Adoro questa canzone cantata da Jula de Palma con la sua voce molto sensuale . Altre cantanti hanno cantato questa canzone ma questa per me è la versione più bella grazie all'interpretazione della cantante . All'epoca fù censurata . Bellissimi i Festival di San Remo degli anni 50 . Grazie mille di vero cuore per questo bellissimo video .
So, I'm reading the book "Vendo Ritmo - Natalino Otto 40 + 1 anni dopo..." (the title is roughly "I Sell Rhythm - Natalino Otto 40+1 Years Later...) by his daughter, Silvia Codognotto Sandon. She includes an interview she did with Claudio Avenali and they discuss how this song by Jula De Palma caused a major scandal with the press, the Vatican, the critics, and of course the political party of the time. Sound depressingly familiar? Per my own translation, Claudio Avenali says: "The authors were forced to change some of the lyrics. She was criticized for wearing an evening gown that was too sensual, and I won't tell you what they said about how she presented the song. Jula risked her entire career with that song." This was part of their discussion of the effect the development of TV had on radio and music. Claudio commented that had this song been presented in exactly the same way but only on radio and not on TV, no scandal would have happened. I say, If only those people could see some of the stuff presented today and seen by kids under the age of 10, more than their heads would explode! OM(non-existent)G, LOL! Thanks so much for posting this. I just read the parts I mention above and I had to come to UA-cam hoping to find this to see for myself.
For those who want to understand the lyrics and how those contributed to why this song was considered scandalous, here are the lyrics first as I hear her sing them, then followed by my translation. I tried to get them side by side, but no luck. Ho creduto di sognare invece no, son proprio tua. Tua, fra le braccia tue, solamente tua, così. Tua, sulla bocca tua dolcemente mia, così. Per sempre tua, mi sembrava impossibile ma fu poi tanto facile legarti a me, amore. Tua, fra le braccia tue, per sognare in due, per morir così. Finalmente tua, così. Per sempre tua, mi sembrava impossibile ma fu poi tanto facile legarti a me, amore. Tua, fra le braccia tue, per sognare in due, per morir così. finalmente tua, così. ...and my free-ish figurative translation: I believed I was dreaming but no, I am really yours. Yours, held in your arms, only yours, like this. Yours, on your lips, sweetly mine, like this. Forever yours, it seemed impossible to me, but then it was so easy to bind you to me, my love. Yours, held in your arms, a dream for two, to die like this. Finally yours, like this. Forever yours, it seemed impossible to me, but then it was so easy to bind you to me, my love. Yours, held in your arms, a dream for two, to die like this. Finally yours, like this.
Adoro questa canzone cantata da Jula de Palma con la sua voce molto sensuale . Altre cantanti hanno cantato questa canzone ma questa per me è la versione più bella grazie all'interpretazione della cantante . All'epoca fù censurata . Bellissimi i Festival di San Remo degli anni 50 . Grazie mille di vero cuore per questo bellissimo video .
👏 l'ho scoperta da poco perché si sono, e ci siamo, dimenticati di lei? Una grandissima interprete, voce e presenza scenica da fuoriclasse.
Wow che interpretazione ❤
Qué sensual😊
So, I'm reading the book "Vendo Ritmo - Natalino Otto 40 + 1 anni dopo..." (the title is roughly "I Sell Rhythm - Natalino Otto 40+1 Years Later...) by his daughter, Silvia Codognotto Sandon. She includes an interview she did with Claudio Avenali and they discuss how this song by Jula De Palma caused a major scandal with the press, the Vatican, the critics, and of course the political party of the time. Sound depressingly familiar? Per my own translation, Claudio Avenali says: "The authors were forced to change some of the lyrics. She was criticized for wearing an evening gown that was too sensual, and I won't tell you what they said about how she presented the song. Jula risked her entire career with that song." This was part of their discussion of the effect the development of TV had on radio and music. Claudio commented that had this song been presented in exactly the same way but only on radio and not on TV, no scandal would have happened. I say, If only those people could see some of the stuff presented today and seen by kids under the age of 10, more than their heads would explode! OM(non-existent)G, LOL!
Thanks so much for posting this. I just read the parts I mention above and I had to come to UA-cam hoping to find this to see for myself.
It could have been an international hit in english.....
For those who want to understand the lyrics and how those contributed to why this song was considered scandalous, here are the lyrics first as I hear her sing them, then followed by my translation. I tried to get them side by side, but no luck.
Ho creduto di sognare
invece no,
son proprio tua.
Tua,
fra le braccia tue,
solamente tua, così.
Tua,
sulla bocca tua
dolcemente mia, così.
Per sempre tua,
mi sembrava impossibile
ma fu poi tanto facile
legarti a me, amore.
Tua,
fra le braccia tue,
per sognare in due,
per morir così.
Finalmente tua, così.
Per sempre tua,
mi sembrava impossibile
ma fu poi tanto facile
legarti a me, amore.
Tua,
fra le braccia tue,
per sognare in due,
per morir così.
finalmente tua, così.
...and my free-ish figurative translation:
I believed I was dreaming
but no,
I am really yours.
Yours,
held in your arms,
only yours, like this.
Yours,
on your lips,
sweetly mine, like this.
Forever yours,
it seemed impossible to me,
but then it was so easy
to bind you to me, my love.
Yours,
held in your arms,
a dream for two,
to die like this.
Finally yours, like this.
Forever yours,
it seemed impossible to me,
but then it was so easy
to bind you to me, my love.
Yours,
held in your arms,
a dream for two,
to die like this.
Finally yours, like this.