How MXR Changed Pedals
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- Опубліковано 19 чер 2024
- In this week's episode, I'm going to show you the very first MXR pedals ever made. We're going to learn about their history, and how this baller company went on to influence every pedal company that came afterwards. Honestly, you'd be hard-pressed to find a pedal company that's done more for the success of the pedal industry than MXR.
www.thejhsshow.com/
www.jhspedals.info/
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Chapters:
0:00 Intro
0:28 Who Is MXR?
1:39 Script Logo Era
2:48 Phase 90
4:00 "Alien Grifter"
4:31 Distortion +
5:28 "Dirt Road Car Chase"
5:57 Dyna Comp
6:46 "Stairway To Jazz?"
7:19 The Foam...
8:28 Blue Box
9:09 "Twinkle Twinkle ABC"
9:37 Phase 45
10:28 "Robot Fist Fight"
10:46 Noise Gate Line Driver
12:41 "This Deserves No Name"
12:53 Phase 100
14:08 "Incubus Stone"
14:34 Original Parts Kit
15:37 Block Logo Era
16:55 Record Time
18:11 Thanks For Watching!
Gear In This Episode:
MXR Phase 9
reverb.com/p/mxr-phase-90-scr...
reverb.com/p/mxr-phase-90?_ai...
Maestro PS-1A Phase Shifter
reverb.com/p/maestro-ps-1b-ph...
MXR Distortion +
reverb.com/p/mxr-distortion-p...
MXR Dyna Comp
reverb.com/p/mxr-dyna-comp?_a...
MXR Blue Box
reverb.com/p/mxr-blue-box-scr...
MXR Phase 45
reverb.com/p/mxr-phase-45-scr...
MXR Noise Gate Line Driver
MXR Phase 100
reverb.com/p/mxr-phase-100-sc...
Bilt Relevator Guitar
biltguitars.com/
JHS "Loud Is More Good Amp"
www.sweetwater.com/store/deta...
Record Time:
Led Zeppelin - In Through The Out Door
amzn.to/2UGQOn4
Josh’s record player is by U-Turn Audio:
amzn.to/34CRXjr
History of Distortion:
• History Of Guitar Dist...
Josh's T-Shirt:
shop.merchcentral.com/collect...
#jhs #thejhsshow #MXR
The MXR/Pokemon Jingle needs to be announced in every future episode where one of their pedals are mentioned. That was genius. 😂😂😂
Remix for when Josh says he doesn't have an MXR pedal, "i don't have this pedal, gotta catch 'em all."
Agreed, bloody genius!
Yes!😩
Please 🥲
When I was a kid, I took guitar lessons from Randy Rhoads. He told me I had to buy an MXR distortion plus, like if I didn’t have one my life wouldn’t be worth living so I ran out and bought one. It was my first pedal, and I still have it. Back then it felt like a magic box. Years later, I had to clean out all that damned foam. I always think of Randy whenever I see it, or use it.
That's amazing you've had the fortune to no him and have those lessons.
@@216trixieSo I was just going through my stuff yesterday and found a box or cassettes. I found one of my lessons I recorded with Randy, one of his picks, and a Cheap Trick pick. I figured all these years I had just given them away. I did give a pick and cassette to a Japanese girl who came here to visit Musonia and his grave, but I thought I gave her the original tape, but I guess I made her a copy, and I guess I had two picks. I listened to the tape. I was just a beginner and so amazingly slow at picking up the simplest idea. Randy was an angel, because he was so patient. I, of course, could never have realized how slow I was unless I heard that tape. He was the nicest guy, and very humble. It makes me happy so many people love him.
I've seen you post this some where before ,I was just thinking about that guy that took lessons from Randy ,and your distortion + story .Then bam here it is .That's literally the next pedal I'm buying because of your post .Thanks for sharing .
@@STRATMAN1969 Ya, I guess I have posted in a few places lately about Randy. It is the first time I've been doing that, and, because he is so popular and loved, he just comes up, so I thought I would share my experiences about him. I'd bet loads of people have great things to share, but they just find writing difficult. I think finding the pick and tape of him, and then seeing a vid about MXR made me want to watch it. Josh's vids are always pretty interesting, anyway.
