Bollywood’s Biggest Wingman: Fabric
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- Опубліковано 28 чер 2024
- In this episode, we look at dupattas acting as moral police in 50s’ Bollywood, the enduring legacy of Yash Chopra’s chiffon saree sequences, and the shared shirt becoming a symbol of intimacy in modern romances.
In The Swaddle’s series ‘Pyar, Pyaar, Pyaaar,’ we explore the evolution of romantic tropes in Hindi cinema.
Credits:
Editor: Neha Tewari
Scriptwriter and Presenter: Quoyina Ghosh
Researchers: Triveni Goswami, Quoyina Ghosh
Visual Researcher: Ananya Surana
Production Supervisor: Bavana Gone
Art Director: Neha Shekhawat
Creative Director: Shrishti Malhotra
Executive Producer: Karla Bookman
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You missed the ICONIC Sushmita Sen entry wearing red saree in the movie "Main hoon na" .
3:06 I remember Karan Johar talking about a moment on DDLJ where there was a dispute over chiffon versus silk saree. Yash Chopra argued that silk won’t behave the same way chiffon would around gusts of wind.
And Aditya Chopra persisted with his decision for silk saree
SLB, Yash Chopra and Karan Johar. The holy trinity of creating drama through fabric.
7:30 Obviously Manisha Koirala in ‘Kuch Na KAHO’ and ‘Pyaar Hua Chupke Se’ from ‘1942: A Love Story’. Choreographed by SLB and Farah Khan.
3:52 Anil Kapoor suggested more winds in that freezing weather during the shooting of that song. Madhuri was practically frozen during the filming.
Sushmita in main hoon na and kajol in kabhi khushi kabhi gum. My favorites ❤
It's one and only...TUMHE JO MAINE DEKHA TUMHE JO MAINE CHAHA
Loved your take on this
Commendable compilation of the clips!
Thank you for this video ❤
sridevi and her sarees in chaandni and mr. india
Main hoon na sushmita Sen 🤌🤌🤌
Indian filmmakers abhi bhi hero - heroine vale formula se bahar nhi nikal paye h 😂that's why we add unnecessary women angle in Indian movies
❤