He chose this for a competition out of all the technical Scarlatti he could and would be able to have played. Brave and, as I see it, a worthwhile chose to show his musicianship.
People forget the harpsichord & clavichord are very limited in dynamics. However, the piano allows various degrees of dynamics. It's faulty to expect pianists play baroque music as if they were playing the piece on a period instrument. Daniil's phrasing and staccato are well-articulated (stylistically correct for the period).
We are very happy to announce that the 14th Arthur Rubinstein International Piano Master Competition will be streamed live! The competition is being held on the 13th of May through the 29th, and this year we are holding an especially joyful celebration: the competition's 40th anniversary! Subscribe to our channel for more updates: ua-cam.com/users/AthurRubinstein
These danged experts sounding off as if rubato is a ‘modern’ invention! How do they know if they weren’t there to hear correct, baroque playing? Let the artists like this be free to express their love of Scarlatti on (shock, horror) modern grand pianos with sustain pedals and unwritten dynamics.
Ma certo! Tra l'altro il rubato è fondamentale nel clavicembalo , strumento in cui non c'è altro modo x dare risalto all'interpretazione. Il pianoforte invece è ricchissimo di possibilità.
We do not how Scarlatti would have played this sonata if he ever played it in public. Human beings of this caliber were human beings even centuries ago.
Video's out of sync, but the music recording was very good. Interesting interpretation. Baroque keyboard sonatas were written for harpsichord, where there was little dynamic expression, and certainly no pedaling. How would Scarlatti have written this if he had the instrumental ability of today, I wonder?
A very ‘pianistic’ performance which is fine given that he is performing an eighteenth century sonata written originally for the harpsichord, on a modern grand. Attempts to play such music on these instruments as though they are old keyboards are doomed to failure so I am happy to enjoy this for what it is. What I am not happy with is identifying this piece by the obsolete, discredited and misleading Longo (L) number. The internationally accepted norm is to use the Kirkpatrick (K) number which is modern, accurate and barring the ‘Essercizi K1-30, are closely chronological. This Sonata is K 213, the L numbers are useless, confusing and need to be abandoned by the very few people still using them; it’s like pricing things in the obsolete lire, francs, deutschmarks, pesetas, drachmae and all the rest, rather than in the €.
@@talesmelo6481 I was suggesting that you change meaningless and outdated L number in the title and description* to the now universally used K number; the performance of this exquisite sonata is beautifully played here on a modern piano - thank you, but it should be correctly identified for everyone to enjoy. * You even have a different L number here to the title.
Clearly, "Concetto" playing (my term): there is at least one other piece present, which Trifonov is gracefully revealing, "weaving" it out of things already in the score (not like the Met's Don G, which added notes), like Michelangelo's "Concetto" carving. A transparent rhapsodism neither rubato nor swung, derived from grace notes and intervals in the piece he is thinking of. The presence of the Modern in the past. Trifonov wins the first Trippiness Award, which I will now make each year.
My apology if you misinterpreted my comment. I brought dynamics up since rubato and a wide spectrum of dynamics are two staples of playing music from the Romantic period. Nowhere in my comment I'm addressing you. In fact, I was expanding on your argument. Incidentally, I hold a master's degree in English and I was raised in the USA.
Because an interpretation doesn't fit your personal standards, it doesn't mean you have to be so derogatory and bitter. I would like to hear yours. Please enlighten us!
SCARLATTI THE MASTER OF MELANCHOLY....555 SONATAS , MANY ARE LIKE THESE, BUT HE HAS THE SAME AMOUNT OF FLAMBOYANT SONATAS AS WELL.....CONTEMPLATIVE (SENTIMENTAL) AND MEDITATIVE...NOTHING CHOPINISQUE WHATSOVER WTH THIS IMPLIED BY FREDRIK ZINOS IN THE COMMENTARY BELOW....
I'm sorry that you're such a bitter person who cannot even accept an apology. Again, I was addressing people in general. I used the word "people" and the only reason I responded to your comment was because I see the validity in it. I didn't mean to offend you in any way. I haven't insulted you. So be civil and don't insult me.
@alejandrothefader not advices, 'orders'! LOL That's Internet, Baby. when you upload something you know people will judge it. Scarlatti's music was invented before Chopin, before the pedal, before the piano. In Italian Conservatory if you play Scarlatti, or Bach, with pedal they fire you and we must suppose that the Italian Manner is the way to play Scarlatti. If you wanna use it it's ok but you won't find an italian pianist that agree on it. ...and they are the custodians of that genre, not a random fan or a random player. Before playing Scarlatti you should ear an Italian teacher/player and ear how he plays it. better on harpsicord. then, with respect, you can begin to study it.
