I've heard Lipinski's passive L-707 and active L-700 and I consider them an ultimate pick for audio enthusiast. They have the most natural and real playback one can expect. Some say, that the sound is even better than live performance, and there is definitely something to that. Not only do they play well on low and medium loudness levels, but they can also perform loudly without distortion. I came across the Lipinskis by accident a year ago, and to this day I cannot fathom why something so outstanding receives so little attention. This is truly a hidden gem.
I have Lipinski Sound speakers at home and they are amazing. The L50’s are on my wish list for the second half of the year. Your studio must sounds exceptional.
What a beautiful setup Justin! I met you briefly at NAMM earlier this year and hope to see (and hear) your facility in person one day. I currently use the large 3 segment L-707A Signatures in my studio with two L-150 subs. Using L-401 monoblocks for the Signature monitors and L-301 amps for the subs.
No. You can access it via Array mode in the external. It will likely not be a feature within PT for a very long time. Arrays do require specific tuning, as they do not act the same as the other channels (they differ between objects and beds). HE studios are not allowed to have the cinema renderer (and that makes sense), so I still go to a soundstage here in Toronto to finalize and author for cinematic release.
Although they do have excellent dispersion, the camera angle is deceiving. The tweeters are level with my ears when I am sitting at my desk. I am sitting back in my chair for this video, and the angle of the cam makes it seem like they are higher. Good observation.
I've heard Lipinski's passive L-707 and active L-700 and I consider them an ultimate pick for audio enthusiast. They have the most natural and real playback one can expect. Some say, that the sound is even better than live performance, and there is definitely something to that. Not only do they play well on low and medium loudness levels, but they can also perform loudly without distortion. I came across the Lipinskis by accident a year ago, and to this day I cannot fathom why something so outstanding receives so little attention. This is truly a hidden gem.
I have Lipinski Sound speakers at home and they are amazing. The L50’s are on my wish list for the second half of the year. Your studio must sounds exceptional.
Thank you. They are special speakers, as you know well. You will love the L50's :)
Heavy hitting setup! Congrats
What a beautiful setup Justin! I met you briefly at NAMM earlier this year and hope to see (and hear) your facility in person one day. I currently use the large 3 segment L-707A Signatures in my studio with two L-150 subs. Using L-401 monoblocks for the Signature monitors and L-301 amps for the subs.
Amazing!! I would love to hear the 707A Signatures. I am sure they are stunning!.
@@justingraysound Next time you're in my neighborhood, please let me know so I can invite you over for a listen!
Love that you have a Terry CEQ!!! I have a SEQ on order!!!!
Thanks. It is a very special EQ for sure. Congrats on the SEQ order!
Incredible. Would like to visit you.
Hey Justin! Great work. Don’t need to use the Cinema Renderer to do an 11.2.6?
No. You can access it via Array mode in the external. It will likely not be a feature within PT for a very long time. Arrays do require specific tuning, as they do not act the same as the other channels (they differ between objects and beds). HE studios are not allowed to have the cinema renderer (and that makes sense), so I still go to a soundstage here in Toronto to finalize and author for cinematic release.
Do those speakers have really good vertical dispersion that allows you to have them so much higher than your ears?
Although they do have excellent dispersion, the camera angle is deceiving. The tweeters are level with my ears when I am sitting at my desk.
I am sitting back in my chair for this video, and the angle of the cam makes it seem like they are higher.
Good observation.