Advancing with Watercolor: People and Places “Yasakusa Shrine, Night Viewing”
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- Опубліковано 5 лип 2024
- This is a video done as a supplement to a watercolor class taught by Gary Tucker in Boston. This video was made to demonstrate how an artist might work with color to create a more pronounced center of interest. To find a center of interest is perhaps the first step to organizing the content. I am using as my motif the temple gate at Yasaksa Shrine in Kyoto Japan. I did a smaller painting on location - visible in the video - and returned to do a larger work for this tutorial. I use the temple as a center of interest enhanced through a rich under painting of cad orange red and vermillion. This underpainting is eventually amplified by darks around and the underpainting shinning through in the sky, figures, and buildings... I also talk about some stratagies in working with a scene crowded with figures.
My Materials List:
www.garytuckerartist.com/galle...
Thank you for your support -
for liking this short video and for your comments. You can see more instruction and examples of artwork at my website garytuckerartist.com
Also you can follow daily examples or watercolors and sketches at instagram@garytuckerartist - Фільми й анімація
Just speechless and spellbound . Blessed.
Gary- This is such an effective painting. Your choice of temperature really makes this painting work. Bravo!
I like it very much Garry lots of you in there and not just a zubrick, castanets, etc spin...nice light and simplification that
Really works... bravo .
Thank you for this wonderful bright light art class . 👍👍👍🇨🇦
I am japanease.
I like Asakusa tenple.
Very interesting this picture.
very nice and so beautiful!!
All those who differ try this yourself. This is brilliant from a modern master. You cannot replicate
Exquisite !! Thank you for this video and this lovely piece ..
I am liking my art . I think at first this class is going to be a challenge, and then I stand back and look haaaaaa delighted with my attempt. No challenge if you just give it a go and just do it . Thank you 😊👍🇨🇦
Bravo. Stunning video. Gary this is classico piece and thank you a lot for this tutorial.
Impresionante capacidad de síntesis. Todo un maestro, cálidas felicitaciones
Very good demo .Liked all of them Excellent!
Thank you very much for this beautiful painting of Yasaka Shrine in Kyoto. The correct name is Yasaka Shrine ( 八坂神社 ). It’s confusing because there is a temple called Asakusa Kannon Temple ( aka Sensoji Temple ) in Tokyo.
It's Yasaka shrine. :) Thank you for this video.
Beautiful artwork ！
Very good demo
Could you achieve the darks without neutral tint? Maybe with a pthalo blue instead of ultramarine?
Is that an alvaro castagnet squirrel mop brush? I have been lusting after one....thank you. ( and if not what brush is it please)
Hi Gary , would you please give me the name and brand of white you use . Thank you 😊🇨🇦
I'm going to suggest something that you've almost certainly considered and rejected: call it a minority report from the floor -- real time videos. I've watched what must be most of your videos by now and I love them and have learned from them. But on many occasions I've caught myself wanting to watch the actual brush stroke in real time, not just the quick strokes but the hesitations in careful passages, the whole enchilada. To abstract from time, I think, is to create a distance from reality. I'm not suggesting that all your work be in real time but it would be very useful to have access to a subset of real-time work to consult. Moreover, I think it would create pedagogical opportunities in which you could more completely convey the kinds of considerations, judgments and gripes that occur to you as you go; all of which would be immensely valuable to the audience.
Where do you get the money to do all this travelling?
Seminars?
If I may why do water colorists always do shadows downward? I understand in rainy scenes this would make sense as a reflection but in your reference was it raining? If not shouldn't the shadows be cast away from the main light source?
I think the artist has taken some liberties on creating his own version of the scene, including a reflective floor (be it wet or glazed). He said it himself on other videos that the purpose is to convey what he finds interesting, often acomplished by exaggerating some features and downplaying others.
On second thoughts, you are correct. Just finished watching the video and the author clearly says that those are shadows, but to me they look like reflections exactly for the reason you stated. Maybe he thought of reflections when painting but somehow misspoke later when adding the audio.
Hello,nice Asakusa shrine. This is Asakusa shrine(not Yasakusa).
I cann't hear anything! The sound doesn't work !!!
It does. Fix your speakers..
Very good demo .Liked all of them Excellent!