My favorite thing about this series is how haters specifically Target the "Sucker" one, but the other two have people smart enough to realize it's a joke. Edit: Fuck
this is an accurate representation of what happens in my brain when i get a song stuck in my head which reminds me of another song which reminds me of another song which reminds me of another thing and then they all just play at once like my brain has 14 tabs open and is currently opening another three
For everyone who is arguing on whether it's plagiarism or not, that is not the point. The title is a joke, just enjoy a really good mashup with a bunch of songs perfectly fitted together.
i don't think you really need to know anything about music theory to understand that LOTS of songs sound like others by pure coincidence because there's only a number of possibilities in music. but don't worry, it's a very very very big number. and i can kinds confirm that, because i know basically nothing about music theory lol
@@christiancasaverdepertica1802 Yeah, but at the same time if you want to do something interesting with the rhythm, there's better you can do than just time sigs. I don't anticipate a 7/8 pop song anytime soon, but 5-lets maybe :)
Gotta say I love how these mashups sort of both point out the similarities between songs accused of plagiarism, and then add in like 50 more songs to lampoon the idea that they're truly derivative of a single other song and show that there's a huge spectrum of songs that have various similarities. Some people get way too concerned about originality. The most important thing is to make some fuckin' bangers, and this is a hell of a banger 🤘
Agreed, especially with the broken state of copyright these days. With only three big record labels (almost every major artist signs away ownership of their music to them and thus are the ones who are actually upset), they can ensure that everything only ever benefits them. It's the same with sampling in my eyes so long as you admit, unlike Vanilla Ice who tried his best to convince people that he didn't sample "Under Pressure" by Queen and David Bowie for his song "Ice Ice Baby". There will always be some level of derivitiveness in any piece of media, it's unavoidable whether intentionally or by accident. It just makes you wonder how things would be if everything were like Touhou: where characters, music, and basically everything can be copied freely for people to use in their own projects (even monetized) so long as the original creator Zun is credited and they follow his rules on how to represent his characters. He's basically the anti-Nintendo and record labels
@@brinleefrazier7711 The same amount of (What's the opposite of a stan? an anti? Someone who just vehemently hates popular shit just cause) that are also like "LOOK AT HOW THIS SONG SHOWS THE TRUE PLAIGARISM OF OLIVIA RODRIGO" is also hilariously high. People get real salty real fast
@@icantnotthink3282 I think anti is more specific to a person or concept. Someone who just hates popular shit or the mainstream sounds more like a hipster. I'm probably wrong, people use these terms so liberally that I'm not even sure what they mean anymore lol.
Okay this is such a good point though like when I heard Good4U for the first time my first thought was “oh shit new music that sounds like Paramore! That’s great I love Paramore and want to have more to listen to!” I can’t understand how it would be a bad thing!
Fun fact: you cannot copyright genre conventions or chord progressions. Although the American legal system seems to be trying to change that lol. Anyway, this is still a pretty dope mashup.
@@kittykittybangbang9367 Girl get into it. Dark horse was accused of copying an older song even though the structure wasn't too similar, both songs used the melody in different parts of the song AND the actual cord progression was different. Adam Neely has a whole break down on it.
The list of musics played at the end is basically useless ngl, when I first heard one of the musics from the last one I swore it was going to start the Triple-Q part
I think people seem to be missing that this person just has this naming convention for their brand of (baller) song mash ups while using one song as the main base
To be fair if the video is named as it is as a first time watcher of the channel it’s not easy to see that it’s not meant in a serious way on the first glance. And I think this first kind of controversial first impression as klickbait is exactly what this channel was after when deciding on the naming convention so then complaining if the clickbait worked is not really sensible
why are people genuinely agruing about plagiarism under a mashup that uses songs from Inscryption, Yakuza, Guilty Gear and samples the amogus guy it should be clear by then that the title isn’t serious at all.
because it is actually plagiarism and Olivia Rodrigo and her label have pages over 2M dollars bc they plagiarized paramore and Taylor swift? inform yourself, using Google is easy.
@@arfansthename I like good music, I don't listen to artists who plagiarize, and I am a fan of the longest running sci-fi show in existence, that doesn't have anything to do with this conversation? I actually inform myself and know that the song was plagiarized and a lot of money was payed bc of it.
@@karlitatv except its not plagerism and just uses the same chords and a similar melodies, literally take 100 pop songs from the past 5 years and you could do a remix with half of them only using the 4 basic chords
This mashup has a bunch of unexpected parts. I've never expected the Chalkeaters' Crushing Thirties in it. Or the Despair Of Demon from Yakuza 0. OR EVEN THE MUSIC FROM *INSCRYPTION* !!!
Honestly this is just a good showcase of creativity not being about originality, but about providing your own spin on what already exists. Share the talent, spread the love
@@Cowboycomando54 i think they're talking abt the songs used in the "___ is a new and original song" series, which are: sucker, good 4 u and #selfie. not each individual song used in the mashups themselves
Yet another certified classic that perfectly encapsulates meme culture in a mashup diss track. A worthy successor to "Sucker is a new and original song which doesn't plagiarize at all"
I feel like this channel has warped my musical tastes to be generally more memetic. It is hard to explain to friends though. They often find it confusing.
@@Archflip This channel, SiivaGunner, pluffaduff, and Neil Cicierega have all done it for me. I think its just the rip/mashup musical culture, but yeah, it can be hard to explain sometimes. Get em hooked on a bangin' siivagunner rip and let em go down the rabbit hole
I disagree. I have gone back to listen to "Sucker is a new and original song which doesn't plagiarize at all" Dozens of times. This one i didn't even finish.
*THAT INSCRYPTION PART IS EPIC.* BROUGHT TEARS TO MY EYES. Some of the parts of this mashup (really a minority, and after listening to this song more times most of it has grown on me) was a bit iffy but that part was rock-awesome.
I truly have never cared if any song "ripped off" any other. If it sounds good, then it sounds good. If everything had to be 100% original then there would basically be no new art at all.
I agree to an extent. yes, there are tons of songs out there and it's hard to come up with something truly original. in modern music, it's insanely easy to make a song that 'sounds good' by using popular chord progressions, reusing hit song structures, using things that are already proven to 'work'. because of this, artists who experiment with music, who strive to make something unusual, distinct or unique (though it might not sound all that good) should be more appreciated.
The Piano Test is helpful. If you play the melody of a song on the piano, and it sounds exactly like a different song, that's plagiarism. Lyrics and chord progressions have more grey area, but the melody is a dead giveaway.
ikr and these young artist have grown up with songs that have inspired them into creating their sounds so its no wonder they sound a bit similar but original artists are taking advantage of that
The trapper theme's presence was pretty pog, but I feel like it didn't *quite* have the intensity/bridled rage needed for that segment. I dunno what'd replace/augment it, though- my mind almost goes to something from Weezer?
Like a minute into this song, I was struck with a sudden strong impression that every clip in the video was happening along the same, really long street, and Kiryu and Kuze were fighting in the sewer running beneath it.
I'm imagining a highschool setting where a representative of the sources are either students or work in the school. (Most of singers and May are students, Kuze is the principal, Jimmy Urine works in the cafeteria, Sonic is the janitor and Leshy is an animal biology teacher)
Oh boy, I hope this one doesnt get taken down due to total bullshit! For afterall, it is a totally original work of art which will be wholly unique in its execution.