@alejandrothefader it's different. it hurts almost physically in a trained ear. I do not expect you to understand but with my statement I do not believe that you are not grasped enough about baroque music. maybe we listen to music differently. I gave my thought, it wasn't an attack, on the contrary I like it, that's why I said it, I'm just strict in ways of doing/writing things. peace.
+Fernando Antonio Menchaca Ramírez Domenico (the son), of course. The L. numbering is in accordance with the A. Longo edition. In the more recent Kirkpatrick edition, this is K.213.
What does "too Chopinized" mean? Specifically what does "too" mean? Do you mean that some reference to Chopin would be appropriate, but not too much? How much is appropriate and what citations can you provide that this or that amount of Chopin is right for this sonata?
Fredrick Zinos your comment is way too scrutinizing ;-) My comment was tongue-in-cheek. I simply like Scarlatti to be played more 'masculine' and rhythmic. Indeed I should probably have said 'this is too romantic for my personal taste', but what's the fun in that?
He is not playing on a harpsichord...the grandpiano is extremely expressive..this is a great example of feeling and unique interpretation...ofcourse i see what you mean
If you want to play like a soulless machine go and play on the harpsichord. The Piano is a singing instrument, beauty has to be in everything otherwise there is no point.Your comment is ignorant and stupid.
Muito ruim a técnica e a dinâmica. Não tem interpretação sonora, só facial! Too bad the technique and dynamics. Interpretation has no sound, only facial! Dommage la technique et la dynamique. Interprétation n'a pas de son, que du visage!
Extraordinary delicacy, yet each note has such presence. I would not expect less from dear Daniil's heart and hands.
Daniil is a gift from God.
Yes, he is
Daniel. California.
Alexis. Poland - Ukraine (and his granddaughter, Kristina Abramchuk)
Belostok and Krakow (red brick)... gold... diamonds...
Rubin: Rzhev. :) Kr.
Luke, Bible: Pskov, Bryansk (border with Belarus by Russia). Luke (left, present today!). Kr.
The luck of sharing era with music of Mr.Trifonov is enormous
krásne...
I like Scarlatti so much...because of my family name)) This is one of the best interpretations I have ever heard! Real talent!
Luigio Scarlatti are you related with him :o?!
Napoletano o spagnolo?
He chose this for a competition out of all the technical Scarlatti he could and would be able to have played. Brave and, as I see it, a worthwhile chose to show his musicianship.
That's beacuse no one is doubting his pianistic technic, it's well proved, most people attend concerts for the music and not for fast playing
I was never a Scarlotti fan until now. I listen to this every day because of Daniil"s interpretation
Agree💕ダニールさんの解釈で色々な曲を紹介して頂いています😊🎹❤️
This is wonderful. Also a great production. It makes me forget things, and remember others.
Спасибо большое🙏, красиво, трогательно исполнено ❤
Your music is beautiful 🤩
I listened to this sonata dozens of times, but I didn't know it was so lovely, till now.
Trifonov my Favorite in the new Generation virtuoso he is complete and Supreme in all areas of high level Artistic Piano Virtuoso!
It's like he's conversing privately with Beauty itself.
Pure perfection!
People forget the harpsichord & clavichord are very limited in dynamics. However, the piano allows various degrees of dynamics. It's faulty to expect pianists play baroque music as if they were playing the piece on a period instrument. Daniil's phrasing and staccato are well-articulated (stylistically correct for the period).
What a beauty!! Bravo Trifonov!!!
なんて清らかな音♪ 心が洗われます。Daniilの弾くバロックも大好き♡
Quelle délicatesse,quelle profondeur. Daniil est à part...
Such a heart-opener!
So beautiful, thank you Daniil. 🌷🌷🌷 (Netherlands)
Как прекрасно! Заслушалась...
Great great interpertation, this piece it's really dificult, the expression and the control fo sound, he did a GREAT job!
Изумительно!!!
Que c'est beau!
Спасибо! Высокие ноты. Высокий букет цветов! Богатство и история. Историография. Кр.
We are very happy to announce that the 14th Arthur Rubinstein International Piano Master Competition will be streamed live!
The competition is being held on the 13th of May through the 29th, and this year we are holding an especially joyful celebration: the competition's 40th anniversary!
Subscribe to our channel for more updates:
ua-cam.com/users/AthurRubinstein
Magnifica esecuzione!
It's magical and the best !!❤❤
Interpretazione magica!!
This is what a good recording sound is. Your sound engineer is fantastic!
