antar-dashaara
Sarva Rakshaakara Chakreshvaryaah
Tridasha-adi-nuta
Kachavarga Dvaya Maya Sarvajhnaadi
Dasha-shakti-sameta Malini Chakra-eshvaryaah
Tri-dashavim-shad-varna Garbhini Kundalinyaah
Dasha-mudraa Sama-araadhita Kaulinyaah
Dasharathaadinuta Guruguha Janaka Shiva Bodhinyaah
Dashakarana Vrutti Mareechi Nigarbha Yoginyaah Shree
Meaning (From Todd Mc Comb's web page: www.medieval.org/music/world/carnatic/lyrics/srao/kamala.html):
*Pallavi*
I am ("aham") the devotee ("bhakta") of ("astava") Kamalambika.
She is the spouse ("aryaah") of Shankara.
She, the bestower ("kara") of prosperity ("shri"), is fond ("rasikaayaah") of music ("san-geeta").
*Anupallavi*
She who sports in Her four hands ("paanyaah") the arrows ("shara") of flowers ("suma"), sugar cane ("ikshu") as bow ("kodanda"), the rope noose ("Pasha"), and the goad ("Ankusha").
Her speech ("vaanyaah") is mellifluous ("ati-madhuratara").
She is the spouse ("aanyaah") of Shiva ("sharva").
She is the personification of goodness ("kalyaanyaah").
Her braided hair ("veni") excels ("vijitha") the beauty of lovely black bees ("varaali") which swarm around the Punnaga tree.
*Charanam*
She is established ("aatmaka") in the ten ("dasha") Kalas.
Her essential nature ("swaroopa") is the fire ("Vahni").
She manifests ("parakaasha") in the inner ("antar") circle having ten triangles ("dasha-aara").
She is the goddess ("eshvarya") of the Chakra Sarvarakshakara, protecting all.
She is worshiped ("nuta") by gods ("tridasha") and others ("aadi").
She is of the form of the ten letters ("dvaya maya") of the Ka and Ca groups ("varga").
She is the goddess of the circle of Malini, which has ("sameta") ten ("dasha") Shaktis such as Sarvajna etc.
She is ("garbhini") Kundalini, encompassing the fifty letters ("tri-dasha-shad-varna").
She is the goddess Kaulini, propitiated ("sama-aaraadhita") by ten ("dasha") Mudras.
She is worshiped ("nuta") by Dasharatha and others ("aadi").
She bestows knowledge ("bodhinyaah") on Shiva, the father ("janaka") of Guruguha.
The rays of Her inner ("nigarbha") radiance ("yoginyaah") constitute the functioning ("vrutti") of the ten ("dasha") Indriyas ("karana"), the ten sense and motor organs.
This is aavaraNam 6, in Punnagavarali
ध्यान कृति : The starting point. Find links to all the songs in the scheme from this point.
ua-cam.com/video/GePGado6KzU/v-deo.html
Great Efforts 💯 Superb 🙏🏻🙏🏻🙏🏻
Beautiful...
Thanks Giving
Divine
Beautiful
Daivamsa unna varu. Telugu. Avargal deiveiyaamsar isai tamil eppadi. Solrradu
Dhyaana Kriti (Please visit this starting point to find links to all the songs sung this day) :
ua-cam.com/video/GePGado6KzU/v-deo.html