Triple can literally put the fucking STOP POSTING ABOUT AMOGUS guy in a mashup and the comment section will still take the title literally it's quite amazing
Listening to good 4 u I could never quite put my finger on why it felt so familiar. Now hearing it side by side, the way Olivia delivers "sussy" truly is inarguable plagiarism. Thank you for your work Triple-Q!
I keep rewinding the part with Shut me up mixed with the good 4 u bassline/instrumentals, the aggressiveness of the vocals contrasts so well, there's something that sounds almost melancholic about it that I really love
In my opinion, the genius of this mashup is the fact that pretty much every song involved can be intrinsically tied together from a perspective of meaning, as well as music. Firstly, the obvious ones: Good 4 U and Misery Business. Both tackle the interruption of a relationship by a third party, but from completely opposite perspectives. The contrast between both songs is clear in their tones: Misery Business is triumphant, a confident "screw you" to the person who she felt stole his heart before she could take it for her own, where Good 4 U is full of resentment to the person in question, and his apparent apathy towards the singer. After that, we get Disaster of Passion, which encapsulates how head over heels in love our singer was with the person in question, willing to follow them to the ends of the earth. Appropriately, the song title also serves to represent the tragedy of the breakup - it's passing is the Disaster of our singer's Passion. Both Never Getting Back Together and Shut Me Up are utilized for further accentuation of our singer's bitterness and resentment towards her ex-lover, much more aggressive and blunt in delivery, practically taunting him with how much she "really doesn't care, try and stop me after that break up." Enter the immediate contrast of Boulevard of Broken Dreams, which proves that the aforementioned was all indeed a front. Our singer clearly feels she walks alone, isolated, the most important person to her having left her for some other person. I like to interpret the incorporation of Immigrant Song's iconic scream as a literal internal scream that cannot be vocalized because doing so would compromise the aggressive front... Which inevitably unveils itself anyways. Crushing Thirties is, once more, a reflection on the happier, jubilant past life of love our singer shared with this guy, which will unfortunately never be re-attained. It's not "30 Years Ago" unobtainable, but love can certainly feel that way. I would even argue the brief Planet Wisp motif also encapsulates the feeling that what was once your home and place of comfort has now been corrupted, and requires a lot of time to truly mend. We then get more of the original piece with the Trapper's theme from Inscryption. This is especially cool to listen to, and conveys several messages at once - maybe it means our singer feels like prey being hunted and skinned by heartbreak? Maybe she's the hunter, waiting for her revenge on the girl that stole her love? Or maybe, on a meta level, she is like the opponent in Inscryption, isolated from the rest of the world to the point where only random chance can save her from the depression and boredom of life (the interpretation I lean to most because of the line "maybe I was too emotional...")? Many messages can be taken from this, and I consider it super cool. And yes, *even the sussy carries meaning to it.* With the relationship dead and gone, the memories formed from it feel fake, unreal, a ghost of the past. One could even say that the ex's feelings towards the singer were, at least for a time, entirely fabricated... The front of an Impostor, if you will. Admittedly, I've not played the Yakuza games, and as such I have... Zero clue what the incorporation of this backing track is. Since I don't wish to be spoiled on these games, I'll leave that interpretation up to you, the reader and listener, as well as anyone who knows Yakuza lore and can relate the struggles detailed here to Kiryu's saga. All this to say, this mashup absolutely slaps, and compelled me to read deep and find a narrative out of what was probably just a bunch of meme picks that sounded good when combined as they were. Props to you, Triple-Q.
I'd love to post my perspective on the Yakuza side, but to respect your wishes on spoilers (cuz the franchise is GARGANTUAN worth going in blind) I'll just say that it's only somewhat relevant to this narrative, but at the same time fits it like a glove. It mostly has to do with his internal emotions after several chapters. In relation to a love life though, that's a different character, and/or a different title in the series.
Chiming in that the Trapper track could also be read as a tie-in regarding feelings of betrayal. The Trapper is a friendly NPC for the majority of part one and the first time I encountered him as a boss I felt like someone pulled a rug on me! He was the guy I traded with! I wouldn't have made it this far without him! How could he!!
I gotta say, as soon as I heard “good 4 u” I’m like wow this sounds like Paramore…it’s scarily similar. However, at the end of the day, you can’t own a chord progression. There’s only so many chord combinations out there, so eventually, songs will have some similarities. I’m sure some of my own songs sound similar to others, that’s what inspiration is. But there is a fine line…to each his own I guess!
Yea they all have the same time signature but personally the only song I found that sounded super similar in the mashup was “good for you” & “misery business”. All the others have the same time signature but those two songs seem the most in common in terms of sound, style, and tempo. I guess over time studios run out of creativity & end up producing the same sounding stuff?
@@rileyywhited cause most ppl over the age of ~20 know the song “misery business” from our childhood/young adulthood since it was super popular in the 2000s-2010s and we could easily see the similarities between the two songs.
All these radio stations and streaming services trying to get me to listen to songs one at a time. I just don't have time for that. Thank you for putting them all together so I can listen to them all at once. Saves a lot of time.
Lyrics: I'm in the business of misery Let's take it from the top. She's got a body like an hourglass, it's ticking like a clock It's a matter of time before we all run out When I thought he was mine, she caught him by the mouth. I waited eight long months, she finally set him free I told him I couldn't lie, he was the only one for me Two weeks and we had caught on fire She's got it out for me, but I wear the biggest smile Whoa, I never meant to brag But I got him where I want him now Well, good for you, you’re doing great without me baby God I wish that I could do that. I can’t wait to catch up Before the sun sleeps We are never ever ever (I’m a disaster of passion) Coming back together It just feels so good. The bass, the rock The mic, the treble I like my coffee black Just like my metal With the bass, the rock The mic, the treble I like my coffee black Just like my metal 'Cuz I can't wait for you to knock me out In a minute, minute In a ***ng minute I can't wait for you to knock me out In a minute, minute In a second My shadow's the only one that walks beside me (A non-stop love song, so that's me) My shallow heart's the only thing that's beating (Crushing in your thirties, crushing in your thirties) Sometimes, I wish someone out there will find me But I got him where I want him now 'Til then, I walk alone I’m a disaster of passion Crushing in your thirties, crushing in your thirties Maybe I'm too emotional But your apathy is like a wound in salt Maybe I'm too emotional Or maybe you never cared at all Maybe I'm too emotional Your apathy is like a wound in salt Maybe I'm too emotional Or maybe you never cared at all Whoa, I never meant to brag But I got him where I want him now Well, good for you, you're doing great out there without me, baby Like a damn sociopath My shadow's the only one that walks beside me (Crushing in your thirties, crushing in your thirties) We are never ever ever (I’m a disaster of passion) Going back together But I guess, good for you And it just feels so good Well, good for you, I guess you moved on really easily Now it looks like someone in their thirties caught their lover cheating, so because of it they started to drink black coffee and listening to the metal and planning their revenge while trying to convince themselves they are “disaster of passion”, so that they are hot and confident. They say it feels good to realize they will never be together again but actually they feel very lonely.
2:45 Okay I don't know the technical terminology, but the build up of tension then the full stop of the music right before the whole song all explodes in your ears at once near the end is just HEAVENLY. I'm just gonna call it the sussy beat drop, it's honestly my favourite reasons why I love rock songs so much. It's done ALOT but idk it's always so satisfying when a song can make you so physically excited from just a few melodies in your ear hole.