ㄹㅇ
-- Délicat, subtil & envoûtant. --
comment ne pas croire en l'infinie après une telle beauté d' interprétation ...
¡Bravo!
по-моему , идеально.
This is so beautiful done
Fantastic piece:)
beautifully !!
These danged experts sounding off as if rubato is a ‘modern’ invention! How do they know if they weren’t there to hear correct, baroque playing? Let the artists like this be free to express their love of Scarlatti on (shock, horror) modern grand pianos with sustain pedals and unwritten dynamics.
👍👍👍👍👍👍👍👏🏽👏🏽👌
Ma certo! Tra l'altro il rubato è fondamentale nel clavicembalo , strumento in cui non c'è altro modo x dare risalto all'interpretazione. Il pianoforte invece è ricchissimo di possibilità.
Спасибо! за подтверждение моих мыслей о рубато и динамических оттенках в сонатах Скарлатти.
We do not how Scarlatti would have played this sonata if he ever played
it in public. Human beings of this caliber were human beings even
centuries ago.
Danil s a gift of God himself
Wonderful!
Geert Dehoux, pianist.
Belgium.
Syblime playing of this sonata. :-)
an intimate personal interpretation of a Baroque composer - much like Pablo Casals interpretations of Bach - or Horowitz rendering of Mozart
Well, time-period wise he is classified as baroque but his music has many classical elements and had much influence on that style.
@PPTDicas Apenas arrecadou o 1º Lugar!
He took the 1st Place!
Video's out of sync, but the music recording was very good. Interesting interpretation. Baroque keyboard sonatas were written for harpsichord, where there was little dynamic expression, and certainly no pedaling. How would Scarlatti have written this if he had the instrumental ability of today, I wonder?
He would probably compose it somewhere along the lines of this: ua-cam.com/video/wdV7JWv_xpQ/v-deo.html
A very ‘pianistic’ performance which is fine given that he is performing an eighteenth century sonata written originally for the harpsichord, on a modern grand.
Attempts to play such music on these instruments as though they are old keyboards are doomed to failure so I am happy to enjoy this for what it is.
What I am not happy with is identifying this piece by the obsolete, discredited and misleading Longo (L) number.
The internationally accepted norm is to use the Kirkpatrick (K) number which is modern, accurate and barring the ‘Essercizi K1-30, are closely chronological.
This Sonata is K 213, the L numbers are useless, confusing and need to be abandoned by the very few people still using them; it’s like pricing things in the obsolete lire, francs, deutschmarks, pesetas, drachmae and all the rest, rather than in the €.
This is the Sonata K213; the K (Kirkpatrick) numbers are used universally; Longo numbers are unhelpful, confusing and used by nobody.
Thanks!
@@talesmelo6481
I was suggesting that you change meaningless and outdated L number in the title and description* to the now universally used K number; the performance of this exquisite sonata is beautifully played here on a modern piano - thank you, but it should be correctly identified for everyone to enjoy.
* You even have a different L number here to the title.
Clearly, "Concetto" playing (my term): there is at least one other piece present, which Trifonov is gracefully revealing, "weaving" it out of things already in the score (not like the Met's Don G, which added notes), like Michelangelo's "Concetto" carving. A transparent rhapsodism neither rubato nor swung, derived from grace notes and intervals in the piece he is thinking of. The presence of the Modern in the past. Trifonov wins the first Trippiness Award, which I will now make each year.
He plays it with philosophy! :)
So beautiful, Scarlatti is so moving and I usually hate baroque
You must be a *very* talented and serious musician. I am sure of it.
That's just fine
since when does baroque music have no rubato?
Un amigo, aquí dijo....... una caricia; es verdad no toca, acaricia las teclas: Es lo mejor que he escuchado.-
My apology if you misinterpreted my comment. I brought dynamics up since rubato and a wide spectrum of dynamics are two staples of playing music from the Romantic period. Nowhere in my comment I'm addressing you. In fact, I was expanding on your argument. Incidentally, I hold a master's degree in English and I was raised in the USA.
Because an interpretation doesn't fit your personal standards, it doesn't mean you have to be so derogatory and bitter. I would like to hear yours. Please enlighten us!
random comment, but i hate when scarlatti sonata numbering uses the "L" system. The "K" one is much common and universally accepted, no?
Play this on period instuments please
Why?
NO.
My God haaa haaaaaaa haaaa haaaa haaaaaaa haaaaaaa haaaa. This make me cry and laugh at the same time.