I would suggest looking at lots of different distortion pedals first. At the time, that was the only game in town, but I think there might be even better pedals out there now that are more versatile. I'm not a big distortion guy, so I can't recommend anything, I like overdrive, but I'm not sure the MXR is necessarily the greatest pedal out there anymore. The only distortion I would not recommend is the Boss DS-1, but, then again, it might really work for you. Take care, stay healthy.
@@STRATMAN1969 😂 I was thinking the same because if that comment.
"He doesn't have the box", sung to the tune of "he has the box", but more sadly, like in a minor key maybe? I dunno... Nick, whatcha got?
HE NEEDS THE BOX!
MEDICI3 I was thinking something similar.
Timestamp?
I understand why you would limit this episode to the "vintage" era of MXR. But seriously, by this point the Carbon Copy is now such a classic it could rub shoulders with the vintage guys.
I bought one when they first came out and still hate the blinding laser light LEDs they started using. I prefer the old dim light.
8:19 *"This is probably my favorite MXR pedal"*
_Proceeds to play Twinkle Twinkle Little Star on favorite MXR pedal_
Never change, Josh.
hahaha!!!it for the kids, kids are the future!!
Phase 90: Edward
Distortion +: Randy
‘nuff said.
Nope
Uh, yes.
Distortion + = Iron Maiden
Often overlooked Distortion + era guitar masterpiece, Springsteen’s “Darkness on the Edge of Town” and 78’ tour. The tone is beautiful and searing
The solos on 'Adam Raised a Cain', 'Prove it All Night', & 'Streets of Fire'...
I only find one problem with that statement. Springsteen. I always thought his voice sounded like someone constipated on the toilet. Ugh.
What I always loved about MXR pedals is that they were virtually BULLETPROOF. They not only sound good but were made from superior quality materials.
Totally! Absolutely solid stuff.
Except for the foam/rubber stuff that inevitably disentegrates and spills all over...
My Micro-Amp is the typical MXR build, but I have a "Phaser" built in the 80s that's in a black plastic box with a footswitch under a big rubber pad. It has the old style AC jack with "Speed" and "Regen" knobs. I have no idea how it relates to the other MXR phasers. I think this was a line of pedals that probably only lasted one run. This Phaser is the only one I've seen.
@@thedeadonmusic1 that foam wasn't MXR. That was all that was available at the time. There's tons of electronics and lab equipment from the late 60s-mid 70s that have that same dissintigratingfoam
Dudes probably got more money in rare pedals than he does in his own company!
Yeah, but each and every one of them is a beautiful tax write off.
@@jlee2025 sweet sweet write offs
In thru the out door has to be one of if not the most creative pieces from zeppelin
Thurston Moore’s use of Blue box on Wildflower Soul off of A Thousand Leaves is pretty stellar. There’s Blue Box all over that record.
Yeah I think a Blue Box and a Phase 90 basically was his pedal board for a while.
Thanks for doing this, I worked at MXR back in the day and went on to work at A.R.T. after that. Rochester has been a center of the music industry for a while.
Ashly, Whirlwind, MXR, ART just to name a few.
Did A.R.T. and MXR have a thing going on at one point? I notice A.R.T. had an old harmonizer rack that looked identical to the MXR harmonizer rack.
@@theelectrodefunhouse4651
ART was created after MXR closed shop. MXR ended up turning into two companies ART and Alesis in a round about way.
There are a lot of similarly in early rack mount ART gear and MXR rack mount stuff. The slider equalizers, the pitch transposer and a few others. They for all intents were just MXR guts with ART outsides.
Peter, I remember another Rochester company, Gaines audio. I have one of their older direct boxes. DO you know anything about that company?
@@johnshotwell3803 No, sorry. I remember hearing the name.
I am by no means an expert on all things Rochester audio industry. 😃
I will have to look them up.
@@peterbrillian3291 If, in researching the company you happen across any of their direct boxes for sale, I am interested in acquiring more of them. By the way I live in Buffalo, so a trip to Rochester is possible to get them. Thank You.
JHS follower comments are some of the wittiest, cleverest, nerdiest, most hysterical comments I’ve read. Thanks JHS alpha nerds!
No, thank you, R. David Robinson.
Breaking news: Josh has now confirmed that he is, in fact, NOT our mom. A shocking revelation that will change how Josh doesn't tuck us into bed at night.
anyones your mom if you try hard enough
@@justafrog7997 true i guess lol
Josh doesn’t tuck you in? Dude you need to get on that. I get tucked in and read a story to
@@gunkanjima3408 dang, lucky. And I just realized, if it isn't Josh tucking me in, who is it?