Idk if there is an actual term for it (or if you wanted a real answer), but I'm pretty sure this is just a sound illusion. So prior to 2:45 the music was a bit louder, then at 2:45 the music got quieter (or the instrumental cut out at least giving the illusion that it's quieter), and then it goes back to the same volume as prior to 2:45. The tempo might have also slowed down at 2:45 as well. It's a build up of energy. It's used in a lot of pop songs as when you build energy of the song (typically with volume and tempo) you can't just keep doing that or your song becomes a mess. So if you cut back at a certain point and then release it, it feels like it was reenergized. At least I'm pretty sure that's what this was. A good example of this is in Ninja Sex Party in their song Danny Don't You Know (around 4:00).
@@kelsanna143 Dang that's a pretty cool trick. I didn't expect someone to have an answer, but thanks so much for telling me! I'm not that knowledgeable on music tricks so it's always cool to find out these things.
When I have the song "good 4 u" stuck in my head, it always transforms into either "Misery Business" from Paramore or "Someday" from the TWEWY OST. Theses songs are so similar.
Considering there’s an insane plagiarism debate around this song that even Hayley Williams has commented on, I’m not gonna be surprised if you get some shit for this one
I think Q knows. I noticed Boulevard of Broken Dreams and We Are Never Ever Getting Back Together both appeared in this mashup. Both of those two songs, barring style, have the same similarities musically to good 4 u that Misery Buisnes has. Adam Neely had a fantastic breakdown of it, so if y’all haven’t seen that, you should check it out.
Does your brain just come up with this stuff when you hear the song? What is your process for creating mashups like this? Whatever it is, keep doing it cuz these are awesome
Pop rock is a very formulaic genre, almost always in 4/4. Find pop rock or similar songs in the same key and you can see where they share sounds and ideas.
This is like a really weird, but also really hype act one finale to a musical. We've got the anti-heroine singing about her success at getting the boy of her dreams while his jilted psycho ex is making thinly-veiled threats to burn his house down. We've got two thirty year old best friends stuck in a dead end retail job, and one is clearly about to snap. We've got two guys about to battle to the death in the sewers. We've got the guy singing about his loneliness and isolation as he's stuck in the shadow realm forced to play card games with a bearded demon. And we've got this cute weeb girl who's just vibing, oblivious to the drama going on around her.
I appreciate the sync of the Kiryu and Kuze fight during the Shut Me Up segment. I'm a sucker for any kind of music synced up to video game characters slamming into each other.
I'm sorry, I couldn't read this comment because as soon as you said "I'm a sucker for" my brain just immediately went "Shanari Shanari ojou-sama" and I couldn't finish reading
no matter how you feel about the plagiarism thing, this shows why this song was so successful: it literally sounds like many many other successful songs at the same time and it's incredibly recognizable
@@RevolutionaryLoserIt would only be a terrible reason if the song was bad. The fact that it clearly takes inspiration from a lot of different things and still sounds like a great pop song is a feat in itself.
Even tho they say it's "plagiarized" I honestly think Olivia Rodrigo is simply inspired by the old 2000s rock music and I think of it as good news because that means kids these actually like these kind of music and seeing how popular good 4 u is, it's a great sign that rock music can make a comeback and be mainstream again
Yeah this is pretty convincing but it's scary that music has a limit of audible notes and still sound good, which means there's gonna be more and more royalty lawsuits from old big music companies eventually you cant make a hit without 50 companies telling you you used their song
I'd say this is true, but it's more specific to pop music or this genre of songs If you listen to some more foreign music's that use unconventional beats and instruments you'll see that the actual range is massive It's just that these cord progressions are popular in western music so of course you'll have a lot of examples (and lawsuits)
Knowing only one song from this entire mashup, I can say with absolute certainty that the songs blend so well together that I genuinely do not trust the MV transitions.
Sucker is new and original: wow it’s really cool that sucker fits so nicely with so many songs Good 4 U is new and original: how dare she plagiarise so much
I read somewhere recently that the creator of Euphoria said something like, It’s one thing to copy someone’s art, it’s another to copy it but make it your own and put it in a new context. I wish I had an exact quote but still, when I heard Good 4 U it was clearly inspired by other songs. But it’s still new and with her own story.
It's funny (and kinda sad) how this people in comments try lo lecture Triple Q about how music "works" when theirs series of "New and orignal songs mashups" is literally about *"Yeah, any music is original, go on"* bruh, the people that didn't get the idea at all and go straight to "defend that poor singers" pretty flamed tho XD
bro this comment section is ruined by stupid idiots arguing & defending nothing for nothing, btw as a long time sucker mashup fan this one also bangs sheeeshh. have fun listening n thank you for making this triple~
I'm sorry for the peeps that didn't get this is satire. For those that has _no clue_ : Triple-Q's been doing mashups like this, go check the one they did with the song "sucker" from Jonas Brothers (it's good, like just click the pinned comment before getting so fussed up- see for yourself. geez.) They weren't accusing Olivia for plagiarising. The point of this video is- it's a *mashup with a sarcastic title* that's it. More like the joke is directed for Triple-Q 💀 since they're using other people's music/videos to make mashups. It's sarcasm. 🤦🏽
Also with the "Olivia Rodrigo totally isnt an industry plant" should have 100% given it away considering she was a Disney child star like cmon. Its so obvious.
With the songs layered like this it really feels like good 4 u is the storyline of Misery Business told from the OTHER girls perspective and this is just these two ladies duking it out
The only song I've ever had a problem with "ripping off" another song is Hotline Bling and the Wii Shop Theme. It's so blatant and it's never mentioned anywhere.
It's uncanny how this mashup takes a dozen or whatever songs that, individually, I absolutely despise; but then Frankenstein's them all into an absolute banger.
I don't feel like this is even remotely plagiarism (you've basically just identified how genre works, this is all pop-punk, that the similarity) but also this song is a bop EDIT: jesus christ every single day I get the same reply on this. If !THAT'S THE POINT! or !IT'S A JOKE! then it's a stupid clickbait title and the channel needs to chill.
I feel like Q isn't trying to say "X is plagiarism" but "The very act of arguing if a song is plagiarizing is redundant because no song is 'entirely original'" they did the same with Sucker and garage rock
There's nothing punk about Good for you it's just pop there's nothing really punk about it you can tell it was sorta inspired but the execution wasn't that great
@@fantrash5698 I feel like if it was just pop it would not mesh so well with all the other songs and the instrumentals are very similar to what is normally used in punk rock and then pop punk like that guitar before the chorus and then the chorus is definitely a punk pop chorus it actually reminds me of that one song over on the butterflies I think it's called
See the complete "new and original song" series here!
ua-cam.com/play/PLgcoT7-W0fP2n5H87KYvuPvKhBud4Mgpd.html
My new favourite musical series.
This is the best series so far
The fact that you made a playlist of your "new and original song" series makes me believe that we're getting another installment in the near future
Bro how long ago was crushing in your thirties released? Make me question how fucking fast this song was edited or made
My favorite thing about this series is how haters specifically Target the "Sucker" one, but the other two have people smart enough to realize it's a joke.
Edit: Fuck
this is an accurate representation of what happens in my brain when i get a song stuck in my head which reminds me of another song which reminds me of another song which reminds me of another thing and then they all just play at once like my brain has 14 tabs open and is currently opening another three
Same, it's really fun except it's not.
