Inégalée. Elle tient sur une pointe , même avec un dégagé extraordinaire , beaucoup plus longtemps que toutes les autres étoiles . Tous ses mouvements : jambes ,bras en particulier, ... etc.. relèvent de la perfection
@@alainspiteri502 La Gillem a justement une musicalité rare, pourriez-vous m'expliquer plus en détail pourquoi vous n'êtes pas d'accord avec cette idée ? Votre point de vue m'intéresse beaucoup.
I am so glad you noticed that! I am a big fan of her bows too. Not so many grasp such details. I have seen her many times and the final bows were always the cherry on top of the cake. They were to me a part of the performance.
Grande mantenimento delle pose figurali anche in piena fase esecutiva e grande in dizione alle trottole di giravolte eccellenti.Ottima la riconduzione dei passi alla melodia da parte di entrambi. Ottimo quello che con un mio neologismo mi piace chiamare convolo aereo ed elanista della ballerina ottimamente indotto e tenuto dal partner. Ottimo l'impadronimento imperativo del proscenio con salti balzati con velocissime volanti sforbiciate da parte del ballerino. OTTIMO IL senso del continuum dato alla pièce danzante dai due protagonisti. OLTREMODO BRAVI E SPETTACOLARI. BIGHIN GIULIO RENZO
Thank you so much!! So many memories came back when I saw this!! For those who never saw it, this was Sylvie's signature costume and hair do for this piece. Hilaire, as usual, marvellous. They had such rapport when they danced together. Even little mistakes looked great with them. Gracias!!
Thang Vuong I love that about her too... I could not imagine Aurelie Dupont dancing pas classique with that hair... she is also a great dancer but only Silvie has that trait of uniqueness
in my view, Thang Vuong that Is Not an admirable quality especially In a high quality art. Elegance, class are. Check her out please in this same piece when 19, in a París palace, with M.Legris.,where art, class and elegance at its best go together.
@@nestguatemala6254 i could not imagine Aurelie Dupont like Sylvie in this PDD either. She has too much Innate elegance, regal bearing, great class. You either have it or not. Similarily also like Martine van Hammel, in the beautiful PDD from the ballet Sylvie, also retired, from ABT. But as a dancer, on the whole, i think Sylvie was better. To me, together with Svetlana Zhakarova, the 2 best, most ideal ballerinas of this era. Svetlana, 40 seems ageless. I think Maria Khoreva, 19 is the next great Russian star.
@Laura Streeter yes, Laura, i also think it is from a gala although i don't remember seeing one with so much of an artist "letting their hair down". It is common in iceskating though. I still prefer her being elegant at 19, for this regal PDD with M.Legris, filmed in a lovely French palace, it is all beauty to me. Yesterday i saw another version of this beautiful PDD, Tereshkina and Shklyarov, worth seeing, great precision, etc.
She is a great great dancer. I loved her, her elegance, elegant ivory color costume, hair, in the PDD with M.Legris, she was only 19 then. Except her great dancing, this was disappointing since the Grand pas Classique is so lovely, regal when elegant. Here She looks like from a 1930 cabaret.
I can’t believe how many idiots were fussed about Guillem’s hair! For God’s sake, anybody who can dance like that-at the utter pinnacle-can wear sackcloth and ashes if she wants to! And nobody said a word about Hilaire’s “do”….sexism all over again.
I am not a dancer, in fact I am only just starting to look a ballet seriously.( I am a Photographer) But I would think that buns are more for rehearsal and not strictly for the stage. Although, to be honest, I am not crazy about her hair either.
