I think the thing I love most about Sarah is that it looks like she understands she's 'just' another instrument in someone else's song. Watch how she just dissolves into the background when it's not her turn at the mic. Is she the "full send" in this version? Yes. I don't think she sees it that way. I mean look at her smile!
I love that she comes in in full voice. It was kind of startling, especially in light of the gentleness of the original version and most of the covers. Got my attention in a hurry! Killer version
@@Liofa73he's got the preamp hot enough to pick up the band standing far away, and she's right on the mic. That's why she sounds blown out, too. If you watch them when they play around a single mic, they're always backed off. Just something that happens with one-off appearances
The timing in this version is just magical. I mean damn. So much of the mandolin here was percussive, and Thile just brings it. I was skeptical bc the MA versions with various singers are so good. And SJ just pulls you into the song.
Saw Sarah about a decade ago. It was Garrison’s last APHC tour. She rocked Dylan’s Ring Them Bells. This is a great cover of a fantastic and underrated band. The Punch Brothers (another APHC alum) are just fantastic.
That full send voice!! This performance stands out as the best cover of the song I've heard. I keep listening to it. A thousand unstoppable giants slowly stepping towards me. She makes that song into a powerful creeping movement. Unreal!
This version of this song changed my life. Total and complete masters of their art. Every ONE of the band. Damn! Do you see the protagonist and antagonist in the dual between people? Holy fuck. And THAT VOICE! Thank you. ❤
Oh. My. Goodness. From this lineup, we'd know to expect technical mastery *and*inspired adoption of wildly cross-genre material. Even so, my expectations drop on the floor, replaced by "Wow." So the deep roots support strong new branches, particularly where Ms. Jarosz is involved.
It’s different from Elizabeth Fraser’s version, but there’s something to be said for this full-voice belted take. Pretty damn good version of such an iconic song.
“Crushes” is the right word, but not in the way intended. I usually love all these artists but ouch, I didn’t enjoy what they did to a truly awesome song. Original version 1000 x over.
She ate that up, y’all.
I think the thing I love most about Sarah is that it looks like she understands she's 'just' another instrument in someone else's song.
Watch how she just dissolves into the background when it's not her turn at the mic.
Is she the "full send" in this version? Yes.
I don't think she sees it that way.
I mean look at her smile!
Legend has it that if you listen closely on a still, moonlit night, you can still hear her holding that last note.
Just saw Sarah on the Polaroid lovers tour. She includes this song in her set and it rocks the house!
She did such a great rendition
@@lapointdaniel true.dat
Facts!
But they're 'Annabelle Lee' literally ripped my soul out.
Happy to have been 10 feet from this woman singing.
I love that she comes in in full voice. It was kind of startling, especially in light of the gentleness of the original version and most of the covers. Got my attention in a hurry! Killer version
I was the opposite. I think it’s too much. The sound engineer fucked up there.
@@Liofa73he's got the preamp hot enough to pick up the band standing far away, and she's right on the mic. That's why she sounds blown out, too. If you watch them when they play around a single mic, they're always backed off. Just something that happens with one-off appearances
Noticed the same exact thing
The adaptation for acoustics is genius… the vocals are flawless… the creativity on the percussive strings are intense and dynamic 👏🏻👏🏻👏🏻
A friend just shared this and I've watched it 6 times now. The energy, the way you all build it so beautifully, stunning!!
CHRIS BRINGS OUT THE BEST IN HER
Holy shit. Wow. Fantastic cover, that's coming from a HUGE Massive Attack fan. Incredible voice. I hope Elizabeth Fraser hears this someday.
I've been sitting here with my jaw dropped so long after watching this that my tongue has got a parking ticket. That was SO good!
Sarah Jarosz is such an incredible singer, and this is a great version of this song.
This is really good.
Love it. And Sarah’s big smile at the end says she does too.
Such incredible talent. We're all really blessed to have Sarah!
Don’t know if anything has ever been slayed to the level that these folks slayed “Teardrop” fucking magnificent!
Jarosz crushes everything. She is so talented.
Absolutely amazing
Man, earworm city. Now I’ll be unconsciously humming this all afternoon….
Wow. That was something I didn't know I needed. Chris and Sarah just get one another.
Amazing! Sarah's voice has gotten so solid I think there's no equal.
She is an amazing artist and one of my favorites
It’s so funny to see these two types of music, both of which I love, be blended into such a cool version.
But..but..I'm lost for words! 🤯 🤩
The timing in this version is just magical. I mean damn. So much of the mandolin here was percussive, and Thile just brings it. I was skeptical bc the MA versions with various singers are so good. And SJ just pulls you into the song.