Wow me too, my mind is always making the craziest mix (sometimes I even discover that some song actually haved sampled the other)
yeah uh I said that and my mom said “we should probably get you checked for autism”
Neurodivergent alert
THIS.
why the fuck is this the hardest thing i’ve ever heard
ong bro
Yes i just found this and i love every single bit of it I love all the artists in it (besides taylor) and love inscryption
because you're 12 or have the musical taste of a 12 year old
@@willherondale6367 I'm 17 but go off
@@willherondale6367 looks like someone has a case of the "i get angwy when other peopwe enjoy things >:(" hope you get well soon! besitos xo
This mix is unironically so good
W arcane pfp
@@whoops9630 ty
Yeah, the Inscryption part absolutely blows me away every time.
W Aubrey (and Hero) pfp btw
Chungironically good mix
W omori pfp
“Sussy”-opath gave me whiplash I’ve never experienced in my life. 11/10
I’ll say
I thought you said Oprah
I honestly kinda think the whole video was just an excuse for that bit.
Expectation: getting a video that proves the plagiarism accusations
Reality: jamming to a good mashup
LMAO IKR
how about both
Yeah, it's kinda a bop, right??😂😂
YEAH LOL
YES
For everyone who is arguing on whether it's plagiarism or not, that is not the point. The title is a joke, just enjoy a really good mashup with a bunch of songs perfectly fitted together.
No on is
yeah
It doesnt look like a joke
@@gameplays1792how so? This song is mixed pretty well, personally, artistically too. It definitely is a joke
The problem is the amount of people who think this is considered plagiarism
"Wait so are they plagiarizing?"
People who understand time signatures and basic chord progressions - "well yes, but actually no."
I have no idea what those are but I'll just assume you're right.
i don't think you really need to know anything about music theory to understand that LOTS of songs sound like others by pure coincidence because there's only a number of possibilities in music. but don't worry, it's a very very very big number.
and i can kinds confirm that, because i know basically nothing about music theory lol
Tbf time sig doesn't even count, otherwise 99% of music would be plagiarized in that aspect
@@rayres1074 Eh, it does contribute a lot to the rhythm and feel of the song
@@christiancasaverdepertica1802 Yeah, but at the same time if you want to do something interesting with the rhythm, there's better you can do than just time sigs. I don't anticipate a 7/8 pop song anytime soon, but 5-lets maybe :)
This is a duet between the girl who just dumped her guy and the girl who just fell in love with the same guy
While both of their friend groups constantly interject
I like to think the dude is the guy sings "My shadow are the only one that walks beside me"
And the guys best friend keeps making fun of him
@@dataexpunged4784 is that... sam o'nella in your profile picture?
Also starring the girl who is in love with her dad
Gotta say I love how these mashups sort of both point out the similarities between songs accused of plagiarism, and then add in like 50 more songs to lampoon the idea that they're truly derivative of a single other song and show that there's a huge spectrum of songs that have various similarities. Some people get way too concerned about originality. The most important thing is to make some fuckin' bangers, and this is a hell of a banger
🤘
Agreed, especially with the broken state of copyright these days. With only three big record labels (almost every major artist signs away ownership of their music to them and thus are the ones who are actually upset), they can ensure that everything only ever benefits them. It's the same with sampling in my eyes so long as you admit, unlike Vanilla Ice who tried his best to convince people that he didn't sample "Under Pressure" by Queen and David Bowie for his song "Ice Ice Baby". There will always be some level of derivitiveness in any piece of media, it's unavoidable whether intentionally or by accident.
It just makes you wonder how things would be if everything were like Touhou: where characters, music, and basically everything can be copied freely for people to use in their own projects (even monetized) so long as the original creator Zun is credited and they follow his rules on how to represent his characters. He's basically the anti-Nintendo and record labels
Everything needs to be put in to the public domain. The way it is now is just propping up big companies
Agreed, but they'd never lobby for that over longer copyright. So I doubt we'll see. Not without overwhelming pressure
This is the most reasonable takeaway from this genre of video tbh
thisss comment over everything‼️‼️
Another great song by Triple-Q which I have totally listened to already
ua-cam.com/video/Q7USStVAS_Q/v-deo.html
Fax yep.
how tf did you post this before the video went up
You just gotta come early enough
TeneT
@@johnlecavalier6199 Premiere.
The amount of people that think this is supposed to be taken as a serious plagiarism accusation is hilarious
Stans lose their minds if they hear something that even resembles criticism of their idol
@@brinleefrazier7711 The same amount of (What's the opposite of a stan? an anti? Someone who just vehemently hates popular shit just cause) that are also like "LOOK AT HOW THIS SONG SHOWS THE TRUE PLAIGARISM OF OLIVIA RODRIGO" is also hilariously high. People get real salty real fast
@@icantnotthink3282 go to sleep plz you you have a test soon, and I'd hate to see you fall it :)
@@icantnotthink3282 I think anti is more specific to a person or concept. Someone who just hates popular shit or the mainstream sounds more like a hipster. I'm probably wrong, people use these terms so liberally that I'm not even sure what they mean anymore lol.
It's deeply pathetic.
As someone who likes Paramore, Green day, MSI and Taylor Swift, I knew there was something about this song that I liked
Okay this is such a good point though like when I heard Good4U for the first time my first thought was “oh shit new music that sounds like Paramore! That’s great I love Paramore and want to have more to listen to!” I can’t understand how it would be a bad thing!
wait me too
I wanna be friends with you omg
Hayley Williams >> Taylor Swift
@@wr24markii55she opens for Taylor Swift at her era's tour
Y'all can keep talking about plagiarism, I'm just enjoying the mashup
it slaps
frfr
There's 666 likes and I can't bring myself to mess that up
What are all the songs mashed up?
@@devina8812 check the docs file in the description its there
Fun fact: you cannot copyright genre conventions or chord progressions.
Although the American legal system seems to be trying to change that lol.
Anyway, this is still a pretty dope mashup.
Still to this day don't know how Katy perry lost that legal battle.
The sad part is that the only reason why is because of money. Why can’t people have the right to create bangers
@@jayymorris5285 Wait what?
@@kittykittybangbang9367 Girl get into it. Dark horse was accused of copying an older song even though the structure wasn't too similar, both songs used the melody in different parts of the song AND the actual cord progression was different. Adam Neely has a whole break down on it.
@@jayymorris5285 oh 👌
Wow that was unexpected
Awesome mashup!!
Aahaha, so glad you like it! You guys did a bangup job on Crushing Thirties (and Count to Three, and It Just Works, and many others)
Goodjob
funny video game music band
You guys are certainly crushing it
It's crazy how you can put a bunch of songs together to sound like one song. It works.
It's called chord progression. Check out "4 Chords" by Axis of Awesome which shows like half of all pop songs have the same starting base.
@@MarvinPowell169th like
Weird Al been doing that for decades bro
If anything, you've demonstrated the limited permutations of the pop rock formula, especially when all songs are in 4/4
Also, the use of the same, repetitive chord progressions
the base the rock the mic the treble
spilled so hard
I definetly think it’s a formula that works though, seeing as how this mashup slaps hard af
@@screwtapee honestly that is right lol- definitely isn't original, but it works well
It’s that time again to listen to Triple-Q’s new song and never hear the original one in the same light ever again.
The list of musics played at the end is basically useless ngl, when I first heard one of the musics from the last one I swore it was going to start the Triple-Q part
ua-cam.com/video/Q7USStVAS_Q/v-deo.html
Fax yep.