@Harriet Tubman Are you wearing a mask right now? I'm not, but I'm a lizard person that lives on the reverse side of the flat earth. 🍆🆘️
All of my Love was actually written by Plant for his young son who died and he considers it the greatest Led Zeppelin song.
Also the album is unique as it was almost entirely driven by Jones and Plant as Page and Bonham we’re struggling with drug and alcohol addiction respectively and would only come in in the evening to record their parts.
The synth solo rules.
In the Eee--eeev...ning...
It's a phenomenal album. JPJ musical literacy is all over that one. Smart dude.
Maybe it should have been "Jones/Plant" instead of "Page/Plant".
I have a plant. Just thought I should mention it.
my fav LZ album .
Funny, this is the only Led Zeppelin album I never bought, because I didn't really liked it whenever I heard it being played. Apart from 'In the evening', which is one of my favourite songs.
Maybe I should give it another try.
Y'all, I found my grandmas electric mixer from the late 80s in its original box and I immediately said " She Has The BoX!" You got me guys
Favorite record with MXR Distortion+ is Sugar’s “Copper Blue.” I remember reading a Bob Mould interview in Guitar Player right after that record came out and finding out that was THE pedal.
Thanks! I was always curious what Bob used on that album.
Awesome album. I’m looking at my copy right now.
He used it during Husker Du as well
The Distorion+ is on some amazing records,all of Rowland Howard's stuff is just a Distortion+ set like a boost and the occassional Blue Box for weirdo freak noise. Greg Sage from the Wipers used a Distortion+ similarly to overdrive his Ampeg guitar amps and it sounds soooooo amazing with his SG special.
My favorite MXR record is "Crazy Train" ... Randy Rhoads through a dimed Distortion + into a Marshall. The Distortion + was also my first pedal purchase...circa 1980ish.
Wasn't the Marshall dirty channel also dimed?
@@AaronEddieHYoRandy's Marshall settings are every knob at 6 but Bass at 2 and Presence 5ish. Rock on
@@kraid80 thank you
In Through the Out Door and Presence are the Zeppelin albums that no one seems to remember and both are fantastic.
My earliest pedalboard, in the late '70s, contained an MXR 6-Band EQ, an MXR Envelope Filter, and a Noise Gate/Line Driver, along with a Univox Unicomp compressor and an EHX Hot Foot controller pedal, to use the compressor as both a volume pedal and a booster. The 6-Band EQ was labelled to indicate it provides 18db of boost and 18db of cut. Whether at all that was true or even realistic, it WAS rather easy to overdrive with the compressor, and that pair was my overdrive unit. But first, some MXR trivia:
1) The Phase 90 used a fixed sweep width, fixed feedback/resonance, fixed range, and fixed wet/dry blend. Earlier and later issues have *slightly* different sweep widths and resonance. One seems to be optimized for faster phasing rates, and the other optimized for slower sweeps, where a little wider sweep and more resonance improve things. The Phase 90 seemed designed as a compromise, that could sound decent at all speeds, with no further adjustments.
2) The Phase 45 uses an additional network around each JFET that improves immunity to distortion (since JFETs can clip if obliged to process hotter signals). A friend well-versed in the electronic aspects tells me that, as useful as the distortion-immunity can be, he finds the transition from clean to clipped rather sudden, and far prefers the more gradual transition to clipping of the Phase 90. But then, he specializes in synths, which tend to have much hotter levels than guitars, so maybe the sudden transition is something no guitarist would ever experience.
3) Many MXR pedals used tantalum capacitors. My sense - to be confirmed by others - was that the choice of tantalum caps was NOT for any sonic reasons. Rather, the pots, switch, and enclosures MXR used didn't leave much clearance between the controls and switch, and the back of the enclosure. So, using tantalum caps that could be easily bent over on their side allowed the circuit board to fit more easily. T'was all about saving vertical space.
4) Original Distortion+ pedals used a 10k volume pot. As a result, they sacrificed a lot of output level. Use of a 50k or 100k volume pot raised the maximum output level noticeably, so that you didn't have to dime everything to get a noticeable boost when you turned the pedal on.
5) For many years, the Envelope Filter remained my absolute favorite autowah, chiefly because, for an equal number of years it was the only one on the market with a variable Attack time, that allowed you to match the feel of the filter sweep to the needs of the song. As flexible as the venerable Mu-Tron III was, it couldn't do that trick.