What the heck, where were these people all the time? This is amazing!
Oh. My. God.
One of my all time favorite songs- done by Sarah and the Punch Brothers???? Holy crap!
They are one of the best bands on the planet. No question. This was very nice
Suddenly I’m on another planet too bro !👽
That Is Incredible☝️
Briljant!
yowzers! this was epic…what a voice!
Saw Sarah about a decade ago. It was Garrison’s last APHC tour. She rocked Dylan’s Ring Them Bells. This is a great cover of a fantastic and underrated band. The Punch Brothers (another APHC alum) are just fantastic.
Bravo! Cheers from Texas.
NOW IM CRYING Damn it
That last note.... WOW
powerful voice! sounds like Heaven!
That full send voice!! This performance stands out as the best cover of the song I've heard. I keep listening to it. A thousand unstoppable giants slowly stepping towards me. She makes that song into a powerful creeping movement. Unreal!
Aurora’s the best cover. By a country mile.
Holy moly, pure magic. So damn great!!
Beautiful. Thank you
Aaaaaahhhhhhh!!!!! That was so F-*#! amazing!!!! wooooooooooooo!!!!
Honestly.
Mr big on the banjo kills this.
Yep, I had chills through that whole thing!!! Great song done by some of the finest musicians out there! Nice work!!
At one of the best Festivals anywhere.
Wow!
This needs more love
Holy , WOW !!! this simply is .
Simply have to agree with you Stewart.
You speak my very soul. 😢❤ And I love you all for that. It’s what I’m needing, especially now.
This just melted my brain!!!!!!
Hauntingly beautiful!
I really love this. Great!
That's a lot of wow.
3-D, Daddy G, and Mushroom would all love this, as would Liz. ❤❤❤❤❤❤❤❤
Bring back "Live From Here"!
Here! here!
Dang!.... that was awesome!
Beyond good. Each one on stage is a virtuoso, this time Sarah gets the spotlight.
Indeed. What a set. All of em...
@@Dloomis494 Watch it at 0.75 for the full effect.
This version of this song changed my life. Total and complete masters of their art. Every ONE of the band. Damn! Do you see the protagonist and antagonist in the dual between people? Holy fuck. And THAT VOICE! Thank you. ❤
WOW!!
Wow 😮 this was great
Wow. Unreal.
Chris is my new favorite drummer
Yay Sarah!!!! xoxo
the version she did on Prarie Home I liked too
very nice
Get yourself to the Grandfather Mountain Highland Games, Lady☝️
Love you!
Smashed it
Unbelievable
Oh. My. Goodness. From this lineup, we'd know to expect technical mastery *and*inspired adoption of wildly cross-genre material. Even so, my expectations drop on the floor, replaced by "Wow."
So the deep roots support strong new branches, particularly where Ms. Jarosz is involved.
Killer!
Instant Crush
❤
Dang
LTFP, THANK AGAIN
Thanks for watching Bill!
😊😊😊😊
Fantastic version. Check out Larkin Poe as well.
Kudos to Paul Kowert on bass making great use of his extension. Not easy and perfectly in tune.
Killer, Mon Dieu!
I miss life in Vermont.
Like a minstrel band coming out of the the forest through the big front gate of an old medieval castle
Adore and love PBroz but I have a new crush
Not often you hear an all-percussion interlude on five stringed instruments...
Omg. Goosebumps edit: now there are tear tracks running down my cheeks. I think this song is about abortion, by the way
It’s different from Elizabeth Fraser’s version, but there’s something to be said for this full-voice belted take. Pretty damn good version of such an iconic song.
WOW sIUper GREAT, but the Punch Bros. do a little more crushing over here ;-) !!
Sarah is brave to get near the mic while Chris is having those mandolin convulsions, lol
I love the mandolin convulsions!So cool 😎
This totally gives me Dr. House MD vibes just sayin
🤍💛🧡💗💚💙💜🤎🖤✌
wait what?! :):)
Noice
I believe the translation of Curly's comment should read, "Nice!"
What is that guy doing??😂
As much as I am a fan of Sarah ja Chris, every Teardrop cover after AURORA just seem kind of tame
My god, Chris Thile is so awkward.
I love her vocals & the music, but the violin bouncing was not my cup of tea.
“Crushes” is the right word, but not in the way intended. I usually love all these artists but ouch, I didn’t enjoy what they did to a truly awesome song. Original version 1000 x over.
Nope
Sorry, everything about this is awful.
Terrible
Dam sarah well done