Anybody enlighten me why some dancers sound like wooden blocks hitting a wooden floor & others are silent? Is that the dancer, the floor, the shoes, the sound system, what IS it? Not so much here but in some cases I do notice it a lot.
it depends on a few factors actually. 1) dancers who have a unique ability to technically finesse their landing from jumps will naturally make less noise when landing from big jumps, & that depends on the person, the way that their bodies (feet, ankles, knees, legs, hips, & torso, etc.) are constructed, their mastery of the physics involved in defying gravity on the descent back down to earth, etc. 2) the construction of the floor / stage, as floors that have specific materials in their constructions will absorb or create more sound as the weight absorption creates the physical displacement of energy that results in the noise we hear- wooden floors will tend to resonate more than other materials, for example. harder floors with less give / flexibility will generally tend to absorb the sounds more, & floors with air space built in for cushioning to make the landings less stressful for dancers will tend to echo more loudly, as the air will carry the sounds waves more effectively than solid substances, & some floor coverings &/or surfaces may muffle the sound more or less effectively as well. 3) the pointe shoes that the ballerinas dancing on toe wear have wooden or synthetic blocks in the toe which creates sounds when the toe blocks (or box) strikes the floor with a certain amount of force & energy- you can hear this sound even as ballerinas walk in a dance studio or on a stage. 4) if a stage is mic'ed (has microphones set up on or near the floor), the sound of jumps being landed may be amplified. 5) the natural resonance capacity of the space the stage is in (the auditorium or theater) may also amplify the sound if the space is very 'live' & tends to echo & resonate sounds effectively. these are a few of the factors that may be involved.
Re Sylvie's hair: really, the whole style looks Goth, which I don't find appealing for this ballet. They were also coached a little differently, so some steps are more accented and less lyrical, although both smile happily for a lot of the ballet. Also looking at her extensions and thinking Zhakarova gets comments about her extensions being too high. Has anyone ever criticized Sylvie for her stunning extensions? Goth or not, always a treat. Wish I could have seen her live.
I agree the Goth style, including the dress, there Is nothing esthetic in it for such a beautiful, elegant, regal ballet. But She Is a great dancer, one of the best ever. She was so lovely in the video with M.Legris, only 19, super elegant, creme color elegant costume, pure poetry in an French palace.
@@karennoble1168 maybe people should just shut up about how she looks and focus on her dancing. I don't see any complaints about Hilaire's hair. Such a stupic double standard.
@@MsDidi38 That's because Laurent's hair was normal while Sylvie wasn't, at least in this context of a classic pas de deux. Are you trying to be stupid, or just aggressive, bitch? It's you who need to shut up.
I think it is just known as Grand Pas Classique. I believe Victor Gsovsky choreographed it to music by Daniel Auber's for Yvette Chauviré and Vladimir Skouratoff in 1949. Guillem was coached in it by Chauviré herself. But I could be wrong...
It is confusing because 'grand pas classique' (or just 'grand pas') is also a general term for a pas de deux, sometimes performed with members of the corps de ballet providing a backdrop, which usually displays the lead dancers' technical strength (rather than character dancing), so many full length ballets include a 'grand pas classique' - but this pas de deux is THE Grand Pas Classique. :)
You are so welcome, if u really want to see a much better version of this ballet . Look for Hans Christian Anderson awards. If u can't find I can email it to you
Sylvie's intelligence and taste come across even in such a preposterous pas de deux. The 98% of the ballerinas look too self-indulgent and frankly a little ridiculous in this. But Sylvie makes it like it was Studio 54.
Её технические возможности конечно впечатляют, но не более того. До солисток Мариинского театра ей, к сожалению, далеко. Пусть меня просят её поклонники...
Your comment is purely sour grapes….ENVY!! If you really believe Guillem doesn’t show plasticity, then it shows you don’t know the meaning of the word! Guillem is the dancer who began the extension of her foot above her head, by the way….NOBODY did that before her! And I’ve never yet seen a dancer, Russian or otherwise, who could (or can) balance en pointe the way Guillem did….for 5 seconds! As for grace and elegance, French dancers and danseurs have had it in their bones, 100 years before ballet landed in Russia.
