Thank you so much! You are helping so much by making these beautifu, clear videos. The details and your voice is very pleasant and clear and the students so lovely as well.
Maam I have learned only 1st year,,,and now I m not continuing,,,but u teached so well ,,,,love u mam,,,,, specially u teached chakkar,,,I liked it so much
I think here the main focus is of the hand movements rathet than tatkar ...its just for maintaing the rythmic pattern and execution.....as far as the kathak is concerned we could make several rythmic improvisation by our own wish ...not bounded !!!!!
Thank you so much Dr. Dutt. I am learning a lot from you despite being oceans apart in USA.
Thank you so much! You are helping so much by making these beautifu, clear videos. The details and your voice is very pleasant and clear and the students so lovely as well.
Goddess
Maam I have learned only 1st year,,,and now I m not continuing,,,but u teached so well ,,,,love u mam,,,,, specially u teached chakkar,,,I liked it so much
very gud video for all
kathak students
thank u ma'am for making this video for us
So comprehensive and beautiful. Outstanding teacher
Very good video for all kathak students
Out standing teaching
Thanks Ma'am for the videos.
Variation in tempo called laykari
Tnq Mamuni 🙏❤
pranaam guru maa
Mam plz new videos bhi banaiye.
Thanks a lot for all that you've been to me madam ! Perfect lessons indeed! Proud of you!
Excellent teacher
Recitation of rhythmic Syllable called Padhant
Ye kamal nhi samj aara mujh
Hasta sanchalan movement of the hands
guru maa kya mujhe aapki vidio hindi language me mil skti h
Could you kindly tell me the name of Madam Guru who is teaching this classes, and a contact e-mail? Thank you!
Can anybody spell the layas, please?
Footwork is called Tatkaar
Thaa,Dugun,Chaugun is Laya
Thanks Mam...
madam i m very grateful to u
Tempo or speech is laya
22:10 पे सबके तत्कार अलग जा रहे है,,,हस्तक ठीक है,,,तत्कार गड़बड़,,,1ली और 8वी मात्रा दाएँ पैर पे आनी चाहिए ,,,
I think here the main focus is of the hand movements rathet than tatkar ...its just for maintaing the rythmic pattern and execution.....as far as the kathak is concerned we could make several rythmic improvisation by our own wish ...not bounded !!!!!