Fortunate that I found your channel....You are doing a great service to the learners...I am a novice, an older one at that 😃...I am fascinated with konnakkol...you are providing a great platform to know about this art form which is unique to Bharat...continue your great yeoman service to this art form in particular and music in general..God Bless you young man !!!
I love it! 4/4 has always felt so unnatural. This is closer to the sound of birds, how the wind blows, the rhythms of the universe that cannot be confined. Thank you for your dedication to this beautiful form!
I'm so happy I've found your work! I've wanted to learn for years, and your approach is so clear and easy to understand. It's a hard discipline, but I feel this gives me a fighting chance at having a go 😁👍
Thank you for the series rhythm is a gift and we need to share it. It helps create our emotions and helps Drive the pulse that we can connect and enjoy the expression. Thank you restarting the series God bless
Thank you so much for an immaculate introduction to this artform. I have been interested in learning different rhythms, so when I heard about Konnakkol, I search for it. Your intro was all I needed to get me interested.
WOW great series! I feel the real gold-nuggets for a westerner is the more general bits of information (for ex. later on you point out that the syllables have to be pronounced staccato, something that improved my practice hugely but maybe is common sense to most from India?). Could you make a video where you elaborate on basic Indian music theory when it comes to rhythm? For ex. I've read at many different places that rests are treated differently from western music, but I don't really understand how? I understand from Asaf Sirkis videos that you can make a rest by isolating a syllable ("Ta ka" becomes "Ta _ "), what if you want a rest on Ta, do you say "_ Ka" or do you rephrase the whole sentence in some way? Is there a reason to wait with exploring rests? I'm trying to incorporate konnakol into my piano practice.
In our culture, if we say mother it includes father and vice versa. ‘Namah matarou Shiva Shakti sametha’ meaning salutations to the two mothers, Shiva and Shakthi ‘Jagatha pitarou vande namah Parvati parameshwarau’ meaning salutations to the two fathers of the world Parvati and Parameshwara
Fortunate that I found your channel....You are doing a great service to the learners...I am a novice, an older one at that 😃...I am fascinated with konnakkol...you are providing a great platform to know about this art form which is unique to Bharat...continue your great yeoman service to this art form in particular and music in general..God Bless you young man !!!
Thank you sir
Thank you for sharing your talent and knowledge of this language!
Western trained here, there is nothing more natural and instinctual on the planet thanks frens
I love it! 4/4 has always felt so unnatural. This is closer to the sound of birds, how the wind blows, the rhythms of the universe that cannot be confined.
Thank you for your dedication to this beautiful form!
Sorry but there is a time and place for 4/4
I'm so happy I've found your work! I've wanted to learn for years, and your approach is so clear and easy to understand. It's a hard discipline, but I feel this gives me a fighting chance at having a go 😁👍
Thank you, somashekar, for video series.
Thank you for you your gift as a performer and teacher. Bravo Maestro.
Unique music sweetest amazingly fascinating. English Lecture super
Thank you for the series rhythm is a gift and we need to share it. It helps create our emotions and helps Drive the pulse that we can connect and enjoy the expression. Thank you restarting the series God bless
Great video! I love how organised and systematic this guy is
Greatfully Yours Brother thank you for sharing all that a real precious present stay blessed and you all
Thank you so much for an immaculate introduction to this artform.
I have been interested in learning different rhythms, so when I heard about Konnakkol, I search for it. Your intro was all I needed to get me interested.
What a gift this video is. Thank you sir
Thanks for taking the time and sharing your knowledge.
Many many many thanks!!! Blessings to you!
Great ......
WOW great series!
I feel the real gold-nuggets for a westerner is the more general bits of information (for ex. later on you point out that the syllables have to be pronounced staccato, something that improved my practice hugely but maybe is common sense to most from India?).
Could you make a video where you elaborate on basic Indian music theory when it comes to rhythm?
For ex. I've read at many different places that rests are treated differently from western music, but I don't really understand how?
I understand from Asaf Sirkis videos that you can make a rest by isolating a syllable ("Ta ka" becomes "Ta _ "), what if you want a rest on Ta, do you say "_ Ka" or do you rephrase the whole sentence in some way?
Is there a reason to wait with exploring rests?
I'm trying to incorporate konnakol into my piano practice.
It's too much effective for the classical dancers....Thanks a lot sir...
Thanks for sharing your knowledge with us ji!
Wonderful Yo are doing noble service
Super sir
What a great class sir...I want to learn.... thanks for your video
You're a poet, wow
This is amazing!! Added it to the playlist for my violin students, thank you ☺️
Thank you
thanks you a lot, i will try to follow the way you have build for a while. Respect and grateful
Wow!
Namaste! Thank you master!
You blew my mind in the beginning.
Thankyou so much for this series..Thankyou Soo much
Thank you for sharing this sir, I will learn well
Thanks to Martín Corro who advice me to come here to learn Konnakkol. Hope i can learn, i´m just a beguinner. Thanks!
wooooowwwww
We, westerns: Spend years in music schools learning rhythm
Indians: Hold my mango lassi... KONNAKKOL *BASICS | EP 1 | Introduction* To Konnakkol
Super sir, I'm having a Doubt
How many cycles of Adi tala does a Avarthana has??
One complete cycle of any Tala is called as Avartha or Avarthana.. Hence Avarthana, Cycle are one and the same..
Hello sir, I am interested to learn mridangam, do you take mridangam online classes ?
how do you develop rhythmic precision in India? I have trouble playing in time when composing on piano or guitar
Namaskarams Are you teaching it online. If yes please let me know the details
Thank you sir
Lovely sir
Thank you I don't know first what this but now I knowed it's a konnakkol I don't know what is this ta ta
But I knowed thank you
Please teach us!
Could you please help us with pdf notes ?
Do send an email to worldkonnakkolacademy@gmail.com
This is Beginner Class ?
Seems Very Advance
🙏
Dear Somashekar but why Konnakkol is mother? why it is not father?)
In our culture, if we say mother it includes father and vice versa.
‘Namah matarou Shiva Shakti sametha’ meaning salutations to the two mothers, Shiva and Shakthi
‘Jagatha pitarou vande namah Parvati parameshwarau’ meaning salutations to the two fathers of the world Parvati and Parameshwara
@@KonnakkolSomashekarJois thank you teacher!
Great work