Asmik Grigorian: Senza Mama (Puccini)
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- Опубліковано 8 лют 2025
- Asmik Grigorian performs “Senza Mama” from Puccini’s ’Suor Angelica,’ as Sister Angelica at the Salzburger Festspiele. This is one of the three roles that she performed in Puccini’s “Il Trittico.”
Conductor: Franz Welser-Möst
Director: Christof Loy
Video courtesy of Arte
Asmik Gregorian is a fantastic gift to the operatic world. A divine singer but also a first class actress. This is real interpretation of the material. Puccini should have break down in tears of emotion.
Her performance is unbelievably moving, heartbreakingly beautiful. Grief elevated to ecstasy, an impossibility, but she makes it happen.
This is just extraordinary - an absolutely complete and compelling performance vocally, artistically, and dramatically. I am in tears.
Per distacco, il più grande soprano oggi esistente al mondo. Bellezza infinita, voce strepitosa, attrice sublime ❤
Bravo Asmik❤❤❤❤❤❤❤❤❤❤❤
Today it is so difficult to find great voices, with beautiful color, morbidezza. She is amazing
Oh my God...that power, that acting and that pianissimo at the end. This is unbelievable singing.
OH MY GOD why omit the miracle immediately after??
@@alieshsonoma922 Because it has nothing to do with my reason for posting, which is Grigorian's performance. The "miracle" at the end was written in the libretto a long time ago and does not need me to point it out for its own self-gratification.
My jaw has dropped and I don't think I can ever pick it up again...
Forse...senza forse, la più bella interpretazione mai ascoltata Divina!!!!!
Literalmente estoy temblando de la emoción. Su interpretación me dejo en shock. No es posible transmitir tanta pena y dolor y al mismo tiempo tanta perfección. De verdad no puedo ni tragar saliva, tengo un nudo en la garganta. ❤❤❤
Magnifique! Bravissima! Bella voce e tecnica! Grazie!
Unglaublich schön.Danke
This is sort of shockingly perfect. Glorious!
Oh my God, she is WONDERFUL! What a legato, what a line, and such a creamy, effortless tone. And a brilliant actress as well! Thank you for this recording - "Senza Mamma" was part of my repertoire back when I could still sing, and so was Rusalka. Her performance of that aria is superb as well. I'm so thrilled to hear this exceptional soprano! Thank you!
Congratulations ! A superb artist !
Singing and interpretation at an equally superb level !
Breathtaking. Asmik the best!
Nie znam piękniejszej formy wokalnej niż operowa ! Która pozwala wyrazić tyle pięknych emocji głosem i jaka jest to potęga ! To są już najwyższe wyżyny ekspresji głosu :) . Kocham tą arię !!! Pozdrawiam Szpiec Tomasz sopranista
She is a genuine artist and the top singer in the world.
Absolutely perfect. Thank you. My first experience with opera. Very deep. ❤
Etwas Schlimmeres als das, was in der Arie besungen wird, kann einer Frau nicht passieren. Neben der beispiellosen Genialität Puccinis zeigt Asmik Grigorian, dass sie eine würdige Nachfolgerin Renata Scottos ist, gesanglich ebenso wie schauspielerisch.Wäre ich eine Frau und eine Sängerin, ich könnte dieses Stück nie zu Ende bringen, weil ich ständig in Tränen ausbrechen würde. Chapeau an die wunderbare Sängerin !
Mi accorgo di aver già fatto un commento molto positivo sui due protagonisti!! Ebbene a distanza di un anno confermo la mia soddisfazione per questa performance di entrambi che ritengo oggi non si possa pretendere di più perché hanno posto l'asticella molto in alto alla pari dei più grandi dei bei tempi passati. Mi hanno emozionato c'è passione nel loro canto e riescono a trasmetterlo all'ascoltatore questo è fondamentale per un cantante lirico ed altri campi. Bravi.. Chapeau
Dio Santo che voce, che interpretazione sublime. Da brividi ❤❤
An outstanding display of talent and excellence! Truly marvelous!
Gods voice!!! Thank you, Asmik.
BRAVO !!! Une merveilleuse interprétation !