This is the hundredth comment on this video
SCARLATTI THE MASTER OF MELANCHOLY....555 SONATAS , MANY ARE LIKE THESE, BUT HE HAS THE SAME AMOUNT OF FLAMBOYANT SONATAS AS WELL.....CONTEMPLATIVE (SENTIMENTAL) AND MEDITATIVE...NOTHING CHOPINISQUE WHATSOVER WTH THIS IMPLIED BY FREDRIK ZINOS IN THE COMMENTARY BELOW....
WHY ARE YOU YELLING ????
... una caricia ...
Кунц играет бесподобно !!
He was complaining about having too much rubato, not at the presence of it. Don't attack the stick man.
Belle interpretation, mais il faut ecouter EDUARD KUNZ , c est divin, c est sublime / salle de concert Verdi a Milano
what K is it?
K213
This is how he played at court.
I'm sorry that you're such a bitter person who cannot even accept an apology. Again, I was addressing people in general. I used the word "people" and the only reason I responded to your comment was because I see the validity in it. I didn't mean to offend you in any way. I haven't insulted you. So be civil and don't insult me.
K 213
great feeling. now remove the sustain pedal and try to give the same feeling.
you can do it. it needs only more practice.
@alejandrothefader not advices, 'orders'! LOL
That's Internet, Baby.
when you upload something you know people will judge it.
Scarlatti's music was invented before Chopin, before the pedal, before the piano.
In Italian Conservatory if you play Scarlatti, or Bach, with pedal they fire you and we must suppose that the Italian Manner is the way to play Scarlatti.
If you wanna use it it's ok but you won't find an italian pianist that agree on it.
...and they are the custodians of that genre, not a random fan or a random player.
Before playing Scarlatti you should ear an Italian teacher/player and ear how he plays it. better on harpsicord. then, with respect, you can begin to study it.
@alejandrothefader it's different. it hurts almost physically in a trained ear. I do not expect you to understand but with my statement I do not believe that you are not grasped enough about baroque music. maybe we listen to music differently. I gave my thought, it wasn't an attack, on the contrary I like it, that's why I said it, I'm just strict in ways of doing/writing things.
peace.
@@casascarlatti276 Actually Scarlatti most likely wrote this in Spain. He fled Italy. And if people ask if you are related, if you are not, lie!
Scarlatti dad or son ?
+Fernando Antonio Menchaca Ramírez
Domenico (the son), of course. The L. numbering is in accordance with the A. Longo edition. In the more recent Kirkpatrick edition, this is K.213.
deceptively simple
A beautiful tragedy.
Misschien wel de wijze waarop joew broer geleefd heeft ik weet het niet maar zo voelt het aan!
why are you using the L numbers. thats gross. this is k.213
He has talent and is musical, but for my taste, this is over-indulgent.
way too Chopinized
What does "too Chopinized" mean? Specifically what does "too" mean? Do you mean that some reference to Chopin would be appropriate, but not too much? How much is appropriate and what citations can you provide that this or that amount of Chopin is right for this sonata?
Fredrick Zinos your comment is way too scrutinizing ;-)
My comment was tongue-in-cheek. I simply like Scarlatti to be played more 'masculine' and rhythmic. Indeed I should probably have said 'this is too romantic for my personal taste', but what's the fun in that?
Theo Jacobs There is absolutely no "romantism" in this interpretation, anyway.
Françoise Terrone
I mean, in this celestial interpretation..
Beauty is its own justification. Criticism, once the soul is transported is irrelevant.
he plays too much with it . .
This is crap. This piece really doesn't require all that dainty pianissimo and rubato. Let the music speak for itself.
Not authentic, but very pleasant.
jose juan ???
He added some ornaments. They weren't wise but they sounded acceptable. Scarlatti knew better though.
Too much rubato... but really nice perfomance ;)
Как же уныло.. ((
too much rubato this is baroque that's a huge no-no
says who?
He is not playing on a harpsichord...the grandpiano is extremely expressive..this is a great example of feeling and unique interpretation...ofcourse i see what you mean
If you want to play like a soulless machine go and play on the harpsichord. The Piano is a singing instrument, beauty has to be in everything otherwise there is no point.Your comment is ignorant and stupid.
Who said that barique music can't be played rubato?
I think Trifonov is great, but I don't love this piece. I think everything Bach wrote is pretty much strictly better than it.
Ну и ЧТО в нем выдающегося ? Хорошо играет . Не больше.
Сыграйте так "просто",это критиковать просто,а играть на этом уровне Вы не можете,поэтому зависть и элоба.🙃😊😇
Muito ruim a técnica e a dinâmica. Não tem interpretação sonora, só facial!
Too bad the technique and dynamics. Interpretation has no sound, only facial!
Dommage la technique et la dynamique. Interprétation n'a pas de son, que du visage!
K 213