6) The EHX Small Stone, also a brilliant pedal, was a 4-stage phaser with a multi-function switch and speed control, like the Phase 100. The Phase 100 employed 6 swept phase-shift stages, and 4 fixed stages. The 4-position switch gave the 4 combinations of more/less resonance and wider/narrower sweep. The Small Stone used/uses a 2-position switch that yields wider-slower sweep with more resonance, or faster-narrower sweep with less resonance. Unlike the Phase 90 and 45, the Phase 100 used photocells, instead of JFET transistors, providing a smoother and cleaner sound.
In Through the Out Door: When you learn that it was really John Paul Jones’ band all along
It took years to grow on me but now I think it’s their most original album
And the album that inspired me to buy a Blue Box ... which was a pedal that was virtually impossible to dial in. Thought I would sound like Jimmy on Fool in the Rain. Nope!
@@RMosack
Nobody ever mentions that it doesn’t sound as if it is only a Blue Box, it also sounds like a phaser is employed on it with the Blue Box. That’s what my ear always hears anyway.
Another cool seventies sub octave effect example is on Jeff Beck Wired album on Come Dancing.
@Busta Speeker The MXR Blue Box was (is?) a simple fuzz pedal that provided an octave down sound too. Heck, maybe it was two octaves. I can't remember anymore. But the big piece for me is that it was very finicky.
@Busta Speeker It's essentially a sub octave fuzz. A normal octave fuzz clips your signal so it's pretty much square waves, and then puts them through a circuit like a bridge rectifier, which phase inverts the signal. This flips the negative side of the wave cycle, which has the effect of doubling the frequency. The Blue Box instead uses a simple logic chip to count the heavily clipped waves coming in, and only passing through every third one I believe. It's a pretty simple circuit, and notoriously difficult to control.
“I love mystery even though it haunts me” hit real deep for some reason and I got real emotional with a mouth full of pizza on my lunch break because I also love mystery despite being haunted by it.
The O’Jays For The Love Of Money - the bass intro going thru a Phase 90 is killer!
I think Reverb and ebay should add a new category "Effect box" to help make Josh feel better.
Seriously.
Did you know there were multiple album covers for this record? There were about 5-6, all of the same scene, but taken at different angles at exactly the same point in time. The album was wrapped in brown paper bag so you could not see which version you were buying. Also, the swipe of "water" gives you another hint to a funky ink trick they used for the album inner sleeve. You can swipe it with a wet paper towel and the b/w print will change to multiple colors, allowing you to "finger paint" while listing to the tunes. I discovered that when I accidentally spilled a beer onto the sleeve and tried to wipe it off.
Thanks for the info! That is so cool. We need more of this in the world.
@@41DegreesSouth I have an original in through the out door album that was given to me, unopened in the cardboard sleeve with in through the outdoor lez zeppelin stamped on it and the angel stamped on the back, I still dont know which cover it is lol
This album package, similar to LZiii and Physical Graffiti, was Zeppelin taking full advantage of their contract, which stipulated the record company was obligated to cover all packaging costs...so they often went nuts...In Through the Out Door required Atlantic to print five different outer sleeves, a outer brown paper sack, and a watercolor inner sleeve...in the days when a gatefold was considered a luxury reserved only for superstar artists and double albums. Even with punk on the rise, LZ could still muster up something of extravagance...they took a lot of heat for it...considered by some,
a testimony to their so called “bloated dinosaur rock”...yet, the music on the in side was some of their most personal and heartfelt. The outtakes from these sessions that would end up on Coda would be some of their most ferocious.
@@stevenbristow8761 I was in high school when the album came out, and still have it and the various pieces.
I almost totally trashed the inner sleeve of my copy of this underrated album by using too much water to reveal the colours - went kinda furry. Which is not nice. Still got it, though, complete with original brown paper wrapper. Never owned an MXR Pedal, mind ...
I’m pretty sure Page used a phase 90 on “Achilles Last stand”, which is in my opinion the most underrated Zeppelin song
It is arguably their best song. That whole album is amazing.
Also on No quarter... fast rate phaser for sure.
That song is basically the formula for every Dream Theater song ever. Sort of. One of my favorites.