@@voraciousreader3341 Новая эстетика в балете принадлежит не Гилем, а Плисецкой и Надежде Павловой . Плисецкая с её экспрессией, Павлова с её совершенным шагом, легким прыжком, точеными ногами с огромным подъёмом . Это было ново, необычно. Гилейм талантлива безусловно, но холодна, души нет.
Le plus horrible Grand Pas parce que aucune musicalité chez Guillem très demonstrative en comparaison du même pas " Platel- Le riche " ainsi est Y Tube , pas pour tt le monde
_SHE EARNED IT!!!_ And she obviously has never cared what anyone thought of her, which is a quality true artists have to possess. This was a fun exhibition, by the way, in Japan, not at the Paris Opera, so big deal!
I suppose that's not even a question of taste. Common mortals like you and me try to stick to styles and things we suppose are flattering for us . True stars don't give a D***D because they KNOW whatever they pick for them will be flattered itself on them. That simple.
Neither do i, in this production, the least attractive costume i have seen, the hair for a such an elegant regal ballet spoiled the overall effect of her being a great dancer. It feels More like a 1930 cabaret.
No one can be better than her. Till now and forever.
to me she is an extra terrestrial. There will be no more like Guillem
The best in the history!!!
You will also like Tatiana Tayakina and Valery Kovtun grand pas classique.
Есть ещё такая как Наталья Осипова
Может,конечно,и есть лучше. Но замечательно,что вы так трепетны к ней❤
I am speechless absolutely speechless. No words to describe what I have just seen. Thanks.
They will be remembered forever.She is unique!
No one could dance this like her.... with those legs, that tecnique
@ i agree!!
God, Sylvie is such a legend❤
Inégalée. Elle tient sur une pointe , même avec un dégagé extraordinaire , beaucoup plus longtemps que toutes les autres étoiles . Tous ses mouvements : jambes ,bras en particulier, ... etc.. relèvent de la perfection
c'est bien ce que je dis : la démonstration technique , la musicalité faut l'a chercher ( voir Platel-Le Riche "
@@alainspiteri502 La Gillem a justement une musicalité rare, pourriez-vous m'expliquer plus en détail pourquoi vous n'êtes pas d'accord avec cette idée ? Votre point de vue m'intéresse beaucoup.
superb performances, I especially love the realness of the bows, genuine happy smiles and love exchanged from artist to audience! BRAVO
I am so glad you noticed that! I am a big fan of her bows too. Not so many grasp such details. I have seen her many times and the final bows were always the cherry on top of the cake. They were to me a part of the performance.
No body like Sylvie Guilem...nothing like seeing her perform live (I did 5 times) amazing at any thing she does!!!
Grande mantenimento delle pose figurali anche in piena fase esecutiva e grande in dizione alle trottole di giravolte eccellenti.Ottima la riconduzione dei passi alla melodia da parte di entrambi. Ottimo quello che con un mio neologismo mi piace chiamare convolo aereo ed elanista della ballerina ottimamente indotto e tenuto dal partner. Ottimo l'impadronimento imperativo del proscenio con salti balzati con velocissime volanti sforbiciate da parte del ballerino. OTTIMO IL senso del continuum dato alla pièce danzante dai due protagonisti. OLTREMODO BRAVI E SPETTACOLARI. BIGHIN GIULIO RENZO
I feel like she's the only one who could pull of that costume, and that hair. She is so incredible. This is also one of my favorite pas de deux.
immense et inégalable the greatest Guillem
elle est unique elle est intouchable c'est la plus grande
Il n'y en a pas comme elle. Unique et incomparable.
Thank you so much!! So many memories came back when I saw this!! For those who never saw it, this was Sylvie's signature costume and hair do for this piece. Hilaire, as usual, marvellous. They had such rapport when they danced together. Even little mistakes looked great with them. Gracias!!
SHE..has no peer....simply magnificent.
i love dancers who punctuate the end of a movement exactly w/ the music.
Rojo does this also....