Bravo 👏 Bravo 👏 ❤❤❤ stunningly beautiful presentation!
Brava!!! What a voice! Beautiful presence, so moving! love it🩷 Thank you Asmik!
Sublime. O agudo final nunca ouvi uma outra voz melhor.
Bravissima!!! Interpretazione impecabile e una voce bellissima morbida e calda!!!
When La Scala will stop rely on Netrebko and switch on Asmik? Superb interpretation
Bravo ! 🌹
I am weeping.
Final note wow!
Bravissima !!!!❤
Fabulous Asmik ♥
È fantastico!!!!!!!
That lady crying on 4.11 was genuine.
Sei bravissima!!!!
Vóz celestial❤
Singing Turandot in 2024 at the WSO... I'm scared... Why not Liu? Such a gorgeous healthy voice...
I heard her - she was very very good. I was extremely sceptical I must admit (after being disappointed by her Lady Macbeth). But she surprised me (and many others in the audience). She never sounded overtaxed, the voice rode well over the orchestra and the top notes were very exciting. It was a different Turandot that one normally hears (more in the Sutherland mould) but nevertheless very convincing
That’s the first time I heard her live, and I nearly fell out of my seat several times she was so extraordinary. I’ve never seen such a brilliant performance. (I was skeptical at the casting and the production when I first saw, too).
@@acacia-bloom Totally agree! I heard her in Turandot as well. I've seen countless Turandots from Gwyneth Jones to Anna Netrebko. But Grigorian is one of my favorites. Her Turandot wasn't a conception, but a living, feeling person. Her sound is very exciting: opulent, but not massive. It shouldn't work, but boy does it ever! I would kill to hear her in more Strauss roles.
BRAVO !
Vary beautiful,
Fantastica in tutte le interpretazioni delle eroine pucciniane.
❤
the best, divine
Piękno w NAJCZYSTSZEJ formie.
👏👏👏👏👏👏👏👏👏💐
magnifique merci
Wonderful
G R E A T!!!!!!
Ich bin zutiefst gerührt.
💙
Divina
Grande artista! Ma spezzare le frasi di puccini per un espressione "verista" ?
Lo trovo fuori stile.
L'ho notato anch'io e l'ho lasciato passare come un'interpretazione. È, ovviamente, l'opposto della Callas o della Scotto. Sembra già un desiderio di morte, ma non disperato, non appassionato, ma rassegnato.
Io penso che Puccini riserva alla disperazione piu profonda le linee di fraseggio piu chiare e "semplici" come all inizio
di "vissi d'arte" o " tu che di gel sei cinta" o sola perduta".. et ogni portamento o spezzamento disturba 🤷♂️
Disperatione al di la Dell'emozione, di ogni speranza
Why you doesen't sing mariettas song from Korngolds "die tote Stadt"?
Quando una attrice sta sacrificando i sentimenti veri in nome di una interpretazione finta alla fine dei conti perde una gran parte della bellezza divina della sua voce …
E come attrice è poco convincente…
La Voce è uno strumento unico nella sua bellezza espressiva che non si deve sacrificare mai in nome di una “interpretazione “ moderna …
Una voce divina .
❤
il vecchio
you have to give us an explanation .... why do you break the sentences??
I hear nothing but some muddled vowels. Mushy.
Best rendition of this aria is Rosa Ponselle accompanying herself in retirement. Truly unbelievable. On UA-cam.
Nah.
I Like it but there is not the legato that i wished to hear it. I Like the Version of JAHO much more
Lacks the style of Italian opera. This is not a German opera… the voice is suitable for Strauss, not Puccini
She apparently interprets the game differently. For me, it is wrongly thought here, because you cannot replace passion and despair with resignation and a longing for death. The conducting tears the aria into small morsels and takes away its flow. But I still find it an exciting interpretation. And especially as Senta - that is, in the German part - I didn't think she was good at all.
I hear just mushy vowels. No diction. Worse than Sutherland. Except at least Sutherland was exciting. This is just a bunch of mush.
@@smurf902. Don’t you think it’s a different situation acting the role rather than concert performing?
I love the way she never over - produces- so many opera singers exaggerate the operatic style .