Everything comes together in Achilles, every member is reaching as far as they can. Yes, Led Zeppelin always did that, but this is the best example in my opinion. I few years ago I learned all the guitar parts and recorded it, there were so many more parts than I originally realized, I'd listen a little closer and "yep, there's another part I gotta learn".
@@plexibreath you know what, I never thought of it that way but it’s so damn true. Literally everyone in that song just goes all out and I think that’s why I love it so much. But yeah I mean even that intro has multiple guitars on it so you’d imagine the rest is pretty crazy
Curious if you're a fan of Ween at all. Dean Ween used the ever living hell out of the Blue Box. Every time I hear it, he comes to mind immediately.
Love the song names, please don't ever stop this show. I look forward to it ever week!!
For me, the first MXR pedal that always comes to mind is the Distortion Plus, and how it’s a key part of Bob Mould’s guitar sound throughout his career (Hüsker Dü, Sugar, solo work).
This wasn’t a video about pedals. This was a call for cards and boxes.
The jams have the best mixing I've heard yet from you guys, nice work Nick.
Man, it's cool watching you guys jam...
Y'all get 'better', every time I watch. Chord choices, drum tone... killer!
Phase 100 with the rate maxed + Minimoog playing a low E = the intro to "Cars"
Never realized the MXR Phase 90 was the sound of 70's porn. LOL
i usually think of an envelope filter or wah, is it actually a phase 90?
Phase 90 on Rhodes is the sweetest
@@KumoGoesFast oh yeah, you gotta have variety. Porn funk has quite a bit of variety, I know cause I'm a pervert!
It doesn't hurt to throw some fuzz on it too, or hair if you'd prefer.
Phaser is porno. In Italy it was a real classic on soft core films, b movies and things like that. It's hot and sexy...
Your passion for these little noise boxes is infectious. Thank you for sharing it with the world 🙂
You guys make the best show on UA-cam. Absolutely love it. Thank you. x
Wow, giving some love to MXR! I grew up in Rochester and my first pedal was a beat to hell Micro Chorus (still an overlooked but awesome versatile pedal). I still have it,, complete with crumbling foam. I also have the reissue, which is close to the original, but not identical. Your analysis was hilarious. I love MXRs simplicity. It wasn’t until I became an adult that I realized the magnitude of MXR’s influence on pedal design. You also can’t undervalue the ease of changing values with your feet - that rubber bumper on their knobs is dope! I took my micro chorus in to an electronics shop to fix the battery clip in the mid 80s and the guy there offered to swap out a component with another value because he had worked at MXR and always like that particular part better than the one that shipped with it. Until then I didn’t know they were from Rochester but it seemed totally normal. But it made me feel special.
Do you know which part and value? I'd love to try it out.
I will look and see if I can identify it.
I just want to say that I love this channel so much. Josh and Nick are good guys, and they make good videos that give me good feelings. Thanks for making good things, Josh & Nick! Edit: and whoever is the great bass player that jams with you guys, they’re good too.
This mxr history video was sick and one of the most chill and funny from jhs. The trading card dedication was a amazing touch. I learned today!!
My 3 series delay just came in the mail, and it is a fantastic upgrade to what I had been using. Thanks to you and your team for the opportunity to acquire actual pedals!
I just picked up a bud box distortion +. The thing is almost mint. Crazy how someone painting with a sears spray gun still looks this good 50 years later
i picked one up with extremely rare diode set but that one is beat to absolute hell 😂
@@jerryyeaaah15 oh nice. I dont know if mines rare or not lol. As long as it still works then who cares what it looks like lol. It kind if reminds me of a rat pedal but ive never had a ratt so i dont know
@@OxaudioPhilly nice its a great pedal none the less😄
Great episode, great brand. Got the Phase 90 (with the cursive logo) and the Blue Box. Just amazing ! It's funny for when it comes to talk about the Blue Box, people always mention Led Zeppelin or Jack White, which is pretty cool but I would definitely talk about the Birthday Party (Nick Cave's first band, before the Bad Seeds), especially their Live 81/82. The sound is massive and aggressive, it is pure violence and the lead guitarist, Rowland S. Howard only uses two MXR pedals : the Distortion+ and the Blue Blox, making unbelievable devilish sounds with his guitars and effects. If you never heard of it, pease check this record out (and their studio albums).
Great video, brother! I absolutely love the new JHS 3 line. You’re creating a very respectable legacy. Keep up the great work!
I love these videos. They open up my mind to so many more pedals that I can try out!