I can’t listen to Sucker without saying “shanari shanari ojou sama”
i don't even listen to the originals
I'm definitely going to hear "I'm the disaster of passion" next time I hear good for you lmao
I think people seem to be missing that this person just has this naming convention for their brand of (baller) song mash ups while using one song as the main base
Exactly, wtf is going on in this comment section
@@buildinasentry1046 the video left the main audience.
@@beepmoo8771 Ain't that the truth
To be fair if the video is named as it is as a first time watcher of the channel it’s not easy to see that it’s not meant in a serious way on the first glance. And I think this first kind of controversial first impression as klickbait is exactly what this channel was after when deciding on the naming convention so then complaining if the clickbait worked is not really sensible
Or they’re trying to show that all these songs are the same and the music industry has completely stagnated
Who could imagine that a song that has the phrase "Sussyopath" would be an incredible bop
why are people genuinely agruing about plagiarism under a mashup that uses songs from Inscryption, Yakuza, Guilty Gear and samples the amogus guy it should be clear by then that the title isn’t serious at all.
because it is actually plagiarism and Olivia Rodrigo and her label have pages over 2M dollars bc they plagiarized paramore and Taylor swift? inform yourself, using Google is easy.
@@karlitatv "kpoper whovian"?
not a good combo
@@arfansthename I like good music, I don't listen to artists who plagiarize, and I am a fan of the longest running sci-fi show in existence, that doesn't have anything to do with this conversation? I actually inform myself and know that the song was plagiarized and a lot of money was payed bc of it.
@@karlitatv except its not plagerism and just uses the same chords and a similar melodies, literally take 100 pop songs from the past 5 years and you could do a remix with half of them only using the 4 basic chords
@@karlitatv Couldn’t take you serious after you said: “inform yourself” unironically
This mashup has a bunch of unexpected parts. I've never expected the Chalkeaters' Crushing Thirties in it. Or the Despair Of Demon from Yakuza 0. OR EVEN THE MUSIC FROM *INSCRYPTION* !!!
ua-cam.com/video/Q7USStVAS_Q/v-deo.html
Fax yep.
I NEVER WOULD HAVE EXPECTED INSCRYPTION!
@@ashkata309 No one expects the Musical Inscryption
And there's also just the gold of "like a SUSSYopath"
Also the disaster of passion
Thought it was a solid 7/10 mashup until you busted out the inscryption soundtrack, instantly escalating it to a 11/10 with a status of BASED
1000%
"Sussy-opath" bumped it up to 12/10
may, greenday??????
Those ar e some fucked up time signatures /j
@@robynthethird4776 LOL
Honestly this is just a good showcase of creativity not being about originality, but about providing your own spin on what already exists. Share the talent, spread the love
You know, I'd be on board with this if the original wasn't just generic pop anyway.
@@BirchMonkey857 generic pop aint that bad imo
@@BirchMonkey857
blatant misuse of legal and monetary resources doesn't matter because me no likey the song so me no care
I just realized that all the songs in the series was accused of plagiarism, how did I not notice this???
#Selfie a little less so, but yeah, pretty much
How did Crushing 30s plagiarize?
@@Cowboycomando54 i think they're talking abt the songs used in the "___ is a new and original song" series, which are: sucker, good 4 u and #selfie. not each individual song used in the mashups themselves
Yet another certified classic that perfectly encapsulates meme culture in a mashup diss track.
A worthy successor to "Sucker is a new and original song which doesn't plagiarize at all"
@@recitationtohear ew a bot
I feel like this channel has warped my musical tastes to be generally more memetic. It is hard to explain to friends though. They often find it confusing.
@@Archflip This channel, SiivaGunner, pluffaduff, and Neil Cicierega have all done it for me. I think its just the rip/mashup musical culture, but yeah, it can be hard to explain sometimes.
Get em hooked on a bangin' siivagunner rip and let em go down the rabbit hole
I disagree. I have gone back to listen to "Sucker is a new and original song which doesn't plagiarize at all" Dozens of times. This one i didn't even finish.
sirr its a certified HOOD classic one step above a certified classic
I wonder if anyone actually thinks she listened to all of these songs and purposely created a song that uses all of them lol
Olivia Rodrigo is clearly just a huge fan of Inscryption
Don’t you know she’s a super big sonic fan?
Why is your profile lesbian Freddie Benson
@@ZArocket Gotta love how she's also a Yakuza fan.
of course she did, Olivia is a May main
*THAT INSCRYPTION PART IS EPIC.* BROUGHT TEARS TO MY EYES. Some of the parts of this mashup (really a minority, and after listening to this song more times most of it has grown on me) was a bit iffy but that part was rock-awesome.
I get chills every time that humming chorus starts up
Literally the only reason I clicked the vid
YES (besides getting the lyrics wrong)
@@Franklin_Johanessansame
I truly have never cared if any song "ripped off" any other. If it sounds good, then it sounds good. If everything had to be 100% original then there would basically be no new art at all.
Yeah. It's just sampling.
@@nittygritty7034 it's not sampling.
I agree to an extent. yes, there are tons of songs out there and it's hard to come up with something truly original. in modern music, it's insanely easy to make a song that 'sounds good' by using popular chord progressions, reusing hit song structures, using things that are already proven to 'work'. because of this, artists who experiment with music, who strive to make something unusual, distinct or unique (though it might not sound all that good) should be more appreciated.
The Piano Test is helpful. If you play the melody of a song on the piano, and it sounds exactly like a different song, that's plagiarism. Lyrics and chord progressions have more grey area, but the melody is a dead giveaway.
AGREED
I think it’s about time that we as a collective come to terms with the fact that millions of songs share the same chords and rhythms.
ikr and these young artist have grown up with songs that have inspired them into creating their sounds so its no wonder they sound a bit similar but original artists are taking advantage of that
I think it’s about time that we as a collective come to terms that this video is just a damn good (and sussy) mashup
@@abcdefgh-fb5ny Of that there is no doubt in my mind. Agreed.
the title is a joke.
@@jaysefgames1155 the artist still got sued
The original just isn't the same without _"SUSSY!!!-opath"_
lmao when i was reading this comment that scene pops out
The twerking got me. Dammit lol.
iscryption, yakuza, MSI, and greenday? this mashup is perfect
Holy fuck I wasn’t expecting Inscryption to be thrown in, this is fucking amazing
The trapper theme's presence was pretty pog, but I feel like it didn't *quite* have the intensity/bridled rage needed for that segment. I dunno what'd replace/augment it, though- my mind almost goes to something from Weezer?
@@athath2010 Needs just a bit of Queen vocals starting at 2:25 for that extra impact, with the Trapper strings: "We will, we will, rock you!"
I was shook when i saw it haha. Love to see Inscryption it's a great game
i was literally like- I have only heard good 4 u like twice I don't know anything about the controversy surrounding it.. but this is a fuckng bop XD
Only Triple Q can pull off Inscryption boss music in a mashup and make it good af
@@Triple-Q Oops, didn't mean to call it a rip. Spent way too much time on siivagunner
@@powerpulser5701 rip gilvasunner tho
I mean, that inscryption boss music definitely sounded like "ice ice baby" so it was good fodder for a mashup
Like a minute into this song, I was struck with a sudden strong impression that every clip in the video was happening along the same, really long street, and Kiryu and Kuze were fighting in the sewer running beneath it.
I'm imagining a highschool setting where a representative of the sources are either students or work in the school. (Most of singers and May are students, Kuze is the principal, Jimmy Urine works in the cafeteria, Sonic is the janitor and Leshy is an animal biology teacher)
This comment made me laugh out loud. I was having a bit of a shit day, so thank you for that.