これライヴで見ました💖
生涯でもう一度見たかった舞台を見られて幸せです😍
She is beauty and elegance personified. OMG.
Along with the fact that it doesn't look like any of it costs them any effort at all... they are really incredible!
ボレロのシルビーしか知らなかった私は、シルビーのほかの世界をみたいとCDを探してもみつからず、念願がかなってとても幸せです😂もっともっと観たいです🎉😢
Thank you!! This has added to my collection of GPC versions and some parts of this are the ultimate - even for Sylvie.
Seeing several versions of this both live and recorded. It is clear Ms Guillems interpretation is second to none.
I love M. Sylvie Guillem "don't give a fuck" attitude about her looks.
Thang Vuong I love that about her too... I could not imagine Aurelie Dupont dancing pas classique with that hair... she is also a great dancer but only Silvie has that trait of uniqueness
in my view, Thang Vuong that Is Not an admirable quality especially
In a high quality art.
Elegance, class are.
Check her out please in this same
piece when 19, in a París palace, with M.Legris.,where art, class and elegance at its best go together.
@@nestguatemala6254 i could not imagine Aurelie Dupont like Sylvie in this PDD either. She has too much Innate elegance, regal bearing, great class.
You either have it or not. Similarily also like Martine van Hammel, in the beautiful PDD from the ballet Sylvie, also retired, from ABT.
But as a dancer, on the whole, i think Sylvie was better. To me, together with Svetlana Zhakarova, the 2 best, most ideal ballerinas of this era. Svetlana, 40 seems ageless. I think Maria Khoreva, 19 is the next great Russian star.
@Laura Streeter yes, Laura, i also think it is from a gala although i don't remember seeing one with so much of an artist "letting their hair down". It is common in iceskating though.
I still prefer her being elegant at 19, for this regal PDD with M.Legris, filmed in a lovely French palace, it is all beauty to me. Yesterday i saw another version of this beautiful PDD, Tereshkina and Shklyarov, worth seeing, great precision, etc.
Her look is the perfect one of any
Great job! Thank you so much！
merci bcp！！！
merci pour cette video !!!!!! la meilleure version de gpc!!! ;)
バレエの常識を根本から変えた人ですよね。素晴らしい。
Unsurpassed whatever hairstyle she is sporting. Magnificent!
Amazing!!!! thank you very much :-)
wow! Thanks a lot.
Сильвия, ты прекрасна!!!!! Лучшая из лучших!!!
She's wonderful ❤❤❤❤❤❤❤❤
Sylvie= Prodigy👏amazing, Brava!
she has the balance to pefection
Брависсимо! Великолепно!
Это можно смотреть бесконечно
правда, смотреть на это никогда не надоест... она действительно великолепна..
超人的な身体能力。凄すぎますね。そしてどのパも美しい。
Adoooooro! 😍
Bravo❤
Unbelievable Guillem!
the best
Awesome!
brava!!!
She is a great great dancer.
I loved her, her elegance, elegant ivory color costume, hair, in the PDD with M.Legris, she was only 19 then.
Except her great dancing, this was disappointing since the Grand pas Classique is so lovely, regal when elegant. Here She looks like from a 1930 cabaret.
Aw..his little lapse right at the end...sweet.
I can’t believe how many idiots were fussed about Guillem’s hair! For God’s sake, anybody who can dance like that-at the utter pinnacle-can wear sackcloth and ashes if she wants to! And nobody said a word about Hilaire’s “do”….sexism all over again.
Great!!!
i love that her hair is out of a bun. shows she doesnt have anything else to prove!
Canonical performance!❤
It's not from a ballet--it was choreographed as a stand-alone pas de deux.
I am not a dancer, in fact I am only just starting to look a ballet seriously.( I am a Photographer) But I would think that buns are more for rehearsal and not strictly for the stage. Although, to be honest, I am not crazy about her hair either.