I'm pretty sure Death Cab used the Distortion + for Cath, a guitar tone I still can't get over
Really good song
Dave Murray from Iron Maiden used the dist+ for solos boost, the 10 band eq as an always on boost (along with a boss FA1) with his Jcm800 and the phase 90 for some solos like in Powerslave, the intro lead in To tame a land and Strange world.
Oh man. What a great episode. I love MXR. You have GOT to do a few more episodes. We need to see the cheap 2000 Series and all the great modern reissues and signature pedals. There's so much more ground to cover here. MXR Trilogy!
Always loving the pedal history lessons! Thanks guys
MXR distortion plus was Randy Rhoads' weapon... Awesome guitarrist, awesome pedal...
Some favorite recordings in which MXR pedals are used:
In Through the Out Door - Led Zeppelin: MXR Blue Box
Van Halen I, II, Women & Children First, Fair Warning - Van Halen: MXR Phase 90, MXR Flanger
Blizzard of Ozz - Ozzy Osbourne: MXR Distortion +
...and many more!
Iron Maiden + phase 90= Strange world, To tame a land intro lead, Powerslave solos and leads.
Thin Lizzy - Bad Reputation, Live and Dangerous, Black Rose (there's Phase 100 all over those albums, on both guitar and bass)
Randy Rhoads and Robin Trower both used the old M134 stereo chorus, the big yellow one with the built-in power supply - the only vintage analog chorus I know of that can self-oscillate (it uses a Reticon chip like the M117 Flanger, as opposed to an MN3002 or 3007 like most other chorus pedals of that era). They're really noisy, but they have a lot of range and headroom.
Andy Summers used the Dyna Comp on pretty much everything The Police recorded. I think that, along with the Echoplex, is even more crucial to his sound than the Electric Mistress. Oh, and speaking of Andy Summers, he used a Phase 90 on "Hole in My Life", another favorite of mine.
And think of how many great recordings were made using a Distortion+ and/or that blue six-band EQ. I believe Glen Tipton and KK Downing used those to boost their Marshalls, same with the Iron Maiden guys. Alex Lifeson used a Distortion+ from Hemispheres up until Grace Under Pressure (in front of Hiwatts, and then Marshall Club & Country combos). And all Vivian Campbell had for the first Dio album was a Distortion+ and a JCM 800. Before Tube Screamers and SD-1s, that was the typical go-to pedal.
@@kalebaldwin5398 dist+, 10 band eq and phase90 for Dave Murray.
Anything by the Police: Dyna Comp as well as some Phase 90 on the earlier records
Man I just love your videos Josh, you crack me up so much and I always learn a lot. Thank you
Try to watch the videos as often as possible. Although many of the pedal explanations are over my defoliated head, even at age seventy the effects are absolutely fascinating. Have been playing for three years and am still working at mastering pedals. Ah, if only I were younger. Please keep up the great work.
"He hasn't the box"
Good week, second JHS video 😁
When I see MXR,I think of EVH. That simple.
Love the channel Josh. The history of MXR was really intriguing. Keep doing what you are doing. Maybe an MXR Blue Box inspired JHS pedal?
Dude, these pedal history videos are great. Thank you.
Smashing Pumpkins using the phase 100 on their Siamese Dream record but my fave with the effect is Mayonaise, complete with op amp big muff!
Don't get snarky with me!
In Through the Out Door was the sound of High School for me. It was all over the radio when it came out. I still love All of My Love, it's just a song that resonates with a special time in my growing up. Lot's of other good songs too on the album, Carouselambra is a synth workout with a guitar break that works well. In the Evening uses a then new guitar effect the Gizmotron (a future episode???). I'm Gonna Crawl, is Zep at it's bluesiest. Hot Dog made the country charts! A lost gem because it was different.
This Deserves No Name. An incredibly stripped down and basic track that really brings me back to the early days of pedal demos and gives and extremely accurate depiction of the noise gate. keep on keep'n on
Quality content as always! I come for the nerdy stuff, stay for the jams.
Have an old '77 Distortion + which was sold as a reissue for dirt cheap, but turned out to be the real deal. Cleanig out the dreaded foam had me swearing like a sailor, but even after playing many dirt pedals nothing beats a D+ into an old cranked Marshall!
Some great Distortion+ sounds on Wire’s “Chairs Missing” LP.