0:16-0:42 I wish there was a full version of Misery Business that sounds like this.
Same
Same
Same
Same
Oh boy, I hope this one doesnt get taken down due to total bullshit!
For afterall, it is a totally original work of art which will be wholly unique in its execution.
ua-cam.com/video/Q7USStVAS_Q/v-deo.html
Fax yep.
@@recitationtohear begone
Triple can literally put the fucking STOP POSTING ABOUT AMOGUS guy in a mashup and the comment section will still take the title literally it's quite amazing
That part with inscryption gives me goddamn CHILLS and now when I listen to this song I can't hear anything but the trapper's theme. Amazing.
2:35 the transition from good for you to misery business and then to I walk alone is FLAWLESS. I’m addicted to replaying it
Do you mean 1:35?
@@Poketom-ob1dl no, its 2:35
*boulevard of broken dreams
@@juuzouatemycookies whoops. I’m not to savvy on my Green Day lore
*a song has all of the characteristics of the genre it belongs to*
the internet: WHAT WAS THE REASOOON, WHAT WAS THE REASOOON.
That’s the internet for ya
You mean the exact same chords, beat and progression
@@centurionl the characteristics that a song has... No shit it's similar, that's how genre works.
@@centurionl You're gonna lose your shit when you hear about the four basic chords of pop music...
it's so funny when people who clearly have no understanding of music comment things like this lol
Listening to good 4 u I could never quite put my finger on why it felt so familiar. Now hearing it side by side, the way Olivia delivers "sussy" truly is inarguable plagiarism. Thank you for your work Triple-Q!
💀
the "sussy" took me by surprise. I can't believe I never caught that in Olivia's song 🤯
It’s not plagiarism Olivia said Paramore was the inspiration for Good 4 u and Paramore even said it was fine for her to reference them
You all are missing that this comment is a joke oml
@@waytoobiased I commented on the wrong thing 😕✊
I keep rewinding the part with Shut me up mixed with the good 4 u bassline/instrumentals, the aggressiveness of the vocals contrasts so well, there's something that sounds almost melancholic about it that I really love
In my opinion, the genius of this mashup is the fact that pretty much every song involved can be intrinsically tied together from a perspective of meaning, as well as music.
Firstly, the obvious ones: Good 4 U and Misery Business. Both tackle the interruption of a relationship by a third party, but from completely opposite perspectives. The contrast between both songs is clear in their tones: Misery Business is triumphant, a confident "screw you" to the person who she felt stole his heart before she could take it for her own, where Good 4 U is full of resentment to the person in question, and his apparent apathy towards the singer.
After that, we get Disaster of Passion, which encapsulates how head over heels in love our singer was with the person in question, willing to follow them to the ends of the earth. Appropriately, the song title also serves to represent the tragedy of the breakup - it's passing is the Disaster of our singer's Passion.
Both Never Getting Back Together and Shut Me Up are utilized for further accentuation of our singer's bitterness and resentment towards her ex-lover, much more aggressive and blunt in delivery, practically taunting him with how much she "really doesn't care, try and stop me after that break up."
Enter the immediate contrast of Boulevard of Broken Dreams, which proves that the aforementioned was all indeed a front. Our singer clearly feels she walks alone, isolated, the most important person to her having left her for some other person. I like to interpret the incorporation of Immigrant Song's iconic scream as a literal internal scream that cannot be vocalized because doing so would compromise the aggressive front... Which inevitably unveils itself anyways.
Crushing Thirties is, once more, a reflection on the happier, jubilant past life of love our singer shared with this guy, which will unfortunately never be re-attained. It's not "30 Years Ago" unobtainable, but love can certainly feel that way. I would even argue the brief Planet Wisp motif also encapsulates the feeling that what was once your home and place of comfort has now been corrupted, and requires a lot of time to truly mend.
We then get more of the original piece with the Trapper's theme from Inscryption. This is especially cool to listen to, and conveys several messages at once - maybe it means our singer feels like prey being hunted and skinned by heartbreak? Maybe she's the hunter, waiting for her revenge on the girl that stole her love? Or maybe, on a meta level, she is like the opponent in Inscryption, isolated from the rest of the world to the point where only random chance can save her from the depression and boredom of life (the interpretation I lean to most because of the line "maybe I was too emotional...")? Many messages can be taken from this, and I consider it super cool.
And yes, *even the sussy carries meaning to it.* With the relationship dead and gone, the memories formed from it feel fake, unreal, a ghost of the past. One could even say that the ex's feelings towards the singer were, at least for a time, entirely fabricated... The front of an Impostor, if you will.
Admittedly, I've not played the Yakuza games, and as such I have... Zero clue what the incorporation of this backing track is. Since I don't wish to be spoiled on these games, I'll leave that interpretation up to you, the reader and listener, as well as anyone who knows Yakuza lore and can relate the struggles detailed here to Kiryu's saga.
All this to say, this mashup absolutely slaps, and compelled me to read deep and find a narrative out of what was probably just a bunch of meme picks that sounded good when combined as they were. Props to you, Triple-Q.
I'd love to post my perspective on the Yakuza side, but to respect your wishes on spoilers (cuz the franchise is GARGANTUAN worth going in blind) I'll just say that it's only somewhat relevant to this narrative, but at the same time fits it like a glove. It mostly has to do with his internal emotions after several chapters. In relation to a love life though, that's a different character, and/or a different title in the series.
Nice essay
probably the highest effort comment here
Chiming in that the Trapper track could also be read as a tie-in regarding feelings of betrayal. The Trapper is a friendly NPC for the majority of part one and the first time I encountered him as a boss I felt like someone pulled a rug on me! He was the guy I traded with! I wouldn't have made it this far without him! How could he!!
damn bro calm down leave some brain for the rest of us
I gotta say, as soon as I heard “good 4 u” I’m like wow this sounds like Paramore…it’s scarily similar. However, at the end of the day, you can’t own a chord progression. There’s only so many chord combinations out there, so eventually, songs will have some similarities. I’m sure some of my own songs sound similar to others, that’s what inspiration is. But there is a fine line…to each his own I guess!
Really? I don’t think they sound alike at all.
@@rileyywhited u must be young
How does that make me young?
Yea they all have the same time signature but personally the only song I found that sounded super similar in the mashup was “good for you” & “misery business”. All the others have the same time signature but those two songs seem the most in common in terms of sound, style, and tempo. I guess over time studios run out of creativity & end up producing the same sounding stuff?
@@rileyywhited cause most ppl over the age of ~20 know the song “misery business” from our childhood/young adulthood since it was super popular in the 2000s-2010s and we could easily see the similarities between the two songs.
This just further convinces me that Planet Wisp is the best piece of music to ever grace our ears.
Ah yes i see you have taste
Hold up, when does Planet Wisp play? I can't hear it in the mashup.
@@BeLite21st 2:00
You'll find no arguments here.
I can't even hear it lmao
And no,it isn't.
Imagine listening to good 4 u and hearing "KUZEEEEEEEE"
All these radio stations and streaming services trying to get me to listen to songs one at a time. I just don't have time for that. Thank you for putting them all together so I can listen to them all at once. Saves a lot of time.
😁😁😁👍🏻
Lyrics:
I'm in the business of misery
Let's take it from the top.
