I only play the piano,but I can really tell Augustin’s interpretation of this concerto is indeed beautifully unique and sounds different from the others…
Thank you very much for uploading this jewel! In short: Augustin Hadelich is the best violinist in the world. The Russians themselves accept that he is the new Oistrakh, the new Milstein. It's a reality. The proof, just try BWV 1004 (chaconne) vs Milstein... Augustin is an equal. All the other violinists are below. I start this year saying what I think, expressing my feelings von ganzem Herzen.
The only flaw of this recording is that the orchestra wasn't quite with Hadelich when the fast triplet part started in the first movement. Apart from that this is just perfect. The best interpretation of a beautiful piece played by a beautiful person! Augustin Hadelich you are one of a kind! Please don't stop singing to us through your violin any time soon!
So emotional expressiveness! It's seems like his violin lives its own life. Sometimes crying, sometimes laughing...I CAN ALSO FEEL HOW AUGUSTIN Takes a breath
What refreshing rendition! I absolutely adore Hadelich's rhythmic pulse--you can feel it (e.g., 4:46, 17:03, 22:46, 27:15). As in music should breath, his Mendelssohn courses through the listener's veins. But of course, the conductor and orchestra is a perfect duo to Augustin's musical sensitivity.
@@paulofreitas3606 Thank you for directing me to Ray Chen’s fabulous, sparkling performance of the Concerto. Your comment caused me to think deeply about why I like Hadelich’s performance so much. Let me say to begin with that I have a deeply emotional relationship with this particular concerto of a personal nature. That being said, I think that the lyrical and nuanced emotional depth of Hadelich’s is pivotal. There is also a traditional/historical element to the performance that captivates me. The conductor is also to be especially appreciated with his own hands-on understanding of the music and of the violin. No disservice to Chen, who has so many wonderful qualities as well. I think you might find the following discussion useful in understanding why my choice of performances is such as it is . Again, thank you for weighing in on these weighty matters! Here’s a link to the referenced clip: ua-cam.com/video/jngtV8vcZXs/v-deo.htmlsi=vRIbsTfsvfwlxUmT 0:59
ESSE VIOLINO DO AUGUSTIN HADELICH CANTA MAIS QUE OUTROS. ALGUÉM SABE ME EXPLICAR SE É A QUALIDADE DO VIOLINO OU A EXCELENTE PERFORMACE DO VIOLINISTA????
I think if Maestro Hadelich played this on my mother’s high school violin, it would be astonishingly beautiful! I think it’s all his spirit and virtuosity. Amazing!!
Hadelich himself said in connection with the Mendelssohn that this 8nstrument has a singing quality and it's what convinced him that this was the instrument for him.
L'instrument peut être le plus parfait au monde maia sonne divinement parce que sous les doigts splendides et les battements du coeur d'Augustin. Point. ❤❤❤❤❤❤❤❤❤❤❤❤❤
Hi I’m not criticizing or critiquing in any way shape or form. I’m learning. Having said that… 8:34-8:44 the part where Hadelich is doing a solo where the orchestra joins in..? I noticed he seemed to not have had it quite right sounding for the conductor to signal the orchestra joining and then there is a subtle ‘thing’ which I barely noticed that then allowed him to play it the way the orchestra could join and continue on. Please tell me a novice to this wonderful world noticed a subtle way in which a live orchestra and all members didn’t even skip a beat? Amazing and beautiful
Oh and the reason I’m watching this is I wanting to see if Hadelichs pain comes through in this song which to me provides the greatest feeling of this song. When done by someone who understands it. I feel the Jewish players whom are numerous after the war, play this so and absolutely so perfectly. They can make me cry and it invariably always make me think of the holocaust and reminds of what the whole Jewish community put up with then. And now and since the beginning of our written history. Anyways And no I’m not Jewish. I love to hear pain come out in music that has no words.
Most people slow down a lot before the end of the cadenza, and he just decides to play it faster. And the signal for when to enter is very clear, and does not need to be signaled by the soloist
Aww, did the original channel delete the Mendelssohn Violin Concerto in E minor? I remember religiously watching the whole thing on Agustin Hadelich's channel nearly daily (A recording of this very same concerto except it all had 3/4 movements and it had a fancy thumbnail with a fading applause on the end) except I can't find it on his channel anymore.
He must have deleted it or made it private, because I can't find it anywhere either. If I remember correctly, the recording was with the Orquesta Sinfónica de Galicia.
@@violintegral I think so too. It had the same thumbnail design as his recording of the Sibelius Violin Concerto in D Minor. What I did instead - since I missed it so much lol - is that I managed to compile the three movements (It sounded REALLY similar to the deleted/private video) and just shoved them all in a video. I have it on my computer right now and I'm currently blasting the shit out of it on my headphones.