Hell yeah
Bob Mould from Husker Du also used a Distortion+, along with an Eventide harmonizer/detuner. My favorite punk tone ever.
The Blue Boy is what Jimmy Page used on his solo on “Fool in the Rain.”
Blue box
@@BillDerBerg blue balls
Josh, totally love your channel. I've seen every single video. And now, I think one of the only things not covered yet is loopers. Would be amazing if you can put together a looper history video. You're a legend, keep it up
Oh my god. This channel is gold. How on earth can a man be so kind and spot on?? Im gonna buy some of his guitar pedals, and how can I send him some of my broken pedals?
Love from Greenland
The trading card bit made me spit out my strawberry juice!
I hope Spirit doesn’t demonetize you over using their riff.
ha I see what you did there. I'm just glad there's not signs in guitar shops that say no taurus cuz I am one and that would be confusing ; )
Dudes! Well done on the Productions boys! This was such a great episode! You're killing it!
Immediately I thought Fool In The Rain when I saw MXR in the title. Wish our border wasn't closed so I could do a quick trip to Rochester and see what I can find. That city has so much amazing music industry history, it's unreal. Check out The House of Guitars if you're ever in Rochester.
Thank you for doing record time, Josh! It took me a while to start listening, but I finally stopped skipping the section and listen to the music. It helps me break a bit outside of the musical bubble I'm in and I believe that might help me become a better musician, listening to unfamiliar records.
The current MXR custom dirt pedals are all very very good sounding useable pedals.
Dave Murray used a MXR Dist + on Iron Maiden’s classic álbuns.
Also used a Phase 90 for his solos when playing live, EG Live after death
So I am new to pedals. I have used effects boards in the past but have always been dissatisfied with the sound and complexity of them. I sold my boards and have been buying numerous pedals and have been very happy with the outcome and also the journey of learning about all of these.
I am extremely impressed with and happy with my MXR products. They sound fantastic and are super durable. And the look is great. The color schemes make seeing your pedal choices in a dark room super easy.
I am new to JHS and made my first purchase because of this show. I got the Notaklon and found out about this unique sound because of this channel. I also bought the JHS compressor.
This show has given me such great education and has placed JHS products firmly in the mind as a top product. This channel is fantastic branding and it’s clear why the guy who made JHS has been such a success. Can’t wait to see more.
When you started playing the demo of the Blue Box, my 5 year old ran over to watch the video. I didn't even have to do anything, your playing and that sweet sound was enough. Well done.
Was the first distortion peda I remember in the 70s, was like magic
If I had kept all the pedals I bought during the last 40 years I'd have a wall display just like Josh's.
All of value or some trash too?
I did. lol With c19 and a permanent job loss I live off of selling them. The 50 great ones are all gone. At 73 one just gets philosophical about it all :-) I spent my life doing my own original material so even had and sold a couple of 50's LPs, an original V, a 63 Strat, a Firebird and more great stuff . I always live in the present. I wrote 21 new tunes over about 3 years and am rehearsing my power trio to present them. I am on my third 50 watt Plexi. This one does not get sold! I have 70 pedals split onto 2 boards patch together to play live. I better stop here before I write a book.LOL
@@Paul_Lenard_Ewing oh I'm sorry for the first part but glad you enjoy your present and have a band to have fun with. keep rockin'
That Phaser 45 and Dist+ may be the best sound of the video. Until I saw this, I didn't know that I needed to know all this MXR history. Why? Because you, Josh, have a contagious pedal nerd curiosity that gives an appreciation to the evolution of the sounds we are chasing. Well done.
Made me smile when you mentioned the DIY BUD box. I worked at Bud Industries in Willoughby, Ohio where these boxes were manufactured, painted, boxed and shipped. We also made huge rack mount cabs for various electronics. This was a summer Job while attending college. But my first mxr phase 90 sadly was not in a BUD box. But I loved it none the less. Sounded great with guitar and keyboards.
Guitar shops like people who play “In the evening” still a brilliant album.
Rochester NY represent!! 🤟
Your video editor is really good! Love MXR!
Great video Josh! I just finished modding my old 6-band eq and Dist+ with true bypass switch, dc jack and LED. I got rid of the battery snap in the dist+. I was inspired by your modding vids and pedal building vids, thanks for making those!
Weird details and collections but TOTALLY skip over the fact the In Through the Out Door had 6 different covers and came wrapped in brown paper?