She's got a body like an hourglass, it's ticking like a clock
It's a matter of time before we all run out
When I thought he was mine, she caught him by the mouth.
I waited eight long months, she finally set him free
I told him I couldn't lie, he was the only one for me
Two weeks and we had caught on fire
She's got it out for me, but I wear the biggest smile
Whoa, I never meant to brag
But I got him where I want him now
Well, good for you, you’re doing great without me baby
God I wish that I could do that.
I can’t wait to catch up
Before the sun sleeps
We are never ever ever
(I’m a disaster of passion)
Coming back together
It just feels so good.
The bass, the rock
The mic, the treble
I like my coffee black
Just like my metal
With the bass, the rock
The mic, the treble
I like my coffee black
Just like my metal
'Cuz I can't wait for you to knock me out
In a minute, minute
In a ***ng minute
I can't wait for you to knock me out
In a minute, minute
In a second
My shadow's the only one that walks beside me
(A non-stop love song, so that's me)
My shallow heart's the only thing that's beating
(Crushing in your thirties, crushing in your thirties)
Sometimes, I wish someone out there will find me
But I got him where I want him now
'Til then, I walk alone
I’m a disaster of passion
Crushing in your thirties, crushing in your thirties
Maybe I'm too emotional
But your apathy is like a wound in salt
Maybe I'm too emotional
Or maybe you never cared at all
Maybe I'm too emotional
Your apathy is like a wound in salt
Maybe I'm too emotional
Or maybe you never cared at all
Whoa, I never meant to brag
But I got him where I want him now
Well, good for you, you're doing great out there without me, baby
Like a damn sociopath
My shadow's the only one that walks beside me
(Crushing in your thirties, crushing in your thirties)
We are never ever ever
(I’m a disaster of passion)
Going back together
But I guess, good for you
And it just feels so good
Well, good for you, I guess you moved on really easily
Now it looks like someone in their thirties caught their lover cheating, so because of it they started to drink black coffee and listening to the metal and planning their revenge while trying to convince themselves they are “disaster of passion”, so that they are hot and confident. They say it feels good to realize they will never be together again but actually they feel very lonely.
Thanks g
Actually, it's "sussy-opath".
Actually is "Non-stop love song"
are you sure it's not "crushing in your forties?" that'd make more sense
@@tlsmith7585 the song is called crushing in your thirties, for sonic's 30th anniversary..
2:45 Okay I don't know the technical terminology, but the build up of tension then the full stop of the music right before the whole song all explodes in your ears at once near the end is just HEAVENLY. I'm just gonna call it the sussy beat drop, it's honestly my favourite reasons why I love rock songs so much. It's done ALOT but idk it's always so satisfying when a song can make you so physically excited from just a few melodies in your ear hole.
"Sussy beat drop" is incredible
Idk if there is an actual term for it (or if you wanted a real answer), but I'm pretty sure this is just a sound illusion. So prior to 2:45 the music was a bit louder, then at 2:45 the music got quieter (or the instrumental cut out at least giving the illusion that it's quieter), and then it goes back to the same volume as prior to 2:45. The tempo might have also slowed down at 2:45 as well. It's a build up of energy. It's used in a lot of pop songs as when you build energy of the song (typically with volume and tempo) you can't just keep doing that or your song becomes a mess. So if you cut back at a certain point and then release it, it feels like it was reenergized. At least I'm pretty sure that's what this was. A good example of this is in Ninja Sex Party in their song Danny Don't You Know (around 4:00).
@@kelsanna143 Dang that's a pretty cool trick. I didn't expect someone to have an answer, but thanks so much for telling me! I'm not that knowledgeable on music tricks so it's always cool to find out these things.
Breakdown. I’m pretty sure it is breakdown.
i’m not sure if it’s right but i’ve seen videos of “anti-drops”
When I have the song "good 4 u" stuck in my head, it always transforms into either "Misery Business" from Paramore or "Someday" from the TWEWY OST. Theses songs are so similar.
Considering there’s an insane plagiarism debate around this song that even Hayley Williams has commented on, I’m not gonna be surprised if you get some shit for this one
Who the fuck cares? They’re just jealous they couldn’t create something this beautiful.
More entertaining than the song being edited (I didn’t want to say original song)
In the words of Rodrigo herself, "it's brutal out here"
ua-cam.com/video/Q7USStVAS_Q/v-deo.html
Fax yep.
I think Q knows. I noticed Boulevard of Broken Dreams and We Are Never Ever Getting Back Together both appeared in this mashup. Both of those two songs, barring style, have the same similarities musically to good 4 u that Misery Buisnes has. Adam Neely had a fantastic breakdown of it, so if y’all haven’t seen that, you should check it out.
Boulevard of Broken Dreams really caught me off guard and the use of Immigrant Song really pulls this all together, I rate this 4/U, with no survivors
This mashup is amazing, But That particular part is the best one for me
0:42 That aspect ratio switch. oof. so good.
2:16 i love that part so much the "hhmmmmmmmm," with olivia singing is so good.
I always lived in fear of the moment Triple-Q would start using the Guilty Gear strive soundtrack.
*Excited anticipation
GG soundtracks are filled with absolute bangers.
Non-stop love song!
By sampling a song that already fills me with a compulsive urge to sing Snow Halation along with it as is
Just wait till Potemkin shows up.
@@skyguy713 SOCIETY, YOUR SOCIETY
Does your brain just come up with this stuff when you hear the song? What is your process for creating mashups like this? Whatever it is, keep doing it cuz these are awesome
music theory
Pop rock is a very formulaic genre, almost always in 4/4. Find pop rock or similar songs in the same key and you can see where they share sounds and ideas.
This is like a really weird, but also really hype act one finale to a musical.
We've got the anti-heroine singing about her success at getting the boy of her dreams while his jilted psycho ex is making thinly-veiled threats to burn his house down.
We've got two thirty year old best friends stuck in a dead end retail job, and one is clearly about to snap.
We've got two guys about to battle to the death in the sewers.
We've got the guy singing about his loneliness and isolation as he's stuck in the shadow realm forced to play card games with a bearded demon.
And we've got this cute weeb girl who's just vibing, oblivious to the drama going on around her.
This right here lmao 😂
Nah, hearing Totsugeki is like hearing a wendigo- once you do, you know you only have moments to live. Just like the SUSSY part.
Oh boy, you didn't realized how scary the Weeb girl is
@@vinmulf171 TOTSUGEKI TOTSUGEKI TOTSUGEKI YAMADA SAAAAAN
Now I want an outline of this musical and how these plot threads all tie together.
omg I always thought this sounded like misery business I love that you managed to represent what I was hearing in my head this is so impressive
further proof that every song ripped off "planet wisp - act 1"
selena pfp :^)
@@1echuga holy shit a midori pfp
shit i had no idea.
the more u know i guess.
Hold up, when does Planet Wisp play?
@@BeLite21st 1:59
also its literally in the spurce list at the end
I can't believe someone matches to incorporate Leshy's theme into a fucking mashups
it's not even Leshy's-theme, it's the fucking Trapper theme
it sais its The Trapper theme at the ending
@@tinvahtaric8680 he got them confused, it's not a fucking crime my dude
@@Rise65487 true true, sorry guys
Tired: "Wow no originality in music these days."
Wired: "Finally something to scratch that 2000s Paramore itch!"
1:51 this part >>
I appreciate the sync of the Kiryu and Kuze fight during the Shut Me Up segment. I'm a sucker for any kind of music synced up to video game characters slamming into each other.