@@enarkabul4780 Yeah, I know, it kinda sucks. It reminds me of that recording of this guy named Ziyu He. Anyway, he played this piece by Paganini (Nel cor più non mi sento) and the original video - for some reason - either got deleted or was put in private by the original poster (The Official Menuhin Competition Channel, though I'm not sure). Thankfully, a fan who had the full video reposted it and people are flocking to it once more lmfao.
Wow, what a refreshing cadenza! Finally, a fresh interpretation.
I only play the piano,but I can really tell Augustin’s interpretation of this concerto is indeed beautifully unique and sounds different from the others…
Unbelievable! Every piece from Augustin Hadelich is so beautiful and expressive, makes your heart melt.
das was ich meine..
Augustin Hadelich, the new David Oistrakh of the 21st century, is at a level unattainable today.
That's a strong statement but I agree.
No, he's the new Augustin Hadelich of the 21st century❤❤😂😂
In some ways even surpasses the old guard
Nahh oistrkh is unique
Augustin: magia della Musica.
Grande grande grandissimo artista. Vero artista.
Mi commuove sempre profondamente ascoltarlo.
Grazie, Augustin 🙏
Thank you very much for uploading this jewel! In short: Augustin Hadelich is the best violinist in the world. The Russians themselves accept that he is the new Oistrakh, the new Milstein. It's a reality. The proof, just try BWV 1004 (chaconne) vs Milstein... Augustin is an equal. All the other violinists are below. I start this year saying what I think, expressing my feelings von ganzem Herzen.
The only flaw of this recording is that the orchestra wasn't quite with Hadelich when the fast triplet part started in the first movement. Apart from that this is just perfect. The best interpretation of a beautiful piece played by a beautiful person! Augustin Hadelich you are one of a kind! Please don't stop singing to us through your violin any time soon!
So emotional expressiveness! It's seems like his violin lives its own life. Sometimes crying, sometimes laughing...I CAN ALSO FEEL HOW AUGUSTIN Takes a breath
Absolutely
Totally agree!
Unbelievably beautiful, Thank you, Augstin.
Mille fois BRAVO, c'est tout simplement merveilleux, merci.
He plays the violin like it is a breath.
Beautiful playing. Not only is the iterpretation lovely, it also has new insights and understandings. Thank you
You're welcome. It's indeed an excellent performance!
bow down to the king of violin.
So beautiful and the musicality is out of this world ❤❤❤
Brilliant. He is on the level with Perlman.
The conductor was himself a fine violinist leading a famous quartet.....what a bonus that he and the orchestra are in splendid form❤❤😊
He is like a wonderful mix of Zuckerman and Minz, with a little Oistrakh. Impressed with him more so than anyone else in his generation.
Me too. He has his own separate place on violin Olimp, I guess
Do you speak Russian?
What refreshing rendition! I absolutely adore Hadelich's rhythmic pulse--you can feel it (e.g., 4:46, 17:03, 22:46, 27:15). As in music should breath, his Mendelssohn courses through the listener's veins.
But of course, the conductor and orchestra is a perfect duo to Augustin's musical sensitivity.
Браво, Маэстро!!! Примите самые искренние восхищения!!!
I wasn't paying much attention as I did my "siesta" until the cadenza fully woke me up! BEST CADENZA EVER!!🤗
Special thanks for woodwind group. Guys, you are the best! It's not easy to keep up with such a performer. Bravo!
Absolutely speechless. This is beyond magnificent ❣️❣️❣️
I agree.
Mille fois bravo!!!!!
in a word, just speechless. I have never seen or listened like this kind of perfect/beautiful Mendelssohn 3 rd op.64 before. in my life.
Amazing!👍👍👍
Excellent comme toutes les œuvres qu'Il interprète
BRABO MESTRE!!!FANTÁSTICO CONCERTO!!!🎉😊🎉😊🎉😮
Великий МУЗЫКАНТ! так тонко и благородно!!!
The camera men was focusing all players and director instead in FOCUSING THE VIOLINIST….😢Unbelievable
♥️ The Mendelssohn, as it is meant to be played.♥️
Did you listened Ray Chen?
@@paulofreitas3606
Thank you for directing me to Ray Chen’s fabulous, sparkling performance of the Concerto.
Your comment caused me to think deeply about why I like Hadelich’s performance so much. Let me say to begin with that I have a deeply emotional relationship with this particular concerto of a personal nature. That being said, I think that the lyrical and nuanced emotional depth of Hadelich’s is pivotal. There is also a traditional/historical element to the performance that captivates me. The conductor is also to be especially appreciated with his own hands-on understanding of the music and of the violin. No disservice to Chen, who has so many wonderful qualities as well. I think you might find the following discussion useful in understanding why my choice of performances is such as it is . Again, thank you for weighing in on these weighty matters!