Also, if you wet the album slip covers the drawings on them would turn different colors. I learned this by accident when I spilled a drink on one.
"Alissis?" I thought it was always called "Aleesis..."
Ditto
@@bud9269 Alesis wedge reverb and quadraverb2 racks are really nice and cheap
@@DynamicRockers considering i already spend waaaaay too much on music stuff, ill have to check those out too! Lol
For some reason I always said ‘Alay-sis’, which is also wrong.
@@bud9269 I bought a quadraverb2 in August for 50$ and the big reverbs like the hall and the routing capabilities are really worth it
Just got my first JHS pedal today. Love it and I love you too buddy ❤️
Another great episode! Thanks Guys! Well, talking about MXR sends me straight into Van Halen first album and also Jack Wylde´s basic sound as well; amazing pedal company. Nice show!
The Melvins - Houdini - Blue Box
Petition for JHS to start using foam in the back of their pedals, as a tribute.
noooo I can only imagine what that shreded red crepe paper is gona look like in 40 years ha .
Thanks guys, this was a fantastically great episode.
Favourite MXR music? The Birthday Party and Rowland S Howard (who used a Dist+ and very rarely a Blue Box)
Man, I'm loving your videos every day a bit more!! Please, do more MXR/Pokemon and Details that no one should worry about stuff!! I'M LOVING IT!!!
If a Bud box ever walks in to my pawn shop I'm buying.
I'm sure you guys will make a fair offer for it too and not pretend offering 1/5 of its value is the best you can do.
Pacific Beach Loan and Jewelry. That's just not the way we do business.
How did “Incubus Stone” win out over “Rolling Bus”?
Thanks Josh, very informative and entertaining as usual. That solo on Fool in the Rain was one of Pages most unique I'd have to say. I was in a cover band in the early 80's that covered that tune as well as a few others off that same record, and getting that weird 'Octave' sound was quite a challenge without a pedal. I later found some sort of 'Octave Multiplier' pedal which I can't seem to recall the name of, but nailed the sound to a tee! Too bad our band was no more by then, but it certainly was an interesting tone.
Nice video, as always, i love the mxr analog chorus (m-234)
First pedal was an MXR Carbon Copy. I still have the BOX, paperwork and receipt. I miss 2008.
I got the Carbon Copy when it'd just come out. I was just getting into playing with effects and the guy at the shop told me, "This one's it. Forget every other delay pedal." Totally biased take, but I agree with him to this day.
@@magentalane27 I spent many hours watching Andys Proguitarshop on UA-cam, I didn’t realize how cool pedals were. The first pedals I really wanted 2007-2008 was EHX small clone, stone Russian Muff and Electric Mistress, and OCD. I’m extremely fortunate enough to say I’ve either owned or tried many of my dream pedals.
I'm putting 2020 into the same moldy box in the back of the garage that holds 2008... I'm going to try to forget they both ever happened, besides all the money that disappeared.
@@michaelcarey9359 man hopefully things get better my friend
Phase 100 used all over London Calling album
I’m so excited for this. I’m from the same town and have a huge pride for this!!
What a good episode! I love my mxr pedals. Phase 90 and carbon copy. I had an EQ by mxr at some point, it had a a built in power chord, and I don’t think it had a switch, it was just on.
Got the sugar drive, got the mini fuzz, got the analogue chorus. I will punch in the throat if you get too close to them.
Oh yeah, the 10 band eq too.
If you're going to go about making bold claims like "I'm not your mom" you're gonna have to give me some proof you're not my mom. I am ready for my DNA test if you are?
My introduction to MXR was actually not guitar but synths. Tony Banks of Genesis was an early adopter of the MXR Phase 100 which he built into his RMI Electra piano (as can be heard for the first time on The Lamb Lies Down on Broadway record). From 1977 onwards he used the Phase 100 as replacement for his Leslie speaker, in conjunction with a Boss CE1 chorus.
The Distortion +, 10 band graphic EQ, and Dynacomp pedals were mainstays in his rigs till 1986. Mike Rutherford used the pedals and the rack units too (the flanger on Follow you Follow me is MXR rack flanger), and of course Steve Hackett adopted the MXR Phase 90.
I find it fascinating that you make such awesome pedals yourself, yet focus so much devotion, respect and time to showcasing other peoples work.
Do you ever talk about your motivations behind this in a video? What do these other builders think of being on your show, it must be an honour!