I watched a movie Starring Zoe Kravitz called KIMI, was entirely shot on the RED Komodo, and Leitz cine lenses...looked epic enough to me, regular audience would swear it was shot on a high end cinema camera.
Question. My red camera turn on at first. Connected via dc-in. A test was conducted. And then, at the second power-up, it turned on, but after 30 seconds it went out. And it didn't work out any other way to turn it on. And they said that 4 boards were burned, how could this happen?
Whoa, never heard of that happening. Sorry to hear that. I know some people accidentally blow out their SDI port/card, but yours sounds extreme. All I can think of is some kind of unregulated power issue causing damage.
@@BlakeCalhoun Thank you very much for the answer and for your compassion. Can you tell me what the expiration date of the camera is? Could it have been a marriage or just a glitch over time?
If it’s an older RED camera, technically it could go out over time, but there are a lot of RED Ones still around (from 2007) that are working fine, so that’s a little bit puzzling. Would suggest contacting RED.
Sounds very much like a power surge from mains power into camera. Best practice would be to have a powerbar with surge protection in your kit bags so no matter what happens between the main power and the surge protector, all your gear is protected. SDI issues come from connecting and disconnecting the camera through partially powered items as the 12g cable carries high current and can then short the weakest link that is switched off or on on the other end. The process for connecting devices is in documentation and on reds UA-cam documentation. Really simply don't connect or disconnect the sdi cables until both ends have power. I hope you managed to get that sorted without too much financial pain.
Hi sir I am planning about making an indie feature film mostly horror and thriller. I am looking at sony fx6 and Red komodo right now. Which one would you recommend for me ?
I like the Komodo and the look of RED in general as it just “looks like a movie” right out of the camera. The FX6 is great too, and it’s more of an all-in-one video camera versus having to build the rig like with Komodo. And it’s a great option for documentary or run & gun style shooting. But for narrative fiction I prefer RED, but you will need to customize your rig. Best of luck with your film!
Excited for you! Been watching your content since high school.
Thanks!
I appreciate you sharing your knowledge and experience with us. I own a Red Komodo and I definitely want to see how you use it. Thanks!
That’s cool you own one too. Great time to be filmmakers. Thanks for watching!
Same.
All the best to you on your endeavors sir. I just brought a Red Komodo as well. Hope to shot my first with it soon also.
Thanks! Fun camera to use so far. Good luck on your projects.
@@BlakeCalhoun Thank you sir
I watched a movie Starring Zoe Kravitz called KIMI, was entirely shot on the RED Komodo, and Leitz cine lenses...looked epic enough to me, regular audience would swear it was shot on a high end cinema camera.
Oh yeah, I saw that. Soderberg movie. I didn’t realize that was Komodo. I knew he liked RED though. Thanks, good to know!
Question. My red camera turn on at first. Connected via dc-in. A test was conducted. And then, at the second power-up, it turned on, but after 30 seconds it went out. And it didn't work out any other way to turn it on. And they said that 4 boards were burned, how could this happen?
Whoa, never heard of that happening. Sorry to hear that. I know some people accidentally blow out their SDI port/card, but yours sounds extreme. All I can think of is some kind of unregulated power issue causing damage.
@@BlakeCalhoun Thank you very much for the answer and for your compassion. Can you tell me what the expiration date of the camera is? Could it have been a marriage or just a glitch over time?
@@BlakeCalhoun One more question. Can 4 boards burn because of one action?
If it’s an older RED camera, technically it could go out over time, but there are a lot of RED Ones still around (from 2007) that are working fine, so that’s a little bit puzzling. Would suggest contacting RED.
Sounds very much like a power surge from mains power into camera. Best practice would be to have a powerbar with surge protection in your kit bags so no matter what happens between the main power and the surge protector, all your gear is protected. SDI issues come from connecting and disconnecting the camera through partially powered items as the 12g cable carries high current and can then short the weakest link that is switched off or on on the other end. The process for connecting devices is in documentation and on reds UA-cam documentation. Really simply don't connect or disconnect the sdi cables until both ends have power.
I hope you managed to get that sorted without too much financial pain.
Hi sir I am planning about making an indie feature film mostly horror and thriller. I am looking at sony fx6 and Red komodo right now. Which one would you recommend for me ?
I like the Komodo and the look of RED in general as it just “looks like a movie” right out of the camera. The FX6 is great too, and it’s more of an all-in-one video camera versus having to build the rig like with Komodo. And it’s a great option for documentary or run & gun style shooting. But for narrative fiction I prefer RED, but you will need to customize your rig. Best of luck with your film!
@@BlakeCalhoun Thank you so much sir Appreciate it.
A lot of money for a camera, but I guess for film making it’s what you need. But iPhone is ok for UA-cam. Excellent videos as always 🙏