Here’s a link to the referenced clip:
ua-cam.com/video/jngtV8vcZXs/v-deo.htmlsi=vRIbsTfsvfwlxUmT 0:59
Superb interpretation
Spectacular and peerless!!!
what a master
Wonderful 👍👍👍
8:30 Hell yeah, dude.
the spiccato at 8:34 is insane
love that principle cellist
Thank you!!
Amazing!!!
Wow!!!! 🫢🫢🫢
Great!
Hadelich top, Orchester+Dirigent geht so
❤❤❤❤❤❤❤
❤🙏🌹
ESSE VIOLINO DO AUGUSTIN HADELICH CANTA MAIS QUE OUTROS. ALGUÉM SABE ME EXPLICAR SE É A QUALIDADE DO VIOLINO OU A EXCELENTE PERFORMACE DO VIOLINISTA????
I think if Maestro Hadelich played this on my mother’s high school violin, it would be astonishingly beautiful! I think it’s all his spirit and virtuosity. Amazing!!
é ele com certeza, esse violino inclusive ele so toca ha menos de 3 anos, antes era outro
Hadelich spielt seit drei Jahren die Guarneri LeDuc, das Instrument, das zuletzt Henryk Szeryng spielte. Beide passen perfekt zueinander...
Hadelich himself said in connection with the Mendelssohn that this 8nstrument has a singing quality and it's what convinced him that this was the instrument for him.
L'instrument peut être le plus parfait au monde maia sonne divinement parce que sous les doigts splendides et les battements du coeur d'Augustin.
Point.
❤❤❤❤❤❤❤❤❤❤❤❤❤
Hi
I’m not criticizing or critiquing in any way shape or form. I’m learning.
Having said that…
8:34-8:44 the part where Hadelich is doing a solo where the orchestra joins in..? I noticed he seemed to not have had it quite right sounding for the conductor to signal the orchestra joining and then there is a subtle ‘thing’ which I barely noticed that then allowed him to play it the way the orchestra could join and continue on.
Please tell me a novice to this wonderful world noticed a subtle way in which a live orchestra and all members didn’t even skip a beat?
Amazing and beautiful
Oh and the reason I’m watching this is I wanting to see if Hadelichs pain comes through in this song which to me provides the greatest feeling of this song. When done by someone who understands it.
I feel the Jewish players whom are numerous after the war, play this so and absolutely so perfectly. They can make me cry and it invariably always make me think of the holocaust and reminds of what the whole Jewish community put up with then. And now and since the beginning of our written history. Anyways
And no I’m not Jewish. I love to hear pain come out in music that has no words.
Most people slow down a lot before the end of the cadenza, and he just decides to play it faster. And the signal for when to enter is very clear, and does not need to be signaled by the soloist
@@madhabfr thank you
Aww, did the original channel delete the Mendelssohn Violin Concerto in E minor?
I remember religiously watching the whole thing on Agustin Hadelich's channel nearly daily (A recording of this very same concerto except it all had 3/4 movements and it had a fancy thumbnail with a fading applause on the end) except I can't find it on his channel anymore.
He must have deleted it or made it private, because I can't find it anywhere either. If I remember correctly, the recording was with the Orquesta Sinfónica de Galicia.
I also loved it and used to play it and then noticed suddenly it disappeared
@@violintegral I think so too. It had the same thumbnail design as his recording of the Sibelius Violin Concerto in D Minor.
What I did instead - since I missed it so much lol - is that I managed to compile the three movements (It sounded REALLY similar to the deleted/private video) and just shoved them all in a video. I have it on my computer right now and I'm currently blasting the shit out of it on my headphones.
@@enarkabul4780 Yeah, I know, it kinda sucks. It reminds me of that recording of this guy named Ziyu He. Anyway, he played this piece by Paganini (Nel cor più non mi sento) and the original video - for some reason - either got deleted or was put in private by the original poster (The Official Menuhin Competition Channel, though I'm not sure).
Thankfully, a fan who had the full video reposted it and people are flocking to it once more lmfao.
ua-cam.com/video/mZrn2etdjaI/v-deo.html you're welcome ;)
💐💐💐💐💐💐💐
👍👍👍👍👍👍👍
Nice cadenza
21:12 3rd
Nothing like a long armed conductor wearing a WAY TOO SHORT SLEEVED a shirt…. under his black jacket to add a touch of class to a concert…
Yikes, get a life
Werbung inmitten des Satzes geht gar nicht
With Mondo on clarinet😂
Thomas John Davis Carol Williams Deborah