Les barricades mystérieuses by François Couperin - Sören Alexander Golz - classical guitar
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- Опубліковано 12 вер 2024
- Sören Alexander Golz from Germany plays "Les barricades mystérieuses" by François Couperin (1668-1733), arranged by David Russell.
Guitar: Thomas Humphrey Millennium 1994, spruce.
Location: Katholische Kirche Dillenburg, Pfarrsaal.
Thanks to D'Addario Classical Guitar Strings for the support!
Thanks to Johannes Monno for the recording.
More information: www.soerengolz-guitar.de
Magnifique interprétation !
Sehr schön und elegant gespielt!
Dankeschön!
Ein wunderschönes Stück Herr Golz! Dankeschön.
Herzlichen Dank! :)
Wunderschön gespielt, Sören!!
Danke, Nicola!
Fantastisch!
Vielen Dank! :)
Das ist super schön, Sören! :)
Danke, liebe Judith!
Bravo, sehr schön!
Danke Dir! :)
Wunderbar!
Danke dir!
beautifully played. The scarf suggests a cold room, but I didn't affect your playing.
Thank you!
Very well played, but why did you shorten the strings ? Longer strings -> better sound.
you are certainly a very skilled player, however i don't think this song was ever meant to be so smooth or legato. It appears that you feel the song very deeply or maybe you soften it so much one note doesn't even play from time to time. I cannot play that song myself with the ease you display but i like the original arrangement from Russel a lot more than yours. Also i consider these are not the same but can tolerate a comparison. Congratulations.
I mean i understand a song you like very much is the most difficult to properly focus on because it carries your mind away during the very playing of it.
I think this IS the Russell arrangement. Just played more smoothly. Soeren Golz, as asked by Russell himself in the sheet, honestly credits this (not the case of all guitar players). I’m ok Russell plays it in a very brilliant way, trills and appoggiature sounding like an harpsichord and it’s waooo and probably, as you said, more in couperin ‘s spirit. But here, it’s another mood, more meditative and introverted, and it sounds good to me that this music is still living music and is not locked in a museum. We are not obliged to choose one against the other. I’m happy to live in a world where both interpretations exist… but I highly appreciate the respectful way you gave your opinion. Such a rare thing.