Only one ❤️🥂
Sylvie Brilliant! (even with the approaching Goth new 'do)
che MITO ...!! *-*
❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤!!!!
Anybody enlighten me why some dancers sound like wooden blocks hitting a wooden floor & others are silent? Is that the dancer, the floor, the shoes, the sound system, what IS it? Not so much here but in some cases I do notice it a lot.
it depends on a few factors actually.
1) dancers who have a unique ability to technically finesse their landing from jumps will naturally make less noise when landing from big jumps, & that depends on the person, the way that their bodies (feet, ankles, knees, legs, hips, & torso, etc.) are constructed, their mastery of the physics involved in defying gravity on the descent back down to earth, etc.
2) the construction of the floor / stage, as floors that have specific materials in their constructions will absorb or create more sound as the weight absorption creates the physical displacement of energy that results in the noise we hear- wooden floors will tend to resonate more than other materials, for example. harder floors with less give / flexibility will generally tend to absorb the sounds more, & floors with air space built in for cushioning to make the landings less stressful for dancers will tend to echo more loudly, as the air will carry the sounds waves more effectively than solid substances, & some floor coverings &/or surfaces may muffle the sound more or less effectively as well.
3) the pointe shoes that the ballerinas dancing on toe wear have wooden or synthetic blocks in the toe which creates sounds when the toe blocks (or box) strikes the floor with a certain amount of force & energy- you can hear this sound even as ballerinas walk in a dance studio or on a stage.
4) if a stage is mic'ed (has microphones set up on or near the floor), the sound of jumps being landed may be amplified.
5) the natural resonance capacity of the space the stage is in (the auditorium or theater) may also amplify the sound if the space is very 'live' & tends to echo & resonate sounds effectively.
these are a few of the factors that may be involved.
@@sensual1213 thank you for your good explanations!
Балерина всех времен и народов, в России ей равные Захарова и Оксана Скорик, Оксана называет Сильвию Эталон Эталонов.
CDでなく、DVDでしたね😅
Sem palavras muito bons.
Meravigliosa
Гимнастика
Elle est trés souple. L'ecole de danse de l'Opera de Paris ne fabrique pas des gymnastes. Elle est unique même si elle a été copiée.
Re Sylvie's hair: really, the whole style looks Goth, which I don't find appealing for this ballet. They were also coached a little differently, so some steps are more accented and less lyrical, although both smile happily for a lot of the ballet. Also looking at her extensions and thinking Zhakarova gets comments about her extensions being too high. Has anyone ever criticized Sylvie for her stunning extensions? Goth or not, always a treat. Wish I could have seen her live.
I agree the Goth style, including the dress, there Is nothing esthetic in it for such a beautiful, elegant, regal ballet.
But She Is a great dancer, one of the best ever.
She was so lovely in the video with M.Legris, only 19, super elegant, creme color elegant costume, pure poetry in an French palace.
@@karennoble1168 maybe people should just shut up about how she looks and focus on her dancing. I don't see any complaints about Hilaire's hair. Such a stupic double standard.
@@MsDidi38 That's because Laurent's hair was normal while Sylvie wasn't, at least in this context of a classic pas de deux. Are you trying to be stupid, or just aggressive, bitch? It's you who need to shut up.
❤❤❤
Agreed. Her hair in "In the middle somewhat elevated" was at least cute. This is way too cropped and it doesn't belong in in this piece.
who cares, it's about her dancing not her hair.
Whatever it is that you call Peace, You can keep it. I don't need it.
Love her but the sound on this is terrible
What is the name of this ballet?
I think it is just known as Grand Pas Classique. I believe Victor Gsovsky choreographed it to music by Daniel Auber's for Yvette Chauviré and Vladimir Skouratoff in 1949. Guillem was coached in it by Chauviré herself. But I could be wrong...