I'm sorry, I couldn't read this comment because as soon as you said "I'm a sucker for" my brain just immediately went "Shanari Shanari ojou-sama" and I couldn't finish reading
@@maskofice9432 Oh man, that's on me for inadvertedly referencing the hit new and original song "Sucker".
Literally did not expect Kiryu v. Kuze here but that segment was so good.
2:16 This part has no right ro be as good as it is
ikr
Disaster of Passion fits in there INSANELY well like thematically and everything, that's crazy
2024, and I'm still just so impressed with how Olivia can sing with 11 different vocal styles, tones, and textures in 1 song.
2:50 *DAMMIT!* EVEN HERE I CANNOT ESCAPE THIS HELL.
Can't escape the sus
SUS-iopath!? WTF is wrong with him! 🤣🤣🤣🤣🤣
Super hype for the third song in the series. Knowing Triple Q, it's gonna be epic
ua-cam.com/video/Q7USStVAS_Q/v-deo.html
Fax yep.
no matter how you feel about the plagiarism thing, this shows why this song was so successful: it literally sounds like many many other successful songs at the same time and it's incredibly recognizable
That's a fucking terrible reason for a song to be successful tho.
@@RevolutionaryLoserIt would only be a terrible reason if the song was bad. The fact that it clearly takes inspiration from a lot of different things and still sounds like a great pop song is a feat in itself.
@@derpymule7977 Anyone can make a cover and not credit the artist. It's even easier if you have industry money.
I love how the creepy low hums from INSCRYPTION was included. 😭
The humming theme from Inscryption was unexpected but masterfully done, amazing!
The Trapper is the name ;)
Even tho they say it's "plagiarized" I honestly think Olivia Rodrigo is simply inspired by the old 2000s rock music and I think of it as good news because that means kids these actually like these kind of music and seeing how popular good 4 u is, it's a great sign that rock music can make a comeback and be mainstream again
Most of these are I think. I dunno, if it was good, record labels wouldn’t abandon it... right?
@@Mecceldorf well you know how record labels tend to follow trend, if this kind of music gets trendy again who knows
hmmm today i will get inspired and make a copy of a mix between a tailor swift song and a haylie williams song. serves her right she got sued to shit
based
Don't try and give her excuses
0:57 I COMPLETELY FORGOT ANOUT THIS. May’s theme completely reintroduced me to Paramore.
MSI was such a jump scare LMAOOO
Yeah this is pretty convincing but it's scary that music has a limit of audible notes and still sound good, which means there's gonna be more and more royalty lawsuits from old big music companies eventually you cant make a hit without 50 companies telling you you used their song
I'd say this is true, but it's more specific to pop music or this genre of songs
If you listen to some more foreign music's that use unconventional beats and instruments you'll see that the actual range is massive
It's just that these cord progressions are popular in western music so of course you'll have a lot of examples (and lawsuits)
I've had that MSI song stuck in my head for almost 20 years. I can see I'm not alone.
Knowing only one song from this entire mashup, I can say with absolute certainty that the songs blend so well together that I genuinely do not trust the MV transitions.
Sucker is new and original: wow it’s really cool that sucker fits so nicely with so many songs
Good 4 U is new and original: how dare she plagiarise so much
I read somewhere recently that the creator of Euphoria said something like, It’s one thing to copy someone’s art, it’s another to copy it but make it your own and put it in a new context.
I wish I had an exact quote but still, when I heard Good 4 U it was clearly inspired by other songs. But it’s still new and with her own story.
Stayed up until 2am to watch this and triple q just hits me with the "sussyopath"
the kuze theme storming in like kuze himself gotta love it
It's funny (and kinda sad) how this people in comments try lo lecture Triple Q about how music "works" when theirs series of "New and orignal songs mashups" is literally about *"Yeah, any music is original, go on"* bruh, the people that didn't get the idea at all and go straight to "defend that poor singers" pretty flamed tho XD
bro this comment section is ruined by stupid idiots arguing & defending nothing for nothing, btw as a long time sucker mashup fan this one also bangs sheeeshh. have fun listening n thank you for making this triple~
The music video for 1:13 was directed by Jhonen Vasquez, who also was the creator of Invader Zim.
The Inscryption part goes way harder than it has any right to
Crushing thirties was the Kyun! Vampire girl moment I was waiting for.
Trade in cute anime girl for Sonic the Hedgehog and it somehow still has the same energy.
I'm sorry for the peeps that didn't get this is satire. For those that has _no clue_ : Triple-Q's been doing mashups like this, go check the one they did with the song "sucker" from Jonas Brothers (it's good, like just click the pinned comment before getting so fussed up- see for yourself. geez.)
They weren't accusing Olivia for plagiarising. The point of this video is- it's a *mashup with a sarcastic title* that's it.
More like the joke is directed for Triple-Q 💀 since they're using other people's music/videos to make mashups.
It's sarcasm. 🤦🏽
Yea it’s hard to believe some people genuinely thought Olivia plagiarised of yakuza 0 and guilty gear
Also with the "Olivia Rodrigo totally isnt an industry plant" should have 100% given it away considering she was a Disney child star like cmon. Its so obvious.
Never thought I’d see Yakuza music in typical pop rock, but lemme tell ya that was a pleasant surprise. This mashup slaps.
NAHHH, BUT WHY DOES THE INSCRYPTION PART SOOUND SO GOOD THERE
Seeing Yakuza in this was a real treat, thanks for another god-tier mashup!
Seeing all these comments thinking this is a serious criticism of the music industry, they would likely get their minds blown by the "4 chords" song.
With the songs layered like this it really feels like good 4 u is the storyline of Misery Business told from the OTHER girls perspective and this is just these two ladies duking it out
Almost a year now and this song needs more views and likes. Possibly my favorite mix of songs
It's hilarious how seriously people are taking the title in the comments
Great work as always, TQ!
They probably think my profile pic had cereal put before the milk
@@Mailodi47 do you mean to tell me.. you put the milk first..?
LIKE A DAMN SUSSYOPATH
10/10 good 4u triple
Good 4 triple Q
The only song I've ever had a problem with "ripping off" another song is Hotline Bling and the Wii Shop Theme. It's so blatant and it's never mentioned anywhere.
Not really
absolutely
Maybe
Definitely
Totally
It's uncanny how this mashup takes a dozen or whatever songs that, individually, I absolutely despise; but then Frankenstein's them all into an absolute banger.
I don't feel like this is even remotely plagiarism (you've basically just identified how genre works, this is all pop-punk, that the similarity) but also this song is a bop
EDIT: jesus christ every single day I get the same reply on this. If !THAT'S THE POINT! or !IT'S A JOKE! then it's a stupid clickbait title and the channel needs to chill.
Good for you is just pop
I feel like Q isn't trying to say "X is plagiarism" but "The very act of arguing if a song is plagiarizing is redundant because no song is 'entirely original'" they did the same with Sucker and garage rock
When you have to _add_ songwriting credits and give a percent of your profits after initial release- then yes, it should be considered plagiarism.
There's nothing punk about Good for you it's just pop there's nothing really punk about it you can tell it was sorta inspired but the execution wasn't that great
@@fantrash5698 I feel like if it was just pop it would not mesh so well with all the other songs and the instrumentals are very similar to what is normally used in punk rock and then pop punk like that guitar before the chorus and then the chorus is definitely a punk pop chorus it actually reminds me of that one song over on the butterflies I think it's called