Grand pas classic
Kevin Donohue thank you so much :)
It is confusing because 'grand pas classique' (or just 'grand pas') is also a general term for a pas de deux, sometimes performed with members of the corps de ballet providing a backdrop, which usually displays the lead dancers' technical strength (rather than character dancing), so many full length ballets include a 'grand pas classique' - but this pas de deux is THE Grand Pas Classique. :)
You are so welcome, if u really want to see a much better version of this ballet . Look for Hans Christian Anderson awards. If u can't find I can email it to you
Sylvie's intelligence and taste come across even in such a preposterous pas de deux. The 98% of the ballerinas look too self-indulgent and frankly a little ridiculous in this. But Sylvie makes it like it was Studio 54.
Бесспорно ассолюта. Но наша Виктория Терешкина ничем не хуже
Wow doing fouettes with this hair doesn't look easy
I am surprised,amazed that some people think they entitled to criticise dancers like SG and LH...Lol...who do they think they are!!!!!
i was born when this was filmed... weird..
シックスオクロックの軸脚が完全にアンデオールしてる💧
Накосячили много, но для Японии сойдет
マラーホフがファニーガラで踊ってしまってから簡単だと思えて仕舞うのが残念🙍♀️
Партнеру- двойка.
Rローラン いレールのこの踊りは日本では観られない
Dance 10+, looks? I don't care.
Её технические возможности конечно впечатляют, но не более того. До солисток Мариинского театра ей, к сожалению, далеко. Пусть меня просят её поклонники...
И даже в области балета вы впереди планеты всей🤣
Сам себя не похвалишь - и будешь сидеть, как оплёванный.
Errata corrige induzione
I think like you.
До наших солистов Мариинского, Михайловского и Большого ей далеко. Нехватает женственности и пластики.
Your comment is purely sour grapes….ENVY!! If you really believe Guillem doesn’t show plasticity, then it shows you don’t know the meaning of the word! Guillem is the dancer who began the extension of her foot above her head, by the way….NOBODY did that before her! And I’ve never yet seen a dancer, Russian or otherwise, who could (or can) balance en pointe the way Guillem did….for 5 seconds! As for grace and elegance, French dancers and danseurs have had it in their bones, 100 years before ballet landed in Russia.
@@voraciousreader3341 👏❤
И даже в области балета вы впереди планеты всей🤣
Сам себя не похвалишь - и будешь сидеть, как оплеванный😜
@@voraciousreader3341
Новая эстетика в балете принадлежит не Гилем, а Плисецкой и Надежде Павловой . Плисецкая с её экспрессией, Павлова с её совершенным шагом, легким прыжком, точеными ногами с огромным подъёмом . Это было ново, необычно.
Гилейм талантлива безусловно, но холодна, души нет.
Le plus horrible Grand Pas parce que aucune musicalité chez Guillem très demonstrative en comparaison du même pas " Platel- Le riche " ainsi est Y Tube , pas pour tt le monde
Her dancing is her at her best, but her hair and costume are ridiculous. She could be very pretentious sometimes. Very.
_SHE EARNED IT!!!_ And she obviously has never cared what anyone thought of her, which is a quality true artists have to possess. This was a fun exhibition, by the way, in Japan, not at the Paris Opera, so big deal!
The balances are showy and not lyrical. Ballet or gymnastics?
Of course she is wonderful but . . . but hair is awful.
I suppose that's not even a question of taste. Common mortals like you and me try to stick to styles and things we suppose are flattering for us . True stars don't give a D***D because they KNOW whatever they pick for them will be flattered itself on them. That simple.
Costume, hair Is like for a 1930 cabaret. It lost the feeling of an elegant, regal ballet completely.
Очень технична, безусловно, но резкая как порывистая лошадь. Изящества нет.
The performance is not successful! I don't like it!
If I am not wrong they were coached by Yvette Chauviré herself.
Don't like the look of Silvye.
Neither do i, in this production, the least attractive costume i have seen, the hair for a such an elegant regal ballet spoiled the overall effect of her being a great dancer. It feels More like a 1930 cabaret.